Jacquiline Creswell

Earthlings by Fiona

Martyrdom of the Ten Thousand, Together We Rise, Chichester Cathedral. Photo by Ann Purkiss.

I’ve had a full-on month!  Some of the stand out events:

Together We Rise opened in Chichester Cathedral at the end of June.  A major exhibition of work by 25 artists from Royal Society of Sculptors (South West), artist-led, curated by Jacquiline Creswell.

My piece Martyrdom of the Ten Thousand was created over a period of 10 months and took 5 days to install - slow, meditative art that is addictive and healing.  Described by another sculptor as ritualistic. The installation process felt like a short residency.  As I worked in the cathedral space, up tall ladders or perched on scaffolding, visitors chatted to me about the work.  It felt important to discuss it. There are over 50 bodily forms relating to the plight of pangolins. These intriguing delightful creatures are the most trafficked mammals in the world. - see my previous blog for details and more images.  I’m frequently having to conquer my fear of heights and I was grateful to those who helped.

I’m in awe of the exhibition and venue. The placement of work is very sympathetic to the space and fabric of the building, thanks to the expertise of curator Jacquiline Creswell.  Extraordinary light and beautiful choir and organ sounds accompany the work, giving it gravitas.  I’m feeling hugely grateful to be part of it, for the support of the Society group, the Cathedral team and hard work of our excellent curator.  As Jacquiline says: ‘we all put our hearts and souls into this exhibition and you can see and feel it’.

The PV was fantastic, with opening talks by Richard Cork (FT Art critic), and The Dean.  I was moved by a highly emotional response to my work:  Friend Sarah James was brought to tears at the sight of it. The exhibition feedback so far: ‘multi-layered, surprising, professional, diverse, strong, symbiotic with cathedral, sits beautifully, remarkable, spiritual, special…’.

The cathedral also has work by Chagall, John Piper and Graham Sutherland among others.

The exhibition runs until 6 September.  Hope you can visit!

Above photos: 1, 2, 3 by Paul Gonella. 4, 5, 6 by Ann Purkiss

Projects often coincide or collide.  I’m co-curating/working on The Gleaning, a collaborative community arts project celebrating diversity, connectivity, and the environment.  Large-scale translucent textile artworks will be suspended in front of clear glass windows in Shepton Mallet’s beautiful church.  Working with Gill Sakakini, Polly Hall and others, we’re delivering a series of free workshops - 2 this week. See full list, funded by Shepton Town Council, Cranmore Parish Council and other donors.

20th July, 10am-12pm – Sweet 11 Cafe, High Street, Shepton Mallet: Cake & Collage

21st July, 3-5pm – St Peter & St Paul Church, Shepton Mallet: Stories with Art

I’ve been working on a large-scale panel themed Earthlings. Stories within a story celebrate fauna and flora, the value and importance of non-humans, and life’s interconnectedness.. For weeks I’ve been hand-stitching remnants together, printmaking and tie-dyeing with home-made plant inks.  On top of collaging and arranging shapes, it takes hours and hours to appliqué pieces together.  We had a lovely time at Collett Park Day with people of all ages getting involved and creating fabulous prints for the panels. A work experience student, Pippa, and local artist Juliet Duckworth worked with me on the Earthlings panel last week.  Many more people have been involved in donating fabric offcuts, fruit nets etc.  We are fund-raising, thanks to our steering group Rosalind Teesdale-Ives, Polly Hall and Lizzie Britain.  Do get involved in some way..

Work in progress for The Gleaning - Earthlings collaboration with Juliet Duckworth

Following on from wire creature workshops with St Benedicts C of E Junior School via LIFE beat, I made a Copper Tree for permanent siting in their Peace Garden, presented on the school’s Wellbeing Day.  Made of recycled copper piping, the tree is designed to support the little sculptures. The creatures represent the school’s ‘Elly’ animals - each having important characteristics to nurture.

Copper Tree with wire sculptures (made in workshops), St Benedicts C of E Junior School, via LIFEbeat

I’m really pleased that Entangled I has been selected for the Royal Society of Sculptors Summer Exhibition by curator Isabel de Vasconcellos. The show will be at 4 Cromwell Place, London SW7 2JE 19-24 July, 10-6 daily.

Entangled I, recycled steel, wire, filter papers, 25 x 26 x 27cms

I made the piece during lockdown 2020 as part of my Life in the Undergrowth project. I was fascinated by roots, shoots and worms in upturned turf in my garden. Work evolved using to-hand and found materials.

I’m clearing the decks a little so I can get stuck into more studio work, and will set up a separate blog for my ACE DYCP work..

Hope you can visit some of these events. And enjoy the sunshine!

Together We Rise by Fiona

Photo Paul Gonella

This week the exhibition Together We Rise opened! Set within the awesome architecture of Chichester Cathedral, the exhibition involves 25 Royal Society of Sculptors members who, during the pandemic, found solidarity by meeting online. Curated by Jacquline Creswell, who was ‘the driving force behind Salisbury Cathedrals’ pioneering art programme’, this unique exhibition is an expression of those meetings.

“Together We Rise is a counterpoint to the challenges of the last two years and an expression of the artists’ perseverance, by coming together through virtual means to overcome isolation, fear and doubt.  The result is a flourishing of creativity, demonstrating the power of shared adversity overcome by shared endeavour. “ (Jacquiline Creswell)

My new work Martyrdom of the Ten Thousand is an installation in the North Aisle of the Cathedral. It tackles the issue of trafficking and slaughter of thousands of pangolins.  Covid - a zoonotic disease - originated from wildlife wetmarkets. Unethical human practices continue to contribute to our own demise as well as increasing animal extinctions at an alarming rate.

Multiple forms suspend, rising and pouring. Some appear skeletal, poised between completion and incompletion, in varying stages of translucency and decay.  Stifled, vulnerable, the ghostly forms suggest pain, loss, death, but also resurrection, and tenderness.

The work has an environmental undertone.  I used recycled materials that are hand-sewn, wrapped, tie-dyed with home-made plant inks, and waxed over woven structures. Stitch by stitch, the labour-intensive process adds to the message of care and repair.  While raising awareness of pangolins, my work is a way to channel and overcome loss, make do and mend.

The title echoes Renaissance religious paintings of the same title. The work also refers to the Ghent altar piece - the bleeding lamb of god an object of religious devotion.  I’ve pivoted the concept to raise awareness around multi-species justice.

Further info: chichestercathedral.org.uk/together-we-rise

Instagram: @togetherwerise2022


Exhibition runs 27th June - 6th September
Mon - Sat, 9am-5pm, Sun 12-2pm
Chichester Cathedral
PO19 1PX

Photo: David Clarke, Solent News

Photo: Russell Sach

Dreams by Fiona

Collaged impression of my ideal place for Snakes and Ladders (I) for WAC - in the cathedral nave

Collaged impression of my ideal place for Snakes and Ladders (I) for WAC - in the cathedral nave

It’s wonderful when dreams of possibilities become a reality.  Sometimes things evolve beyond expectations, sometimes there has to be a compromise, and one thing always leads to the next. Two new exhibitions involving installations in cathedrals have developed - both thrilling to be part of! Lots of exciting things are happening at once, so the next few weeks will be a challenge which I’m embracing!

Chichester Cathedral

After a year of Zoom meetings and drawing sessions with fellow Royal Society of Sculptors members, a group sculpture exhibition curated by the eminent Jacquiline Creswell is now in planning stages for Chichester’s Year of Culture 2022.  The theme is loosely based around our group solidarity during a difficult year, new hope, and offers an opportunity to take risks.  We had a fabulous day last week on a site visit to the magnificent Chichester Cathedral, and it was great to finally meet some of the group in real life.

The Cathedral is steeped in art with a startling Marc Chagall stained glass window, John Piper tapestry and Graham Sutherland painting, among other works. Thanks to Walter Hussey, Dean of the Cathedral at the time, Pallant House, nearby, houses an astonishing art collection. I spent a lovely morning catching up with old friends and wandering round the Gallery.

I’ve started working on ideas for it, which I’ll be gradually developing over the next few months. It will be an alternative altar piece with hand woven multiple pieces, inspired by the plight of pangolins - the most trafficked mammal in the world. 

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Wells Art Contemporary

I’m excited that my work Snakes and Ladders (I) has been selected for Wells Art Contemporary installations at Wells Cathedral!  WAC received 200 applications for installations this year and Simon Periton chose 28. I proposed that my piece might be suspended in the Nave (see top image), but that’s no longer possible, so it will be in the South Trancept, another grand space in the cathedral.

The exhibition will coincide with the installation of a new Antony Gormley work to be exhibited on the West Front of the Cathedral!   The exhibition runs 28 Aug - 26 Sept; PV Fri 27 Aug, 7pm.

Snakes and Ladders was created for B-Wing, a project I co-curated in 2019. The series of dysfunctional ladders and hangings were installed across 3 floors of the massive wing in the decommissioned Shepton Mallet Prison. They ranged in size from 3-7.5metres. Initially inspired by Piranesi’s ‘The Bridge’, from The Imaginary Prisons series, the work relates to the human cycle of striving, greed, suffering and waste. There’s an element of hope, and dreaming.. Snakes and Ladders (I) is a suspended piece, a skeletal structure which appears winglike and bone-like, reminiscent of flight and extinct animals hung in museums. Made from found and recycled materials including wood and newspaper, my use of discarded materials relates to waste, our relationship with matter, nature, and ourselves. 

Snakes and Ladders (I). Photo by  Barry Cawston

Snakes and Ladders (I). Photo by Barry Cawston

Thanks to Nick Weaver who will be my technical assistant in the installation process, and who helped me originally.

Inch by IN:CH

Hope of a Tree at ESR, just before the storm. Photo by Linda Ashe

Hope of a Tree at ESR, just before the storm. Photo by Linda Ashe

Our travelling group project Inch by IN:CH has now toured to 3 locations - the most recent was East Somerset Railway, a heritage steam railway station in my village, Cranmore. I invigilated daily when open, and got to know the station more intimately. At each venue the focus and work change, there are different people, challenges and achievements. 

We’ve engaged all sorts of people in conversations about the work and wider issues, so our project is doing what we intended - transporting art and ideas to local communities. 

The staff and volunteers at ESR have been so helpful and and intrigued. We’ve had some great interaction from visitors with our Drawing from Cases sessions and my intergenerational sculpture workshops. 

This slideshow gives a snapshot of my work in situ and some of the events I ran. I’ve been moving my piece around, trying it in different spaces..

Our next stop is Backwell Playhouse (23 Mariners Drive, Backwell, West Town, BS48 3HT), involving free shadow drawing workshops led by Shirley Sharp and me, this Saturday 7 August. Exhibition:12-3 pm; Drawing Workshop: 1-2pm & 2-3pm, book via eventbrite.

My Residency in the Loft, above Heritage Courtyard Gallery, Wells will be starting soon. It will give me a chance to re-make, document and focus on new work, as I grapple with unresolved themes and ideas.  The space will be a real treat for me. I’ll be showing the work in Somerset Open Studios 18 Sept- 3 Oct.

Front Cover of a magazine!

Mendip Times, August issue, me at Frome Museum stairwell.jpeg

Thanks to Mark Adler for taking this great photo and placing me and my work at Frome Museum on the front cover of Mendip Times, August issue!

Other news:

My All The Colours lenticular Chameleon (created with community participation) is travelling around Somerset on the buses - particularly the Bridgwater to Taunton route. Here we are with one of the exterior panels.

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Windows on Nature Trail: my mini solo continues at 51 Fore St, Trowbridge BA14 8ES; June-Sept. All work is for sale

I’ll be taking part in Somerset Reacquainted Touring: Re-imagining Nature, Yeovil Art Space (23 Vicarage Walk, Quedam Shopping Centre, Yeovil BA20 1EU).  There will be a selection of work by 20+ SAW artists. Open 4 Aug-11 Sept, Wed-Fri 11am-3pm, Sat 11am-5pm

I’m running the following Workshops:

Wire Sculpture Workshop inspired by nature: Holburne Museum (outdoors), Thurs 5 Aug, 10.30am-1pm, ages 5+. £12, book via Eventbrite

Sculpture Workshop using recycled & found materials, Sat 14 August, 11am – 4pm, Five Trees Bowlish

Other thoughts:

A webinar that particularly struck me was Rivercide with George Monbiot. It’s about how filthy and toxic all the rivers in England have become, linked to poultry intensive farming and sewage works.  Happy Eggs are not happy..  and I’m glad I don’t eat chicken.

The challenges that continue to face artists can lead to burn out and serious financial instability. I’m looking into infusing my practice with more of a business element - watch this space!