I’ve started my Cells residency ‘Offenders’ at Town Hall Arts, Trowbridge and loving it. I’m using the residency to make new site-responsive work around notions of incarceration, suffering, human exploitation and factory farming. In contrast, it’s been great to have much needed space, time and freedom to explore ideas in solitude with no constrictions and I’m very grateful for this opportunity. The work culminates with an exhibition in May - Launch Thurs 9 May 6-7.30pm. Come along!
One of the pieces I’m making is based on a tongue form. I’ve been layering and stitching patches of donated fabric onto a large steel and wire structure. Sketches are informing the sculpture.
As I roam around the cells exploring dark corners, getting familiar with my new surroundings, I’ve felt the need to take imprints of decaying remnants. I’ve made a large wall rubbing in graphite and have been capturing old black dusty spiderwebs on pasted fine handmade paper. The tiny woven lines are mesmerising.
Rickety handmade ladders are forming part of the work. Ladders take us to places out of reach, symbols of our desire to escape; our ascension to Heaven. Is there such a thing as freedom? I’m feeling caught up in an endless cycle, an effort to strive, (in a sense escape the present), but disturbed by the mass of destruction and waste we leave around us, there’s an attempt to suture, mend. Thanks to Nick Weaver for his help and use of well equipped wood workshop. Along the lines of ‘Snakes and Ladders’, there will be weblike entrail forms dangling…
Co-curating an arts in prison project ‘B-Wing’ with Luminara Star for September/October, we are currently fundraising and so grateful to those who have kindly pledged their support for B-Wing already: Hauser & Wirth Somerset & Chrisi and Simon Kennedy. Writing an ACE application has taken up a lot of energy and time, so really hope we are successful. Sponsors will be listed on our forthcoming website. Please get in touch if you’d like to know more or wish to offer support.
Shepton Mallet Prison, built in 1610, was the oldest working prison in the UK until its closure in 2013. 8 B-Wing artists will respond to this unique space by researching its architecture, historical narrative and related concepts: incarceration, crime, the ‘other’…
The prison is an ideal site to create art in unexpected places. Sculptural installations, performance and collaborative mixed media works will transform the spaces, provoking debate and engaging the wider community in participatory activities and events.
The B-Wing team of 8 artists and writers had an inspiring day visiting the prison for an artist research trip. We were given an official prison tour and an additional pot history from Ian Keys. While the prison is steeped in an oppressive history, the B-Wing space is extraordinary - vast, with incredible light and acoustics.
Extinction Rebellion, London
Last week I took part in Extinction Rebellion, as I feel so strongly about the destruction of our natural world, death of species and arrival of the sixth mass extinction. There is no greater cause. It was my first big protest.
I joined an XR Frome group and a few of us teamed up as artivists. We made huge banners and I ran a headdress making session with the lovely artivists (using discarded & recycled materials). On Day 1 of XR we went to London, and wore the headdresses at Waterloo Bridge. It was great to see them in action. My flamingo headdress strutted its stuff all day, worn by a couple of people and photographed many times. Let’s hope the amazingly powerful and resilient rebellion, a massive effort and achievement by so many, turns governments’ heads to engage in positive negotiations and outcomes for the good of all.
I’ve visited London a couple of times to see exhibitions. I really enjoyed navigating through Phyllida Barlow’s Cul de Sac exhibition, Royal Academy of Arts. Her work completely inhabits the space and invites active engagement. Dynamic views through doorways, obstructions, sculptural objects sticking out from the wall, verticals & horizontals playfully interact, up through under over round beyond into out. Soft drapes contrast against hard straight structures. Grey with splashes of colour.
Her blocks on stilts resonate with my ideas involving precarious ladders, related to slums and our world on tipping point. Also visited Bill Viola/Michelangelo: life, death, rebirth. I found Viola’s videos profound and totally absorbing, even cried a little watching Nantes Triptych. And such beautiful drawings of the human spirit & endeavour by Michelangelo.
More recently, I was inspired by Franz West at Tate Modern for his playful irreverence, participatory sculptures, scale & use of everyday found materials.
‘Material: Textile’ is also definitely worth a visit at Messums, Wiltshire. The tithe barn is filled with a fabulous installation The Onion Farm, made from carwash brushes, balls, stretchy fabric and lights, by fashion designer/artist Henrik Vibskov.
Recent workshops have included one for primary school teachers: Creativity Counts, The Brewhouse, Taunton via Somerset Art Works InspirED programme fusing art and maths. Participants made colourful decorative diatoms linked to Ernst Haeckel using recycled and found materials.
I also ran a twilight sculpture session for teachers, a sculpture workshop for Bruton Art Society and a 3d wire workshop at Town Hall Arts, Trowbridge. The courtroom was packed with participants aged 6+! I’ve never run a workshop in a courtroom before.
I'll be running a Jack in the Green cloak-making workshop (free) at Evercreech Village Hall, Sat 4 May, organised by The Old Stores Studio. In the workshop we'll be creating a rag cloak for Evercreech Jack in the Green. Come along to the Village Hall between 9.30 - 11.30am to get creative. At 11.30 the head and cloak will join the body at The Old Stores Studio for a big procession at midday.
All ages are welcome to join in, so please share this with anyone you think may be interested in having a bit of Spring fun!