Press 2012

Wincanton Window – Casespace – Solo Exhibition at Bruton Museum, Feb ’12

Western Gazette – Casespace, Bruton museum, Feb ’12

Somerset Guardian – Precious and Primal, Feb ’12

Wells Journal – Casespace Exhibition, Feb ’12

Country Life – Precious and Primal, Feb ’12

Somerset Life – Scraptors, crowd-funding for Magdalen Project, Feb ’12

Western Daily Press – Scraptorzoic Era planned for Magdalen Project ’12

Western Morning news – Scraptors’ plans for Magdalen Project ’12

Create Centre – Green Capital Artist in Residence 2012

Big Green Week Workshop – Arnolfini

North Somerset Arts – Big Green Week involvement

SculptSite.com – Big Green Week involvement, April ’12

SculptSite.com – Floating Diatoms and forthcoming Shows, June ’12

Ecojam – Big Green Week and Family Mash Up workshop

This is Somerset – Highly Commended for Green Capital Residency work

Arnolfini Arts Pinterest – Featured Artists

Sculpture & Installations Pinterest – Featured Artists

Sir Harold Hillier’s Art in the Garden ’12 – Spider featured

Garden Art & Whimsy Pinterest

Swans of Wells – Swan Artists

All Hallows Prep School – Candela

This is Somerset – Candela Swan for Swans of Wells 2012

Metro UK Press site photo – Candela at Bishops Palace, SwansofWells auction preview, Sept ’12

Bishops Palace Facebook – Swansong Auction Preview weekend

All Hallows Prep School Chronicle 2012 article – Candela Swan

All Hallows Prep School Chronicle 2012 article – Extra Curricular Art

Culture and Anarchy blog – The Bishops Palace Summer Exhibition, ’12

Musiety article – Fiona Campbell sculptures, Nov ’12

This is Somerset – Sculptures make big impact… Nov ’12

Dragonfly sculpture workshops, Westfield Academy

An exciting day at Bristol’s harbour

It’s been great getting to know Bristol’s harbour – I feel quite at home there now.  Over the past couple of months, I’ve been finding my way around the harbourside as a Green Capital Artist in Residence, working occasionally at the Create Centre on a series of work for the Big Green Week (9-17th June), scouring the surrounds for retrieved bits and pieces for my sculptures, exploring new areas with my son and walking my dog there in between it all.  Saturday (9th June) was the culmination of months of preparation.  The final tweaking of my floating Diatoms in the harbour by the Arnolfini, Family Mash Up drop-in workshop at the Arnolfini, launch of our Artists in Residence Exhibition at the Create Centre, Cumberland Basin and Green Week party later in the evening, also at the harbourside.  Huge thanks to the Green Week, Create Centre, Arnolfini and Harbour teams for all their support.

Even parking was bliss!  I was allowed to park in the Harbour car park opposite the Arnolfini, normally restricted to Harbour officials, in order to unload and meet the little boat skippered by Miles from the Harbour team.  We needed to sort out 3 of my floating Diatoms – installed a few days earlier, but which had got tangled, turned uspside down or gone astray in the recent high winds.  It was the first day of Green Week and it was glorious sunshine at last!  With my son and Miles on board, we managed fairly swiftly to secure the Diatoms into position and have a little boat ride before I had to get to the Mash Up workshop I was running in the Arnolfini’s Light Room.  

I was amazed at the turnout for the workshop – a constant buzz of people actively engrossed in creating their own floating sculptures sparked off by some of my resources, various reclaimed materials I had compiled and their imagination.  There were loads of children – even some toddlers – making pieces.  Some families brought their own recycled stuff to use.  I had lovely helpers via the Arnolfini, who gave up their time voluntarily that sunny afternoon.  Looking out of the Light Room Window, we could view the Diatoms below in the harbour and relate it to the workshop theme of organic structures (and a bit of sci fi thrown in).  The results were wonderful!  (See article in Ecojam).

Across from the Light Room is the Reading Room, where my sketchbooks are currently on display, so I took a peak at them in their new special setting.

From there, all packed up, it was a neat dash to the Create Centre upstream to celebrate the opening of our Green Capital Artists in Residence Exhibition.   The overall Exhibition looks great, I think – a good mix of work by 8 artists working in very different media –  linked to eco ideas in some way.  With a couple of hours to kill before the evening doo, I wondered back down to the Arnolfini harbourside.  It was brimming with people out in the late sunshine, ballons flying above; boats and Diatoms floating in the water.  Bristol looked vibrant.   Later, we (Green Week Artists) met up at the Secret Green Pass Party at Jack’s Pavilion, Harbourside for the official Big Green Week launch.  Milo Newman, one of the Green Week Artists, was awarded a prize for his beautiful seed encrusted photographs.  I was very pleased that my work was highly commended.

Arnolfini Reading Room

Some friends, Michael and Geva, who came to visit me whilst I was sculpting at the Create Centre suggested I ask if I can display some of my sketchbooks in the Arnolfini Reading Room to tie in with my floating Diatoms, which will be exhibited in the harbour by the Arnolfini during Bristol’s Big Green Week.  I did, and the Arnolfini would like to show them.  So 3 of my sketchbooks will be on exhibition in the Reading Room from 6th June – 1st July, open every Wednesday – Sunday, 11-6pm.   It’s a foot in the door anyway!

Big Green Family Mash Up

The Big Green Week programme is now out and it’s packed with exciting events in and around Bristol from 9-17th June.  In addition to my Green Capital Artist in Residence Exhibition at the Create Centre that week (with 7 other artists) , I’ll be running the Big Green Family Mash Up at the Arnolfini – a workshop using recycled materials to create colourful floating sculptures in line with my series of giant Diatoms, which will be floating in the harbour next to the Arnolfini that week as part of the Festival.   The drop-in workshop runs from 1-4pm on Saturday 9th June.  Bring some of your recycled items such as mini wheels, hubs, twine, bottle tops, plastic bottles, buttons, netting, wire etc… and create something fun!

For results of this workshop see:  ‘An exciting day at Bristol’s Harbour’

Green Capital Residency – Bristol’s Big Green Week

It’s been great focusing on one main piece for the past few weeks.  I’ve tried to avoid distractions (like social media sites/blogging!) to get ahead with a major piece I’m making for Bristol’s Big Green Week.  Selected as one of 8 artists-in-residence – all working in different media around sustainability – I’m now set up with a small but prominent space at the Create Centre, Bristol, and have officially started my 3 month residency as a Green Capital Artist.  I met Bristol’s Harbour Master on Tuesday, who has agreed to my Diatom sculptures (see info below) being floated in the harbour at Bush corner, by the Arnolfini, for Bristols’ Big Green Week in June.  I’m very excited about this!  I have decided to log the progress of the work I’m producing for the Green Week Exhibition (9-17 June) as it develops below.  (See links: Sculptsite article; Bristol BiennialArtists at Create)

‘Man models himself on Earth, Earth on Heaven’ will be approximately 4.5 metres tall.  Created mainly out of recycled steel components and copper wire, the piece relates to my interest in nature’s cyclical persistence and the network of threads weaving through all things.  The sketchy stretching human form, reminiscent of a tree, emerges from its cocoon, reaching upwards.  It represents the vital forces in nature and re-birth of humanity in a new, purer state.  We are all of the earth.  The piece is constructed in 3 separate pieces, which bolt together.   The concept was inspired by a Taoist line, echoed in the title.  Still in the making, here are some images of it so far (the last 3 were taken at Motorcade/Flashparade’s documentation day earlier in the week):

To help formulate my ideas, I made several studies of trees which have a similar sense of the inner cocooned trunk with wispy extensions – here are 2:

‘Diatoms’.    The idea of recycled floating diatoms stemmed from a design and prototype I made for a Scraptors’ project at an eco farm called Magdalen, inspired by Ernst Haeckel’s wonderful illustrations.   ‘Diatom I’ includes some tentacles added by fellow Scraptor Rachel Macleay, but was rejected due to its plastic content – unsuitable for the farm’s strict sustainability guidelines.  The rest are experiments from new designs.  These ideas will be adapted and explored further in new pieces for Magdalen using appropriate materials.  The sculptures will float on orange life buoys in the harbour beside the Arnolfini.  They will be approximately 1 – 1.5 metres in diameter, made of recycled steel, wire, plastic and other found materials.  Diatoms are microcosmic organisms, which are now sadly becoming endangered, yet essential to our survival – producing over 35% of our oxygen supply.  Beautiful, primal structures originating from the Jurassic era, to me they symbolise nature’s cyclical persistence, though threatened by man’s intervention.

Update – 7/6/12

Yesterday was the big day – installing all the work, both in the Create Centre and Arnolfini harbour.  As always, it took longer than imagined.  Floating the Diatoms took some organisation.  The Harbour team (Miles and Arabella) were a great help, but the weather was grim and it was hard to manoevre in the big Mariner boat, so placing the Diatoms was a struggle!  After a cold, wet 4 hours, all 9 are in situ!  As Miles (from Harbour team) said, they look a bit primordial floating there randomly.  Will need to take better photos when the sun’s out and we’ve managed to adjust their positions in a smaller boat – this Saturday, hopefully.  (See latest post: A constructive day at Bristol Harbour)

 

Spring

For me, winter is a good time to collect and hoard interesting found materials, gather ideas, catch up on admin and cast out my net for potential projects and exhibitions for the coming year.  It’s a chance to re-fuel and visit exhibitions too.  I saw Zarina Bhimji’s work at the Whitechapel, London recently (one of my favourite art venues), which encouraged me to think big.  Her evocative large scale films and photographs made me weep, with their haunting sounds and imagery – reminiscent of complex feelings about my own East Africa.  Anyway, my studio felt neglected until last week.  With several projects set up now and sunny spring in the air, I’ve sprung into action and creativity!

Using reclaimed materials isn’t new to the art world. Duchamp’s readymade urinal in 1917 was preceded by centuries of African Art utilising found materials.  I’ve been doing it for 30 years.  But the eco movement of today definitely embraces conservation, recycling and found materials more holistically in art – as in other areas of life.  As I said in a previous post, I’m excited that I’m a part of Bristol’s Big Green Week.  A new ‘world class festival of sustainability – celebrating the environment, art and culture’, my role as one of the selected Artists-in-Residence is to produce a series of eco sculptures, which the public can view in progress at the Create Centre and which will eventually go on show around the city in June.  Below are images of the start of my first big piece for it – ‘Man models himself on Earth, Earth on Heaven’:

It’s nice to be invited to show in Exhibitions.  Amongst others coming up, I’m really pleased to have been asked to feature in Delamore’s May Exhibition and the Bishop’s Palace Summer Exhibition (July – Sept) – both lovely venues.  For details of other projects and exhibitions I’m involved in, please see my post ‘current and forthcoming exhibitions’.  I can feel the busy period looming already…