June brought a stream of thrilling news. After months of what seemed like never-ending funding applications and a long waiting game to hear our results, B-Wing received several grants in succession for our art in prison project. This will enable us to pay artists and engage the wider community in a series of special events including free workshops, talks and exhibition tours. We are so grateful to Arts Council England and The National Lottery for awarding B-Wing a project grant. We have also received match-funding from Somerset Community Foundation, Shepton Town Council and Cranmore Parish Council - huge thanks to them and to all our supporters (see our website for a full list). It has been worth all the meetings and late nights at the computer. Now onto the next stages of curating and making.
I’m co-curating B-Wing with Luminara Star, alongside 6 other artists/writers. 8 of us will be installing a range of site-responsive visual art, poetry and text-based artworks in the unique spaces of B Wing, Shepton Mallet Prison for Somerset Art Weeks Festival 2019 (21 Sept - 6 Oct).
All the B-Wing artists met together at Shepton Mallet prison recently to celebrate. Ideas are accumulating, and new collaborations brewing. I’ll be collaborating on work with Lou Baker and Scott Sandford on an immersive piece.
We now have our logo designed (by Chris Lee) and hard work continues, moving the project forward.
In the next couple of months, we are engaging the local community in free one-off workshops leading up to the main exhibition. I’m running 2 free workshops for adults on 23 July and 6 August, creating collaborative artworks (all abilities welcome), to be exhibited at our exhibition ( see poster). We aim to engage the local Shepton community as much as possible. We are also leading workshops at Whitstone schools and a Shepton home ed group this July, and offering free additional workshops for schools at the prison during Somerset Art Weeks as part of the prison’s educational package. For info on these and special events visit B-Wing Community Events and follow us on our social media channels: instagram, twitter and facebook (@bwing2019) #bwing2019 #artbehindbars .
To book a workshop email: email@example.com
For my B-Wing artwork, I have a few ideas on the go and am looking forward to getting cracking during my residency at the prison in August. I will be working on site using the Servery in B-Wing as my Studio. Some of my B-Wing work is going to be quite large, so making part of it on site will make logistics simpler .
I recently discovered Giovanni Battista Piranesi, Tavola VII (The Bridge), from The Imaginary Prisons series, 1745, thanks to a talk by Helene Bremer at Grow Flow symposium, Pound Arts, Wiltshire. The work reinforced ideas I’ve been developing for months around the theme of rickety ladders. Like the game snakes and ladders, humans seem imprisoned in an eternal cycle of striving, greed, pain, suffering and evil. Louise Bourgeois wrote a series of short stories - illustrated as 9 engravings. ‘He disappeared into complete silence’ features skeletal buildings, claustrophobic cells, dysfunctional spaces, human frailty, separation, isolation. Her floating ladders (plate 8) relate to the story of a man who ‘became cut off from part of the world’ through deafness. My large-scale installation for B-Wing will reflect on similar notions.
Last week I installed my large sculptural installation Crowns of Thorns for a summer group show Re-Formation at Bishops Palace, Wells, organised by Heritage Courtyard Gallery. It’s made from various re-purposed older works (more than 7), using scrap steel, lead, a hand-woven net made from recycled materials (Canopy, 2016, originally created for RHS Chelsea Flower Show), and glass. The install was a long process, as is often the case with my work, thanks to my son Jack for all his help loading and unloading. I’m so grateful that the weather has allowed me to work outside, as the scale is too large for my increasingly cramped studio. Crown of Thorns investigates ideas about religion and myth, rethinking our belief systems. I’ve really enjoyed working with lead and glass again, playing with their capabilities, both respond so differently to heat and fusion. The materials speak of flux, transformation, contrast, collapse. The exhibition runs from 22nd July - 6 October. Private View 10 August, 6.30-9pm, all welcome!
Drawing on Dorset
My work Traces is included in a publication and exhibition Drawing on Dorset, currently at Fine Foundation Gallery, Durlston, Swanage - an idyllic setting. Part of Durlston Castle, it overlooks the sea, Studland and Isle of Wight. The Private View was held on a perfect summer evening this week, a packed event, which included a panel discussion about the practice of drawing, led by Anita Taylor. Tania Kovats read her beautiful introduction to the book, which begins ‘Make a mark, leave trace, something against nothing...’ I feel honoured to be a part of the exhibition and publication, alongside some great South West artists. The show runs til 17n July, then tours to the Lighthouse, Poole Centre for the Arts, 6-29 Sept.
Marks Hall Summer Exhibition
I delivered my Verticals and Giant Nest to Marks Hall Estate, Coggeshall, Essex last week - 9 hours round trip! Pleased to be showing work in such a beautiful landscape.
Due to the nature of my work and my increasingly tight studio space, I’ve spent a few weekends sorting out and fixing 3 old dilapidated sheds in my garden, which will become storage and work spaces. I’m making good progress thanks to the help of Jason Nosworthy and Nick Weaver.
I’ve run a range of workshops recently - the furthest was a sculpture workshop using recycled materials at Nottingham High School; a long way to go in a day but what a delightful set of outcomes from 40 Yr 9 students!
For further news of my forthcoming workshops and exhibitions please visit this link.
Happy summer days ahead!