Latest Trips and Exhibitions

I have been very remiss with blogging – too many balls to juggle!  Recently I took a short 2-day break to Yorkshire to visit the Sculpture Park, an astounding place, and walked across the moors to the house that inspired Wuthering Heights, one of my favourite books.

As summer blasts upon us (hooray!) I have a flurry of work and exhibitions coming up from tomorrow.  I hope you will be able to visit some of them:

I am still working on a large Cocoon piece for Fresh Air ’17 (see below), due to be installed in a week and still some way to go before completion!   Quenington Old Rectory, Quenington, Cirencester, Gloucestershire GL7 5BN, 11 June – 2 July, open daily 10am-5pm, (£5 Adults, children free).

In between making this I have been working towards an imminent MFA module at Bath Spa Uni, to be assessed next week.   Clashing deadlines, late nights, but nearly ready!

I’ve made a Nests piece for Fifty BEES: The Interconnectedness of All Things, at ACEarts, Somerton, 1-22 July, open Tues – Sat, 10am-5pm.  A lovely project with great ambitions.

I am also taking part in the following:

Wylye Valley Art Trail, (see below) Venue 16, The Hive Artspace, 93 Boreham Rd, Warminster BA12 9JY. 26 May – 4 June opening with a Private View this evening.

Bradford-on-Avon Sculpture Garden ‘17 (see attached), Lynchetts, 15 Woolley St, Bradford-on-Avon BA15 1AD.  25 June -2 July 11am – 6.30pm (closed Mons). Opening night Sat 24 June, 6-9.30pm (tickets £6, inc. wine + live music).

NGS Open Garden, College Barn, Benter, Somerset BA3 5BJ, 23 July, 10am-5pm

Summer Sculptures at Glastonbury Abbey, 1 July – 1 October

‘Form and Fascination’Courts Garden National Trust, Wiltshire, 9 September – 15 October.  I will be showing a selection of work alongside Ian Turnock.

Somerset Art Weeks Festival ‘Prospect’, ‘Ephemeral and Eternal’, Round Tower, Black Swan Arts Centre, 2 Bridge St, Frome, Somerset BA11 1BB, 16 September – 7 October, 10am–4pm, Monday to Saturday, (open Sun 1 Oct) and Clay Hill Farm, Bridgwater, 23 September – 8 October. I will be showing alongside Angela Morley.

I am also really looking forward to a mini break away to the Venice Biennale soon.

Have a lovely Summer!

 

 

Worms, Oil and Graphite

Egg sac inspired drawing/sculptureEgg sac inspired drawing/sculpture

Since finishing my egg sac drawing/sculpture (above), worms have been a recent preoccupation.  Last week I went on a worm hunt (in a harmless way) to photograph and draw them for my research. There’s a special technique for this: by vibrating the earth, they rise to the surface (apparently to seek mates in the rain – more important than the fear of being pecked by birds or moles).

wormswormsworms

This is a layer of research over my investigation into possible uses of graphite (and linseed oil) as a medium. Graphite, interestingly, is a form of carbon, which, I’ve recently learnt, is a primary element (4th most abundant in the universe) that comes from the beginnings of life – brought from the stars via buckyballs. All living things contain carbon in some form. Julio Gonzalez, when he first coined the expression ‘to draw in space’ was initially inspired by constellations and the points between them as a metaphor for drawing in space.  Graphite, due to its carbon property, is the thinnest medium and can stretch to only 1 atom thick, whilst retaining great strength.

Earth worms have been of interest to me for several years.

worm-drawing-graphite

I respect their status as recyclers and importance within the cycle of life.  I like their grey to maroon transparent skin tones (some with clearly visible red veins delineating their contours as they move) and their form that resembles many others – limbs, tree roots/branches, neurons, filaments…

I hope to create a series of works in 2-d and 3-d – drawings/sculptures/installations that could be immersive, possibly worm-like!  The drawings might start flat on oiled paper with graphite, leading to graphite as 3-d.  I need to explore other possibilities – perhaps using perpex to back the paper so it can arc into space.  It’s early days, and seems a little slow to get going, but I’m enjoying the process of investigation.

Materiality

My MA course at Bath Spa is all-consuming.  I’ve been engrossed in research and explorative studies, leaving little time to add new posts here.  To see what I’ve been up to, here is a blog/journal, which logs my progress and an image of a drawing I’m working on at the moment:

https://fionacampbellblog.wordpress.com

Wire and paper drawing with linseed oil added for transparency and skin-like quality in progress Wire, paper, linseed oil drawing - in progress (detail)

Autumn Events

Somerset Open Studios invite

It’s been a wonderful summer. I often feel a little sad at the end of this season, but what makes it more bearable for me is that autumn is beautiful and in UK we tend to have ‘indian summer’ weather in September. Tied in with that is Somerset Open Studios running 17 Sept – 2 Oct (see invite). It’s something to look forward to and work towards. I will be showing my work alongside Nick Weaver (elegant, organic wood furniture and sculptures) in my rejuvenated garden and studio. Our work compliments each other – we both use reclaimed and found materials that harmonise within natural surroundings. If you missed seeing our focal pieces earlier this year in the Mekong garden at Chelsea Flower Show, which received gold and best artisan awards, we will have these on show during Open Studios. I’m also looking forward to visiting a few other Open Studio venues when possible.

My work is currently on exhibition in ‘step in stone’ at Salisbury Arts Centre until 24 Sept. Curated by Amanda Wallwork and me, the exhibition tells the story of last year’s art-in-quarries project. Selected artworks by all 14 artists include re-created dioramas by Tessa Farmer and a GPS soundscape around the grounds by Ralph Hoyte. You can download this on your smartphone via this link.

I will be taking down my work from the Devon Recycled Sculpture Trail, Teignmouth seafront this weekend, so if you’re around that area before Saturday evening, take in a beach stroll, fish and chips and a look at the artworks before they disappear!

In October, I’m taking part in the Quartz Festival’s ‘Outside In’ exhibition (Queens College,Taunton), 5-15 Oct, with over 40 other South West artists and makers working in different media. The theme is the natural world.

I have decided to donate my Giant Spider sculpture to Carymoor Environmental Centre, (Castle Cary) where I know it will have a great permanent home. Originally created for Glastonbury Festival’s Greenfields ’10, it has travelled to various shows around UK since. Look out for it if you visit.

I hope you’ll be able to make it to one or more of these events – have a great start to autumn!

Collaboration

'Flock in Flight' All Hallows Prep School group work

Each project brings with it new challenges. Sometimes several projects run alongside each other and the art of juggling can be a challenge in itself. Some of my roles overlap or interlink. This can be a good way to function, ‘killing 2 birds with 1 stone’ (though I hate killing), easing the problem of having too many things on the go, but isn’t so straightforward if you don’t want to compromise the work, and it can create a bottleneck time-wise, amongst other complications. I’ve enjoyed working alongside other artists/makers of all ages. I like collaboration – at its best, combined effort multiplies output and result, it’s more fun and creatively, one can learn so much from working with others.

The past month has been full-on. With a bit of time to reflect now, here’s a look at what went on in my little creative world (in the bigger world – all I can say in a nutshell is PLEASE CAN WE UNITE AND STOP KILLING).

Teaching, Workshops, Talks, Demonstrations

On 12 June I spent a day at the Hidden Garden Art Show (Maureen Michaelson Gallery, Hampstead), part of Chelsea Fringe Festival where my sculptures were on show with other selected artists, demonstrating my work process, running a drop-in workshop and giving a talk about my work to visitors.  Although it poured with rain all morning, the sun brought a magical shimmer and quite a crowd in the afternoon, including Tim Richardson – founder of Chelsea Fringe.

Drop-in workshop at Hidden Garden Art ShowWorkshop participant's beetleMe talking to Tim Richardson (leads Chelsea Fringe)

I teach 2 evenings a week at All Hallows Prep School and as I’ve been involved in the Secret Swans Art Trail (one of Black Swan Arts’ 30th anniversary events and part of Frome Festival), I devised a project to involve the children in the Trail.   We created a flock of flying swans in wire, which were installed on the exterior wall of Black Swan’s historic Round Tower.  Inspired by my recent trip to Sophie Ryder’s exhibition at Salisbury Cathedral, we used her ‘scribbly’ technique to add more black areas.  It was an effective solution given time constraints.  The final lessons getting the work completed was a mission as some children were absent due to end-of-term activities.  Thankfully others stood in (special mention: Ellie West and Nick Somerville!). The swans looked like faint drawings, quite lovely and ethereal, though visitors had to look hard to see them.

Student's work in progress - making the All Halllows swansStudent's work in progress - making the All Halllows swansMy contribution to 'Flock in Flight'Installation on Round Tower, Black Swan Arts Centre

Preparations for Priddy Festival included some ‘birdy notes’ as we called them.  A team of Mendip Creatives made them from wire and paper, for marquee decor.  A large willow hog was also made, led by Angela Morley.

I worked with a couple of schools recently (Bishops Wordsworth & North Town) making wire figures and mini creatures.  Bishops Wordsworth was a 2 day slog over to Salisbury in a hire car (my truck was broken) giving 4 x powerpoints/making sessions to 128 children in fairly swift succession. The short sessions of 2 hours per group had limitations, but it’s amazing what children can do when focused!

North Town Primary students making Giacometti-inspired figureNorth Town Primary student making Giacometti-inspired figureGiacometti-inspired figureGiacometti-inspired figureGiacometti-inspired figureWire Fish by Yr 7 pupil - Bishops Wordsworth School Wire Dragonfly by Yr 7 pupil - Bishops Wordsworth School Wire Seahorse by Yr 7 pupil - Bishops Wordsworth School Wire Crane by Yr 7 pupil - Bishops Wordsworth School Wire Woodlouse by Yr 13 helper - Bishops Wordsworth School

Volunteering Roles

Secret Swans badge (illustration by Belinda Brownlee)

I continue to be very involved in the Black Swan Arts centre as a trustee, especially this year, with its 30th anniversary.  We have held several special exhibitions/events to mark the occasion, which have so far been a ‘resounding success’ (Christina Oswin), with great feedback, overwhelming support from the public, serious funds raised, heightened the BSA profile and engaged the community.
1000 Postcards attracted over 1000 postcard-sized artworks (including 2 of mine) for a massively popular exhibition with over £10,000 of sales so far and visitors galore.  Unsold postcards can still be bought online.  Preparations for the Secret Swans Art Trail, which followed straight after, grew more intensive.  30 artists in 30 venues around Frome.  I made a piece, ‘Resurrection’, (using reclaimed steel, copper wire, tar, rope and scrim) and sited it by the river.  It only recieved slight damage, easily rectified and many positive comments, so am grateful to most Frome residents for their respect!  In addition I worked on the All Hallows piece, helped Nick Weaver with the organisation and was largely involved in the PR for these events.  They are great examples of a huge team effort by Black Swan volunteers.

Sketches for my Secret Swans work'Resurrection' - ‘Black Swan’ is a metaphor for the impossible becoming possible. This piece is about hope, endeavour, yearning, striving for truth, purity (‘we will never know everything’), freedom from constraints, environmental pollution. Swans represent love, which ‘conquers all’, symbolised by the crucifix. 'Resurrection' - ‘Black Swan’ is a metaphor for the impossible becoming possible. This piece is about hope, endeavour, yearning, striving for truth, purity (‘we will never know everything’), freedom from constraints, environmental pollution. Swans represent love, which ‘conquers all’, symbolised by the crucifix. 'Resurrection' - ‘Black Swan’ is a metaphor for the impossible becoming possible. This piece is about hope, endeavour, yearning, striving for truth, purity (‘we will never know everything’), freedom from constraints, environmental pollution. Swans represent love, which ‘conquers all’, symbolised by the crucifix. 'Resurrection' detail 'Resurrection' detail Secret Swans piece (detail) by Edgar PhillipsSecret Swans piece by Tessa Farmer (detail) Secret Swans piece by Alicia Merret Secret Swans piece by Angela Morley - detail Secret Swans piece by Annie Fry

I’ve been involved in various Somerset Art Works meetings, a couple for an exciting new project that might come off next year with Anna Best, and for Somerset Open Studios ’16 (17 Sept – 2 Oct).  As Rep for East Mendip, I’m keen to make sure we do Somerset proud.  I’m part of a cluster group in my area called The Mendip Triangle; we have a specially designed map (by Michel Linthorst) to help direct SAW visitors to our lovely rural Studios in September.  Looking forward to seeing this year’s SAW guides being delivered next week!

SAW flyer 'The Mendip Triangle' by Michel LinthorstSAW flyer (back) 'The Mendip Triangle' by Michel Linthorst

New Work, Exhibitions

I made a new Nest and Mini Dung Beetle & Ball for the Maureen Michaelson Show, in addition to existing work.  ‘Resurrection’ will be sited at the Devon Recycled Sculpture Trail, Teignmouth seafront from 23 July – 4 Sept, and I am now curating our forthcoming step in stone exhibition touring to Salisbury Art Centre (18 Aug – 24 Sept), with Amanda Wallwork’s help. 2 of my main outdoor pieces will be on show.  If you missed any step in stone artscapes last year, try to visit!

Nest detail'Cirri' created for step in stone, installed at Westdown Quarry, found and reclaimed steel, copper, aluminium, twine, wool, netting, rope, plastic. Photo by Duncan Simey

The garden and studio get quite a battering after big projects, so it’s time to tidy up!   My good intention of simplifying life, with less to clutter the brain is still in the development stage – I hope it will happen one day.  In the meantime, the juggling continues!

Sense of achievement

Around this time I normally write a winter newsletter, but it feels like I’ve only just finished the autumn one!  Time has really flown by.  It’s been a very intense and challenging few months for me, full of achievements and not quite burnt out yet!  ‘step in stone’ – an ambitious art in quarries project I organised – took over my life for many months and is now over.  It was incredible seeing it through to fruition, and so fulfilling working with quality artists whose work I admire.

Overall, ‘step in stone’ was a tremendous success, very well received by an extremely varied and broadly based audience.  Combining the role of project manager and curator with that of being a participating artist was demanding.  Considering time constraints and my other roles, I feel I achieved a great deal, though disappointed that I could not fully explore more possibilities with my commissioned artwork for the project. ‘Cirri’ was intended to be more numerous, (based on Fossilised remains of ancient sea life forms).  I relished the opportunity to explore new concepts and media in my piece ‘Eviscerated Earth’ installed at Fairy Cave Quarry – recycled wax, cloth, scrim, paper and wire combined with found, rusty scrap steel collected from quarries.  It linked to the story of Fairy Cave: destruction of caves and beautiful (speleothem) formations within.  I would have liked to create more work for our Black Swan Exhibition – a beautiful show – but management of the project took over and time ran out.

step in stone catalogue pageEviscerated Earth recycled wax, cloth, scrim, paper and wire combined with found, rusty scrap steel

Now that the excitement is over, and I’ve reached the end of the arduous (but revealing) evaluation process for it, I’m starting to look forward to new ventures and getting inspired.

I visited Ai Weiwei’s exhibition at the Royal Academy, London recently.  It’s not often art brings tears to my eyes, but his work is so powerful, I was deeply moved.  The cell depictions of his sordid incarceration by Chinese authorities made me feel voyeuristic, angry and amazed at the brilliance of them.

A fortnight ago I sold my Nestling Cocoon to Mark Owen of Take That for an anniversary present to his wife Emma.  I drove from Somerset to North London to collect the piece from Maureen Michaelson (Gallerist), then to Sussex where I delivered it, then back to Somerset, in time to teach my evening art classes… all in a day!

I’m currently working on a life-size steel Bishop commissioned for the gardens at Bishops Palace, Wells, and will then start on a new commission for garden designer Sarah Eberle’s Artisan Garden at Chelsea Flower Show 2016, to create a 4 metre square woven canopy.

Bishop design

Other opportunities in the pipeline include showing with Maureen Michaelson again next year for Chelsea Fringe.  In the immediate future, I have been selected to show at the The Grant Bradley Gallery, (1 St Peters Ct, Bedminster Parade, Bristol BS3 4AQ) as part of a mixed show entitled ‘Bristol Green Capital in the Frame’. Celebrating and reflecting on the year that Bristol was voted The European Green Capital, it embodies a green theme: recycling, the importance of green spaces and wildlife.  The exhibition runs from 5 Dec ’15 – 2 Jan ’16.  You’re welcome to come along to the Private View: Fri 4 Dec 6-9pm!

In case you’ve tried viewing my website gallery pages – apologies!  There is a plug-in issue due to server updates, so some images are failing to open.  Hopefully it will be sorted soon!

 

Curating, making and installing for Step 2 – step in stone

It’s been an incredible few weeks, unleashing inner reserves of energy I didn’t know I had! Thank goodness for the unyielding patience and support of partner Nick Weaver, helping me to pull off the installation of Step 2 for ‘step in stone’ (a project I’m running), while finishing off artwork, getting signage done for 2 venues and co-ordinating it all.  In between, I have been keeping things going at Somerset Earth Science Centre (our Step 1 venue), and maintaining my diatoms, which have been taken over by birdlife and getting mucky in the process!

Halecombe and Westdown/Asham quarries are now open daily for all to visit – see Duncan Simey’s wonderful selection of pics from a very rainy Friday.  Jack Offord filmed us for the project documentary – looking forward to seeing the results of that at our Preview evening, 2nd October at Black Swan Arts, Frome.

Below is a selection from our Step 2 installation days and a couple of photoshoots by Duncan Simey taken since.

Signage step in stone groupSuzie Gutteridge with Felted RockDeciding on Christina White's photographsArtmusic birdbox speakers being installed by AlastairJack Offord - our filmmakerNick Weaver helping Bronwen install her etched plateMe at work on 'Cirri'Filling Sally Kidall's mini tents on a rain deluged dayChristina White installing at HalecombeNick Weaver installing our collaborative 'Ligna' (stick) pieces at Halecombe

Finished work by some of the artists at both venues:

Amanda Wallwork Deep Time Portals in the Eastern MendipStuart Frost - Pavimentum - limestone dustTessa Farmer Out of the Earth (ii) (detail)Christina White Carboniferous Timeline Photograph at Halecombe

My work:

Fiona Campbell, Vertical III, reclaimed steel copper wire and nitrate (detail). Photo Duncan SimeyFiona Campbell 'Cirri' recycled and found materialsCirri'Cirri'Cirri at Westdown/Asham quarry

My main pieces – ‘Cirri’ (last images above) are based on crinoids (see the making process)!   These are ancient sea creatures whose fossilised remains are common in carboniferous limestone and whose descendants can still be found living today. Crinoid tentacles (cirri) are reminiscent of branches, tendrils, feathers or the microscopic pattern of neurons. They cling to the seabed (some now vertical rock faces) by long spiny stems, others are without a stalk but have tentacle legs or long arms, which enable them to drag themselves along.  I’m inspired by the tenacity and diversity of life and similarities of form that occur in different organisms.

Sadly a couple of heavy steel springs (components of my work) have gone missing and other parts tampered with at Westdown – if anybody spots these lurking in the bushes there, do contact me, they might be from my work!

The past fortnight was filled with our workshops, guided walks and talks, held at SESC, Westdown and Halecombe Quarries.  The guided walks, in collaboration with Rosie and Pippa from Somerset Wildlife Trust, were really well attended and greatly enjoyed.  Workshop participants of all ages explored a range of creative approaches related to the project, Sally Kidall’s talk was much appreciated and I was chuffed that my talk for 27 Active Living members received a wonderfully receptive and enthusiastic response.

Guided Walk in Westdown QuarryBronwen's bookmaking workshop - I took part and loved it!Tanya Josham's stone carving workshopChristina White's Cyanotype/Van Dyke photograph workshop at HalecombeMy Guided Walk at Westdown

Last week culminated in a very inspirational performance at Westdown/Asham: Artmusic’s ‘ECHO’ sculpture and sound installation on Saturday 22nd August was animated by live performances of Artmusic’s ‘BLAST’ – a theatrical response to the rock and mechanics of quarrying, with specially composed trumpet music being played from locations which echoed around the quarry.  We had a great turn out and the audience seemed to really enjoy the unique show and setting. “A delightful melange of live and recorded fluttering trumpets grab our attention this way and that while butterflies flit among the stones…. As they move slowly up the valley from stone to stone, always edging closer to melody, we begin to follow, or not, or meander above and below. ..”  Caroline Radcliffe

People brought picnics, dogs, cameras, sketchbooks and the sun was scorching all day!

Trumpeter Jack Vincent by Cirri Artmusic's BLAST at Westdown Quarry Artmusic's BLAST with trumpeters John Plaxton and Jack Vincent, photo by Christina White Artmusic's BLAST, trumpet John Plaxton

Can’t wait to download Ralph Hoyte’s GPS Soundwalk ‘ANTICLINE‘ – now available for your smartphone before visiting Westdown.

Ralph Hoyte with his GPS smartphone app

 

I’m now working on the next stage for Step 3, which opens on 3rd October at Black Swan Arts, Fairy Cave Quarry and Frome Museum.  Hope you can visit step in stone soon (www.stepinstone-somerset.co.uk)!

Tentacle making

After months of collecting and creating, I’m now in the final stages of my step in stone work for Step 2 at Westdown/Asham Quarry – with just a few more tentacles to make.  Time is short and tentacles are long but I think I’ll get there!  Ideally, I would have liked to have made more work but time has constrained.

Seeds were my starting point.  Just as they have blown in to fertilise these ancient deserted rocky environments I envisaged large tumbleweed-like structures rolling around, like old man’s beard seed heads growing there. Thoughts have evolved around life’s energy force, neurons, repeat forms in nature, nature’s persistence,  sea creatures (see previous post on Crinoids)…

Rusting machinery and discarded mattress springs left in the quarries, old horseshoes (thanks to Luke Ellis) and other scrap found locally and donated – fossils of the modern era, remnants of past, have provided most of my material to make the work.

Scrap donated by Chris Lee Crinoid fossil Old Man's Beard in foreground at Westdown Quarry Tumbleweed/neuron design Scrap Scrap for fossilMaking tentacles'Cirri' in the making Pile of tentacles Cirri structure'Cirri' half made. Photo by Duncan SimeyGathering tentacles in studio Colour sorting Making the Crinoid structureSkeletal structure Skeletal structure

Launch of ‘step in stone’

Time for reflection has been very thin over the past few months.  It has been the busiest ever period of my working life (possibly not to be repeated)!Installing work at GROW London for Maureen Michaelson’s Gallery stand in June proved successful, with some great feedback and an offer of a Chelsea Flower Show commission next year.  Happily, I sold a couple of Nest and Cocoon pieces at The Hidden Garden Art Show (also with Maureen Michaelson Gallery, Hampstead – part of Chelsea Fringe).

A full load for GROW London GROW London

I ran a couple of 2-day workshops at Kings Hall School and Farmors School, resulting in a great dragon and large insects with Yr 7 students.  A fortnight ago I set up my Giant Nest in Black Swan Arts Centre, Frome.  This will remain on show there for a couple of months.
Dragon in the making at Kings hall School, Taunton
However, most of my time continues to be absorbed by my project step in stone‘.  Co-ordinating, curating and making are quite a challenging combination, but so far things are going well and last week was the big opening of ‘Step 1’, after months preparing and publicising with stands, presentations, interviews, leaflets and other forms of PR.  Installing artwork, arranging signage, running a school workshop, leading a guided walk, making a sculpture in a day, holding a press launch and organising the official opening at Somerset Earth Science Centre has been a whirlwind of activity! Thanks to the massive support of Nick Weaver and other members of the team, I’ve survived.4 of us spent 2 days setting up artwork inside and around the grounds of SESC.  My artwork for the project includes both new work inspired by features of the quarries (for Steps 2 & 3) and pre-existing work (for Step 1) that reflect how the quarries resonate with my interest in life forms.  The installation of my floating pieces involved adventures in a boat.   2 helpers were enlisted from Moons Hill quarry to assist with this.  Slightly perturbed by the strangeness of it all to start with, they were soon singing rowing songs – delighted by the novelty once they’d relaxed into their new roles and we floated the first ‘Diatom’ in the water.   My other installations meant climbing up tall ladders, and wrapping ‘Lichen’ round a tree with helper Nigel.  Duncan Elliott dragged his heavy stone pieces up the road on a trolley, and built huge scaffolding frames to hoist up his ‘Age of Stone’ – a back-aching job, but worth the effort – it is magnificent!  I met Tessa Farmer from the train laden with her intriguing boxes of insects, miniature evil fairies, worm casts and bell jar – the intricate work taking her hours to install – and Christina White set up her beautiful multi-exposure photographs in the Centre against limestone walls.

Some of this process was documented by Duncan Simey (see ‘wild-landscapes’ photos below) and filmmaker Jack Offord, for our final documentary film.

Installing DiatomsOne of my Diatoms, floating at SESC Installing Lichen with Nigel Help from Moons Hill Quarry worker Lichen being installed Duncan Elliott's 'Sleeping Beauty' - detail 3 men in a boat One of my Diatoms Lichen - detail Tessa Farmer installing her work Christina White installing her work Me up a tree Tessa Farmer's 'Out of the Earth'
‘step in stone’ opened on Wednesday 8th July, and we’ve already had a wide range of visitors of all ages engaging with our work, including 2 school groups through Somerset Art Works’ inspirED programme and some guided walkers through our collaboration with Somerset Wildlife Trust.  My half day workshop was with Yr 7 pupil premium students from Selwood School.  In small groups they created wire pieces based on silver birch seeds.  Suzie Gutteridge’s workshop the next day resulted in felted balls using locally sourced wool.  Both sets of work will be exhibited as part of the Trail at Halecombe Quarry from Step 2 (15th Aug) onwards.
Guided Walk in collaboration with Somerset Wildlife Trust Participant doing rubbings Guided Walk
Our first week culminated on Saturday with us making Charlotte McKeown’s sculpture with her in just one day.  This was her award for winning the ‘Under 20’s Sculpture Design Competition’.  A bit like scrapheap challenge, our small, dedicated team worked hard to create the Kinetic Structure in a day.  Despite having prepared materials and got some parts together in advance, it was still a little daunting.  Our team included Charlotte, Lucja Korczak, who won the under 13 year-old design competition prize, Duncan Cameron (step in stone artist and Strode College tutor to Charlotte), Nick Weaver (step in stone Partner) and me.  Perhaps the best thing about the day was how everyone worked together so well to make it happen and with such aplomb!    A slight rush to finish before the arrival of press and guests for our official opening at 5pm, the sculpture was installed near the Centre entrance.  Sarah Jackson from Mendip Hills AONB kindly did the honours to ‘open’ the event, and we all celebrated the start of an exciting few months ahead!
Creating a sculpture in a day Creating a sculpture in a day Creating a sculpture in a day Creating a sculpture in a day Creating a sculpture in a day Official Opening Trying out the Kinetic Structure Press Launch and Official Opening
Do please come and visit Somerset Earth Science Centre (SESC)  – open to public Weds 9am-4pm & special events.  Artists exhibiting at SESC for Step 1 are: Duncan Elliott, Tessa Farmer, Christina White, Charlotte McKeown (young sculpture design competition winner) and me.  Step 2 follows on 15th August.

Chelsea Fringe and GROW London

I’m looking forward to taking part in the Hidden Garden Art Show as part of Chelsea Fringe and GROW London – both with Maureen Michaelson Gallery in Hampstead this June.  Come along if you can!

Chelsea Finge