Spring

February has flown by for me, thankfully, with an intense period of making new sculpture, installations, exhibitions, commissions, teaching and workshops.  I’m very glad Spring is in the air at last!

Our Gallery4Art exhibition ‘Art at Blackmore’ ends tomorrow (Sunday) at 5pm, whilst ‘All Wired Up’ at Walford Mill started yesterday and continues until April, featuring my work.

I installed two pieces at Lanhydrock National Trust Estate, Cornwall yesterday, as part of ‘Art in the Garden’ – running until October.

Two days of wire workshops this week via Spaeda at Preston Primary School resulted in some great insect sculptures by Yr 6 pupils.  I was also really pleased that some of my students at All Hallows Prep School gained scholarships to their next schools and won awards at Black Swan Arts’ Young Open, Frome. On Monday I went on an art trip with some of these pupils to see the Rain Room and Light Show in London – two fantastic shows!

I’m very excited to have been selected for the Somerset Art Works/NGS ‘Abundance’ commission, which will entail a garden trail of sculptures by seven artists installed in various beautiful gardens in Somerset during Somerset Art Weeks later this year.  Ideas are brewing…

Next week I will be installing some work at The Magdalen Project as part of the Scraptors‘ Scraptorzoic Era. This will be the last trail for me as part of the Scraptors group, although I will of course continue individually as a scraptor – working with recycled materials, as ever.

And now it’s nearly Spring, people traditionally turn their attention to gardening and perhaps a sculpture or two…

Africa, Wildlife and Art

I’m very proud to have roots in Africa.  David Attenborough’s recent BBC TV series has brought the continent to the fore and each film brings tears to my eyes – mingled emotions of sadness, nostalgia, amazement, joy, laughter, despair, pride, love…  Several people have commented to me on the memorable Dung Beetle and Ball episode, as I have an affinity with Dung Beetles.  I make sculptures of them, use one as my gravitas and even won David Shepherd’s 3-d Wildlife Artist of the Year Award (’09) with my Dung Beetle and Ball piece (see below).  Since my childhood, I’ve always been captivated by dung beetles.  Their attachment to dung, the backward ball-rolling, their striking appearance, strength and perseverance appeal to my interest in the extra-ordinary.  Worshipped by the Egyptians, they are also symbols of wealth and power.  My Dad used to (and still does!) enjoy picking up dried elephant dung on safaris (see also my brother’s Andrew Campbell safaris) or driving over it for fun, and I guess the dung thing has stuck.  Hopefully, more people now understand that the beetles roll balls with their back legs and why they love dung so much (nutrition, nest etc..).  In galleries I’ve had to reverse my beetles, after being placed the wrong way round!

This week I managed to catch the Wildlife Photographer of the Year exhibition at Bristol Museum before it ends (today).  Wildlife in all its guises – again raising all sorts of emotions with incredible images of nature – closeup, narrative, beauty and horror (mainly due to ‘sick people’ as my son succinctly put it).

My son and I then popped to the Arnolfini’s Worktable event as part of IBT13, passing IBT’s fake moon rising in College Green on our way to the harbourside.  Worktable is a drop-by interactive artwork by Kate McIntosh set in connected shipping containers with microphones to record the antics. We chose an item to use/smash up (rollerskate), which was great fun to do in a room on our own, then had to artfully re-assemble someone else’s trashed object (car) in a shared room with other creative participants, with very basic materials. Equally exciting was seeing the results of everyone else’s handiwork at the end.  Challenging work – good for lateral thinking with no pre-conceived ideas.  Project ends later today.