Exhibitions – Judy Pfaff, Frieze and more

In September I attended Judy Pfaff’s talk and the launch of her new site-specific installation ‘Roots Up’ at Messums, Wiltshire.  Having previously researched her online as an artist of great interest to me, it was a real thrill to see her work in reality.  Pfaff sees her installations as ‘painting in 3d’.  ‘Roots Up’ fills the length and height of the huge tithe barn.  On entering, I was taken aback by the immensity of two extraordinary entwined tree root balls, which have naturally melded together clasping man-made stone blocks between their roots.  Monumental in scale, nature’s power is unequivocal.  Steel rods wiggle and writhe – their man-altered forms communing with the architecture and nature. Colourful concentric rings are encircled by 12 hovering vessels, a fantastical mix of green to pink sinuous melted plastic and expanded foam spilling out.  I was reminded of sundials, crop circles, the solar system and celtic patterns. The recognisable influence of Salisbury Cathedral is represented in a fluted architectural column reaching to the ceiling.  Pfaff’s work oozes, spews and flows with energy and vitality, which I love.

Earlier this month I visited Frieze London.  I was overwhelmed by the scale of it; seemingly endless compartmentalised spaces filled with art and hoards of people, which made me quite dizzy by the end!  Gallery Pillar Corrias created an incredible theatrical show of Mary Reid Kelley and Patrick Kelley’s work. The floor is integrated into the work as a stage set.  Floor, wall-mounted lightbox portaits and sculptural installations are all treated with the same black and white stylisation of a fictional narrative based on American World War II sailors’ lives on a submarine.  I found it compelling.

Lee Bul’s ‘Untitled (Mekamelencolia – Velvet #3 DDRG29AC) incorporates human hair, paint, dried flowers and silk velvet.  Strands of hair furrow through the velvet pile as a drawing, particles of dried flowers embedded in the surface.  I’ve noticed human hair featured in several artworks lately.  There are so many everyday materials under our noses which we can utilise.  I like the unexpected mix.  I am experimenting with grass juice, feathers and ground coal, though hair may be added to the list!

Do Ho Suh’s ‘Main Entrance, 388 Benefit Street, Providence, RI 02903, USA’ is a beautiful, ethereal walk-through sculpture about memory of place.  Made from blue polyester fabric over thin steel pipes, it is immaculately crafted, simple and elegant.  Sarah Sze’s intricate maquette is a miniature version of her planetary installation ‘Triple Point (Planetarium)’.  ‘Her work challenges the static nature of sculpture.  She draws from Modernist traditions of the found object, dismantling their authority with dynamic constellations of materials that are charged with flux, transformation and fragility’ (Victoria Miro).

I’ve compiled a slideshow of the stages of my interim MA Show installation ‘Matter in Flux’ (which explored connections between line, growth and energy inspired by webs – see ‘Spider Web Safari’ – and other micro phenomena).  A short film taken by Nick Weaver also gives a flavour of the work.  I’m now working on research for my 4th module.

‘Anthill I’ is now happily installed in its new home, purchased at ‘Form and Fascination’, The Courts Garden, where I showed alongside Ian Turnock.  It was a joy to exhibit in such a National Trust gem.

When it came to taking down ‘Cirri’ from ‘Summer Sculptures’ at Glastonbury Abbey, I was delighted to find a lady absorbed in drawing the pieces. Julia from Edinburgh had been with my work two days in a row, finding them a great source of inspiration.

As part of our collaborative exhibition ‘Ephemeral and Eternal’ during Somerset Art Weeks Festival ’17 at Black Swan Arts, Angela Morley and I ran some workshops.  Mine involved participants ranging in age from 3 to adult making pieces using found and reclaimed materials.

1173 visitors came to see our exhibition, and we received some wonderful feedback. If you missed it, our collaborative piece ‘Life Form’ is still mounted on the Round Tower wall. There were 4 exhibitions at Black Swan Arts, including the beautiful and incredibly moving ‘Hinterland’ show by Gladys Paulus, so it was buzzing.   My ‘Cocoon’, exhibited during SAW Festival at Clayhill Arts, Bridgwater, is still on show to those who visit the centre by appointment.

I managed to visit a few other SAW venues.  I was particularly inspired by SAW’s Muse project (artist responses to South West museum collections).  At Wells Museum Sean Harris’ revealing, clever animation machines respond to the collection of ancient bones found in local caves including the Hyena Den.  Dorcas Casey’s elevated crocodile at Bruton Museum is an amusing take on the collection’s animal shaped jelly moulds. ‘Gather-ing’, Somerset Rural Life Museum and Cotley Barn made use of the history and architecture of tithe barns.  They are such evocative spaces.

I am delighted that my Log Cast has been selected for the Black Swan Open, Frome, starting next week.

Time to move forwards with new ideas for my final MA year!

Autumn news

My part-time MFA course at Bath Spa Uni continues to challenge and broaden my art practice, taking it in new directions which I am finding exciting!  Recent work has resulted in an immersive installation piece (images above) for the MA Degree ShowBath School of Art & Design, Sion Hill, Bath, BA1 5SF, 23 – 27 Sept, 10am-5pm.  Private View 22 Sept 6-9pm.  This will be an interim show for me, being my first year of two.

I have been installing several other exhibitions that run simultaneously this autumn in very different venues.  I was invited to show a selection of my outdoor sculptural pieces in ‘Form and Fascination’ at Courts Garden National Trust alongside Ian Turnock’s work.  Both inspired by structures in nature, our work is set in the beautiful gardens that feature water, intimate, formal and wild areas:  Holt, Nr Bradford-on-Avon, Wiltshire, BA14 6RR, 9 September – 15 October (closed Wednesdays; last entry to garden 5pm).

Somerset Art Weeks Festival is coming up soon, this year themed ‘Prospect’.  I am showing with Angela Morley in 2 venues spanning East and West Somerset.  We have transformed the Round Tower Gallery, both inside and out, for ‘Ephemeral and Eternal’ (Venue 3), Black Swan Arts, 2 Bridge St, Frome, Somerset BA11 1BB.  Our exhibition has already started (a week earlier than SAW): 16 September – 7 October, 10am–4pm, Mon to Sat, (open Sun 1 Oct); Preview Fri 22 Sept 6-8pm.  At Clayhill Arts, Clayhill Farm, Charlynch Lane, Bridgwater TA5 2PH our large outdoor sculptures will be on display in the landscape to launch their new centre, 23 September – 8 October, 11am-6pm, Wed-Sun.

As part of Somerset Art Weeks we will be running workshops:

Black Swan Arts: ‘Organic Forms’: Wed 4 Oct, 1-3pm (Angela Morley); Sat 7 Oct, 10am-12noon or 1-3pm (me); book via www.eventbrite.co.uk

Clayhill Arts: ‘Organic Forms Found Materials’ Sun 8 Oct, half day or full day (me); or ‘Organic Forms Willow Weaving Sun 8 Oct, half day or full day (Angela Morley), or combination of each: book via www.eventbrite.co.uk

Summer Sculptures, Glastonbury Abbey grounds, Somerset, BA6 9EL, continues until 1 October (normal admission applies)

I hope you can visit some of these exhibitions!

SAW ’16 ends MA begins

I’ve started a part-time MA Fine Art course at Bath Spa University.  It’s never too late!  I’ve wanted to do one for many years, but the time never seemed right.  Now it’s as right as it will ever be.. so I took the plunge and applied belatedly in early September, amazed that I was accepted onto this year’s intake!  It’s been a bit of a jolt to the system, but am getting the hang of research methodology and all the mouthfuls that go with it.

This was going on around the time of preparing and running our Somerset Open Studios event.  I shared my venue with Nick Weaver, whose wood pieces harmonised well with my work, especially in the “magical Alice-in-Wonderland like garden/sculpture park” (as one visitor put it).  Other visitor comments: “Brilliant – most lovely and surprising and innovative visit of the day“; “Wonderful, positive views of life in all respects”; “Remarkable, inspiring exciting”; “Magic!! An oasis of inspiration! Thanks”; “Absolutely stunning“. Our Open Studios event went well – plenty of new enthusiastic, friendly visitors who loved our exhibition, a very wide demographic and several sales.  I ran some workshops with a local school, home ed children and adult group, including A’ Level Art students.  It was busy but rewarding!

Me putting up the canopy (from Chelsea Flower Show)Nick Weaver helping install Lichen Sculpture in the garden - Somerset Open StudiosVisitors enjoying Nick's boatSculpture in the garden - Somerset Open StudiosSculpture in the garden - Somerset Open StudiosWorkshop in the gardenTaster workshopTaster workshopResult in an hour!School not put off by the rain!Bee by 9 yr oldSchool visitSchool workshopCat face by 9 yr oldSculptures in garden

 

 

Summer Events

Fiona Campbell ‘Cirri’ recycled and found materials. Photo: Duncan Simey in Asham/Westdown Quarry

It’s going to be a very busy summer…

step in stone is absorbing most of my energies as curator and I hope you’ll visit the artscape when it opens this summer!  A collaborative multi-disciplinary art project featuring work by fourteen leading artists, step in stone offers a unique opportunity to encounter contemporary artworks in rural Mendip while exploring spectacular, wild landscapes of abandoned and working quarries.  Opening on Wednesday 8th July and stepping up in 3 phases to its finale in October (part of SAW Festival’s Momentum programme), the event will occupy 6 different venues. Trail, exhibitions and guided walks are free while there will be a small charge for our workshops and artist talks.

Together with some of the step in stone team I’ll be speaking about the project to a drop-in audience as part of Bristol’s Big Green Week outside at The Hub, just above the cascade steps, (near the Watershed) on Sunday 7th June at 12 noon (http://issuu.com/biggreenweek2015/docs/bgw_2015_programme).  If you’re in Bristol at 12 noon – please come along!  We’re also taking stands at Collett Park, Shepton Mallet on Saturday 13th June and The Sustainability Show in Taunton on Sunday 14th June, so people can learn more about the project.  I’ll be there at both.

Friend Jo Martin created a beautiful hand painted map for our leaflet.  The signed limited edition map will soon be available to buy at step in stone venues and the leaflet will be downloadable on our website and in various outlets throughout the region.  My cousin Jack Offord made our trailer film for the project.  I’ve loved teaming up with friends, family and colleagues on the project!

We’re looking for volunteers to man and/or help in our workshops at Somerset Earth Science Centre so please get in touch if interested, or pass this on to others.  For further details about step in stone or to book a step in stone workshop, guided walk or artist talk visit: www.stepinstone-somerset.co.uk

This June my work will feature in GROW London, Hampstead Heath, London (18-21 June) and the Hidden Garden Art Show, Hampstead, London (see previous post), represented by Gallerist Maureen Michaelson.  I’m happy to say that one of my pieces on show there has already sold this week!  My work will also be on exhibition at ArtParks International Exhibition, Sausmarez Rd, St Martin, Guernsey GY4 6SG.

I hope you can visit some of these events and wishing you a happy, hot summer ahead!

 

Current and Forthcoming Exhibitions

Second Time Around – The Hubcap As Art  Landfillart Exhibition, Museum of the Shenandoah Valley, Winchester, Virginia, USA  7th Sept ’14 – 1st March ’15

Showing with Maureen Michaelson Gallery in the following 2 exhibitions, in association with Chelsea Fringe:

Hidden Garden Art Show, Maureen Michaelson Gallery, Hampstead, London NW3; Saturdays and Sundays  6, 7, 13, 14, 27, 28 June, 2 – 6 pm.  Weekdays by appointment.

For full visitor information, please contact Maureen Michaelson Gallery on 0207435 0510 or info@maureenmichaelson.com or visit: www.maureenmichaelson.com

GROW London, Hampstead Heath, London NW3, Maureen Michaelson Gallery, Stand J9; 19 – 21 June, 11am – 6pm.  Full information: www.growlondon.com

Art Parks International Sculpture Festival, Sausmarez Rd, St Martin, Guernsey GY4 6SG, May –  October

step in stone art in quarries trail in the East Mendips, Somerset curated and managed by me in partnership with Somerset Earth Science Centre, Black Swan Arts, Somerset Art Works, Mendip Hills AONB, Somerset Wildlife Trust

Phase 1: 8 July – 18 October – exhibition/art installations/workshops/talks/guided walks – Somerset Earth Science Centre, Stoke St. Michael BA3 5JU (open to all public Weds 9-5)

Phase 2: 15 August – 18 October – exhibition/art installations/guided walks – Halecombe (working quarry, peripheral public pathway); Westdown (massive disused quarry), Chantry (both open 7 days a week)

Phase 3: 3-18 October, finale fortnight tying in with Somerset Art Weeks Festival ’15 and Momentum programme – exhibition/art installations/workshops/talks/guided walks – Fairy Cave Quarry (open 11am-6pm daily); Black Swan Arts Centre, 2 Bridge Street BA11 1BB and Frome Museum (open 10-4 Mon – Sat, open Sunday 4th, closed Sun 11, 18th)

For further information, please visit: stepinstone-somerset.co.uk or contact me

Past, Present, Future: SAW Projects Showcase, 44AD, 4 Abbey St, Bath, BA1 1NN 29 Sept – 11 Oct, 10am – 4pm

Time and Place, Somerset Art Works, Art at The Heart, Royal United Hospital, (Central corridor, Zone B & Courtyards), Bath BA1 3NG 9 Oct ’15 – 15 Jan ’16, 8am-8pm

Bristol Green Capital in the Frame, Grant Bradley Gallery, 1 St Peters Ct, Bedminster Parade, Bristol BS3 4AQ  5 Dec ’15 – 2 Jan ’16; Private View: Fri 4 Dec 6-9pm

 

Crowd funding campaign launched for step in stone!

I have just launched a crowdfunding campaign for step in stone on IdeasTap:

http://www.ideastap.com/crowdfunding/project/stepinstone

The link leads to full details about my planned step in stone project, together with a short related film, made by Jack Offord.  Please visit and support. We hope to be successful in raising our target amount for an exciting project!

Looking back at Somerset Open Studios ’14

SAW signSAW sign

Taking down the yellow signs for Somerset Art Weeks often feels a bit like the end of a party.   Quite exhausted, tinges of sadness but ultimately happy to have met and even befriended so many lovely, appreciative people from the South West and beyond.  Looking back at stimulating conversations and comments left by visitors it’s great to know that they enjoyed themselves and were inspired.  Starting and ending on a high note, overall I felt this one went with a swing.

I shared my venue this year with Nick Weaver, whose reclaimed wood pieces really enhanced the show.  Thanks to his hard work helping to restore my garden to former glory and to an indian summer, the 52 outdoor sculptures glistened in their surroundings – described by one visitor as ‘reminiscent of arcadia’!

Bulrushes and Lignum amongst grasses Sculptures in the garden Workshop in the garden Found Now Missing

Good signage, SAW catalogues and successful PR (by all involved) seem to be the main ways to attract SAW visitors.  A focus this year was to appeal to a younger, wider audience.  Zoe Li (SAW Art Weeks manager) and I did a BBC radio interview in Bristol with Martin Evans to increase media coverage of the final Open Studios ‘family friendly’ weekend.   As it turned out, the last weekend was, in my view, a brilliant finale.  I manned at All Hallows School’s venue on Saturday, where some of my students’ work was on show.  Tied in with an Open Day their venue attracted far more family visitors than usual.  And on Sunday, as part of the Big Draw, I had 20 participants of all ages doing a taster wire workshop in my garden in addition to many other visitors – challenging but fun!

Visitors at All Hallows SAW venueWire Crane (detail) by a student at All Hallows Wire Cranes by my students at All HallowsSunday wire workshop in garden for family friendly weekendSunday wire workshop in garden for family friendly weekendSunday wire workshop in garden for family friendly weekendMother and daughter teamWire owl by workshop participantWire cat head by workshop participantWire beetle by workshop participant

Making sales is always a bonus, and happily we made some of those too!

It’s All Happening In Somerset

Somerset Open Studios ’14 is now in full swing, we had a great open evening doo to kick off and I’m happy to say our venue (140 – Cranmore BA4 4RH, shared with Nick Weaver) made several sales this weekend.  With over 52 pieces on show in the garden alone, it was a big job setting up (and clearing up my studio ready for the event).  I ran a brief workshop for several art students from Wells Cathedral Junior School and will be running similar taster workshops on the next 2 Sundays (11.30-12.30).  Please book if you’re interested: (01749) 880394.

Wire workshop with juniors from Wells Cathedral School Laundry Cottage on show SAW '14 - Nick's stools and my Nest SAW '14 SAW '14 - Found Now Missing on show

Last weekend I visited Hauser & Wirth’s new Gallery space in Bruton for their Private View of Piet Oudolf’s newly created garden.  Phyllida Barlow’s work inside provided a tactile (though you can’t touch), raw and quite spectacular use of the barn buildings.  Her work seemed to celebrate the space: multi gigantic pompoms suspended and massive colourful structures reaching into roof voids.  It was invigorating, while Oudolf’s garden was soothing.  Luckily we could touch his wonderful, feathery grasses – it would have been torture not to.  And it was a treat to see one of Louise Bourgeois’s Spiders (much smaller than the one I saw at the Tate Modern, but still great!)

Louise Bourgeois' Spider Piet Oudolf's garden Piet Oudolf's garden (detail)

Fundraising is not my forte but I’ve had to do it as part of a major project I’m organising entitled ‘step in stone’.  The film we’ve been making for a crowdfunding platform is now ready to launch on IdeasTap.  This will go live in the next day or so, and I hope we will have some success through it.  We have now made the final selection of featured artists, and it is all getting very exciting and absorbing!  More news of this project soon…

Hello to Autumn

I hope you’ve had a wonderful summer and feel ready for the fall.  I managed to get away for an inspiring trip to Florence and Pisa for a week in between working on various projects, teaching, commissions and exhibitions.  I sold some work locally and in Londonmade a tree in a day and very happy to have just learnt I won an Environmental Award for my work at the Devon Recycled Sculpture Trail!

There’s plenty to look forward to this autumn.  I’ve been preparing for Somerset Open Studios ’14 as East Mendip Rep and exhibitor.  This year I’ll be showing work in my studio and garden with Nick Weaver (elegant wood pieces) from 20th Sept – 5th Oct, 11-6 daily (wire workshops each Sunday 11.30-12.30 – please book).  We’ve formed a small cluster group in our vicinity and have a Launch doo on 20th Sept (see below) – please come and visit us!

Fiona and Nick inviteSAW 14 Cluster poster

My energies have also been focused on organising a major project entitled step in stone – a collaborative holistic, multi-stranded Art Trail around 2-4 disused/working quarries in the East Mendips (planned for July – Oct ’15), with related exhibitions at Black Swan Arts Centre and Somerset Earth Science Centre, linking with Somerset Art Works.  Artists are being drawn from a range of disciplines, some selected from a callout.  Confirmed artists include Tessa Farmer – one of my favourites after seeing her at Saatchi and recently at Holburne.  The project relies on funding, so in addition to formal applications we’re running a crowdfunding bid on IdeasTap via their commission-free Accelerator platform (soon going live – watch this space) and making a film for it.  I’ll have curatorial mentoring from Amanda Wallwork (Sherborne House Art Director/B-Side Curator) and Zoe Li (SAW/Arts Council) – let’s hope it all comes to fruition!

Some other exhibitions I’m involved in over the next month or so:

Glastonbury Abbey’s Orchard Sculpture Trail, BA6 9EL (ends 28th Sept)

Art Parks International Sculpture Exhibition, Guernsey (ends Oct)

Museum of the Shenandoah Valley, USA – Second Time Around – The Hubcap as Art, LandfillArt (6th Sept ’14 – 1st March ‘15)

Have a great start to autumn!

Current and Forthcoming Exhibitions

Artist Outdoor Programme, Sidcot Arts Centre, Sidcot Community Arts Centre, Winscombe, North Somerset, BS25 1PD (off A38) 1st Feb – 31st July

Of Form And Texture, Sidcot Arts Centre, Sidcot Community Arts Centre, Winscombe, North Somerset, BS25 1PD (off A38) 22nd March – 26th April, 11-6 every Thursday & Friday and 10-4 on Saturdays (excluding Easter weekend)

Voyages, Contains Art, Easy Quay, Watchet, Somerset TA23 OAQ  4th – 15th June, 10-5 Wed – Sun (related workshop Sat 7th June, 2-4pm)

Hidden Garden Art Show in Association with Chelsea Fringe, 24th May – 8th June (part of NGS – 8th June)

Art Parks International Sculpture Festival, St. Martin, Guernsey GY4 6SG  25th May – end October

Sculpture in the Orchard, Glastonbury Abbey, Glastonbury, Somerset BA6 9EL  5th July – 28th September

Devon Recycled Sculpture T.R.A.I.L, Teignmouth seafront and surrounds  20th July – 31st August

Big Green Week ’14 & Litterarti Waste of Space Recycled Art Exhibition, Trinity Centre, Bristol 14th – 22nd June & 5th – 9th August

Second Time Around – The Hubcap As Art  Landfillart Exhibition, Museum of the Shenandoah Valley, Winchester, Virginia, USA  7th Sept ’14 – 1st March ’15

Somerset Art Works Open Studios Laundry Cottage, 13 Cooks Lane, West Cranmore, nr Shepton Mallet, Somerset BA4 4RH 20th Sept – 5th Oct, 11-6 daily