Precious and Primal

An Exhibition of my work starts next week and will be running throughout February at Casespace, Bruton Museum, entitled ‘Precious and Primal’.  It features a collection of my smaller pieces, including Cocoons, large Dung Beetle and Ball and some new work.  There will be a Private View on Saturday 4th February, 12 – 3pm, so please come along!  

See below for details:

 

 

 

Nature’s cyclical persistence

A solo exhibition of my work is dawning soon at Casespace, Bruton Museum.  An intimate space enclosed in a glass case and one corner of the Museum, the exhibition ‘Precious and Primal’ will show some of my smaller pieces – including cocoons and new work I’m making at present:  New Beginnings is a series of egg forms with tentacles sprouting upwards.  I’m experimenting with the kinds of media I used years ago – bandage, wax, bristles etc… to achieve the textures I’m after.  

My ideas have been developing for a proposed show, for which I’d like to create a massive piece as the main focus.   Concepts of  ‘a network of threads weaving through all things’ and Nature’s cyclical persistence keep re-emerging.  Although one changes, develops and adapts in life – it’s strange how one keeps returning to old ideas.  It’s that ‘cyclical nature of things’ concept again (or I’m like a goldfish swimming around.. and around….)

Sonja Klinger (glass artist) kindly gave me some beautiful large pink glass baubles, which she considered scrap.  As I collect recycled materials she thought I could use them in my work.  In a way, I’d like to keep them just as they are – objects d’art in themselves.  They have been sitting decoratively in my garden over the winter, mulling over their next destiny.  But I have a plan for them now.  My Diatom drawings show the baubles encased as the heart within these sculptures.  Diatoms are phytoplankton from the Jurassic Era.  Significantly endangered, they’re responsible for over 40% of the ocean’s primary production – without which we all die.  When I recently learnt that information, my obsession with these fascinating microscopic phenomenon grew all the stronger.  We mustn’t kill them just as we mustn’t slaughter whales!  

My work with the Scraptors sculpture group is accelerating once more.  We are about to launch our IndieGoGo bid to help fund our next venture at the Magdalen Project and filming continues tomorrow to get our message across.  See our blog for details: scraptors.blogspot.com   S-J of Whitespace Productions has kindly made a shorter film version of our Scraptors’ Sculpture Trail at Stourhead to help with our IndieGoGo fund-raising launch.

Jessica’s vision

A friend of mine – Jessica Rannachan – has been working on a series of paintings based on the Book of Revelation for 10 years.  The drama and magnitude of the prophesies are depicted brilliantly in her paintings, which have a wonderful ethereal sense of colour and light.  She recently had a Solo at Westminster City Hall and is currently showing at the Visual Arts Centre, Watford Girls Grammar School  (see below).  I admire her passion and faith – though feel I may be doomed if all this comes into being.   Whilst passionate about the miracles of life, I would like to have a stronger belief in the existence of God – mine wavers from time to time…

www.revelationart-jessica.com

Roche Court

Having wanted to visit Roche Court Sculpture Garden and New Art Centre, Salisbury for ages, I was very happy for the opportunity to accompany a group of students I teach from All Hallows Prep School on a trip there with Nick Somerville (Head of Art) this week.  An amazing collection of contemporary sculptures set in beautiful grounds, we were all the more inspired through our personalised tour by Jo and Alice from Roche Court, who initiated a series of drawing exercises for students to get the most out of work by sculptors such as Michael Craig-Martin, Barbara Hepworth, Julian Opie and Peter-Randall-Page.

We met resident willow sculptor Laura Ellen Bacon, who was installing her massive nest forms on the buildings there, ready for a forthcoming exhibition ‘The Nature of Things’.  I have a similar fascination with nest forms, and was intrigued by her process and scale of work.  Students learnt how to make a fish-knot using willow sticks and we all came away inspired and eager to explore new ideas.

Press 2009 – 2011

Wildlife Artist of the Year Award ’09

Somerset Life Magazine article 2009:

garden beet – Sculptures for Gardens

Spaeda Magazine feature 2010:

bbc news – Glastonbury Festival’s Greenfields 2010 – Giant Spider

Green Diary – Glastonbury Giant Spider project

winkball.com – First 2 videos show me at work on Spider at Glastonbury

Mendip Times – Glastonbury Spider ’10

Somerset Life – Carymoor Environmental Sculpture Project 2010

Mendip Times – Carymoor Environmental Sculpture Project 2010

bbc news – Somerset Art Weeks 2010

bbc news – Insect sculptures stolen from Dobbies entrance

Spaeda – featured school project

Wincanton Window – Art for Life – Sustainable Sculptures in Historic Venues (2011)

Central Somerset Gazette – Scraptors at Pylle scrapyard (’11):

Wincanton Window – Scrap – The New Alchemy

Warminster Journal:

Period Living article – Salvo Fair 2011

TAAG – Devon Recycled Sculpture Trail 2011

Chronicle front page – Stackpool, Kidderminster – Community Insect Sculpture Project:

This is Somerset – Somerset Art Weeks 2011

Somerset Life Magazine – Art in the Garden, Somerset Art Weeks

Thinly Spread blog – Scraptors Stourhead Sculpture Trail ’11

This is Somerset – Stourhead Sculpture Trail ‘Beyond the Garden Gate’ ’11

Wincanton Window – Stourhead Sculpture Trail ’11