Workshops

My time inside comes to an end by Fiona

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Cells Residency

May was an exhilarating month for me, dominated by my solo residency/exhibition in the incredible atmospheric Cells, Town Hall Arts, Trowbridge.  My exhibition ‘Offenders’ (9-31 May) was the culmination of an art residency there in April.  Set in historic holding cells for suspected offenders (the grand magistrates court is on the floor above), the show may have offended some, but alludes to a question ‘are we all offenders given the state of our world?’ The work was a response to the site and to the horrors that we are facing - plastic oceans, factory-farming, animal extinctions.  The labour-intensive process of my work - weaving, wrapping, sewing - is a form of suturing, a cathartic attempt to repair in response to world destruction. I created a range of large and small works, installing as I made them.  Ironically, it was such a pleasure to be unrestricted in the cells spaces, free to test out new ideas and take risks.

Tongue  330cms (l) x 158cms (h) x 135cms (w)  Reclaimed and found materials. Photo by Tchad Findlay.JPG
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Tongue, 2019,    330cms (l) x 158cms (h) x 135cms (w)   Recycled and found materials: fabric, old clothes died with avocado pits, foam, sponge, copper wire, steel, wax, twine, blankets, duvets, pillows, cushion, towels, wool, leather, plastic, rubber, thread    Photos by Tchad Findlay

Tongue, 2019, 330cms (l) x 158cms (h) x 135cms (w)
Recycled and found materials: fabric, old clothes died with avocado pits, foam, sponge, copper wire, steel, wax, twine, blankets, duvets, pillows, cushion, towels, wool, leather, plastic, rubber, thread

Photos by Tchad Findlay

My larger works - a body-sized Tongue sculpture (above) and 3 rickety ladders - filled the 3 main cells.  Fragile and exposed, Tongue activated the space. Like a wounded body, its vulnerable softness was juxtaposed against the harsh surroundings, repulsive but seductive. The ladders were precariously balanced, with wrapped soft sculptural entrails made from recycled materials weaving through them, and dangling from cell bars.

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Photos by Tchad Findlay

Photos by Tchad Findlay

Other works became interventions in smaller spaces and in the corridors.  The work included a sound piece - a new direction for me. I made a series of Spiderweb drawings - ancient neglected spider webs captured from dusty corners of the Victorian cells.  To become acquainted with the space I spent time creating a large graphite rubbing of a decaying section of brick wall, and some imprints on fine handmade paper, which I oiled, transforming them into skin-like parchment. In the loo, large stone spheres that have been incongruously left on the floor inspired an installation of interconnected cellular/planetary forms like a constellation. The stone balls remind me of these ancient ones.

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Spiderweb drawings

Spiderweb drawings

Cellular/Planetary structures - installed in the cell loo  Photos by Tchad Findlay

Cellular/Planetary structures - installed in the cell loo

Photos by Tchad Findlay

As part of the residency, I invited various community groups to engage through debate and collaborative making.  I had some great conversations with visitors about the work, which expanded to discussions about human use and abuse of materials and wider issues about the state of our world.  I really appreciate all the visits and am grateful to those who supported me. Towards the end, I engaged the community in make a growing artwork for the exterior fencing outside Town Hall Arts. As a finale, I joined forces with artist Katryn Saqui (also exhibiting at Town Hall Arts) on Saturday 25 May, to create a colourful Street Sculpture ‘Bahuli Entrails’.   It was a wonderful way for members of the public to engage with art while having a bit of fun. All sorts of people dropped by to contribute to the work as a social activity, it attracted more people to enter inside the formal town hall to see the exhibitions, (several who don’t normally go to art exhibitions).  I have grown fond of friendly Trowbridge and was particularly charmed by a man Peter, who spent hours making a long finger knitted woollen piece for the display.


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Workshops

I took part in a spectacular Jack in the Green event organised by The Old Stores Studio, Evercreech. My role was to run a rag cloak-making session, with community help. The event celebrated the release of the spirit of summer.  At Bruton School for Girls, 50 students made cellular/planetary structures with me (based on the work I made in the cells) using recycled copper wire, twine, wool, plastic netting, printed handmade paper and oil.  The ethereal forms link to the 50 year anniversary of the first landing on the moon. Each piece will eventually interconnect with others to become part of a whole room installation at the school, to be exhibited as part of Somerset Art Weeks Festival 2019. At the Holburne Museum I ran a ‘masterclass’ with 11-16 yr olds creating self-portrait paintings - I was so impressed with their outcomes.

I will be running workshops at Town Hall Arts, Trowbridge in August making carnival headdresses: 13, 20, 27 August, 10am-1pm. Book here.

Current exhibitions

My piece Accretion has been selected to feature in the Bath Open Art Prize at 44AD, part of Fringe Art Bath. The exhibition runs until 9 June, 11 - 6 daily (until 2pm on last Sunday).  4 Abbey Street Bath BA1 1NN.

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Forthcoming exhibitions

Re-Formation: a summer exhibition at Bishops Palace, Wells, 22 July - 6 October, organised by Heritage Courtyard Gallery.   Private View Saturday 10 August, 6.30-9pm. I am making a large outdoor piece entitled Crown of Thorns, inspired by a mixture of myth and religion, using re-purposed materials.  Re-Formation calls for a new vision.  With our planet at risk, we need to re-think our belief system.

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I am thrilled that Traces has been selected for a book and exhibition: Drawing On Dorset organised by Dorset Visual Arts. The publication features 40 drawings linked to Dorset.  The exhibition will be at Fine Foundation Gallery, Durlston, Swanage 5- 17 July.  I made Traces in 2017 during my MFA. It is made mainly with copper wire on handmade paper, some elements 3d, inspired by whelk egg sacs found on the  Dorset coast.  In the work I was interested in blurring the boundaries between drawing and sculpture, so it expands into an out of form.

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Sculpture at Marks Hall 2019: outdoor exhibition of sculpture throughout the landscape of Marks Hall, Coggeshall, Essex, CO6 1TG, 20 July - 31 August.


B-Wing

B-Wing is an arts project I’m co-curating with Luminara Star in Shepton Mallet Prison, for Somerset Art Weeks Festival 2019.

It’s so great to have the support of several sponsors including Hauser & Wirth Somerset, Chrisi & Simon Kennedy, MJW Architects, Kelly O’Brien, Cameron & Daniella Scott, Cranmore Parish Council and 2 anonymous donors. Many thanks to all!  We are waiting on news back from our main funding applications. Meanwhile, we are still fundraising, so if you can contribute to our project that would be wonderful!  Sponsors will be mentioned on social media and our website. Thanks to Mark Adler (Mendip Times) and Giles Adams (Whats On Somerset) for fab features.


Talks

I’m taking part in a Pecha Kucha at Hauser & Wirth Somerset on June 11, part of a professional development day for Artist/Educators. Hauser and Wirth’s current exhibition ‘Unconscious Landscape’ is such a joy, with so many of my favourite women artists featured, including Louise Bourgeois and Eva Hesse.



Farewell to Spring, Hello Summer!



Juggling by Fiona

It’s a common phenomenon for artists to be adept jugglers, managing multiple balls in the air to survive. A book I’m reading ‘The Artist as Cultural Producer’ by Sharon Louden highlights 40 artists who do it very well. It’s been a dizzy time juggling different strands of my practice and feeling excited by opportunities that have come my way.

Carymoor - newt sculpture

I installed my Great Crested Newt sculpture in his new home at Carymoor Environmental Trust. Made from recycled and found materials, he sits on a grassy tussock by an old bomb incineration tank (now pond - home to great crested newts). Here he can oversee his live newt friends who hide underneath the sheet of corrugated steel.

The sculpture was commissioned as a memorial to the founder of the environmental centre Hamish Craig. He loved great crested newts and it was finding these on the old landfill site that sparked the beginnings of Carymoor - now a wonderful wildlife and education centre built over a site full of waste.

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MA graduation ceremony

Earlier this month I officially graduated with an MA in Fine Art at a grand ceremony in the awesome Assembly Rooms, Bath, celebrating with fellow graduates. It was a treat to meet our chancellor Jeremy Irons and I was honoured to be invited to give the valediction speech on behalf of our cohort. I managed to do this without tripping up. It was a lovely sunny day for photos - happy memories!

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Gilbert Bayes Award sessions

Since winning a Gilbert Bayes award from the Royal Society of Sculptors, I’ve been going to London for monthly development sessions. The last with Shelley James focused on writing about our work. The year ends with a group exhibition in London, which tours to Grizedale Arts afterwards - exciting! I try to maximise on my London day trips by visiting exhibitions or museums. I saw Anni Albers at Tate Modern and more recently strolled through the V&A materials and techniques sections, which is mid-blowing.

Outdoor Arts

I have spent 2 weekends on an Outdoor Arts Development Course in Weymouth (delivered by Activate, b-side & Bournemouth Arts by the Sea Festival). It’s been fun and informative discussing potential art projects, learning tricks of the trade and thinking up new ideas. I’m now working on a pitch for a potential project which will involve collaboration, to present soon for the forthcoming event Dorset Moon this summer (Luke Jerram's international touring project Museum of the Moon). I’ve made a mini rickety ladder as a maquette. If I don’t get selected I will at least have a cute little ladder for posterity. I quite like making small objects despite normally making huge pieces. A bit finickety but addictive!

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Incendiary

The wonderful multi-site exhibition ‘Incendiary’, featuring my work, came and went in full fiery mode. 25 artists responded to the firing up of industrial incinerators - a thought provoking exhibition curated by Patricia Brian. Lou Baker and I held an event ‘Join in the Conversation’ as part of it - we were delighted that we had a room packed with engaged people at Stroud Valleys Artspace, discussing our work in context with waste.

Glut at Incendiary. Photo by Mike Garlick

Glut at Incendiary. Photo by Mike Garlick

Cells residency

For my cells residency ‘Offenders’ at Town Hall Arts, Trowbridge (April/May) I’ve made initial sketches, a collage and have started sourcing scrap steel for the skeletal form of a proposed huge Tongue sculpture. Working in the garden on sunny February days has been great. Confrontation with uncomfortable topics related to environmental exploitation will be a characteristic of this residency and exhibition. 

My work often involves sourcing, sorting and stripping wire. I’ve happily received donations of unwanted materials: pink clothes, towels, wire and fruit nets. Still looking for recycled wax, lead and copper wire. Please get in touch if you have any spare.

Forthcoming exhibitions

Other events coming up include a big group show ‘Re-formation’ at the Bishops Palace, Wells, Somerset for Summer 2019, organised by Heritage Courtyard Gallery. I have been developing ideas for this.

Fundraising for Prison Project - B-Wing

I’m currently writing an ACE application for a forthcoming project ‘B-Wing’, an arts event being held in the unique spaces of Shepton Mallet prison. Delivered alongside co-curator Luminara Star and several selected artists, we are making progress. B-Wing will involve 5 artists and 1 writer making site-responsive works leading to an exhibition and performances in the B-Wing section of Shepton Mallet Prison during Somerset Art Weeks Festival ’19. The project promises to be quite special and will be a nice follow on from my Cells residency work. We are looking for funds to engage the local Shepton community, schools and various other groups in the area and from afar. More news to follow.

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Copper bowls

I have made a series of little copper bowls for Fosse Beads and Friends, Black Swan Arts, Frome. Each one is annealed and hand beaten.

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Workshops

I had fun with tinies (Yrs 1 & 2) at Trinity First School, Frome the other day. Around 120 children made sea creatures in a day using recycled plastic and other found/discarded materials.

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I am running a few workshops over the next few months with places available. The next is a 3d wire workshop, Tues 9 April, 10am-1pm, ages 6+; £15 per adult+child; additional children £8 each; includes materials & drink. Town Hall Arts, Market Street, Trowbridge BA14 8EQ. Book: www.townhallarts.co.uk

If you’re interested in more, please visit this link.

MA SHOW by Fiona

The past few weeks have been devoted to completing work for my MA in Fine Art at Bath Spa Uni.   All is now set up, research handed in, assessed and final preparations in progress for our Show, which opens with a Private View this Friday 21 September, 6-9pm.  Please come along and celebrate with us!  Below are a few sneak peeks of my work - though always better to see first-hand!

I am delighted that my short microscopic film Spiderweb Safari has been selected for the Visions of Science exhibition at the Andrew Brownsword Gallery, The Edge, Univeristy of Bath. The exhibition runs 15 September - 13 October.  This film still gives you some idea of the content.

I am now catching up on other work, a couple of commissions and some workshops.  Let me know if you are interested in any of the above.

This website is undergoing big changes, so might look very different when you next visit...

Autumn news by Fiona

My part-time MFA course at Bath Spa Uni continues to challenge and broaden my art practice, taking it in new directions which I am finding exciting!  Recent work has resulted in an immersive installation piece (images above) for the MA Degree ShowBath School of Art & Design, Sion Hill, Bath, BA1 5SF, 23 – 27 Sept, 10am-5pm.  Private View 22 Sept 6-9pm.  This will be an interim show for me, being my first year of two.

I have been installing several other exhibitions that run simultaneously this autumn in very different venues.  I was invited to show a selection of my outdoor sculptural pieces in ‘Form and Fascination’ at Courts Garden National Trust alongside Ian Turnock’s work.  Both inspired by structures in nature, our work is set in the beautiful gardens that feature water, intimate, formal and wild areas:  Holt, Nr Bradford-on-Avon, Wiltshire, BA14 6RR, 9 September – 15 October (closed Wednesdays; last entry to garden 5pm).

Somerset Art Weeks Festival is coming up soon, this year themed ‘Prospect’.  I am showing with Angela Morley in 2 venues spanning East and West Somerset.  We have transformed the Round Tower Gallery, both inside and out, for ‘Ephemeral and Eternal’ (Venue 3), Black Swan Arts, 2 Bridge St, Frome, Somerset BA11 1BB.  Our exhibition has already started (a week earlier than SAW): 16 September – 7 October, 10am–4pm, Mon to Sat, (open Sun 1 Oct); Preview Fri 22 Sept 6-8pm.  At Clayhill Arts, Clayhill Farm, Charlynch Lane, Bridgwater TA5 2PH our large outdoor sculptures will be on display in the landscape to launch their new centre, 23 September – 8 October, 11am-6pm, Wed-Sun.

As part of Somerset Art Weeks we will be running workshops:

Black Swan Arts: ‘Organic Forms’: Wed 4 Oct, 1-3pm (Angela Morley); Sat 7 Oct, 10am-12noon or 1-3pm (me); book via www.eventbrite.co.uk

Clayhill Arts: ‘Organic Forms Found Materials’ Sun 8 Oct, half day or full day (me); or ‘Organic Forms Willow Weaving Sun 8 Oct, half day or full day (Angela Morley), or combination of each: book via www.eventbrite.co.uk

Summer Sculptures, Glastonbury Abbey grounds, Somerset, BA6 9EL, continues until 1 October (normal admission applies)

I hope you can visit some of these exhibitions!

Exhibitions: Black Swan Arts, Fresh Air and 50 Bees by Fiona

Just a brief update on a few exhibitions and events that I’m taking part in this Spring.  I hope you will be able to visit some of them. ‘The Future Can’t Wait’, recently opened in the Long Gallery, Black Swan Arts Centre, 2 Bridge St, Frome, Somerset BA11 1BB, 18 March – 5 April (see attached poster/invite).  A show of exhibits from 30 Bath Spa MA postgraduate students across four disciplines - ceramics, fashion and textiles, fine art and visual communication.

I’ve been involved in linking this up with BBC’s get-creative-weekend.  On Saturday 8 April, from 2-4pm, Black Swan artisans will be offering drop-in taster workshops for adults and children over ten years old, and MA artists will work with young people offering activities for children of all ages, exploring concepts of their current exhibition.  I will be doing one of the workshops.

I’m still working on my piece for Fresh Air ’17.  Too large now for my studio, I am making it outdoors.  Spring weather is helping a lot!  Quenington Old Rectory, Quenington, Cirencester, Gloucestershire GL7 5BN, 11 June – 2 July, open daily 10am-5pm, (£5 Adults, children free).

I’m also making a small sculpture for Fifty BEES: The Interconnectedness of All Things, at ACEarts, Somerton, 1-22 July, open Tues – Sat, 10am-5pm.  The topic is close to my heart.

Have a lovely Spring!