I completed a new piece ‘Cocoon’ last week for Fresh Air ’17. Inspired by the puss moth cocoon and pupa, it is a drawing in space, welded, woven and wrapped. The exhibition starts this weekend and runs until 2 July.
Glastonbury Abbey are running their first ever ‘Orchard Sculpture Trail’ this summer, in which I am showing 2 pieces – originally created for last year’s SAW/NGS Abundance commission. Lichen and Giant Nest were both created from mixed media (recycled and found materials) as part of a larger set of work entitled Garden of Eden. The work took nearly 4 days to install around a tree in the orchard, and are on exhibition from now until 28th September. Other featured sculptors include Penny Hardy, Tom Clark, Serena de la Hey and Anthony Rogers.
I will be talking about my Abundance work at the Create, Make, Cultivate Symposium this Saturday (12th July) during the Abundance Pecha Kucha (between 3.30 – 4.15pm). For bookings please contact: 01458 253800 or firstname.lastname@example.org.
I’ve been selected to show work at this year’s International Sculpture Festival in Guernsey. Whittled down from thousands of applicants from across the globe, there will be approximately 120 pieces on display throughout the summer (May 25th to the end of October), making it apparently the largest festival of sculpture held this year in Britain and a mecca for collectors, garden lovers, visitors and art enthusiasts.
In contrast, I’ve also been invited to show my work in the Hidden Garden Art Show as part of Chelsea Fringe in London. Some of my smaller hanging woven wire sculptures will be displayed in a beautiful Hampstead garden from 24th May – 8th June. The show will also feature in the National Garden Scheme on 8thJune. Curator of the show Maureen Michaelson says: “Our lushly planted hidden garden houses the smallest outdoor sculpture gallery in the UK. We specialise in artworks for urban gardens and can commission works from a wide range of artists for all types of outdoor spaces: from balconies and courtyards to large spaces.” The exhibition is open Sats, Suns & Bank Holiday Monday, 2-6pm.
More locally, I’ve been selected to create a set of new site-specific work for an exhibition at Contains Art, Watchet in June/July. The three large shipping containers, situated by the harbour have been transformed by artists into gallery and workshop spaces, providing much interest in Somerset.
Entitled ‘Found, Now Missing’, my work for the commissioned ‘Voyages’ project is inspired by my collection of flotsam and jetsam from many trips to coastlines in UK and abroad. Having made numerous voyages to Kenyan beaches and reefs over the past 5 decades, for example, I’ve become aware of the detrimental effects of collections such as exotic shells and tourism generally to coral reefs and beaches. Over the years, I’ve witnessed a dramatic decline in its coral life, shells and resident sea creatures. On top of pollution, our human desire to collect, own, trade, discover, colonise and capture continues to impact on the disappearing life and beauty in coral reefs.
I have started making a set of large sculptures to be sited in the courtyard and on the gallery roof at Contains Art of skeletal, exotic sea life forms based on shells, urchins, coral and starfish using scrap metal and found materials sourced locally, including the boatyard and beaches. These exotic pieces will celebrate the wonder of sealife, hopeful of a better future for our environment. My largest sculpture mounted on the roof will be visible from the steam railway line and viewing platform on the cliff.
The installation aims to convey my concern for environmental degradation. What once seemed beneficial voyages of discovery by naturalists such as Ernst Haeckel (whose drawings I love) have, ironically, led to the current situation in which mass tourism degrades the environments, habitats and ecosystems, which inspire us to travel.
Related drawings will be on show in the gallery and I will be running a workshop on Saturday 7th June for members of the public to create shell drawings on postcards with environmental messages. Visitors will be invited to send these out far and wide.
The exhibition runs from 4th – 15th June, open Wednesdays – Sundays, 10am – 4pm at East Quay, Watchet Somerset TA23 0AQ. The outdoor sculptures will remain on display until mid July.
I’m becoming more and more aware of the importance of using film well to document work, explore ideas, present and attract a wider audience and even, perhaps, make a few extra bucks on the internet! I try to take good photos of my work in diverse settings, but when I’ve used a professional photographer, the results are usually much better. I realise we can’t do everything well. I went to ’35mil’ in Frome recently to try out their expert eye/lenses/lighting on the start of some new work, in the hope that the images would be good enough for some new PR. The results were great and I’ll definitely return for more, when my series of Vertical pieces is finished:
A photographer friend and co-member of Gallery4Art, Nic Wingate, recently photographed one of my Earth Worm pieces as a 360˚ image. This has great potential for products which need to be seen from all angles.
V-J Ultra made a film of my work once, and I’ve since been meaning to make my own. Whilst I was a member (and co-founder) of the Scraptors, S-J of Whitespace Productions kindly produced a wonderful film (gratis) of our Stourhead Sculpture Trail. We used it to good end in our fund-raising appeal and it remains a lasting reminder of the trail’s success. Recently, my teenage son and I have been to a couple of animation/film-making workshops via Somerset Film, as he’s interested in this media. We took part in making a Bridgwater Carnival film and made simple animations. It reminded me of doing animation as part of my Art Foundation course years ago, which I really enjoyed.
So now with a taste for it again, I plan to make some “how to make…” films, stick them on Youtube, get millions of hits and make big bucks. That way I can carry on sculpting into ripe old age..! Watch this space…
I visited Peter Burke’s Earthworks Exhibition at Victoria Art Gallery, Bath on Friday. I found the work beautiful, simple and direct. Human heads and bodies of individuals connected with the area, made from earth and steel. I’m often intrigued by the process and mechanics of artwork. The surprising combination of materials and how these are connected conceptually and physically. As Burke clearly states, we are very much of the earth and connected to it. The range of earth pigments he’s presented just from around Bath also amazed me. Having always felt nostalgic for the rich reds and ochres of African earth from my childhood, I realise similar soils exist all around me. What hit me most was how powerful my response to those earth colours and textures was. I felt a deep sense of identity.
My next piece, which I started planning months ago, will be along similar lines. Entitled ‘Man models himself on Earth…’ it will be a stretching recycled steel human/tree structure with wire woven around and through it. The network of threads keeps weaving…