Glut

For the past few weeks I’ve been working on ‘Glut’, a set of wrapped, woven and sutured forms made from found and recycled materials (fabric, plastic, sponge, twine, sisal, foam, copper wire, linseed oil, wax).   It’s first public showing will be at an exhibition ‘Continuum’, part of Fringe Arts Bath, an arts festival coming up soon.  The work relates to issues of waste, our relationship with matter, nature and ourselves.  Its labour-intensive process and use of recycled materials is an important element in the work. 

‘Continuum’ will showcase artwork by MA students from Bath Spa University.  Varied practices including sculpture, painting, installation and performance.  The exhibition addresses the issue of change.  During the exhibition, I will continue to make elements for the work in situ.

6 New Bond Street Place; 25 May (opening night) – 10 June;11am – 6pm daily.

I have also been making some small, temporary artworks for a curated environmental art project in Bath. ‘ABC Bath’ (Art Breeds Conscience) runs from 11 – 31 May in the Walcot area of Bath;  Initiated by MA Curatorial Practice student Beatriz Nogueira, the project aims to bring environmentally friendly art onto the streets and parks of Bath, in the hope that it will encourage its audience to question current issues – waste, factory farming, pollution of our air, land and seas.  Instagram – @abcbath; Twitter – @AbcBath; Website – bathabc.wordpress.com

‘Glut (ii)’ is made from recycled materials.  I dyed cotton, silk & linen naturally using avocado pits.  Other materials include sponge, twine, copper wire, wax.  I am concerned with factory-farming methods and animal welfare.  Animals are treated as commodities, over-crammed and over-produced.   I have been affected by reading ‘Planet of Slums’ (Mike Davis), and the film ‘Our Daily Bread’ (Nikolaus Geyrhalter).  

Do visit!

Material experiments, exhibitions and open studios

Hello to Winter and the festive season!

I am now in my second (and final) year of my MA Fine Art course at Bath Spa Uni.  It has been a great opportunity to reflect on previous work, find new ways of working and research.  I am still expanding and refining ideas, while continuing the thread of using reclaimed materials. This aspect relates partly to the issue of waste and energy – utilising and recycling.  It belongs to a wider subject of our relationship with matter, nature, and ourselves.  In the series ‘Wonders of Life’ Brian Cox explains that energy is eternal, transforming from one thing to another. There is a connection between everything that has ever lived, and an impact, as in the Chaos theory, or Butterfly Effect.  I see Vitalism as energy in all things, although in Science it is the vital force peculiar to only living organisms.

A mass of frass (insect excretions) appeared around tiny entry points in a piece of found wood (above) in which I had inserted glass tendrils as growths. The frass resemble decaying matter on a holdfast I studied. I find them intriguing, referencing life’s recycling, organic matter as bodily forms. These phenomena have been starting points to further investigations. They led to microscopic studies of frass. Microscopic hidden structures vital to our being reflecting the magnitude of life. These images could easily be rock formations – even meteors.

I have since experimented with annealing and beating copper over molds I carved in wood, based on frass forms. My copper project – exploring the materiality of copper and what happens to it under different conditions – included an experiment with copper electrolysis. The alchemic process is fascinating, I have learnt a little more chemistry and made copper hydroxide as a pigment. Two scrap pieces of copper were connected to a low voltage battery charger, with opposite charges. The electricity splits the ions in salty water. A complex chemical process ensues, involving copper hydroxide, chlorine and hydrogen bubbles. The effects of disintegration and patination are wonderful. The harnessing of elemental energy could become an artwork.

I recently visited the exhibition ‘Italian Influences, British Responses’ at Estorick, London. It was interesting to see current artworks alongside the anti-consumerist 60’s group Arte Povera, who broke with tradition believing art should be inclusive.  In their resolution to fuse life and art, nature and culture, they used everyday materials, often incongruous juxtapositions of mundane manufactured with organic. Their work was about energy and the elements. The exhibition included a piece by Mona Hatoum.  She uses everyday objects arranged to signify displacement and confinement.  In her work domesticity becomes ‘menacing’ (Van Assche).  In a Youtube film she explains her intuitive response to materials. She incorporates body parts eg nails, skin, hair, creating modest hair balls, or hair grids. Through these bodily excretions she transforms materials and meaning.

I also saw Damian Ortega at White Cube Gallery and watched him online. He playfully takes apart and re-assembles components, dealing with fragmentation of objects, time, materiality.  It is a philosophical discourse involving material and message.   I like his encyclopaedic geodes made from old maps, which he layers as shells, suggesting geological time, and his visual essays, which question truth, mass media’s effect on our perceptions and judgements. ‘Learning Scheme’ indexes small thumbnail clay pieces according to their similarities. Some forms are similar in different groups/lines. Like convergent evolution, they seem to morph, some are organic, others more mechanical.  Since then I have been working in clay a little.

Last week we opened our MA studios to the public.  I created an installation for it inspired by the organic forms I have been studying, using found and reclaimed materials, some transformed by me. It was a great gathering and the deadline helped me focus on one thing for a while.

On a more commercial note, to make ends meet, I have just updated my Etsy page: www.etsy.com/uk/shop/FionaCampbellArt. Do have a look – there are some possible gifts for Christmas!

Have a lovely one!