Press 2014

Oakfield Academy – Bulrushes Workshop, Frome Standard  Feb ’14

Sidcot Arts Centre, Tendril installation Feb ’14

Outdoor Sculpture Programme, Sidcot School Feb ’14

Embracing Life Through Art, Landscape Juice Feb ’14

New Art Projects in Somerset, Shepton Journal Feb ’14

Tall Tendril on Show at Arts Centre, Wells Journal Feb ’14

Setting a Sea Life Theme, Western Daily Press Feb ’14

Artist Creates Installation at School, Western Mercury Feb ’14

Abundance catalogue (my page)

Memory Tree for Phyllis Tuckwell Hospice – Farnborough Rotary Club April ’14

Hidden Garden Show, ‘Fabric’ Magazine May ’14

Fosse and Mendip

Sculptsite – ‘Found, Now, Missing’ exhibition at Contains Art – June ’14

Somerset Gazette – Contains Art – June ’14

Somerset Gazette articleGazette listings

Bristol Post – Litterarti project – Nest sculpture for children’s Litterbugs – June ’14

Bristol Post – Waste of Space Tree-making workshops and exhibition at Trinity Centre

Golden Pulse blog – Litterarti work at Trinity Centre, Bristol

Glastonbury Abbey Sculpture in the Orchard – YouTube film posted by visitor Tom Eveson

Sculpture in the Orchard at Glastonbury Abbey – Somerset Life Aug ’14

Sculpture in the Orchard, Glastonbury Abbey - Somerset Life

Sculpture in the Orchard at Glastonbury Abbey – Shepton Mallet Journal

Glastonbury Abbey's 'Sculpture in the Orchard'

LandfillArt Website

Second Time Around – Hubcap as Art, LandfillArt Exhibition, MSV, USA

Through Our Hands online magazine p.41-46 (issue 2)

The Great Crane Project, All Hallows

Ideas Tap – step in stone crowdfunding, Oct-Dec ’14

Guardian – step in stone, Nov ’14

step in stone -Somerset Guardian 20:11:14

 

 

 

 

 

Chance to win one of my drawings as a signed print!

I am offering one of my drawings free as a signed giclee print (on high quality A3 or A4 card) to my Facebook Art Page fans!  If you ‘like’ my page you are in for a chance to win once I reach 200 likes.  Please visit my Facebook page, see details and click ‘like’ at the top:  Fiona Campbell Art Facebook Page.

I have opened an Etsy shop too.  Some of my prints are for sale, together with a few sculptures.  I will be adding more items to the shop over time.  Please browse, be tempted and consider a purchase: Etsy Shop

Green Capital Residency – Bristol’s Big Green Week

It’s been great focusing on one main piece for the past few weeks.  I’ve tried to avoid distractions (like social media sites/blogging!) to get ahead with a major piece I’m making for Bristol’s Big Green Week.  Selected as one of 8 artists-in-residence – all working in different media around sustainability – I’m now set up with a small but prominent space at the Create Centre, Bristol, and have officially started my 3 month residency as a Green Capital Artist.  I met Bristol’s Harbour Master on Tuesday, who has agreed to my Diatom sculptures (see info below) being floated in the harbour at Bush corner, by the Arnolfini, for Bristols’ Big Green Week in June.  I’m very excited about this!  I have decided to log the progress of the work I’m producing for the Green Week Exhibition (9-17 June) as it develops below.  (See links: Sculptsite article; Bristol BiennialArtists at Create)

‘Man models himself on Earth, Earth on Heaven’ will be approximately 4.5 metres tall.  Created mainly out of recycled steel components and copper wire, the piece relates to my interest in nature’s cyclical persistence and the network of threads weaving through all things.  The sketchy stretching human form, reminiscent of a tree, emerges from its cocoon, reaching upwards.  It represents the vital forces in nature and re-birth of humanity in a new, purer state.  We are all of the earth.  The piece is constructed in 3 separate pieces, which bolt together.   The concept was inspired by a Taoist line, echoed in the title.  Still in the making, here are some images of it so far (the last 3 were taken at Motorcade/Flashparade’s documentation day earlier in the week):

To help formulate my ideas, I made several studies of trees which have a similar sense of the inner cocooned trunk with wispy extensions – here are 2:

‘Diatoms’.    The idea of recycled floating diatoms stemmed from a design and prototype I made for a Scraptors’ project at an eco farm called Magdalen, inspired by Ernst Haeckel’s wonderful illustrations.   ‘Diatom I’ includes some tentacles added by fellow Scraptor Rachel Macleay, but was rejected due to its plastic content – unsuitable for the farm’s strict sustainability guidelines.  The rest are experiments from new designs.  These ideas will be adapted and explored further in new pieces for Magdalen using appropriate materials.  The sculptures will float on orange life buoys in the harbour beside the Arnolfini.  They will be approximately 1 – 1.5 metres in diameter, made of recycled steel, wire, plastic and other found materials.  Diatoms are microcosmic organisms, which are now sadly becoming endangered, yet essential to our survival – producing over 35% of our oxygen supply.  Beautiful, primal structures originating from the Jurassic era, to me they symbolise nature’s cyclical persistence, though threatened by man’s intervention.

Update – 7/6/12

Yesterday was the big day – installing all the work, both in the Create Centre and Arnolfini harbour.  As always, it took longer than imagined.  Floating the Diatoms took some organisation.  The Harbour team (Miles and Arabella) were a great help, but the weather was grim and it was hard to manoevre in the big Mariner boat, so placing the Diatoms was a struggle!  After a cold, wet 4 hours, all 9 are in situ!  As Miles (from Harbour team) said, they look a bit primordial floating there randomly.  Will need to take better photos when the sun’s out and we’ve managed to adjust their positions in a smaller boat – this Saturday, hopefully.  (See latest post: A constructive day at Bristol Harbour)

 

Earthworks

I visited Peter Burke’s Earthworks Exhibition at Victoria Art Gallery, Bath on Friday.  I found the work beautiful, simple and direct.   Human heads and bodies of individuals connected with the area, made from earth and steel.  I’m often intrigued by the process and mechanics of artwork.  The surprising combination of materials and how these are connected conceptually and physically.  As Burke clearly states, we are very much of the earth and connected to it.  The range of earth pigments he’s presented just from around Bath also amazed me.  Having always felt nostalgic for the rich reds and ochres of African earth from my childhood, I realise similar soils exist all around me.  What hit me most was how powerful my response to those earth colours and textures was.  I felt a deep sense of identity.

     

My next piece, which I started planning months ago, will be along similar lines.  Entitled ‘Man models himself on Earth…’ it will be a stretching recycled steel human/tree structure with wire woven around and through it.  The network of threads keeps weaving…