Happy New Year!

Stilt Structure, maquette, found & recycled materials, ‘23

Looking back on 2023, I’m grateful that my Arts Council England DYCP award enabled me to complete major new pieces, exhibited in some fantastic settings. I also appreciate all the support and encouragement from so many wonderful people. It’s a tough juggling act surviving and thriving as an artist - hats off to all creatives who keep at it, pushing boundaries.

Residency and Solo in a large disused shop space Create@#8, Somerset, ‘23. Photo Russell Sach

Above and Below, created during my residency, ‘23. A response to the entanglements of matter. Reclaimed & found materials, each with a story

Me with work, The Fall, detail. Photo Russell Sach

Flags of the Forest began as an indoor piece. Photo Russell Sach

Flags of the Forest developed into an ambitious outdoor installation for Wander_Land at Tremenheere Sculpture Gardens with Royal Society of Sculptors members, ’23. Photo Russell Sach

Above and Below, Tremenheere Gallery, with assisted curation by Martin Holman.  Loved working with the steering group on Wander_Land. Photos Russell Sach

I’m currently working on a series of small sculptures and collages. I’ve been thinking about precarious stilt structures, and resilience.  Looking at overladen camels of nomadic Somali tribes (camel = symbol of adaptability, endurance, trade routes), boats and homes on stilts, and French shepherds who walked the bogs on stilts. In our unstable climate of floods, famine, overconsumption, and waste escalating in the name of ‘progress’, these hybrids - part vessel, house, creature - feel relevant.  I plan to make large sculptures based on some of these ideas.

Above: collages of tall thin lines supporting stacked assemblages and heaped bundles, made of discarded materials (paper, plant debris, found wood, textiles..)

Upcoming:

I’ve been planning and fund-raising for a new project I’m co-curating with Jan Ollis: As Old as the Hills. Residencies will lead to an immersive exhibition with events in the historic Zig Zag building, Glastonbury for Somerset Art Weeks Festival ’24. Rooted in heritage and environment, with community engagement, we have some excellent artists on board. Fingers crossed we receive grants to make it the best we can. If you’d like to contribute, please let me know!

I still have a few spaces on my forthcoming online sculpture course (8 Jan-11 Feb).  If you’d like to join let me know asap!

Running a Free workshop with writer Polly Hall, part of the Snowdrops Festival ‘Nature Unbound’ (Feb ‘24) to create a giant scroll-like mixed media collage installation, with text, to span the galleries of the Baptist Chapel. 20 Jan, 10am-4pm, Create@#8, 8 Town St, Shepton Mallet. Bring your own lunch. Free but please book via eventbrite as places are limited.

Back to Bath College next week running various short courses (sculpture, painting, drawing and life drawing, in case you’re interested in joining)..

Next month I’ll be off to Portugal for a PADA art residency. I’m looking forward to the creative challenges and adventure.

My work will be featuring in Casting Shadows ACEarts, Somerton, 2 March - 6 April ‘24, with Royal Society of Sculptors members.

At the end of last year I gave a talk, Matter Ongoing, focusing on my Dust of Stars installation for the Hatch exhibition ‘Death and Microwaves’, and other recent work.  The live talk is now published online (thanks to Elaoise Benson for filming).

Here’s to peace, care and creativity in 2024!

Opening Event!

OPENING EVENT: SATURDAY 11 MARCH, 2-4PM

Create@#8, 8 Town Street, Shepton Mallet BA4 5BG

I'm developing new work as part of an Arts Council England 'Developing Your Creative Practice Award' which also supported my recent trip to Kenya.

During my residency in this empty shop space, I've been developing work related to our natural world. The residency culminates in an exhibition of ongoing work. The Opening Event is on Saturday 11 March and I hope you'll be able to join me.  

Two of the pieces created this year will also be exhibited in Wander_Land, a group show at Tremenheere Sculpture Gardens and Gallery featuring work by members of the Royal Society of Sculptors.

I’ll be running an Eco Sculpture Workshop on Saturday, 18 March, 2-4pm, Book: eventbrite.

I hope to see you on Saturday 11 March!

Above and Below, exhibition invite, workshops

Really enjoying my residency in the empty shop in Shepton Mallet - Create@#8. It’s been liberating to spread out in a huge space, view my work as a collection, and get absorbed in making. I’m using the residency to develop work as part of my Arts Council England ‘Developing Your Creative Practice Award’. Ongoing work will be shown in a solo exhibition 11-19 March. Come to the Opening Event on Sat 11 March, 2-4pm! There’ll be a soundscape in response to works by Ushara Dilrukshan. Open Mon-Sat 11am-4pm.

I’m making a sculpture Above and Below - a response to the entanglements of matter, rhizomic systems and debris that make up the strata we walk on.  All are continuously transforming in a process of becoming, ‘..frothing and tangling and fusing.. layering and layering and layering… millions of fungal skeins suspended.. a gossamer web at least as intricate as the cables.. that hang beneath our cities..,’ (Merlin Sheldrake).

Linear uprights extrude through layered substrates - a mass of interwoven lines. It’s made from reclaimed/discarded materials and objects sourced from different places, each with a story, including steel, copper, plant fibres/roots/debris, twine, wire, wool, rope, feathers, rusted paper.. Life above and below; ‘as above, so below..’ I’ve since learnt Freud took this line ‘Flectere si nequeo superos, Acheronta movebo’ to describe the currents of psychological underland that rush beneath our sunlit uplands of conscious mind, here and there surging up…

The work will be exhibited at Tremenheere Sculpture Gardens this summer together with my outdoor Flag pieces. I’ll be showing alongside 30 Royal Society of Sculptors - see here for more about our Wander_Land exhibition.

I’ve been spending many hours hammering and ‘stitching’ bottle tops together with fine copper wire. They’re being added in blocks are to a handwoven backing I previously made for another project (Chelsea Flower Show) - now being reused and transformed for my Flags of the Forest. Layers of translucent netting and fabric will be added. The original design references endangered species across the globe. There will eventually be several eco flags that stand together. The flags will be made from a range of found and reclaimed materials stitched together, representing bio-diversity, making do, hopeful of nature being more cared for, and thriving. The work was inspired by walks in woodlands and a phrase ‘the word for world is forest’ (Ursula Le Guin). Woods and forests provide vital ecosystems.

My giant snowdrop sculptures (made from discarded materials including plastic, wire and tent fabric) were installed in Shepton Mallet for the Snowdrop Festival until 20 February. It was lovely to see people engaging with them as we put them up outside the Baptist Church. One of Shepton Mallet’s annual highlights, the festival events had a massive attendance through the week.

Next week I’ll be running a free one-day art and creative writing workshop with Polly Hall. Join us to create a suspended artwork for Shepton Mallet library window featuring Market Cross. We’ll delve into the history of this iconic landmark, create written responses and drawing on textiles with botanical dyes. Supported by Shepton Mallet Town Council, part of their Winter Series. Friday 3 March, 10am-4pm. Shepton Mallet Library, 2 Market Place BA4 5AZ. Book: eventbrite

I’ll also be running an Eco Sculpture Workshop on Saturday, 18 March, 2-4pm. Create@#8, Shepton Mallet BA4 5BG. Book: eventbrite

Great to be showing Entangled VI in Darkness to Hope exhibition, Atkinson Gallery, 27 Feb - 30 March.

It’s your last chance to take advantage of my February Love Art shop discount! I’m offering 15% off all orders over £10 until the end of this month when my prices go up!  Quote this code at checkout: LOVEARTFEBSALE

Hope to see you at the Opening Event!

Flags of the Forest, Residency, Exhibitions, Workshops

Flags of the Forest (in progress). Photo by Russell Sach

Happy New Year (I think I can still say that as it’s still January, just)!

Knuckling down to studio work has been a priority this past month. I’m developing new work as part of my Arts Council England ‘Developing Your Creative Practice’ Award. The award supports a year’s development, including my recent research trip to Kenya (see film), and mentoring with Mark Devereux Projects - which helps motivate me. I’m working on several pieces, leading to upcoming shows, including a residency/solo exhibition in a large empty space, Create@#8, Shepton Mallet, and Wander_Land at Tremenheere Sculpture Gardens and Gallery, with Royal Society of Sculptors this summer.

Inspired by walks in woodlands, I’m creating a series of Flags of the Forest. The flags celebrate bio-diversity, hopeful of nature being more cared for, and thriving.  These involve a combination of sculptural lines and fields of colour in space - hand-stitched patchworks of semi-translucent fabric and plastic remnants.  Some I’ve botanically dyed, eco-printed or embedded with found objects collected on walks.

I’m really grateful to photographer Russells Sach for visiting me last week for a photoshoot in my studio. It was a great opportunity to test out how the separate elements of my Flag pieces work together (and have a tidy up!).

Flags of the Forest (in progress). Photos by Russell Sach

Woods and forests provide vital ecosystems - crucial to our survival. Trees and their underground connections with mycelia fascinate me. Trees inspire awe, such slow-moving tolerant beings with ancient energies. My labour-intensive process is key to the work. Care and repair, making do, reusing, avoiding wastefulness. The binding, weaving and hand-stitching is cathartic, a form of suturing - healing through making.

If you have any green fabric/old clothing you’d like to get rid of, please let me know. I can collect if in the Somerset area.

Collage for Above and Below - a sculpture I’m developing

Botanical-prints on khadi paper, created after watching online demo with Suzanne Ledesma-Sikkerbøl

I plan to create a dyers garden. This will take time, so while I set up, I’m on the look out for certain leaves and flowerheads (unwanted) for eco-printing eg: eucalyptus leaves, african daisies, chocolate cosmos, dahlias, coreopsis, madder root… If you’re able to save me any of these, please get in touch!

During my residency at Create@#8, 20 Feb-10 March. the space will be open to visitors on Fridays and other days by appointment.  From 11-19 March, ongoing work will be showcased in a solo exhibition (Mon-Sat 11am-4pm, 8 Town Street, Shepton Mallet BA4 5BG). The Opening Event is Saturday 11 March, 2-4pm - save the date, I’d love you to come!  There will be a compositional soundscape in response to works by Ushara Dilrukshan. I plan to show a range of suspended, wall-mounted and freestanding works in the empty shop space, including a few pieces from my Life in the Undergrowth project. All welcome! 

I have some workshops you might be interested in (pics below of one I ran last weekend):

Join me in creating small snowdrop-inspired sculptures as part of Shepton Mallet's Snowdrop Festival on Friday, 17 Feb, 2-4pm, at The Art Bank Cafe, 13 High Street, Shepton Mallet BA4 5AA. Supported by Snowdrop Festival. Tickets £5. Book: eventbrite.

Shepton Reflections: a FREE one-day art and creative writing workshop with me and Polly Hall, Fri 3 March, 10am-4pm at Shepton Mallet Library. Using written word, poetry, botanical dyes and textiles we’ll make a suspended artwork featuring the Market Cross.  Supported by Shepton Mallet Town Council. Book: eventbrite.

Linked to my exhibition at Create@#8, I’ll be running an Eco Sculpture Workshop on Sat, 18 March, 2-4pm. Tickets: £18. Book: eventbrite.

Very happy my piece Entangled VI was selected for an exhibition Darkness to Hope at Atkinson Gallery, Somerset, opening 27 Feb. For more details please visit current and forthcoming events.

Looking forward to Spring!

Space/s

I’m looking forward to suspending my large-scale Snakes and Ladders (I) piece in Wells Cathedral and attending the Wells Art Contemporary PV this week! I’ll also be installing a giant Octopus on a 5m wall at Eastover Primary School, after which I can properly get stuck into my residency space in the Loft, above Heritage Courtyard Gallery, Wells.  All very exciting though I’ve been very busy, a bit stressed and feeling quite exhausted. I value those still times for head space and imaginings.

WAC

Having been selected as one of the installation artists for Wells Art Contemporary at Wells Cathedral, my 7m piece Snakes and Ladders (I) will be suspended in the south transept.  I can’t wait to instal it in that magnificent space this week!  

I’ve been very lucky to be able to work on it in a fabulous spacious workshop nearby, thanks to Jen Weaver and Al Crossman for the free space (available to rent - contact tractor.shed). The piece needed repasting and a few other tweaks, so I’ve spent 2 weeks sprucing it up. Thanks also to Nick Weaver for his technical assistance.

Snakes and Ladders (I) in progress

The Private View is this Friday 27 August (do come - PV invite below) and the show runs for a month. 

See previous post for more details about the work.

My work tends to gravitate upwards, downwards, or entwine through - in motion anyway.  There’s a vitality, an ongoingness, entangling or journeying - as with life.  Along these lines, I’m reading Life of Lines by Tim Ingold.

Pyre is off to Taiwan

Packing Pyre, (including counting (85 pieces), weighing, installation instructions and registering shipping on DHL took almost as long as making it!  The work’s going off to the International Biennale, National Taiwan Craft Research and Development Institute this Thursday - fingers crossed the 3 boxes arrive in tact the other end!

Loft Space (above Heritage Courtyard Gallery)

Loving my new temporary workspace in the loft above Heritage Courtyard Gallery, Wells.  It’s giving me some thinking space along with it being physically inspiring, a space to expand, and document work, in between my other projects. I’m approaching it as a short residency, leading to Somerset Open Studios, (18 Sept-3 Oct).  It’s very timely as my relatively cramped studio at home has no power at the moment!

I’ve been drawing roots with oak gall and Indian ink - the start of a series of drawings and sculptural installations.

I’m working on a new piece for an RSS exhibition at Chichester Cathedral next year - title undecided. My work is based on the plight of pangolins. Recently authorities found body parts of 15,000 dead pangolins in hundreds of bags. The slaughter of Pangolins continues.  This poaching, cruelty, slaughter and greedy profiteering from the death of these beautiful endangered creatures is breaking my heart.  Wildlife trafficking is a vile practice, and those who encourage and commission it must be stopped, shamed and brought to justice. Those who poach need to be given a better alternative - educated/enlisted to save not harm wildlife.

Of Anish Kapoor: ‘…bleeds and disgorges its subterranean innards… push boundaries between sculpture and painting into visceral new ground,… ongoing attention to the abjected body… a theme surely intensified in the pandemic era… when the sense of the vulnerability of the body has become a communal experience.’ ArtLyst, July ’21

I thought this description aptly describes what I’m trying to achieve in my new work.

In the gallery below the Loft, there’s a vibrant exhibition: Inside Out with work by Heather Wallace and Rebecca Barnard - come and visit!

Inch by IN:CH

We had a fantastic pop up event at Backwell Playhouse as part of Inch by IN:CH. It was a brilliant opportunity for dramatic lighting on our work. My piece Hope of a Tree was placed to cast interesting shadows for our shadow drawing workshops, led by Shirley Sharp and me. It was so lovely to interact with the public, who seemed to really appreciate the event. There was a great energy; a strong sense of collaboration and deep focus during the drawing sessions. 

I’m creating a slideshow of my work to be published at the end of the Inch by IN:CH project. See my slideshow of all our work for Backwell. (Photos by Linda Ashe; James Thornton).

Our next stop is a pop up event at Found Outdoors, a beautiful woodland in Erlstoke, Wiltshire on 11th September, with events, and then our finale at The Gauge Museum, West Somerset Railway (25 Sept-3 Oct).

Reimagining Nature

A couple of my small sculptures from the entanglement series, and film Life in the Undergrowth are included in Re-Imagining Nature, an exhibition curated by Zoe Li in the newly transformed gallery in Yeovil - open until 11 Sept, Wed - Fri 11-3, Sat 11-5. 

Giant Octopus

I’m on my way to finishing a giant Octopus commission for Eastover School via Spaeda Arts. Made from recycled materials, parts were created in workshops I ran with the pupils.  Looking forward to erecting it on the 5m wall as a permanent feature.

Workshops

My first workshop back at the Holburne Museum for over a year was a success. Small family groups made wire creatures. I also spent a few lovely hours at Five Trees Bowlish running a free sculpture workshop. Thanks to Shepton Mallet Town Council for funding it as part of Summer in Shepton, and thanks to Sue Ayton-Moon for the great venue and facilities, situated in a field near Shepton Mallet. Participants made a range of pieces using recycled, found and natural materials.

Hope to see you at one of my forthcoming events. See a full list here.