Somerset Rural Life Museum

Latest Projects by Fiona

In the garden during Open Studios.  Photo by Jason Bryant

In the garden during Open Studios. Photo by Jason Bryant

I had a wonderful fortnight spending quality time with those who managed to get to my Open Studio, part of Somerset Open Studios 2020, in sunshine or rain. I’m really grateful to all my visitors. Along with making a few sales and new leads, I had some really great conversations. Below is a slideshow of the event and some of the feedback:

Fiona reminds us that the sharp divide between the living and the dead is not sharp at all (G.Dunlop)

Love how the garden informs the work and are one (R.Newnham)

A beautiful early autumn day in your magical garden; love seeing the ‘established’ works now blended into the landscape while the new pieces take shape on the lawn.  Your new processes - scorching, hanging, collecting - are fascinating.  Always something more to be found beyond the immediate (V.Keemar)

Thank you, Fiona, for bringing such beauty into our world. Goodness know we need it.  We are Nature and Nature is us.  Your work is inspirational (S.Herfet)

Absolutely divine - I adore your work and garden.  Such beauty and tenderness.  I love the organic nature of your art.  Soothes my sore soul. Thank you (T.Potts)

Really inspiring, fascinating to see the range of your ideas and commitments.  Truly value your references to world and global issues and your totally fascinating ways of interpreting and bringing it to our attention, as well as making beauty.  Thanks you for sharing (S.Hulejczuk)

Somerset Reacquainted continues at Somerset Rural Life Museum, Glastonbury until 21 November, Wed-Sat, 10-5 (booking required). Images and objects from my lockdown project Life in the Undergrowth feature in this exhibition, along with work by 62 other Somerset artists. I took part in a podcast with other artists on Friday 2 October. You can listen to it here. Great to see the exhibition featured on BBC Points West.

Earlier this month I installed a new sculpture Blackbird above the entrance to The Art Bank, Shepton Mallet. It features in a Bird Trail around the town, commissioned by Shepton Town Council. 7 artists have created British bird sculptures using natural and recycled materials for a 2 month free art trail for the public to enjoy.

Blackbird 95cm (L) x 68cm (H) x 34cm (D) aprx, recycled and found steel, tin, copper wire, plastic

Blackbird 95cm (L) x 68cm (H) x 34cm (D) aprx, recycled and found steel, tin, copper wire, plastic

On Friday 23 October, 6-8pm I’ll be taking part in Shepton on Show,  organised by The Art Bank in the centre of Shepton Mallet.   I’ll be doing a large-scale backlit performative drawing, linked to the worldwide drawing festival The Big DrawClimate of Change, in One Craft Gallery, Shepton town centre. There will be surreal fantasy window performances around the town by local businesses and individuals. Come along and watch fantastical performances in windows - a celebration of the creativity in Shepton.  Free (safe) fun :-).

Prepping for Shepton on Show

Prepping for Shepton on Show

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I recently went to London for Frieze Art Week. 2 days visiting exhibitions and another day at Centre of Gravity, Bristol has sated my need to see some contemporary art in person. Images below: Frieze Sculpture, Regents Park: Arne Quinze, Lubaina Himid, Gazelli Art House, Sarah Lucas; Endless Column IV, Cornelia Parker, Frith Street Gallery: immaculately flattened silverware suspended just above ground - so beautiful; Giuseppe Penone, Among the Trees, Hayward Gallery: staggering pieces stood out; Off Grid, Olivia Bax, Standpoint Gallery; 6 Sculptures.., Anthony Caro, Annely Juda Gallery: I found connections between Bax’s work and Caro’s tabletop sculptures. Steel drawn lines against hollow biomorphic forms; line versus solid - perhaps because they’re qualities in my own work; Five Hides, curated by Thorp Stavri: incredible old Victorian swimming pool/boxing ring, now derelict - perfect for huge sculptural and textiles pieces; Centre of Gravity, old Gardiner Haskins building, Bristol: another monumental space ripe for contemporary art.

I had lovely interlude out sketching with my cousin in the sunshine in my local area of Somerset. I feel rejuvenated and ready to start experimenting in the studio again.

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I’ll be running another online sculpture course in January. If you’d like details please get in touch.

A few other projects are in the pipeline - watch this space!

Take care :-)





New Film, Open Studio by Fiona

Preparations for Somerset Open Studios.  Photo: Seamus Nicolson

Preparations for Somerset Open Studios. Photo: Seamus Nicolson

During the past few months, starting in the extraordinary silence of lockdown, I created a project LIfe in the Undergrowth.  I’m excited to have just completed a film as the final outcome (watch below).  In contrast to creating sculptural installations, I’m very much at the beginning of my crossing into digital technology and film-making. This film documents my isolation project and represents my first serious experiments with film-making.

Life in the Undergrowth, Digital Film - duration 10:33 mins. Audio: The Healing, Sergey Cheremisinov

Special thanks to Arts Council England/National Lottery Emergency Response fund, Richard Tomlinson (Ignite Somerset) and Jack Robson for their support.

Time Capsules, found objects: rusty nails, plastic, ceramic fragments, glass bottles, wood, chain, teeth, bones, plant debris, lead..

Time Capsules, found objects: rusty nails, plastic, ceramic fragments, glass bottles, wood, chain, teeth, bones, plant debris, lead..

In advance of finishing the film, I created Time Capsules. The found objects are attached to each other with fine copper wire, like a net, suspended on a steel structure. They were excavated from the earth in my garden, each with a story - some known and others a mystery. During lockdown I dug up a lot of soil to make space for a studio bay. Some of the objects were buried quite deep... eg: giant molars from a large animal (horse, cow, sheep, rhinoceros..?!)  I borrowed the title from a phrase Cornelia Parker used to describe her work. The objects represent a moment in time, and time passing. Everything is connected. I love the shadows, which enhance the concept of time, memory, drawings, space.

For more about the project visit Instagram @life_intheundergrowth.

My Life in the Undergrowth project will be showing alongside some of my other work during Somerset Open Studios, opening next weekend (19 Sept - 4 Oct).  You’re welcome to visit by appointment.  This sunny start to autumn is perfect for a wander in the fresh air of my garden, and safe measures will be in place in the studio: Venue 70, West Cranmore, BA4 4RH. T: 07515537224 or E: fionacampbell-art@sky.com

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Glimpses of work for Somerset Open Studios.  Photos: Seamus Nicolson

Glimpses of work for Somerset Open Studios. Photos: Seamus Nicolson

To see other venues visit the SAW map

My work will also be showing at Somerset Rural Life Museum for Somerset Reacquainted. The exhibition involves 63 Somerset artists’ responses to lockdown, and brings together digital images, films, writings, objects and artworks.  Open 19 Sept - 21 Nov, Wed-Sat, 10-5 (pre-book, entrance fee applies).   There will be a series of podcasts.  I’ll be talking with other artists on Fri 2nd Oct, 6-7pm - hope you can join us.

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I’ve been creating online resources and workshops for various creative projects, including SAW, Art UK and Make the Sunshine (image below). Links on my Workshops page.

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Last month was taken up with running my 5 week Online Sculpture Course. I had an inspiring group of people from different parts of UK and Europe.  I was thrilled with their responses, energy, imagination resourcefulness and enthusiasm. The range of processes and different outcomes was amazing (see below)! If you’re interested in doing the course next year please email me your contact details and visit instagram #onlinesculpturecourse2020.

Images (above): work by participants: L to R clockwise: Gina Glover, Nicky Oram, Jenny Graham, Sarah Herfet

Images (above): work by participants: L to R clockwise: Gina Glover, Nicky Oram, Jenny Graham, Sarah Herfet

Images (above) L to R:  Nicki Davey, Louise Wood, Belinda Cooper, Nicky Oram, Diana Terry, Gina Glover, Sarah Herfet, Louise Wood, Trudy Smith, Karen Chard, Sonia Hulejczuk, Maxine Alexander

Quotes from participants:

My confidence has blossomed..  I've soooo enjoyed this course! Sarah Herfet

This course gave me the inspiration and… impetus to actually… create something.  It also gave me ideas that I wouldn’t otherwise have thought about. Nicki Davey

It was a joy to find books and ideas which connected my experience as a maker within the context of contemporary fine art. Diana Terry

It has been a joy making and sharing. Nicky Oram

Brilliantly delivered by Fiona, through her weekly blogs/zoom and Whats App presentations. Gina Glover 

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Accretion, RSS Summer Exhibition

It’s the last week of the Royal Society of Sculptors Summer Exhibition - if you’re in London don't miss it! The Exhibition has been guest curated by Robert and Nicky Wilson, founders of Jupiter Artland. I visited it in August and loved it! It’s a really vibrant, playful visceral show with a range of large and smaller intriguing works. My piece Accretion is a tentacular form - a metaphor for waste. The show is on until 18 September, Mon-Fri, 11am-5pm, Royal Society of Sculptors, 108 Old Brompton Road, London SW7 3RA

It would be great to see you at my Open Studio.

Keep well :-)