Fiona Campbell

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Studio Time

Collage, recycled materials and found objects: paper, plant debris, metal, botanical dyed fabric remnants, plastic, tea bags, wool

Maquette, recycled and found steel, copper, sticks, wire, pondweed

Flags of the Forest (detail), recycled and eco-printed fabric, wool, plastic, leaf

Drawing, inks, plant-dyed fabric, netting, paper

I’ve been working through new ideas in the studio, making sculptures, textiles pieces, collages, eco-prints and drawings.

Developing a series of flag pieces that might all work together. Large-scale drawings in space with fields of colour, celebrating diversity/bio-diversity, hopeful of nature being more cared for, and thriving. Flags represent a shared ideal. Hoists may become growing lines.

A series of maquettes and collages are chasing an idea for larger pieces in conversation. Interconnected entangled substrates with vertical lines supporting infinite small life forms in cyclical transformation. Layered surfaces made up of debris and ‘found’ objects - some found on walks. Vertical lines piercing woven surfaces. Intersecting roots, rhizomic systems, strata, fragile edges. Life above and below.  ‘Fungal networks lace woodland soil… slow stories… making and remaking’ (Robert Macfarlane, Underland).

Been eco-printing on fabric and paper with some success, thanks to Nicola Brown's free bootcamp videos, and online botanical printing demo with Suzanne Ledesma-Sikkerbøl via Zen stitching.

Mentoring sessions with Mark Devereux Projects are helping to challenge my practice. Still overjoyed and so grateful to have been awarded an Arts Council England ‘Developing Your Creative Practice’ Award. My instagram account @fiona_campbell_dycp is documenting progress.

In between making, I’ve been preparing for my Kenyan research trip later this month. Really excited to be meeting the team at Untethered Magic and other Nairobi-based artists. I’ll also be visiting art galleries and museums around Nairobi and Malindi.


Lovely to have been interviewed by Art Etcetera editor Jordan Brinkworth and featured as an artivist in a special edition on eco-art. The Artivists is almost twice the size of their standard digital editions, with an extra 30 pages dedicated to eco-artivism.  In an effort to push for greener alternatives to paper, they are offering a special digital environmental edition for just £1.99 using promo code GODIGITAL on their website.  The edition is partnered with Art From Heart (who selected me as artist of the month in March).


I took part in ‘Lore & Draw’, an event celebrating Coleridge’s 100th annniversary at the Ancient Mariner. We made mud and charcoal mixes, and used sticks/feathers as drawing tools. Inspiring ideas for future workshops.


Recent Inspiration:

Books: Underland - Robert Macfarlane (highly recommend); The Man Who Planted Trees - Jean Giorno; Women on Nature - edited by Katharine Norbury

Podcasts: Brilliant talk by Frances Morris on Louise Bourgeois (currently on show at Hauser & Wirth Somerset, where I occasionally invigilate). Becoming Fungus: poetic sound art with reading by Merlin Sheldrake - extract Entangled Life

Exhibitions: Visited William Kentridge at Royal academy of Arts. A mind-boggling range of powerful expressive multi-media work focusing on South African politics: apartheid colonial oppression, conflict, loss. The impressive scale of work spans drawing, prints, film, theatre, collage, tapestries, sculpture. One large room with 5 films features multiple charcoal drawings as animated films (drawings for projection), through an erasure technique ‘palimpsest’ and stop-motion camera. I wish I could have stayed longer, there’s so much to take in.