creative resilience

Welcome Spring by Fiona

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What a joy to have spring sunshine and bulbs growing, after such miserable cold months in confinement.  New beginnings bring hope! 

It’s surprising what can be achieved under difficult circumstances. Time in lockdown has gone fairly quickly, as I’ve been working on several projects and finding alternative work solutions, although often computer bound.

In between, I’ve been developing new work in the studio, exploring ideas through collages, maquettes, sketches, and gathering materials.  In contrast to my last piece The Fall (see previous posts), my next feels hopeful.  Ideas are developing of ascending lines expanding beyond grid-like constrictions into lightness and recovery, though precarious.  Yellow is my new colour depicting hope and optimism.  I’ve been naturally dying and hand-stitching recycled textiles, rubber, latex, and plastic as patchworks of repair.  Branching umbrella frames may become supporting skeletal structures. 

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A lot of the found and recycled materials I’m using have been sourced locally or donated by friends - thanks to those who’ve helped.

Short Film

A short film about my sculptural practice using textiles has been commissioned by Art UK, working in partnership with Culture Street and Royal Society of Sculptors.  Due to covid and lockdown, it was delayed for a year.  In the end, the artist interview was conducted over Zoom and I supplied footage.  Aimed at schools, it’s one of 10 new film commissions about sculptors and their different processes, as part of a major initiative to put online UK’s sculpture collection. I’m honoured to be included in the series!

All The Colours

I’m one of the commissioned artists leading a community art project via Seed, called Art First.  We are engaging the public in Sedgemoor, especially those who travel on buses.

Artists Fiona Campbell, Karl Bevis, Jem Dick and Sharon Jacksties are working on three projects, which will produce artworks co-created with Buses of Somerset passengers and staff and other members of the community. The finished works will be displayed on 30 buses across Sedgemoor.  Covering multiple art forms from poetry through photography to collage, our artists will guide you through the process, giving you tips to find inspiration in your everyday lives to create something magical. All creations can be submitted and your submissions will then be combined into artworks to be exhibited on the buses and online.’

In my project All The Colours I’m inviting people to create a collage in one dominant colour, reflecting on their responses to a bus journey, the past year, a particular experience, mood, feeling, moment, personal or global memory. The images will be part of a co-created artwork which will be transformed into a hologram chameleon. This will change colours at different viewpoints and will be featured on 30 buses for passengers and community to enjoy.

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I’ll be running FREE workshops, there’ll be prizes and an online exhibition.  Below is a slideshow I made to offer examples of collages in a dominant colour.

For further info and to participate please visit my page All The Colours.  If you’re based in Sedgemoor, and/or have travelled on buses in the area, please get involved and spread the word!  

 
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Inch by IN:CH

I’m part of an artist-led travelling project Inch by IN:CH, bringing contemporary art out of galleries and into community areas across South West UK. Between May-October ’21, 11 artists will each present mixed media works including painting, light projections, assemblage and sculptural installations, transported in cases from one place to the next.  At each location artists will engage the public through activities (covid protocol in place).

The locations we’ve chosen are unexpected venues for art. One of our venues, East Somerset Railway, is in my village.  Our finale venue will be at the Gauge Museum, Bishops Lydeard Station, West Somerset Railway, the longest heritage railway in England. We will show our work in the newly restored museum, in one of two remaining Victorian Sleeper cars, and spilling out onto the platform. These popular venues for families and train enthusiasts are evocative, meaningful settings for art about transportation of ideas.

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We’re so grateful to sponsors including The Arts Society, Somerset Art Works, The Gane Trust,  individuals and supportive venues: East and West Somerset Railways, Fringe Arts Bath and Found Outdoors. We’ve submitted our Arts Council funding application, so fingers crossed we receive this crucial support to bring free programming and events to mixed audiences.

Online Sculpture Course

I recently finished running my second online Sculpture Course. The focus is on nature, using recycled and found materials. Participants produced some awesome work, sourcing their own found materials, and finding so many ways to use them creatively. 

Images: Jinny Jehu; Gwynne Penny;  Barbara Griffin; Magdalena Musanovi

To see more please visit Instagram: #onlinesculpturecourse2021
Let me know if you’re interested in my next course (dates TBC).


Inspiration 

Online meetings and talks have been convenient, with the benefit of international reach. Through zoom I’ve loved connecting with fellow artists. Royal Society of Sculptors meet-ups and new weekly sculptors drawing sessions have been helpful to focus and free the mind.  We are currently working on an exciting group exhibition.

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The Overstory, a book by Richard Powers, has inspired new work: There are no separable events. The bird and.. branch.. are.. linked creatures..; ‘reiterated trunks .. shooting up parallel like the fingers of a Buddha’s upraised hand.. tufted spires… swirled in the gauze of a Chinese landscape… fungi and lichen everywhere, like splatters of paint from a heavenly can’

Other relevant resources:

Tim Ingold: Facing the Anthropocene: Life is always creating itself.. Lines are animate... I’ve started Tim’s book Life of Lines, and also The Mushroom at the End of the World (Anna Lowenhaupt Tsing)

James Aldridge: Queer Rivers Art Earth: Where does a river stop? Everything is fluid, interconnecting….

Phyllida Barlow: Small works made with the minimum of ambition... Sculpture is a restless art form…

Artists inspiring me: above left to right: Giulia Cenci; Daiga Grantina; Monika Sosnowska; Janet Echelman

Other News

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I’m part of the Solargraphic Society of Somerset (Mendip area) organised by Janette Kerr. I put up my pin-hole can camera with light sensitive paper in my garden and look forward to the results in 2 months.

My Bulrushes are now installed in their new home in the midlands (left: pic in snow)

Delighted that my Blackbird sculpture (commissioned by Shepton Mallet Town Council for a Bird Trail last autumn) has been selected as a permanent feature above The Art Bank entrance in the town centre.



Forthcoming Events

Inch by IN:CH a travelling project considering transition, interchange and the transportation of ideas. Various venues, South West UK, 28 May - 3 Oct 

Royal Society of Sculptors 10 gram Challenge exhibition: 28 June – 18 Sept

I’ll be giving an online talk via Red Line Art Works on 25 March, 7pm (GMT). If you’d like to join the talk, please register: https://us02web.zoom.us/meeting/register/tZApcuiurzkvHtFe6fjc4ZqzB2doWh5SiyNu

In support of the Arts, please visit the Art Is Essential campaign, aimed at raising awareness about the importance of the Arts to a healthy society.

This past year has been a huge jolt to us, and despite the sad and tragic happenings, I’m hopeful that we have come out of it stronger and better.

 

Merry Christmas and a Happy, Healthy New Year! by Fiona

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A few updates to round off the year:

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Exciting news!  I’ve been selected for a commission with SEED and First Bus.  I will be working with the community to co-create artworks to be installed on First Buses across Sedgemoor in 2021.   It will be something a bit different to my usual work, and will stretch me in new ways.   More details coming soon…

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Our travelling group exhibition is getting more compelling as plans develop.  Inch by IN:CH is an artist-led project for ‘21, bringing contemporary art out of studios and galleries and into communal areas of our everyday lives.  Small-scale works in cases will be transported from place to place, migrating outwards in a spiral.  11 artists will engage with local communities through workshops, talks and performances.  We’re looking for match-funding for our ACE application, so if you can help in any way, financially or in-kind, do let me know!

My latest piece The Fall is almost at the point where I can call it ‘finished’ (see previous post for details).   A quote from The Overstory (Richard Powers) sums up my thinking: ‘Trees talk to one another... through the networked soil... Mats of mycorrhizal cabling link trees into gigantic, smart communities... there are no separable events. The bird and.. branch.. are a joint thing.. linked creatures..’  Human frailty, greed, the Icarus factor, is the sorrow.

The Fall in progress: steel, copper, found wood, wool, sisal, twine, rope, leaves, feathers, naturally dyed cotton, wax..

The Fall in progress: steel, copper, found wood, wool, sisal, twine, rope, leaves, feathers, naturally dyed cotton, wax..

My work is on sale at the Artisan Christmas Market, ACE Arts, Somerton.  I will be invigilating there tomorrow (Saturday 19 Dec) - do come and say hello if you’re in the area, and maybe consider buying some hand-made Christmas gifts :-)

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Small and Affordable (Frome) is Black Swan Arts’ fundraising exhibition with 100% going towards keeping the wonderful Black Swan Arts alive.  All works are under £300 and under 30cm sq. There are some great pieces for sale donated by artists, for a great cause.

My offering: New Beginnings, found and recycled paper, wax, steel, copper.

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My next Online Sculpture Course runs 11 Jan-14 Feb.  If you’d like to learn new 3d skills using sustainable materials, or know someone who does, please visit this link. Places are filling up so book asap!  It could make a stimulating start to the New Year and/or a Christmas present for someone who wants to get more creative ;-)

Also, it’s your last chance to benefit from a 10% discount offer to friends and supporters in my online Shop  (ends Sat 19 Dec)! 

Red Line Art Works trophy.  Photo by Jason Bryant

Red Line Art Works trophy. Photo by Jason Bryant

On a positive note, here are a few special moments from this year:

A bronze trophy arrived in the post for winning the Red Line Art Works global award!

Despite most of my exhibitions and commissions being cancelled, I took my work online, launched a sculpture course and made several films. I was lucky to receive ACE funding for Life in the Undergrowth.  

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I showed at the Royal Society Summer Exhibition, curated by Robert and Nicky Wilson, Jupiter Artland. The pangolin mask I made out of cotton offcuts, dyed with avocado pits, all hand-sewn, has come in very handy.  I feel acutely sad for the plight of pangolins. I’ve scaled back my Christmas cards this year and instead donated to Flora and Fauna to help pangolins, who are being slaughtered en mass to the point of becoming endangered. 

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Exhibition trips, seeing my son, other family and friends in between lockdowns, making art and being in the garden have kept me sane. I’ve learnt more about resilience, and the importance of being kind to nature, and each other.

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Goodbye to an extraordinary year which has deeply affected us all.  Looking forward to turning the corner!  

Wishing you a very Happy Christmas and here’s to a better, healthier year in 2021!

Do keep in touch via my social media channels:

Instagram fionacampbellartist

Facebook Fiona Campbell Art

Twitter @fionasculpture

Best wishes and take care,

Fiona x



























Testing Time by Fiona

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While we’re all learning how to live differently during this terrible pandemic - a worrying time for humanity - I’m trying to find positives in all this instability.  It will undoubtedly change the world - let’s hope, in many ways for better.  

On a micro scale, artists are having to re-adjust our practices and finances after cancelled projects and exhibitions.  For me, a large amount of prep for future work may be wasted; several shows, public commissions and freelance workshops are now cancelled.  Our Royal Society of Sculptors Gilbert Bayes Award Winners Show couldn’t tour to Grizedale and my latest piece Pyre - charred bundles of treasured finds created in response to wildfires - is in a ghost exhibition Incendiary.  At least we managed to install, so it can be viewed digitally!

Pyre, 2020, 90 x 115 cms aprx. Photos above and below by Stephen Lenthall

Pyre, 2020, 90 x 115 cms aprx. Photos above and below by Stephen Lenthall

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On the upside, last week, completely unexpectedly, I was delighted to hear I’ve won the Red Line Art Works Award for my series of works Snakes and Ladders (created for B-Wing), Glut and Accretion!  My trophy’s arrived in the post and I am extremely grateful to Red Line Art Works for the award - it comes at a timely moment.  Red Line Art Works is an international organisation reflecting on global issues, the state of our world and global justice. ‘Our global audience is inspired by art with a conscience, art that reflects these big problems’.

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David Attenborough recently said in an interview with Big IssueIn times of crisis, the natural world is a source of both joy and solace... we are part of the natural world.  If we damage the natural world, we damage ourselves.’  Ironically, in this crisis nature continues, bird song seems louder and new life is bursting out everywhere. The message is profound.  To re-focus and make sense of things, I’m taking life at a slower pace.  I’ve been spending time gardening, appreciating what I have, sowing veggie seeds, mending, sketching, tentatively picking up loose ends and attempting new approaches in work.  I’ve collected plant debris for hand-made paper and fibre works, and made dye from avocado pits. I gave my first Zoom live-stream artist talk online (recorded), in conversation with Richard Tomlinson and interactive viewers. It was part of Ignite Somerset's monthly Creative Network sessions.  I’m also producing a series of simple art project slideshows that can be used by all ages (watch this space!)  The savings in travel are great for the pocket and the environment.  The sky has far fewer vapour trails.  I’m in awe of hospital workers, all the committed carers, community support, and the creative resilience of artists.  Through virtual chat we can still make connections and I’m finding this crisis brings us closer.  

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At the bottom of this blog, I’ve pictured a few of my artworks currently available for sale.  Some of these (under £200) I am selling as part of #artistsupportpledge - an initiative by Matt Burrows to foster generosity and support among artists. My instagram details these artworks. Please contact me if you need further information.

Creativity Works posted 5 ways to wellbeing: connect, keep learning, be active, take notice and give.  I’m trying to embed these in my routine.

In an essay ‘Against Interpretation’ by Susan Sontag, she says our ‘culture based on excess.. overproduction… material plenitude… crowdedness… dulls our sensory faculties…  We must learn to see more, to hear more, to feel more’.  And that was in 1964!

Look after yourselves in this testing time and let’s hope we learn many lessons in the process!

Prices range from £60 - £1950 + p&p

Drawing on Dorset, quality paperback book, £15 + p&p

Drawing on Dorset, quality paperback book, £15 + p&p