Autumn Events

Somerset Open Studios invite

It’s been a wonderful summer. I often feel a little sad at the end of this season, but what makes it more bearable for me is that autumn is beautiful and in UK we tend to have ‘indian summer’ weather in September. Tied in with that is Somerset Open Studios running 17 Sept – 2 Oct (see invite). It’s something to look forward to and work towards. I will be showing my work alongside Nick Weaver (elegant, organic wood furniture and sculptures) in my rejuvenated garden and studio. Our work compliments each other – we both use reclaimed and found materials that harmonise within natural surroundings. If you missed seeing our focal pieces earlier this year in the Mekong garden at Chelsea Flower Show, which received gold and best artisan awards, we will have these on show during Open Studios. I’m also looking forward to visiting a few other Open Studio venues when possible.

My work is currently on exhibition in ‘step in stone’ at Salisbury Arts Centre until 24 Sept. Curated by Amanda Wallwork and me, the exhibition tells the story of last year’s art-in-quarries project. Selected artworks by all 14 artists include re-created dioramas by Tessa Farmer and a GPS soundscape around the grounds by Ralph Hoyte. You can download this on your smartphone via this link.

I will be taking down my work from the Devon Recycled Sculpture Trail, Teignmouth seafront this weekend, so if you’re around that area before Saturday evening, take in a beach stroll, fish and chips and a look at the artworks before they disappear!

In October, I’m taking part in the Quartz Festival’s ‘Outside In’ exhibition (Queens College,Taunton), 5-15 Oct, with over 40 other South West artists and makers working in different media. The theme is the natural world.

I have decided to donate my Giant Spider sculpture to Carymoor Environmental Centre, (Castle Cary) where I know it will have a great permanent home. Originally created for Glastonbury Festival’s Greenfields ’10, it has travelled to various shows around UK since. Look out for it if you visit.

I hope you’ll be able to make it to one or more of these events – have a great start to autumn!

‘step in stone’ revisited

We are gearing up to our ‘step in stone’ exhibition at Salisbury Art Centre, which I am curating with Amanda Wallwork. The exhibition runs Thursday 18 August – Saturday 24 September.

“This exhibition tells the story of a unique event held last summer in the South West.  Fourteen artists, all with connections to South West England (including two from Wiltshire) but from as far afield as Norway and Australia, created a collaborative and multidisciplinary series of site-specific artworks that fused art and the natural landscape in response to the nature of quarries and their place in the environmental, cultural and industrial heritage of the region.

The pieces were installed in six venues (three disused and working quarries and three related indoor exhibitions), and staged in three “steps”, the quarries’ natural history, ecology and geology inspired works in surprising forms. Aiming to link culture and the environment, the extraordinary artscapes gave over 8000 visitors a free opportunity to encounter contemporary artworks while exploring the spectacular, wild landscapes of abandoned and working quarries in rural East Mendip.

‘step in stone’ really engaged audiences, encouraging them to consider the environment around them, our place in it, how it evolves, the benefit we get from it, our impacts upon it and how nature responds and reasserts itself. It engaged a whole spectrum of the public, including school children, families and the elderly, many who had never visited these interesting spaces.”

Exhibiting artists include Artmusic, Catherine Bloomfield, Bronwen Bradshaw, Duncan Cameron, Fiona Campbell, Duncan Elliot, Tessa Farmer, Stuart Frost, Suzie Gutteridge, Ralph Hoyte, Sally Kidall, Caroline Sharp, Amanda Wallwork and Christina White

We’d love you to join us for the launch event on Friday 19 August from 6 – 8pm

http://us7.campaign-archive2.com/?u=b2079d5a8ed14f73b9a18f049&id=c0be67ca0b&e=08ce98bbc4

I will be showing my large ‘Cirri’ pieces and sketchbooks:

'Cirri' created for step in stone, installed at Westdown Quarry, found and reclaimed steel, copper, aluminium, twine, wool, netting, rope, plastic. Photo by Duncan Simey

Other artists’ work will include the following:

Caroline SharpChristina White, Magnificent Meadows, Halecombe quarry - ST ST697474 Pigment Inks on St Cuthbert's Mil Somerset Photo Satin PaperSuzie Gutteridge Tessa Farmer The EmergenceAmanda WallworkDuncan Cameron Fairy Cave Cabinet

 

Collaboration

'Flock in Flight' All Hallows Prep School group work

Each project brings with it new challenges. Sometimes several projects run alongside each other and the art of juggling can be a challenge in itself. Some of my roles overlap or interlink. This can be a good way to function, ‘killing 2 birds with 1 stone’ (though I hate killing), easing the problem of having too many things on the go, but isn’t so straightforward if you don’t want to compromise the work, and it can create a bottleneck time-wise, amongst other complications. I’ve enjoyed working alongside other artists/makers of all ages. I like collaboration – at its best, combined effort multiplies output and result, it’s more fun and creatively, one can learn so much from working with others.

The past month has been full-on. With a bit of time to reflect now, here’s a look at what went on in my little creative world (in the bigger world – all I can say in a nutshell is PLEASE CAN WE UNITE AND STOP KILLING).

Teaching, Workshops, Talks, Demonstrations

On 12 June I spent a day at the Hidden Garden Art Show (Maureen Michaelson Gallery, Hampstead), part of Chelsea Fringe Festival where my sculptures were on show with other selected artists, demonstrating my work process, running a drop-in workshop and giving a talk about my work to visitors.  Although it poured with rain all morning, the sun brought a magical shimmer and quite a crowd in the afternoon, including Tim Richardson – founder of Chelsea Fringe.

Drop-in workshop at Hidden Garden Art ShowWorkshop participant's beetleMe talking to Tim Richardson (leads Chelsea Fringe)

I teach 2 evenings a week at All Hallows Prep School and as I’ve been involved in the Secret Swans Art Trail (one of Black Swan Arts’ 30th anniversary events and part of Frome Festival), I devised a project to involve the children in the Trail.   We created a flock of flying swans in wire, which were installed on the exterior wall of Black Swan’s historic Round Tower.  Inspired by my recent trip to Sophie Ryder’s exhibition at Salisbury Cathedral, we used her ‘scribbly’ technique to add more black areas.  It was an effective solution given time constraints.  The final lessons getting the work completed was a mission as some children were absent due to end-of-term activities.  Thankfully others stood in (special mention: Ellie West and Nick Somerville!). The swans looked like faint drawings, quite lovely and ethereal, though visitors had to look hard to see them.

Student's work in progress - making the All Halllows swansStudent's work in progress - making the All Halllows swansMy contribution to 'Flock in Flight'Installation on Round Tower, Black Swan Arts Centre

Preparations for Priddy Festival included some ‘birdy notes’ as we called them.  A team of Mendip Creatives made them from wire and paper, for marquee decor.  A large willow hog was also made, led by Angela Morley.

I worked with a couple of schools recently (Bishops Wordsworth & North Town) making wire figures and mini creatures.  Bishops Wordsworth was a 2 day slog over to Salisbury in a hire car (my truck was broken) giving 4 x powerpoints/making sessions to 128 children in fairly swift succession. The short sessions of 2 hours per group had limitations, but it’s amazing what children can do when focused!

North Town Primary students making Giacometti-inspired figureNorth Town Primary student making Giacometti-inspired figureGiacometti-inspired figureGiacometti-inspired figureGiacometti-inspired figureWire Fish by Yr 7 pupil - Bishops Wordsworth School Wire Dragonfly by Yr 7 pupil - Bishops Wordsworth School Wire Seahorse by Yr 7 pupil - Bishops Wordsworth School Wire Crane by Yr 7 pupil - Bishops Wordsworth School Wire Woodlouse by Yr 13 helper - Bishops Wordsworth School

Volunteering Roles

Secret Swans badge (illustration by Belinda Brownlee)

I continue to be very involved in the Black Swan Arts centre as a trustee, especially this year, with its 30th anniversary.  We have held several special exhibitions/events to mark the occasion, which have so far been a ‘resounding success’ (Christina Oswin), with great feedback, overwhelming support from the public, serious funds raised, heightened the BSA profile and engaged the community.
1000 Postcards attracted over 1000 postcard-sized artworks (including 2 of mine) for a massively popular exhibition with over £10,000 of sales so far and visitors galore.  Unsold postcards can still be bought online.  Preparations for the Secret Swans Art Trail, which followed straight after, grew more intensive.  30 artists in 30 venues around Frome.  I made a piece, ‘Resurrection’, (using reclaimed steel, copper wire, tar, rope and scrim) and sited it by the river.  It only recieved slight damage, easily rectified and many positive comments, so am grateful to most Frome residents for their respect!  In addition I worked on the All Hallows piece, helped Nick Weaver with the organisation and was largely involved in the PR for these events.  They are great examples of a huge team effort by Black Swan volunteers.

Sketches for my Secret Swans work'Resurrection' - ‘Black Swan’ is a metaphor for the impossible becoming possible. This piece is about hope, endeavour, yearning, striving for truth, purity (‘we will never know everything’), freedom from constraints, environmental pollution. Swans represent love, which ‘conquers all’, symbolised by the crucifix. 'Resurrection' - ‘Black Swan’ is a metaphor for the impossible becoming possible. This piece is about hope, endeavour, yearning, striving for truth, purity (‘we will never know everything’), freedom from constraints, environmental pollution. Swans represent love, which ‘conquers all’, symbolised by the crucifix. 'Resurrection' - ‘Black Swan’ is a metaphor for the impossible becoming possible. This piece is about hope, endeavour, yearning, striving for truth, purity (‘we will never know everything’), freedom from constraints, environmental pollution. Swans represent love, which ‘conquers all’, symbolised by the crucifix. 'Resurrection' detail 'Resurrection' detail Secret Swans piece (detail) by Edgar PhillipsSecret Swans piece by Tessa Farmer (detail) Secret Swans piece by Alicia Merret Secret Swans piece by Angela Morley - detail Secret Swans piece by Annie Fry

I’ve been involved in various Somerset Art Works meetings, a couple for an exciting new project that might come off next year with Anna Best, and for Somerset Open Studios ’16 (17 Sept – 2 Oct).  As Rep for East Mendip, I’m keen to make sure we do Somerset proud.  I’m part of a cluster group in my area called The Mendip Triangle; we have a specially designed map (by Michel Linthorst) to help direct SAW visitors to our lovely rural Studios in September.  Looking forward to seeing this year’s SAW guides being delivered next week!

SAW flyer 'The Mendip Triangle' by Michel LinthorstSAW flyer (back) 'The Mendip Triangle' by Michel Linthorst

New Work, Exhibitions

I made a new Nest and Mini Dung Beetle & Ball for the Maureen Michaelson Show, in addition to existing work.  ‘Resurrection’ will be sited at the Devon Recycled Sculpture Trail, Teignmouth seafront from 23 July – 4 Sept, and I am now curating our forthcoming step in stone exhibition touring to Salisbury Art Centre (18 Aug – 24 Sept), with Amanda Wallwork’s help. 2 of my main outdoor pieces will be on show.  If you missed any step in stone artscapes last year, try to visit!

Nest detail'Cirri' created for step in stone, installed at Westdown Quarry, found and reclaimed steel, copper, aluminium, twine, wool, netting, rope, plastic. Photo by Duncan Simey

The garden and studio get quite a battering after big projects, so it’s time to tidy up!   My good intention of simplifying life, with less to clutter the brain is still in the development stage – I hope it will happen one day.  In the meantime, the juggling continues!

PRESS 2016

Frome Standard, March ’16 – Local Artists’ work focal pieces/Chelsea Flower Show story

Frome Times, March ’16 – Chelsea Flower Show commission

Fine Times Recorder, March ’16 – Bishop unveiling at Bishops Palace

Wells Journal, March ’16 – New sculpture unveiled at Bishops Palace

The Visitor Magazine, May ’16 – Somerset artists net Chelsea Flower Show commission

BBC Get Creative Day, April ’16 – workshops at Black Swan Arts

Bruton Town website – Chelsea Flower Show commission

The Fine Times Recorder – Chelsea Flower Show commission

Bishop commission – Country Gardener

Bishop - Country Gardener

Mendip Times, May ’16 – Bishop and Chelsea

Mendip Times May '16

Gardens Illustrated, May ’16 – Chelsea

Gardens Illustrated May '16

Sunday Telegraph, 29 May ’16 – Chelsea canopy

Sunday Telegraph 29 May 16

Viking Cruises brochure for Chelsea Garden, May ’16

Viking Cruises brochure for Chelsea Garden, May '16

Somerset Live – Chelsea artists return

Frustrated Gardener blog – Chelsea Mekong Garden

Garden Design Journal – Chelsea

Garden Design Journal

Country Life, Collectors’ Issue, 1 June ’16

Canopy and Boat, Mekong Garden, Chelsea - Country Life June '16

Chelsea Fringe website – Hidden Garden Art Show

Frome Standard, 9 June ’16

Frome Standard 9 Jun 16

Ham and High – Hidden Garden Art Show

Ham & High - Secret Garden Full of Gems Ham & High - Garden Events

The Artiscape – Gold and Best Artisan Garden Awards for Somerset Artists

The Visitor Magazine, June ’16 – Gold and Best Artisan Garden Awards at Chelsea Flower Show for Somerset Artists

Bruton Town website, June ’16 –  Secret Swans Art Trail

SculptSite.com, June ’16 – Secret Swans Art Trail Adds Mystery to Frome Festival

SculptSite.com - Secret Swans Art Trail

Frome Festival, July ’16 – Secret Swans Success Story

Somerset Cool Blog, July ’16 – 30 Years of Art – Black Swan Arts, Frome

Frome Standard, July ’16 – Secret Swans

Secret Swans - Frome Standard 21:7:16

Frome Times, August ’16 – Black Swan – Beacon for the Arts

Black Swan - Beacon for the Arts - Frome Times 28:8:16

Salisbury Journal, Aug ’16 – step in stone tours to Salisbury Art Centre

step in stone at Salisbury, Salisbury Journal 11:8:16

 

 

 

 

 

 

 

 

Current and Forthcoming Exhibitions 2016

I will be involved in the following exhibitions this year:

The Viking Cruises Garden, RHS Chelsea Flower Show , Royal Hospital, Chelsea, London SW3 4SL; 24-28 May ’16.  I am creating a large woven canopy as a focal piece for Sarah Eberle’s garden, inspired by Cambodia’s floating gardens and artisanal fishing techniques in the Mekong River region

The Hidden Garden Art Show, Maureen Michaelson Gallery, Hampstead, London; 4 – 12 June.  On Sunday 12 June this Gallery is also hosting a day as part of Chelsea Fringe Festival, where I will be demonstrating my sculpting techniques from 11am – 5pm, with a talk at 3pm. www.maureenmichaelson.com or www.chelseafringe.com

1000 Postcards, Black Swan Arts Centre, Frome; 18-28 June (Preview Evening Fri 17 June, 6-8pm).  Sale of 1000 Postcards (original artworks), many by famous artists and celebrities at an affordable £30. Exhibited anonymously (signatures on back), with list of contributors displayed. Funds will refurbish the historic Round Tower

Secret Swans, Frome (trail as part of Black Swan’s 30th anniversary celebrations and Frome Festival); 1-10 July.  Trail of 30 related artworks in various media/scale displayed at indoor and outdoor public venues around Frome. Information sheets/list of artists/venues available at Black Swan.  Secret auction at each venue

Devon Recycled Sculpture Trail, Teignmouth seafront; 23 July – 4 Sept.  My new piece ‘Resurrection’ will be on show alongside a range of other artworks

step in stone‘, Salisbury Art Centre; 18 Aug-24 Sept, open Tues-Sat, 10am-3pm. Private View Fri 19 Aug 6-8pm.  The artscapes-in-quarries project I ran last year goes on tour.  This exhibition tells the story of a unique event held in the summer and autumn of 2015.  14 local/international artists created site-specific artworks in response to the nature of quarries and their place in the environmental, cultural and industrial heritage of the region

Somerset Open Studios 2016, Laundry Cottage, 13 Cooks Lane, West Cranmore, Somerset BA4 4RH; 17 Sept–2 Oct.  Showing with Nick Weaver.  I will be running a Taster Wire Workshop, Sun 25 Sept, 11.30-12.30.  £6 pp. To book contact: fionacampbell-art@sky.com
Quartz Festival 2016, ‘Outside In’, Queens College, Trull Road, Taunton TA1 4QS; 15-22 Dec.  Collection of work based on the natural world from over 40 artists and makers from South West UK

Suddenly, it’s Spring!

Working on Bishop JocelynLoaded on my truckBishop Jocelyn installed at Bishops Palace Gardens. Base to be sunk.

I completed my steel Bishop last month (see images) for Bishops Palace Gardens, Wells – to be unveiled soon!  I was originally asked to create a topiary structure, but as he evolved it was decided the Bishop would remain purely a sculpture.  I created him as a 3d linear sketch.  He represents a myth about the medieval Bishop Jocelyn of Wells who slayed the Dragon of Worminster, saving the people of Dinder from further ravaging of their children and stock.  The Dragon will be made later.

New Black Swan 30th logoWinner in 8-11 yrs category - one of my studentsSome of the masks on display at the Young Open. Chuffed that all my students' entries were selected

I’ve been involved in work behind the scenes at Black Swan Arts as a Trustee. The current Young Open Exhibition required lots of preparation – an impressive show of young talent including some of my students from All Hallows and elsewhere.  Very proud that some of them were winners!  Celebrations for Black Swan’s 30th anniversary this year include some exciting events coming soon at the centre – BBC’s Get Creative Day (Drop-in workshops on Sat 2nd April, 2-4pm), 1000 Postcards (exhibition & sale of mini artworks by artists/celebs), Secret Swans (trail as part of Frome Festival) and 30 Plinths exhibition.  A chance to look forward to a great future for Black Swan and vital fund-raising.  If you’d like to help or take part do visit www.blackswan.org.uk.  We need 1000 postcard artworks by June!

Me & Nick Weaver coppicing hazel for the canopy structureNick and Fiona in Fiona's garden with samplesCanopy in progress, fishing net sections

My work for the Viking Cruises Chelsea Flower Show Artisan Garden, designed by Sarah Eberle, is now well under way.  It is inspired by Cambodian floating gardens and fishing techniques of the Mekong region.  I’m working on it collaboratively with Nick Weaver, who’s making the wood boat/lounger, while I’m making a 4 metre textured fishing net/canopy by hand (see image), incorporating fine woven copper wires, twine, silk, wool and other surprising found materials like fish skeletons!  I am avidly collecting lemon netting bags for it.  It’s a long process and an exciting prospect – I’ve not produced work for Chelsea Flower Show before.  I will be there on 24/25 May, so please come and say hello if you have tickets!  Updates about this will be added to this blog in due course or visit here.

This June I will be exhibiting works in The Hidden Garden Art Show at Maureen Michaelson Gallery in Hampstead, London (June 4-12).  On Sunday 12 June this Gallery is also hosting a day as part of Chelsea Fringe Festival where I will be demonstrating my sculpting techniques.  For more information about these events, visit www.maureenmichaelson.com or www.chelseafringe.com.

Looking ahead, ‘step in stone – the artscapes-in-quarries project I ran last year – will be touring to Salisbury Art Centre in Aug/Sept.  Artworks by all 14 artists will feature – a chance to see some of the work if you missed it last year.

Have a lovely Spring!

Sense of achievement

Around this time I normally write a winter newsletter, but it feels like I’ve only just finished the autumn one!  Time has really flown by.  It’s been a very intense and challenging few months for me, full of achievements and not quite burnt out yet!  ‘step in stone’ – an ambitious art in quarries project I organised – took over my life for many months and is now over.  It was incredible seeing it through to fruition, and so fulfilling working with quality artists whose work I admire.

Overall, ‘step in stone’ was a tremendous success, very well received by an extremely varied and broadly based audience.  Combining the role of project manager and curator with that of being a participating artist was demanding.  Considering time constraints and my other roles, I feel I achieved a great deal, though disappointed that I could not fully explore more possibilities with my commissioned artwork for the project. ‘Cirri’ was intended to be more numerous, (based on Fossilised remains of ancient sea life forms).  I relished the opportunity to explore new concepts and media in my piece ‘Eviscerated Earth’ installed at Fairy Cave Quarry – recycled wax, cloth, scrim, paper and wire combined with found, rusty scrap steel collected from quarries.  It linked to the story of Fairy Cave: destruction of caves and beautiful (speleothem) formations within.  I would have liked to create more work for our Black Swan Exhibition – a beautiful show – but management of the project took over and time ran out.

step in stone catalogue pageEviscerated Earth recycled wax, cloth, scrim, paper and wire combined with found, rusty scrap steel

Now that the excitement is over, and I’ve reached the end of the arduous (but revealing) evaluation process for it, I’m starting to look forward to new ventures and getting inspired.

I visited Ai Weiwei’s exhibition at the Royal Academy, London recently.  It’s not often art brings tears to my eyes, but his work is so powerful, I was deeply moved.  The cell depictions of his sordid incarceration by Chinese authorities made me feel voyeuristic, angry and amazed at the brilliance of them.

A fortnight ago I sold my Nestling Cocoon to Mark Owen of Take That for an anniversary present to his wife Emma.  I drove from Somerset to North London to collect the piece from Maureen Michaelson (Gallerist), then to Sussex where I delivered it, then back to Somerset, in time to teach my evening art classes… all in a day!

I’m currently working on a life-size steel Bishop commissioned for the gardens at Bishops Palace, Wells, and will then start on a new commission for garden designer Sarah Eberle’s Artisan Garden at Chelsea Flower Show 2016, to create a 4 metre square woven canopy.

Bishop design

Other opportunities in the pipeline include showing with Maureen Michaelson again next year for Chelsea Fringe.  In the immediate future, I have been selected to show at the The Grant Bradley Gallery, (1 St Peters Ct, Bedminster Parade, Bristol BS3 4AQ) as part of a mixed show entitled ‘Bristol Green Capital in the Frame’. Celebrating and reflecting on the year that Bristol was voted The European Green Capital, it embodies a green theme: recycling, the importance of green spaces and wildlife.  The exhibition runs from 5 Dec ’15 – 2 Jan ’16.  You’re welcome to come along to the Private View: Fri 4 Dec 6-9pm!

In case you’ve tried viewing my website gallery pages – apologies!  There is a plug-in issue due to server updates, so some images are failing to open.  Hopefully it will be sorted soon!

 

Autumn News

step in stone

An update on a few projects I’m involved in, which may be of interest.

An exhibition I took part in via Maureen Michaelson Gallery at GROW London this summer has led to a commission to create a large woven canopy piece for Chelsea Flower Show ’16 as part of Gold award-winning Designer Sarah Eberle’s ‘Floating Gardens of Mekong’ theme.  I am starting to formulate ideas and very excited by it!

I’ve also been commissioned to produce a life size steel Bishop for Bishops Palace Gardens, Wells and hope to have this made and installed by the end of this year.

The excitement and momentum of my main project this year step in stone is building up to a crescendo with its third and final step, which will embrace three more venues to make up the final six.  Part of Somerset Art Works Festival 2015 and Momentum programme, step 3 launches on 3rd October to include Black Swan Arts, Frome Museum and the magical Fairy Cave Quarry.  Special performances and events will include Frome-based Artmusic’s ‘ECHO’ sculpture and sound installation at Fairy Cave Quarry (3-18 Oct, weekends, 11-4).  This will be animated by live performances of Artmusic’s BLAST (Sats 3, 10, 17 Oct, 2-3pm).   Bristol Poet Ralph Hoyte has created a poetic ‘sound intervention’ for visitors perambulating around Fairy Cave Quarry’s amphitheatre.  For the Westdown/Asham quarryscape, Ralph has created a downloadable GPS piece for visitors to listen to as they walk through.  The aural word-symphony needs to be downloaded onto your smartphone from Ralph’s website before you go to Westdown (ralphhoyte.com – click “SIS link to QR”).

A few of us are running workshops as part of step in stone‘s Finale and Artist Talks include an insight into the work of internationally celebrated Tessa Farmer, whose fantasy worlds of tiny malevolent fairies, insect wings and taxidermy create an intriguing contrast to the largescale environmental installations by Sally Kidall and weathered stone works of Duncan Elliott.

step in stone is open now and continues until 18th October 2015.  I attach an invite to the step 3 Preview at Black Swan Arts and Finale Do at Somerset Earth Science Centre. 

Hope you can visit one or more of our venues!

A4 Step 3 Finalfinal bsa A4

Curating, making and installing for Step 2 – step in stone

It’s been an incredible few weeks, unleashing inner reserves of energy I didn’t know I had! Thank goodness for the unyielding patience and support of partner Nick Weaver, helping me to pull off the installation of Step 2 for ‘step in stone’ (a project I’m running), while finishing off artwork, getting signage done for 2 venues and co-ordinating it all.  In between, I have been keeping things going at Somerset Earth Science Centre (our Step 1 venue), and maintaining my diatoms, which have been taken over by birdlife and getting mucky in the process!

Halecombe and Westdown/Asham quarries are now open daily for all to visit – see Duncan Simey’s wonderful selection of pics from a very rainy Friday.  Jack Offord filmed us for the project documentary – looking forward to seeing the results of that at our Preview evening, 2nd October at Black Swan Arts, Frome.

Below is a selection from our Step 2 installation days and a couple of photoshoots by Duncan Simey taken since.

Signage step in stone groupSuzie Gutteridge with Felted RockDeciding on Christina White's photographsArtmusic birdbox speakers being installed by AlastairJack Offord - our filmmakerNick Weaver helping Bronwen install her etched plateMe at work on 'Cirri'Filling Sally Kidall's mini tents on a rain deluged dayChristina White installing at HalecombeNick Weaver installing our collaborative 'Ligna' (stick) pieces at Halecombe

Finished work by some of the artists at both venues:

Amanda Wallwork Deep Time Portals in the Eastern MendipStuart Frost - Pavimentum - limestone dustTessa Farmer Out of the Earth (ii) (detail)Christina White Carboniferous Timeline Photograph at Halecombe

My work:

Fiona Campbell, Vertical III, reclaimed steel copper wire and nitrate (detail). Photo Duncan SimeyFiona Campbell 'Cirri' recycled and found materialsCirri'Cirri'Cirri at Westdown/Asham quarry

My main pieces – ‘Cirri’ (last images above) are based on crinoids (see the making process)!   These are ancient sea creatures whose fossilised remains are common in carboniferous limestone and whose descendants can still be found living today. Crinoid tentacles (cirri) are reminiscent of branches, tendrils, feathers or the microscopic pattern of neurons. They cling to the seabed (some now vertical rock faces) by long spiny stems, others are without a stalk but have tentacle legs or long arms, which enable them to drag themselves along.  I’m inspired by the tenacity and diversity of life and similarities of form that occur in different organisms.

Sadly a couple of heavy steel springs (components of my work) have gone missing and other parts tampered with at Westdown – if anybody spots these lurking in the bushes there, do contact me, they might be from my work!

The past fortnight was filled with our workshops, guided walks and talks, held at SESC, Westdown and Halecombe Quarries.  The guided walks, in collaboration with Rosie and Pippa from Somerset Wildlife Trust, were really well attended and greatly enjoyed.  Workshop participants of all ages explored a range of creative approaches related to the project, Sally Kidall’s talk was much appreciated and I was chuffed that my talk for 27 Active Living members received a wonderfully receptive and enthusiastic response.

Guided Walk in Westdown QuarryBronwen's bookmaking workshop - I took part and loved it!Tanya Josham's stone carving workshopChristina White's Cyanotype/Van Dyke photograph workshop at HalecombeMy Guided Walk at Westdown

Last week culminated in a very inspirational performance at Westdown/Asham: Artmusic’s ‘ECHO’ sculpture and sound installation on Saturday 22nd August was animated by live performances of Artmusic’s ‘BLAST’ – a theatrical response to the rock and mechanics of quarrying, with specially composed trumpet music being played from locations which echoed around the quarry.  We had a great turn out and the audience seemed to really enjoy the unique show and setting. “A delightful melange of live and recorded fluttering trumpets grab our attention this way and that while butterflies flit among the stones…. As they move slowly up the valley from stone to stone, always edging closer to melody, we begin to follow, or not, or meander above and below. ..”  Caroline Radcliffe

People brought picnics, dogs, cameras, sketchbooks and the sun was scorching all day!

Trumpeter Jack Vincent by Cirri Artmusic's BLAST at Westdown Quarry Artmusic's BLAST with trumpeters John Plaxton and Jack Vincent, photo by Christina White Artmusic's BLAST, trumpet John Plaxton

Can’t wait to download Ralph Hoyte’s GPS Soundwalk ‘ANTICLINE‘ – now available for your smartphone before visiting Westdown.

Ralph Hoyte with his GPS smartphone app

 

I’m now working on the next stage for Step 3, which opens on 3rd October at Black Swan Arts, Fairy Cave Quarry and Frome Museum.  Hope you can visit step in stone soon (www.stepinstone-somerset.co.uk)!

Tentacle making

After months of collecting and creating, I’m now in the final stages of my step in stone work for Step 2 at Westdown/Asham Quarry – with just a few more tentacles to make.  Time is short and tentacles are long but I think I’ll get there!  Ideally, I would have liked to have made more work but time has constrained.

Seeds were my starting point.  Just as they have blown in to fertilise these ancient deserted rocky environments I envisaged large tumbleweed-like structures rolling around, like old man’s beard seed heads growing there. Thoughts have evolved around life’s energy force, neurons, repeat forms in nature, nature’s persistence,  sea creatures (see previous post on Crinoids)…

Rusting machinery and discarded mattress springs left in the quarries, old horseshoes (thanks to Luke Ellis) and other scrap found locally and donated – fossils of the modern era, remnants of past, have provided most of my material to make the work.

Scrap donated by Chris Lee Crinoid fossil Old Man's Beard in foreground at Westdown Quarry Tumbleweed/neuron design Scrap Scrap for fossilMaking tentacles'Cirri' in the making Pile of tentacles Cirri structure'Cirri' half made. Photo by Duncan SimeyGathering tentacles in studio Colour sorting Making the Crinoid structureSkeletal structure Skeletal structure