Walcot Chapel Residency

Finally completed my piece for the Walcot Chapel MA residency after a week making and installing.  There’s lots of other work too – come along tomorrow 6-8pm for our Open Eve!

Interconnectedness of all things DSC_0060 WalcotChapelOpenEvening

For more information about my MA work visit: fionacampbellblog

Current and Forthcoming Exhibitions 2017

I will be taking part in the following exhibitions this year:

Bath Spa University MA Open Studios, Dartmouth Ave, 25-27 January

Walcot Chapel MA Fine Art Residency. 13-20 Feb. Open Eve Mon 20 Feb, 6-8pm, Walcot Chapel, Walcot Gate, Bath BA1 5UG

‘The Future Can’t Wait’, MA Show, Long Gallery, Black Swan Arts Centre, 2 Bridge St, Frome, Somerset BA11 1BB, 18 March – 5 April. Preview Fri 17 March 6-8pm

Wylye Valley Art Trail, 26 May – 4 June

Fresh Air ’17, Quenington Old Rectory, Quenington, Cirencester, Gloucestershire GL7 5BN, 11 June – 2 July, open daily 10am-5pm, £5 Adults, children free

Bradford-on-Avon Sculpture Garden, ‘Lynchetts’, 15, Woolley Street, Bradford-on-Avon, 24 June – 2 July, 11am-6.30pm, closed Mon

Fifty BEES: The Interconnectedness of All Things, ACEarts, Somerton, 1-22 July, open Tues – Sat, 10am-5pm

Summer Sculptures, Glastonbury Abbey, Somerset, BA6 9EL, 1 July – 1 October (normal admission applies)

Evolver Prize ’17, Thelma Hulbert Gallery, Honiton, 8 July – 26 August

NGS Open Garden, Benter, Somerset, 23 July, 10am-5pm

‘Form and Fascination’, Courts Garden National Trust, Holt, Nr Bradford-on-Avon, Wiltshire, BA14 6RR, 9 September – 15 October (closed Wednesdays).  Last entry to garden 5pm.  My work will be shown alongside Ian Turnock’s.

Somerset Art Weeks Festival ‘Prospect’.  I will be taking part in 2 exhibitions with Angela Morley, spanning East and West Somerset.  ‘Ephemeral and Eternal’, Round Tower Gallery, Black Swan Arts Centre, 2 Bridge St, Frome, Somerset BA11 1BB, 16 September – 7 October, 10am–4pm, Monday to Saturday, (open Sun 1 Oct) Preview Fri 22 Sept 6-8pm and Clayhill Arts, Bridgwater, 23 September – 8 October.

As part of the SAW exhibitions, we will be running workshops based around ‘Organic Forms’ at Black Swan Arts (book via these links: Angela Morley and Fiona Campbell ) and Clayhill Arts.

More details to follow on these and other exhibitions.

 

 

Materiality

My MA course at Bath Spa is all-consuming.  I’ve been engrossed in research and explorative studies, leaving little time to add new posts here.  To see what I’ve been up to, here is a blog/journal, which logs my progress and an image of a drawing I’m working on at the moment:

https://fionacampbellblog.wordpress.com

Wire and paper drawing with linseed oil added for transparency and skin-like quality in progress Wire, paper, linseed oil drawing - in progress (detail)

Egg Sacs and Louise Bourgeois

Eggs on wire grid drawing

The arrival of Louise Bourgeois’ exhibition at Hauser & Wirth, Somerset, coincided with the first weeks on my MA course.  I had been looking forward to visiting her show, being a huge fan.  A few days before, I had been looking at my collection of ‘finds’ (all sorts of natural phenomena) for inspiration.  A dried up fish swim bladder and a sponge-like form found on the beach grabbed me as starting points.  I want to investigate similar forms in nature, sometimes micro in scale – their form and function.  I’m also interested in drawing more – whatever shape that takes – 3-d and 2-d.

Bourgeois’ work struck a chord.  Of course I love her Maman Spider, crouched eerily, over-powering the first barn.  I was hoping for more sculpture, but strangely it was her etched drawings of plant forms, bodily parts and egg clusters that fascinated me most. Largescale and awkwardly drawn, they have real emotion, enhanced by repetition.

Her forms resonated with my ‘finds’.   I have since looked up my sponge-like object on the internet.  It seems to be whelk egg sacs!  Serendipity, though not so surprising that I was drawn to Bourgeois’ seductive egg sacs.   So I have been drawing the sacs with a view to creating 3-d pieces (drawings?) with wire, paper pulp, fibres and other mixed media based on them.  Relic of little lives, now entered into the greater cycle.

Whelk egg sacsLouise Bourgeois Swaying 2006

SAW ’16 ends MA begins

I’ve started a part-time MA Fine Art course at Bath Spa University.  It’s never too late!  I’ve wanted to do one for many years, but the time never seemed right.  Now it’s as right as it will ever be.. so I took the plunge and applied belatedly in early September, amazed that I was accepted onto this year’s intake!  It’s been a bit of a jolt to the system, but am getting the hang of research methodology and all the mouthfuls that go with it.

This was going on around the time of preparing and running our Somerset Open Studios event.  I shared my venue with Nick Weaver, whose wood pieces harmonised well with my work, especially in the “magical Alice-in-Wonderland like garden/sculpture park” (as one visitor put it).  Other visitor comments: “Brilliant – most lovely and surprising and innovative visit of the day“; “Wonderful, positive views of life in all respects”; “Remarkable, inspiring exciting”; “Magic!! An oasis of inspiration! Thanks”; “Absolutely stunning“. Our Open Studios event went well – plenty of new enthusiastic, friendly visitors who loved our exhibition, a very wide demographic and several sales.  I ran some workshops with a local school, home ed children and adult group, including A’ Level Art students.  It was busy but rewarding!

Me putting up the canopy (from Chelsea Flower Show)Nick Weaver helping install Lichen Sculpture in the garden - Somerset Open StudiosVisitors enjoying Nick's boatSculpture in the garden - Somerset Open StudiosSculpture in the garden - Somerset Open StudiosWorkshop in the gardenTaster workshopTaster workshopResult in an hour!School not put off by the rain!Bee by 9 yr oldSchool visitSchool workshopCat face by 9 yr oldSculptures in garden