Walcot Chapel Residency

Finally completed my piece for the Walcot Chapel MA residency after a week making and installing.  There’s lots of other work too – come along tomorrow 6-8pm for our Open Eve!

Interconnectedness of all things DSC_0060 WalcotChapelOpenEvening

For more information about my MA work visit: fionacampbellblog

Current and Forthcoming Exhibitions 2017

I will be taking part in the following exhibitions this year:

Bath Spa University MA Open Studios, Dartmouth Ave, 25-27 January

Walcot Chapel MA Fine Art Residency. 13-20 Feb. Open Eve Mon 20 Feb, 6-8pm, Walcot Chapel, Walcot Gate, Bath BA1 5UG

‘The Future Can’t Wait’, MA Show, Long Gallery, Black Swan Arts Centre, 2 Bridge St, Frome, Somerset BA11 1BB, 18 March – 5 April. Preview Fri 17 March 6-8pm

Wylye Valley Art Trail, 26 May – 4 June

Fresh Air ’17, Quenington Old Rectory, Quenington, Cirencester, Gloucestershire GL7 5BN, 11 June – 2 July, open daily 10am-5pm, £5 Adults, children free

Fifty BEES: The Interconnectedness of All Things, ACEarts, Somerton, 1-22 July, open Tues – Sat, 10am-5pm

NGS Open Garden, Benter, Somerset, 23 July, 10am-5pm

Glastonbury Abbey Trail, 8 July – 1 October

Bradford-on-Avon Sculpture Garden, ‘Lynchetts’, 15, Woolley Street, Bradford-on-Avon, 24 June – 2 July, 11am-6.30pm, closed Mon

‘Form and Fascination’, Courts Garden National Trust, Wiltshire, 9 September – 15 October

Somerset Art Weeks Festival ‘Prospect’, ‘Ephemeral and Eternal’, Round Tower, Black Swan Arts Centre, 2 Bridge St, Frome, Somerset BA11 1BB, 16 September – 7 October, 10am–4pm, Monday to Saturday, (open Sun 1 Oct) and Clay Hill Farm, Bridgwater, 23 September – 8 October

More details to follow on these and other exhibitions.

 

 

Lead Lines

Months of research and writing for research methodologies on my MA  is now finally over and I am looking forward to focusing more on developing my practice.

I have been looking at worms.  I studied an earthworm through a magnifying glass.  Its semi-transparent body enabled me to view its internal organs which buckle and coil as it moves. I am intrigued by a pulsating deep pink artery that runs centrally through the length of their bodies, delineating this coiling movement.  My ideas are revolving around lead lines, reinforced with steel rod in parts, that suggest huge 3d worm forms, skeletal, with linear coiled pink innards made from copper wire, heated red glass, orange twine and plastic strands.  This may change, perhaps it will seem too representational, although the expansive forms meandering through space could be quite breathtaking.

Worm casts, graphite drawingStudy of worm's arteryLead lines

As an experiment, I have created a small worm colony in an old fish tank, with dead leaves for them to munch.  In a few weeks I plan to remove the worms by attracting them to the top, then cast their tunnels.  If it works, it will be interesting to see what their tunnels look like, how they interconnect.

I have cast some more 3d lead lines, using routed wood blocks as moulds, made with a friend (Nick Weaver)’s help.  The wooden lines were gouged with 4 different router cutters, so that I have a range of curved and v-shaped lines.  The process was slow, as the lead didn’t melt properly on my studio electric hob, until I directed a gas blowtorch flame into the hot pan too.  When I poured, the slag remained in the pan, so the lines were smooth, clean lead.   I am considering how these might become more 3d, or whether they don’t need to, and how to convey message with method and materials, creating forms that carry natural associations, bridging the gap between science and art.

Questionnaire

I have created a brief questionnaire as part of my MA research (see images below).  If you have the time to download the document (link below), fill it out and return it to me via email (e: fionacampbell-art@sky.com) by 1 January 2017, that would be fantastic!

To download click here: questionnaire

questionnaire-p1questionnaire-p2questionnaire-p3

(Photo credits:1: Yellowtrace; 2: Amanda McCavour; 4: Laurie Lax; 5: Tate) 

Thank you in advance!

 

Research

My MA continues to absorb me.  Research is a main focus this term, I have never got through so much literature in such a short time!  I am looking at the ‘expanded fields’ (Krauss) and blurred boundaries in drawing and sculpture, doing alot of thinking, writing, visiting exhibitions, listening to talks and making samples.  I love the alchemy.  Inspired by artists such as Eva Hesse in the 60’s who defied categorisation, Cornelia Parker (exploded shed; melts down and ‘draws’ the object/s (eg a lead bullet) into wire), Monika Grzymala (see image below: theatrical explosions with tape and paper), Chiharu Shiota (immersive stretched installations) and critics/philosophers e.g. Rosalind Krauss and Peter Osborne, new ideas are slowly formulating.

Monika Grzymala, Freeing the Line, 2010

This month, I will be taking part in the Quartz Visual Arts Festival ’16, ‘Outside In’, 15-22 December at Queens College, Taunton TA1 4QS.  This involves a collection of work based on the rural landscape and natural world from over 40 artists and makers in the South West.

quartz-visual-art-exhibitionquartz-visual-art-exhibition-2

I’ve been involved behind the scenes at Black Swan Arts, Frome.  The winter exhibition ‘30 Years/30 Artists’ is now running until 24 Dec, our final 30th anniversary celebration of 30 years at Black Swan.  Postcard artworks have returned to the Gallery (displayed on a strange pink/silver/pearl tree I cobbled together), this time in secret envelopes at just £10 each – Christmas bargain!

I am also working towards a large piece for ‘Fresh Air ‘17’ in Quenington, Gloucestershire.  More news on this later.

Very best wishes for a happy festive season!

Worms, Oil and Graphite

Egg sac inspired drawing/sculptureEgg sac inspired drawing/sculpture

Since finishing my egg sac drawing/sculpture (above), worms have been a recent preoccupation.  Last week I went on a worm hunt (in a harmless way) to photograph and draw them for my research. There’s a special technique for this: by vibrating the earth, they rise to the surface (apparently to seek mates in the rain – more important than the fear of being pecked by birds or moles).

wormswormsworms

This is a layer of research over my investigation into possible uses of graphite (and linseed oil) as a medium. Graphite, interestingly, is a form of carbon, which, I’ve recently learnt, is a primary element (4th most abundant in the universe) that comes from the beginnings of life – brought from the stars via buckyballs. All living things contain carbon in some form. Julio Gonzalez, when he first coined the expression ‘to draw in space’ was initially inspired by constellations and the points between them as a metaphor for drawing in space.  Graphite, due to its carbon property, is the thinnest medium and can stretch to only 1 atom thick, whilst retaining great strength.

Earth worms have been of interest to me for several years.

worm-drawing-graphite

I respect their status as recyclers and importance within the cycle of life.  I like their grey to maroon transparent skin tones (some with clearly visible red veins delineating their contours as they move) and their form that resembles many others – limbs, tree roots/branches, neurons, filaments…

I hope to create a series of works in 2-d and 3-d – drawings/sculptures/installations that could be immersive, possibly worm-like!  The drawings might start flat on oiled paper with graphite, leading to graphite as 3-d.  I need to explore other possibilities – perhaps using perpex to back the paper so it can arc into space.  It’s early days, and seems a little slow to get going, but I’m enjoying the process of investigation.

Materiality

My MA course at Bath Spa is all-consuming.  I’ve been engrossed in research and explorative studies, leaving little time to add new posts here.  To see what I’ve been up to, here is a blog/journal, which logs my progress and an image of a drawing I’m working on at the moment:

https://fionacampbellblog.wordpress.com

Wire and paper drawing with linseed oil added for transparency and skin-like quality in progress Wire, paper, linseed oil drawing - in progress (detail)

Egg Sacs and Louise Bourgeois

Eggs on wire grid drawing

The arrival of Louise Bourgeois’ exhibition at Hauser & Wirth, Somerset, coincided with the first weeks on my MA course.  I had been looking forward to visiting her show, being a huge fan.  A few days before, I had been looking at my collection of ‘finds’ (all sorts of natural phenomena) for inspiration.  A dried up fish swim bladder and a sponge-like form found on the beach grabbed me as starting points.  I want to investigate similar forms in nature, sometimes micro in scale – their form and function.  I’m also interested in drawing more – whatever shape that takes – 3-d and 2-d.

Bourgeois’ work struck a chord.  Of course I love her Maman Spider, crouched eerily, over-powering the first barn.  I was hoping for more sculpture, but strangely it was her etched drawings of plant forms, bodily parts and egg clusters that fascinated me most. Largescale and awkwardly drawn, they have real emotion, enhanced by repetition.

Her forms resonated with my ‘finds’.   I have since looked up my sponge-like object on the internet.  It seems to be whelk egg sacs!  Serendipity, though not so surprising that I was drawn to Bourgeois’ seductive egg sacs.   So I have been drawing the sacs with a view to creating 3-d pieces (drawings?) with wire, paper pulp, fibres and other mixed media based on them.  Relic of little lives, now entered into the greater cycle.

Whelk egg sacsLouise Bourgeois Swaying 2006

SAW ’16 ends MA begins

I’ve started a part-time MA Fine Art course at Bath Spa University.  It’s never too late!  I’ve wanted to do one for many years, but the time never seemed right.  Now it’s as right as it will ever be.. so I took the plunge and applied belatedly in early September, amazed that I was accepted onto this year’s intake!  It’s been a bit of a jolt to the system, but am getting the hang of research methodology and all the mouthfuls that go with it.

This was going on around the time of preparing and running our Somerset Open Studios event.  I shared my venue with Nick Weaver, whose wood pieces harmonised well with my work, especially in the “magical Alice-in-Wonderland like garden/sculpture park” (as one visitor put it).  Other visitor comments: “Brilliant – most lovely and surprising and innovative visit of the day“; “Wonderful, positive views of life in all respects”; “Remarkable, inspiring exciting”; “Magic!! An oasis of inspiration! Thanks”; “Absolutely stunning“. Our Open Studios event went well – plenty of new enthusiastic, friendly visitors who loved our exhibition, a very wide demographic and several sales.  I ran some workshops with a local school, home ed children and adult group, including A’ Level Art students.  It was busy but rewarding!

Me putting up the canopy (from Chelsea Flower Show)Nick Weaver helping install Lichen Sculpture in the garden - Somerset Open StudiosVisitors enjoying Nick's boatSculpture in the garden - Somerset Open StudiosSculpture in the garden - Somerset Open StudiosWorkshop in the gardenTaster workshopTaster workshopResult in an hour!School not put off by the rain!Bee by 9 yr oldSchool visitSchool workshopCat face by 9 yr oldSculptures in garden

 

 

Autumn Events

Somerset Open Studios invite

It’s been a wonderful summer. I often feel a little sad at the end of this season, but what makes it more bearable for me is that autumn is beautiful and in UK we tend to have ‘indian summer’ weather in September. Tied in with that is Somerset Open Studios running 17 Sept – 2 Oct (see invite). It’s something to look forward to and work towards. I will be showing my work alongside Nick Weaver (elegant, organic wood furniture and sculptures) in my rejuvenated garden and studio. Our work compliments each other – we both use reclaimed and found materials that harmonise within natural surroundings. If you missed seeing our focal pieces earlier this year in the Mekong garden at Chelsea Flower Show, which received gold and best artisan awards, we will have these on show during Open Studios. I’m also looking forward to visiting a few other Open Studio venues when possible.

My work is currently on exhibition in ‘step in stone’ at Salisbury Arts Centre until 24 Sept. Curated by Amanda Wallwork and me, the exhibition tells the story of last year’s art-in-quarries project. Selected artworks by all 14 artists include re-created dioramas by Tessa Farmer and a GPS soundscape around the grounds by Ralph Hoyte. You can download this on your smartphone via this link.

I will be taking down my work from the Devon Recycled Sculpture Trail, Teignmouth seafront this weekend, so if you’re around that area before Saturday evening, take in a beach stroll, fish and chips and a look at the artworks before they disappear!

In October, I’m taking part in the Quartz Festival’s ‘Outside In’ exhibition (Queens College,Taunton), 5-15 Oct, with over 40 other South West artists and makers working in different media. The theme is the natural world.

I have decided to donate my Giant Spider sculpture to Carymoor Environmental Centre, (Castle Cary) where I know it will have a great permanent home. Originally created for Glastonbury Festival’s Greenfields ’10, it has travelled to various shows around UK since. Look out for it if you visit.

I hope you’ll be able to make it to one or more of these events – have a great start to autumn!