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Studio Time by Fiona

Collage, recycled materials and found objects: paper, plant debris, metal, botanical dyed fabric remnants, plastic, tea bags, wool

Maquette, recycled and found steel, copper, sticks, wire, pondweed

Flags of the Forest (detail), recycled and eco-printed fabric, wool, plastic, leaf

Drawing, inks, plant-dyed fabric, netting, paper

I’ve been working through new ideas in the studio, making sculptures, textiles pieces, collages, eco-prints and drawings.

Developing a series of flag pieces that might all work together. Large-scale drawings in space with fields of colour, celebrating diversity/bio-diversity, hopeful of nature being more cared for, and thriving. Flags represent a shared ideal. Hoists may become growing lines.

A series of maquettes and collages are chasing an idea for larger pieces in conversation. Interconnected entangled substrates with vertical lines supporting infinite small life forms in cyclical transformation. Layered surfaces made up of debris and ‘found’ objects - some found on walks. Vertical lines piercing woven surfaces. Intersecting roots, rhizomic systems, strata, fragile edges. Life above and below.  ‘Fungal networks lace woodland soil… slow stories… making and remaking’ (Robert Macfarlane, Underland).

Been eco-printing on fabric and paper with some success, thanks to Nicola Brown's free bootcamp videos, and online botanical printing demo with Suzanne Ledesma-Sikkerbøl via Zen stitching.

Mentoring sessions with Mark Devereux Projects are helping to challenge my practice. Still overjoyed and so grateful to have been awarded an Arts Council England ‘Developing Your Creative Practice’ Award. My instagram account @fiona_campbell_dycp is documenting progress.

In between making, I’ve been preparing for my Kenyan research trip later this month. Really excited to be meeting the team at Untethered Magic and other Nairobi-based artists. I’ll also be visiting art galleries and museums around Nairobi and Malindi.


Lovely to have been interviewed by Art Etcetera editor Jordan Brinkworth and featured as an artivist in a special edition on eco-art. The Artivists is almost twice the size of their standard digital editions, with an extra 30 pages dedicated to eco-artivism.  In an effort to push for greener alternatives to paper, they are offering a special digital environmental edition for just £1.99 using promo code GODIGITAL on their website.  The edition is partnered with Art From Heart (who selected me as artist of the month in March).


I took part in ‘Lore & Draw’, an event celebrating Coleridge’s 100th annniversary at the Ancient Mariner. We made mud and charcoal mixes, and used sticks/feathers as drawing tools. Inspiring ideas for future workshops.


Recent Inspiration:

Books: Underland - Robert Macfarlane (highly recommend); The Man Who Planted Trees - Jean Giorno; Women on Nature - edited by Katharine Norbury

Podcasts: Brilliant talk by Frances Morris on Louise Bourgeois (currently on show at Hauser & Wirth Somerset, where I occasionally invigilate). Becoming Fungus: poetic sound art with reading by Merlin Sheldrake - extract Entangled Life

Exhibitions: Visited William Kentridge at Royal academy of Arts. A mind-boggling range of powerful expressive multi-media work focusing on South African politics: apartheid colonial oppression, conflict, loss. The impressive scale of work spans drawing, prints, film, theatre, collage, tapestries, sculpture. One large room with 5 films features multiple charcoal drawings as animated films (drawings for projection), through an erasure technique ‘palimpsest’ and stop-motion camera. I wish I could have stayed longer, there’s so much to take in.

End of a Busy Time by Fiona

A whirlwind of overlapping projects came to a crescendo last month. In addition to featuring in WAC, Wells Cathedral, I had 2 venues during Somerset Open Studios - one an art residency and solo in the spacious Loft above Heritage Courtyard Gallery and Studios.  The second was our Inch by IN:CH finale. I ran workshops as part of these events, and invigilated daily.  All went surprisingly well, though felt shattered after takedown last week!

Loft Residency & Solo Exhibition

My residency was a great opportunity to test ideas and curate a body of work in an interesting space.  Some pieces were reconstructions; others new and exploratory. Threads connected the drawings to sculptural installations, loosely hinged on entanglements.  I welcomed conversations with visitors and appreciated the feedback.  There was a sense that the sculptures were alive. 

Visitors’ comments:

‘Awesome, imaginative installations, gives me some inspirations to move me forwards’

‘Very stimulating. Captures so much’ 

‘What impresses me most is the subtlety of sewing together the most varied colours and shapes into a cohesive and harmonious whole’

‘Inspiring, energetic insect-like pieces’

‘Fabulous, intricate, complex - great to see work in progress. Very evocative!’

‘..made me think of Merlin Sheldrake’s book on Fungi. Exhibition captured me immediately’

‘Otherworldly and thought provoking’

‘Fascinating range of exploratory work’

’So-o-o inspiring working with the natural materials..’

I’ve loved my time there and really grateful to Heritage Courtyard Studios for their support. I’ve made a short film of the residency - thanks to Rebecca Barnard for footage, and Dan Hopkins, Jack Robson and Nigel Evans for some of the photos:

Inch by IN:CH Collaboration

Inch by IN:CH, now over, was a formidable undertaking at a difficult time.  We had many conversations with visitors, in relation to the work and wider issues. Taking our work to places where people didn’t expect to see art, responding to changing environments and pressures, our project accomplished what we intended - transporting art and ideas into local communities. 

We had a fantastic finale at the Gauge Museum, West Somerset Railway, ending 3 October.  It was filled with activities, visitors, participants and creative energy!  We ran several workshops, linked to The Big Draw.  Mixed ages created together using a range of media and techniques, 2d to 3d.  We were delighted with the large turnout of participants and their responses.

Jenna Myles (Somerset Cool/BBC radio) visited and interviewed us, trialing a Sculpture and Shadow Drawing Workshop I ran with Shirley Sharp.  I featured on BBC Breakfast radio with Charlie Taylor on the last day (1:53 - 1:58).  We were thrilled with an excellent review of our project by Fiona Robinson, for Evolver magazine. 

It’s been wonderful travelling around parts of the south west to such an interesting range of venues over the past 5 months! We’ve learnt so much as a collaborative artist group, and thrilled that it’s been a success!  Hard work.  But an incredible journey.  We’re so grateful to all our visitors and supporters.  

Hope of a Tree, The Gauge Museum.  Photo by Jenna Myles

Hope of a Tree, The Gauge Museum. Photo by Jenna Myles

WAC

It was sad taking down my Snakes and Ladders (I) installation from Wells Cathedral, a highlight of this year.  Feedback has been very positive. Many thanks to Nick Weaver, WAC and Wells Cathedral team for helping with de-installation. It was an honour to be part of this fabulous show!

Snakes and Ladders (I).  Photo by Dan Hopkins

Snakes and Ladders (I). Photo by Dan Hopkins

A big thank you to everyone who came to see my exhibitions and supported along the way!
Things are easing a bit for me, and I’m beginning to feel restored :-)

Other News

My work Pyre will be on show in Taiwan soon, as part of the International Biennal for fibre art: Change, 12 Nov ‘21 - 10 April ‘22

My giant Octopus installation, created with students at Eastover Primary School, Bridgwater, via SPAEDA is being appreciated by the school. See pics from a site visit/photoshoot, and below.

Me with pupil and giant Octopus installation, Eastover Primary School.  Photo by Alice Crane, SPAEDA.

Me with pupil and giant Octopus installation, Eastover Primary School. Photo by Alice Crane, SPAEDA.

Time to focus on my ongoing installation for a group exhibition with Royal Society of Sculptors ‘Together We Rise’, Chichester Cathedral 2022, being curated by Jacquiline Creswell.

A very exciting London exhibition is coming up (details to be announced soon)!

I’ll be working on my website e-commerce shop in time for Christmas, and currently making a batch of small copper bowls for Durslade Farm Shop, Hauser & Wirth Somerset. Always grateful for sales ;-)

I’m part of a Reading Circle ‘All We Can Save’. Rather than just hope, we’re discussing ways to act in courage. ‘All you touch changes’. ‘Indigenous ways of knowing.. [deemed] primitive.. are now being ..sought to save our environment..’ ‘Diversity fosters social coherence’; we need to ‘evolve into a state of interbeing with the rest of life..’

Countdown to COP26 in November requires ‘injections of imagination about how harmful systems and embedded inequalities can change for the better’…

July News by Fiona

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Life's become a bit hectic once again with an influx of work, making films for online workshops and the #onlinesculpturecourse2020 I’m running.   

As a result, my own creative output has slowed down considerably in the past few weeks.  The glut of found objects (nails, ceramic remnants, glass, bones, metal components..) I excavated from digging a huge mound of earth in my garden became the focus for a new piece (currently untitled). The finds - each with their own history - have been attached onto a 3d net construction.   Loving their wonderful state of decay. Like fossils, they have fired my imagination. The digging is to make space for an outdoor studio area - still in progress! 

I’ve also started making a film for @life_intheundergrowth and hope to have this completed by September, when I open my studio (by appointment) for Somerset Open Studios (19 Sept - 4 Oct).

My pond's finally been cleaned out by garden designer Mark Belcher (after 14 years!) so the fish, frogs and newts are happier now. The complex root systems of the pond plants had taken over. Such a mass of interconnected lines. 

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There’s still time to visit the following live exhibitions:

Royal Society of Sculptors Summer Exhibition (Dora House, 108 Old Brompton Rd, London SW7 3RA, til 18 Sept, Mon-Fri, 11-5).  This year’s show has been selected by Nicky and Robert Wilson of @jupiterartland 

Incendiary at Pound Arts, (Corsham, SN13 9HX, til 7 Aug, open Tues, Thur, Fri 11-4; and 

About Trees at Heritage Courtyard Gallery, (6 Heritage Courtyard, Sadler St, Wells, BA5 2RR, by appointment).  

My work has also been selected for Hauser & Wirth's Homegrown online exhibition now live.   10% of gross profits going to the COVID-19 Solidarity Response Fund for the World Health Organization as part of #artforbetter,  

I’ve taken part in Somerset Reacquainted - a creativity-in-isolation project for Somerset Art Works members.  The project encourages artists to refresh their engagements with the locality, using the ideas of reacquaintance as a starting point to discover and re-discover the excitement and purpose in their artistic practice. 

Online Workshops:

Creativity Works 30 Day Challenge (19 Aug)

Art UK Home School (coming soon)

Somerset Art Works Family Friendly workshops (19 Sep-4 Oct)

Make the Sunshine - The Happiness Hunt challenge (end of Aug)

Coming Soon:

This year’s Somerset Open Studios (September 19th– October 4th) will be a digital extravaganza, with some venues (including mine) opening by appointment.