Journeys

Although the pressure started earlier for me this year, I’m beginning to feel it tightening its grip.  Determined not to let the season of summer madness get the better of me, I have declined a few possible festival workshops (usually done for love not money!) in order to keep focused on important commissions/exhibitions coming up later in the year.  However, there still seems to be a gathering list of exhibitions, and I’ve spent much of the past week either delivering/installing or collecting work!  The long journeys and physical exertion of lifting/carting work can be time-consuming, expensive and exhausting.  No matter how hard I try, I can’t say no and often, the good exhibitions are miles away.  The trick is to make the most of every journey.

Last Monday, with a bit of clever planning, I incorporated 3 appointments in one day, so that the travel to Devon was fully utilised.  With truck fully loaded, I went first to Greenway (Agatha Christie’s place – so beautiful) to discuss a possible solo exhibition there next year, which is exciting.  Agatha described it as “the loveliest place in the world”, and I can see her point.  Overlooking the river Dart and a boathouse, her georgian home is surrounded by lush planting, lichen and mossy woodland.  I was entranced!

I then went on to Cornwood to install work for the Delamore Arts exhibition (runs throughout May) – a great venue, particularly for sculpture.  And finally, a trip to a small Gallery in Exmouth (LookArt).  My dog and I enjoyed several walks that day exploring each area, so it was quite an adventure.

Whilst in Bath last week collecting flyers for the Widcombe Trail (18/19th May) and delivering work, amongst other errands I visited Bath Abbey to see the Odyssey exhibition (about journeys), including work by Tessa Farmer and Damian Hirst.  I first saw Tessa’s work at the Saatchi Gallery, but this was even better.  Her ‘Voyager’ piece contains miniscule winged skeletons spearing beetles on the back of a real swan with strange growths… incredible!

Yesterday I drove north to Showborough House, Twyning, Glos to install there.  It took up most of the day, but another great venue for sculpture I can’t resist.

Now I have a week or two to get stuck into making (hopefully in the sunshine), before the next set of installing.  For a full list of forthcoming exhibitions please see here.

Photography and Film-making

I’m becoming more and more aware of the importance of using film well to document work, explore ideas, present and attract a wider audience and even, perhaps, make a few extra bucks on the internet!  I try to take good photos of my work in diverse settings, but when I’ve used a professional photographer, the results are usually much better.  I realise we can’t do everything well.  I went to ’35mil’ in Frome recently to try out their expert eye/lenses/lighting on the start of some new work, in the hope that the images would be good enough for some new PR.  The results were great and I’ll definitely return for more, when my series of Vertical pieces is finished:

A photographer friend and co-member of Gallery4Art, Nic Wingate, recently photographed one of my Earth Worm pieces as a 360˚ image.  This has great potential for products which need to be seen from all angles.

V-J Ultra made a film of my work once, and I’ve since been meaning to make my own.   Whilst I was a member (and co-founder) of the Scraptors, S-J of Whitespace Productions kindly produced a wonderful film (gratis) of our Stourhead Sculpture Trail.  We used it to good end in our fund-raising appeal and it remains a lasting reminder of the trail’s success.  Recently, my teenage son and I have been to a couple of animation/film-making workshops via Somerset Film, as he’s interested in this media.  We took part in making a Bridgwater Carnival film and made simple animations.  It reminded me of doing animation as part of my Art Foundation course years ago, which I really enjoyed.

So now with a taste for it again, I plan to make some “how to make…” films, stick them on Youtube, get millions of hits and make big bucks.  That way I can carry on sculpting into ripe old age..!  Watch this space…

Press 2013

Some articles below, related to my work:

Wire Birds Workshop, Ash Primary School – Great Crane Project

Gallery4Art at Blackmore Farm – This is Somerset

Art in the Garden, Lanhydrock – National Trust website

Lanhydrock, Cornish Guardian, April ’13

Art in the Garden, Lanhydrock – Museums in Cornwall website

Abundance Commission – SAW website

Abundance Trail  – SAW blog

SAW Abundance blog

Abundance Garden Trail – ArtsCulture

Esotera, Abundance Project – Country Living magazine

Giant Spider at Widcombe Art Trail

Spider – Bath Chronicle

Artist on a Plinth – Somerset Standard

Artist on a Plinth at Black Swan Arts

Take One Picture, National Gallery 

Evolver Prize

Brief Art 2013

Avon & Somerset Police, Respect Workshops

Bristol Post, Rubbish to Art

Burnham-on-Sea.com, Dreamscheme transforms rubbish to art

What’s On Somerset

Somerset Art Weeks ’13 by Rebecca Pow

Garden of Eden – Cultural Forum

A Garden of Abundance – Landscape Juice

Abundance Art/Garden Trail – Arts/Culture

Abundance Art/Garden Trail – Creative Somerset

Abundance Art/Garden Trail – Swindon does Arts

Somerset Art Weeks Festival ’13 – Wells Life

Somerset Life, Sept ’13

Abundance Garden Trail – The Fine Times Recorder

Garden of Eden – Somerset Guardian

Garden of Eden – Artists Newsletter

Blurred Edges – Artists Newsletter

Blurred Edges – Somerset Life

2d meets 3d – Bath Chronicle

Blurred Edges – Landscape Juice

All Hallows Chronicle ’13

SAW Rep