Picking up Past Threads

Stilt Structure IV, Found, discarded, recycled materials: wood, jute, fabric (some naturally dyed), leather, polyester stuffing, feathers, sponge, copper wire, sisal, thread; 174 x 76 x 78cms; 2026

This year is turning into a period of picking up past threads, nurturing what already exists, and developing new work. I’m returning to projects that were set aside for a while, rebuilding connections, and engaging with the wider community.

Upcoming:

‘Communities in the Landscape' is a community arts project which will be part of The Winscombe Festival of Arts and Nature (12th July). Tomasin Cuthbert (Soap Soup Theatre Director) - who I used to teach at Churchill School - invited me to collaborate with her to create a large-scale sculptural installation. We’re working with schoolchildren to create multiple elements for the piece, inspired by shapes in our local landscape, insect/animal forms, and temporary human structures like washing lines, tents and dens.

So far, with Reception and Year 1 children (Sandford Primary School), we’ve been using eco botanical inks to make tie dye patches, weaving beads/buttons/bottle tops into wire ‘danglies’, and painting inspired by animal tracks and water movement - all to be hand-stitched together. We’ll also be working with Churchill Academy and Banwell Primary to create small sculptural pieces, embroider surfaces and more... I’ve been enjoying all the prep!

The final structure - an ambiguous hybrid form alluding to creature, playhouse, and vista - will imply precarity, adaptability and resilience, treading the earth - sometimes lightly, sometimes leaving scars. Galvanised by the notion that humans are not centre stage, and that our existence has always been a shared one with our non-human neighbours, we’re exploring our shared vulnerabilities, and ways to heal collectively. In our contemporary world, in which technology is changing at a rapid pace and affecting us as beings, it’s more important than ever to consider our natural connections.

The Gleaning on Tour to Holy Island

In 2022, I co-curated a community art project The Gleaning with Gill Sakakini. We worked closely with Polly Hall, and were supported by Rosalind Teasdale-Ives, Bella Frey and others.

Our project was about bringing people together, community, sanctuary, care & repair, sustainability, diversity - referencing global traditions, especially the handmade.  We reused material remnants including botanically dyed fabric, handmade paper, and found objects, which were imprinted, embedded, and stitched into patchwork and appliqué.  We created 11 large-scale translucent installations suspended in front of 5m windows in Shepton Mallet church - replicating stained glass.  We engaged numerous people of different ages, backgrounds, abilities, genders, nationalities. For inspiration we looked at a range of art from countries around the world, including Korean bojagi textiles works, Gee’s Bend textiles, African textiles, Polish and Romanian folkart.

We’re taking this project to Holy Island for a week in September, and getting excited about the trip connecting north and south!  The Gleaning opens 27-29th September, St Cuthberts Church, Holy Island, Sun/Mon 10-4, Tuesday 10-1pm.  On Monday 10am-12noon we’ll give a Tour & Talk; and on Tuesday 10am-1pm were offering a free Sketch, Scribe, Stitch Workshop.

Where Are We Now?

Five years on from our travelling exhibition Inch by IN:CH, artists from the collective are coming together to present new perspectives. Our exhibition will open at 44AD, Bath 24 Aug - 30 Aug, 11-5. PV Mon 24 Aug, 5-8pm; Wed 26 Aug, 6pm, In-Conversation; Sun 11-1 children’s workshop Sketch & Sculpt, £10 with Shirley & Fiona. Touring to No.6 Bruton, as part of Somerset Art Weeks Festival, open 25 Sept - 4 Oct, Fri-Sun, 10-4.

Beyond Horizons

Delighted Flags of the Forest has been selected for Beyond Horizons, a new annual major sculpture event to be held at Stoberry Park Garden, Wells, Somerset (5 Sept - 4 Oct), timed to coincide with Somerset Art Weeks. Flags of the Forest is a large-scale sculptural installation with textiles elements activated by the weather. I’m looking forward to placing it later this year in the magnificent grounds. Thanks to the panel of judges: Theresa Bergne, Nicola Knight, Fred McDonald, Martin Staniforth, Freeny Yianni, and Frances & Tim Meeres Young.

Flags of the Forest, installed at Tremenheere Sculpture Gardens, 2023

Behind the scenes, I’m assisting Beyond Horizons, mainly managing the Instagram account.

Also supporting Micro Commission and Creative Pathways artists for Somerset Art Works.

Plus, developing new Stilt Structures, a series originating in 2024, some for outdoors.

Hand drawn design for outdoor Stilt Structure

My storage shed is nearing completion - it’s been a long drawn out project! Also spending time doing up my living/work spaces, appreciating what I have. 

XL Exhibition, Black Swan Arts, Frome. Last day today! Closing Hour 3-4pm - all welcome. Pleased to have donated a painting ‘Garlic’ to this fundraising exhibition, celebrating 40 years of Frome’s first arts centre. Do pop along for the final hour if near Frome!

Enjoy the summer months and hope to catch you at some point!

Spring Update

Tethered Lines: Matter Becoming - solo exhibition at No.6 Bruton. Photo Russell Sach.

John Ruskin Prize Exhibition, Trinity Buoy Wharf, London

Me with Stilt Structure II. Photo Parker Harris

Since the John Ruskin Prize Exhibition at Trinity Buoy Wharf, London (29 January -21 February), featuring Stilt Structure II, I’ve had a Solo Exhibition Tethered Lines; Matter Becoming (27 February - 8 March) at No 6 Bruton, Somerset. An intimate gallery space, I made the most of the fabulous window.

Photos above by Russell Sach

I made new work for the exhibition. Unravelling the Fury, made of rusty seat springs, rope, wood, cables, steel chains, copper, aluminium, plastic, latex, rubber, foam, fabric, sisal, twine, reclaims early meanings of the serpent. Tied to the Earth, the chthonic realm, across cultures it signifies rebirth, transformation, healing, regeneration, and the cyclical unity of life and death. In matriarchal societies, serpents were worshipped. As patriarchal religions rose, and myths evolved, the serpent’s meaning was distorted: male heroism became defined by slaying it, symbolically silencing the feminine and severing ties to the land. This piece gestures towards a worldview that honours the Earth and all life, equality, alongside an underlying reflection of our waste and consumerism.

Using reclaimed materials and labour-intensive processes, the work engaged with interconnectedness, transformation, and precarity through gestures of care and repair. The show was well received:: “Magical show of work by the ever poetic and inspiring Fiona Campbell. Her work takes on the big issues - environment, waste, the power of nature, our place in it - with such an elegance and lightness of touch that you fall in love with these twisted forms made from found objects, old bits of wire and teabags and learn that there is beauty in the most unlikely of places” - Theresa Simon. I’m grateful to Russell Sach for some excellent photos, and thanks to all who visited, spent time looking, chatting, and buying. I was present at the gallery during open times and so enjoyed the conversations and connections.

Photo Russell Sach

Riot was performed in a Fashion Show (7 February) and later on display in the Costume Exhibition at the Amulet, as part of the Snowdrop Festival, Shepton Mallet. Photos above and below by Jason Bryant.

My work will be part of a group multi-disciplinary exhibition While We’re Watching by six artists who found connection through our shared work together as invigilators at Hauser & Wirth Somerset. Taking place at No 6 Bruton, again, the exhibition runs from 27 March – 6 April (Friday–Sunday, 11am–5pm), 6 High Street, Bruton, Somerset BA10 0AA. PV: Friday 27 March, 6-8pm - all welcome!

I have a few other projects coming up including the making of a large sculptural installation for Winscombe Festival, in collaboration with Tomasin Cuthbert Menes (Soup Soup Arts) and local schools.

I’m also working behind the scenes for Beyond Horizons (Sculpture in the Garden, 4 September-5 October 2026)..

If you’d like to do a course with me, I have a few starting soon with Frome Community Education: Eco Sculpture, Drawing and Creative Sketchbooking. See the full range of courses here. Book soon as number are limited.

Alternatively, my Online Sculpture Course (self-directed) is great value at £40 - take advantage before the price goes up!

For more regular updates follow my Instagram @fionacampbellartist

The John Ruskin Prize & Upcoming Solo

Yesterday I installed Stilt Structure II at Trinity Buoy Wharf, London for The John Ruskin Prize Exhibition (64 Orchard Place, London E14 0JW). Open 29 Jan-21 Feb (Wed-Fri 11-5; weekends 10-5), it’s free entry. Looking forward to the PV this eve. Please do visit the show if you’re in London.

Stilt Structure II has been created through slow hand-stitching, and other labour-intensive processes which explore vulnerability and resilience, celebrating the resourcefulness of making. Developed as part of As Old as the Hills — a project I co-curated at Zig Zag, Glastonbury, my Stilt Structures take inspiration from fragile architectures, precarious dwellings in flood-prone regions, and my experiences in Kenya. Referencing climate change, repair cultures and global consumerism, they consider how we adapt to unstable environments, and how materials can hold stories of care, migration and survival.

Stilt Structure II, found and recycled materials: wood, steel, textiles, leather and plant-dyed fabrics, 2024

Following the John Ruskin Prize Exhibition, I have a small solo show Tethered Lines; Matter Becoming (27 Feb - 8 March), featuring new and recent sculpture, plus live demonstrations. I’ll be there each day during opening times. Join me at the Private View: Thursday 26 February, 5.30–7.30pm, or pop by another time - I'd love to see you! No.6 Bruton, 6 High Street, Bruton, Somerset BA10 0AA; open Thurs–Sun, 10am–5pm

Meanwhile, I’m still in the early stages of new work in progress for Unravelling the Fury. Daily hand-stitching and wrapping of snake forms - slow, repetitive gestures - have kept me sane this January, and helped establish rhythms for 2026. My labour-intensive processes are meditative, intentionally showing the hand of maker. Care and repair are both method and message. The work draws on ancient serpent symbolism, ecofeminist lineages, and the changing story of Medusa - exploring our entanglements with the more-than-human world.

I’m enjoying working with course participants on my Online Sculpture Course, and Drawing Course.

My next course is Creative Sketchbooking: Wednesdays 2-4pm 5 weeks starts 25 Feb; Makers’ Yard, 37 Lower Keyford, Frome, Somerset BA11 4AR. £70 + £5 materials. Book soon if interested.

I also have a self-directed Online Sculpture Course if you’d like to explore 3d. Details here.

I’ll be taking part in the eco Fashion Show, part of Shepton Snowdrops Festival, Somerset. Thanks to Denise Neville for performing in Riot with me. Always impressed by the level of skill, imagination and enthusiasm of everyone taking part. Get your tickets here. Below: pics from our rehearsal.

I hope to see you at one of my upcoming events!

Happy Solstice

Stilt Structure II, found, discarded, recycled materials, 2024

An unexpected mishap in my studio/outbuilding knocked me back last week. A blocked manhole backed up into my studio loo, flooding the floors with foul sewage water. I managed to sort it with help from a friend, but it has taken me a week to clean up and salvage most things of value. A bit traumatic!

The up side is that it gave me a chance to reduce excess crap (‘scuse pun), now cleaner than ever! Sometimes it takes a setback to appreciate what we have. Today, as I write this, it is winter solstice - marking a turning point where darkness reaches its peak and the light slowly begins to return. Here’s to lighter days!

Good news - I’m thrilled that Stilt Structure II has been shortlisted for The John Ruskin Prize!  Thanks to judges Julian Wild, Victoria Pomery, Neal Shasore, Mary Evans, and Nichola Johnson.

My Stilt Structures refer to fragile dwellings existing on the edges of safety, raised high on make-do scaffolding to avoid floods and other threats. Labour-intensive processes showing the hand of maker, and a truth to materials are key in this work. Fabric remnants, collected over time, have been slowly, lovingly hand-stitched into patchwork layers, built onto an intentionally precarious structure. I harvested local plants to dye fabric remnants. Bound, wrapped and hand-stitched, the bundles carry politics of textiles. Somali nomads carry their homes - elaborate bundles - on overladen camels (symbols of adaptability, endurance, trade routes). Growing up in Kenya, I have vivid memories of elderly African women walking many miles home bent over with heavy loads piled high on their backs. The work is about adaptability and resilience. Given my recent flood, it seems apt.

The John Ruskin Prize showcases talent in all media, encouraging interdisciplinary works responding to this year’s theme, Patience in Looking, Truth in Making. Out of almost 4,000 entries, 91 artworks by 82 creatives have been shortlisted. The exhibition runs from 29 January to 21 February ‘26 at Trinity Buoy Wharf, London E14 0JW. The exhibition will be open Wednesday-Sunday each week, 11-5pm weekdays, 10-5pm weekends, free entry.

Last chance to take advantage of my Christmas Discount offer - 10% off all physical products in my shop until midnight 31 December. Use code: CHR1STMA5SPIRIT. Final Christmas gift ideas: I offer bespoke workshops, gift cards, online sculpture courses, and more.

I’m so thankful to my friends, relatives, colleagues, galleries, collectors, curators, arts organisations, visitors, and supporters. The assistance and encouragement has been invaluable.

Wishing you a fabulous Christmas, happy holidays and a fulfilling creative year ahead!

Donate

Cycles of Making: Serpent Stories, and Christmas Offerings

I’ve been slowly gathering ideas, materials, and energy for new work. My sketchbook is usually where things begin - outdoor sketches, collages, tiny thumbnails, fragments of research, notes from talks, quiet moments with art. Back in the studio (and kitchen table), these threads become hand-stitched pieces, dye experiments, and small exploratory forms.

After a flurry of exhibitions, I took some time out from making. I felt exhausted, a little deflated, and financially stretched. Art is an expensive occupation, and in those moments I question why and what it takes to sustain a practice. I’m compelled to create. Fulfilment comes through making, even when the process is difficult. As Freud said, “Frustration is where we start from. Our possibilities for satisfaction depend upon our capacity for frustration.” Time away from the studio is part of the cycle - a recalibration and renewal, like a snake sloughing off its skin.

Snakes have been on my mind lately. Catherine McCormack’s talk Eve and the Serpent: Snake Symbolism and Repressed Histories of the Feminine (via The Feminist Lecture Program), was revelatory, unravelling layers of serpent stories. I’m drawn to ancient serpent symbolism connected to ecofeminism and the evolving story of Medusa. The serpent, tied to the Earth and chthonic realm, has long embodied rebirth, transformation, healing, and the cyclical unity of life and death (ouroboros). It carries associations with bodily wisdom, fertility, and feminine power. As patriarchal religions took hold, these meanings were distorted: the heroic narrative became one of slaying the serpent - silencing feminine knowledge and severing ties to the land. Medusa’s shifting portrayals trace changing attitudes toward gender and power, while Eve’s story extends this pattern of suppression. In the 1970s, the serpent re-emerged as a feminist icon, a symbol of repressed matriarchal histories and systemic change.

Collaged design for Unravelling the Fury

Upcoming Courses

My next Online Sculpture Course runs 5 Jan - 8 Feb ‘26. £80. Spaces are filling up so book soon, if interested!

Alternatively, my Self-directed Sculpture Course (no zoom meetings, group interaction or 1-to-1) is half the price.

Drawing: Tuesdays 2-4pm, 5 weeks starts 13 Jan, Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. Further details & book here (Frome Community Education)

Creative Sketchbooking: Wednesdays 2-4pm, 5 weeks starts 25 Feb, Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. Further details & book here (Frome Community Education).

Images below of participants’ work from recent courses (pic 9 by Rebecca Utteridge showing currently at RWA) & workshop at Sherborne School for Girls.

Christmas Offer

During December, I am offering you a 10% discount on physical products for sale in my online shop, using code: CHR1STMA5SPIRIT

The offer applies until the end of this month. *Please order by 16 Dec (12 Dec for prints), for guaranteed delivery (UK) by Christmas.

Explore my shop. All sales support the continuation of my work.

Exhibitions

My work is on show at:

Bath Society of Artists Open Exhibition, Victoria Art Gallery, Bath, Sat 18 October 2025 - 10 January 2026, 10.30am-5pm. There is Public Choice prize - do vote!

The Piano Shop Bath, 1&2 Canton Place BA1 6AA

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Have a wonderful Christmas!