Life in the Undergrowth

Cocooned in our insular worlds, observing and attending to nature seems vital.  On the whole, I’ve been enjoying my deep seclusion.   Rather than work in the studio, the glorious sunshine and accompanying birdsong draws me outside. I’ve been gardening and making art in tandem, both meditative and feeding off each other.  This fusion initiated my self-directed art project: Life in the Undergrowth.  

I’m allowing the process of investigation to lead me, creating and documenting a series of artworks based on hidden worlds that often get overlooked.  My sketchbook is filling up with observations of seedlings rooting and upturned turf with entangled worms.  Working through different processes of collage and maquette-making using to-hand materials, larger pieces may evolve.

Alongside this, I’ve been making and editing videos of the process.  It’s a steep learning curve.  Covid19 has catalysed a need for online creative provision, so I’m building on my digital skills in order to offer an online art course.  I’ve had some technical advice from Richard Tomlinson, Ignite Somerset and am doing an online teaching course with Future Learning, which is really helpful. The advantages of convenience, flexibility, extended reach, instant access, no travel means it could be a sustainable way forward. Below are 3 short video demos I’ve made of different processes: Plant Fibres in Paper, Paper-making with Plant Fibres, and Collage Making using Old Magazines.  These free resources are for you to try out.  If you’re interested in learning more about my forthcoming events and online art courses, please subscribe here.  My first course will focus on creating nature-inspired sculptures, being experimental, resourceful, and deepening our engagement with our environment. There will be an introductory offer and a free giveaway!

Use natural debris from the garden or park to make simple paper artworks.

For full instructions visit my YouTube channel

Audio: Akale Wube - Ayalqem Tedengo extract

Step by step demo on how to make paper with plant fibres.

For full instructions visit my YouTube channel

Audio - Neroche (Snakes and Ladders)

I was thrilled to be selected as an Art Tour International instagram #stayhome #savelives winner! As a result my work is now featured in a double-page spread in Art Tour International’s latest Spring magazine and I have an online interview coming up this Thursday!

Zoom sessions have been a way to keep in touch with peers and join international conversations. I’m grateful for my connections with an artist-led group INCH, Somerset Art Works and Black Swan Arts.

I’ve been involved in several online and postal collaborations and initiatives, which has been energising: 

Vegetate curated by Anna Souter.   A range of artists, writers, curators, social scientists and others responded to Anna’s text prompts in a postal swop. The postal system acted as cross-pollinator. I received a wonderful piece of lavender smelling poetic prose about nurturing the earth and growth. I was inspired by the words ‘pale hairs sprouting... long enough to comb and plait... The growth shone in the sunshine as I trimmed the ends with bright scissors...’ . Responses were limited to letter size/weight. I made some simple pieces - fine copper wire hairs enveloped in khadi paper, waxed. Now sent off to their designated recipients.

Lockdown Portraits with Tchad Findlay - friendly conversation while creating portraits of each other

Letters to the Earth - Earth Day, 22 April. I wrote the poem for Earth Day, and asked Lou Baker to hang it on her Wishing Tree in Bristol.

A-Z B - Between online exhibition - 44AD 

Gardens of Earthly Delights - curated by Jessica Wetherly. Virtual platform to share hidden worlds.

Somerset Reaquainted with Sara Dudman/SAW members; response to unique period of isolation and renewed proximity to nature. To ‘investigate the minutiae of our local environment, sharpening our senses..’ It completely resonates with my own project.  Artists’ work will be posted in SAW’s Instagram takeover.’ Ongoing.

10gram Challenge. Royal Society of Sculptors members are provided with small pieces of wax to create a mini sculpture to be direct cast into bronze. Ongoing.

#artistsupportpledge. Do visit my Instagram highlight to view my art for sale. I’m offering some pieces at very special prices for this excellent initiative to support artists in difficult times.

This past month in isolation has had its ups and downs. Mind meanderings have been liberating, but also uncover mixed feelings, memories, concerns. I’ve struggled with brain fog, feel pressure to ‘make the most of it’, want to resist the market-driven art world, finding alternative ways to support myself, questioning what is important. It’s amazing how little one needs.

As I write this blog, some excellent news has arrived.  I have just learnt that I’ve been awarded an Arts Council England Emergency Response Fund!  The award aims to help artists who have suffered severe financial losses due to covid19.  It will support my Life in the Undergrowth project, digital development and Online Art Course.  I’m feeling extremely fortunate, so thankful and absolutely over the moon!

Stay safe!

Testing Time

While we’re all learning how to live differently during this terrible pandemic - a worrying time for humanity - I’m trying to find positives in all this instability.  It will undoubtedly change the world - let’s hope, in many ways for better.  

On a micro scale, artists are having to re-adjust our practices and finances after cancelled projects and exhibitions.  For me, a large amount of prep for future work may be wasted; several shows, public commissions and freelance workshops are now cancelled.  Our Royal Society of Sculptors Gilbert Bayes Award Winners Show couldn’t tour to Grizedale and my latest piece Pyre - charred bundles of treasured finds created in response to wildfires - is in a ghost exhibition Incendiary.  At least we managed to install, so it can be viewed digitally!

Pyre, 2020, 90 x 115 cms aprx. Photos above and below by Stephen Lenthall

On the upside, last week, completely unexpectedly, I was delighted to hear I’ve won the Red Line Art Works Award for my series of works Snakes and Ladders (created for B-Wing), Glut and Accretion!  My trophy’s arrived in the post and I am extremely grateful to Red Line Art Works for the award - it comes at a timely moment.  Red Line Art Works is an international organisation reflecting on global issues, the state of our world and global justice. ‘Our global audience is inspired by art with a conscience, art that reflects these big problems’.

David Attenborough recently said in an interview with Big Issue ‘In times of crisis, the natural world is a source of both joy and solace... we are part of the natural world.  If we damage the natural world, we damage ourselves.’  Ironically, in this crisis nature continues, bird song seems louder and new life is bursting out everywhere. The message is profound.  To re-focus and make sense of things, I’m taking life at a slower pace.  I’ve been spending time gardening, appreciating what I have, sowing veggie seeds, mending, sketching, tentatively picking up loose ends and attempting new approaches in work.  I’ve collected plant debris for hand-made paper and fibre works, and made dye from avocado pits. I gave my first Zoom live-stream artist talk online (recorded), in conversation with Richard Tomlinson and interactive viewers. It was part of Ignite Somerset's monthly Creative Network sessions.  I’m also producing a series of simple art project slideshows that can be used by all ages (watch this space!)  The savings in travel are great for the pocket and the environment.  The sky has far fewer vapour trails.  I’m in awe of hospital workers, all the committed carers, community support, and the creative resilience of artists.  Through virtual chat we can still make connections and I’m finding this crisis brings us closer.  

At the bottom of this blog, I’ve pictured a few of my artworks currently available for sale.  Some of these (under £200) I am selling as part of #artistsupportpledge - an initiative by Matt Burrows to foster generosity and support among artists. My instagram details these artworks. Please contact me if you need further information.

Creativity Works posted 5 ways to wellbeing: connect, keep learning, be active, take notice and give.  I’m trying to embed these in my routine.

In an essay ‘Against Interpretation’ by Susan Sontag, she says our ‘culture based on excess.. overproduction… material plenitude… crowdedness… dulls our sensory faculties…  We must learn to see more, to hear more, to feel more’.  And that was in 1964!

Look after yourselves in this testing time and let’s hope we learn many lessons in the process!

Prices range from £60 - £1950 + p&p

Drawing on Dorset, quality paperback book, £15 + p&p

Spring News: Exhibitions, Conversations, Community

After a month filled with community art projects, the leap into Spring heralds a flurry of new exhibitions. I’m delighted to be featuring in these forthcoming shows:

Incendiary, a multi-site exhibition in Corsham curated by Patricia O’Brien, 19 March - 18 April. I’ve been making a new piece Pyre (image above) for the show - a response to the catastrophic Amazon and Australian wildfires.  It’s made from collected found objects (some I’ve treasured for many years), wrapped and charred as grief bundles, commemorations of lives lost.

Materiality, with Kate McConnell, Kelly O’Brien, Nicola Turner and Matthew Dibble, Walcot Chapel, Bath, 26-29 March, open 12-6pm. Preview, Wed 25 March, 6-8pm. 

About Trees, Heritage Courtyard Gallery, 6 Heritage Courtyard, Sadler St, Wells BA5 2RR, 21 March - 14 April. Private View Fri 20 March, 6.30-8pm.

You are warmly invited to these Private Views - or visit when you can!

Last chance to catch these exhibitions ending soon:

Fifty Bees 4, Black Swan Arts, Frome continues until 14 March, when we have a Wrap Party with Artist Talks. My sculptural installation Path of Pollination is sited in 2 parts - the ground floor hallway (amazing how many people miss it when they walk past) and up the stairs to the Long Gallery.  The piece incorporates radically different unorthodox materials: old washing up sponges, dusters, mustard powder, tumeric, wax, plastic netting, steel, copper, violet oil essence…  Researching the Welted Mason bee’s path of pollination I got hooked on pollen as matter (see previous post for further info).  

Gilbert Bayes Award Winners 2019 Exhibition: I took part in a Sculpture Slam at Royal Society of Sculptors (Dora House, London SW7 3RA), as part of our Gilbert Bayes exhibition. Each artist gave a short talk about our work - it was great to glean more about each other’s practice.  If you haven’t yet visited, it runs until 20 March 2020, then tours to Grizedale Sculpture, Cumbria. I’ll be invigilating on Tuesday 10 March, 1.45-5pm; if you’re in the area pop by.

Window Wanderland commission, Tesco Shepton Mallet

I was commissioned to create a window wanderland display for Tesco Shepton Mallet by Make the Sun Shine and The Rubbish Art Project.  I like placing art in unexpected places. An opportunity to use recycled materials as part of the message, the work includes a collection of found objects, recycled plastic netting, plastic bags, bottletops, twine, copper wire, wax, steel springs and coloured tissue paper, all united by my re-purposed copper wire sculpture Tendril.

After several days gathering and making various elements for 2 large windows, I spent all night at Tesco installing (‘til 5.45am - a surreal experience!). With so many enormous windows and other distractions at the superstore, it’s been challenging making it dynamic. The brief was to incorporate some of the local community projects they support through bags of help: Snowdrop Festival, Happy Landings, (close to my heart), Sugar for the Bees, Book Table,  Community Food Donation, Knit and Chat. Delicately papered 3-d wire snowdrops sprout, tails embrace, bees buzz and giant books fly.  The knitters kindly created 2 pieces, which sets it off. The work changes depending on times of day - both sides have different qualities. For the real 3-d experience go for a shop in Tesco Shepton Mallet!

I’m glad Tesco has made the first steps to reduce some of their plastic wrapping and hope this increases.

Window Wonderland in Shepton runs 5-8 March with a launch at the Anglo Trading Estate, today 5 March, 7-9pm.

I ran some Climate Emergency workshops and gave a talk via Somerset Council and Somerset Art Works.

Held as part of the Somerset Council Climate Emergency Events, my drop-in workshops in Bridgwater, Shepton Mallet, and Yeovil offered people of all ages an opportunity to create sculptural artworks inspired by flora and fauna, highlighting waste and the importance of our natural world.  Participants learnt new skills and how to be imaginative with ‘rubbish’.  They had time to think, explore and exchange ideas about sustainability and creativity. Alongside these, I gave a talk Art and The Climate Emergency.

The more the world wide web and social media increase their grip on us, the more I savour face to face interaction.  Through leading workshops, talks, invigilating and private views, I’ve had conversations with all sorts of people recently, mainly revolving around art, wildlife and the climate emergency: how we can work together for a better world, how art has a role to play in helping to turn the tide of awareness for positive action. 

In order to create the massive behavioural change needed we have to emotionalise that data (Olafur Eliasson, 2018). 

For me, a socially engaged practice is important.  Human stories emerge.  Connections are made between people.  Through making, conversations flow.

I’m looking forward to working with Mead Community Primary School, Trowbridge on the Masterpieces in Schools project, which I was selected for via RSS.

I continue to run workshops and masterclasses at the Holburne Museum, Bath. My next one is 9 April, a 1 day sculpture workshop on Nature’s Wonders for their Spring Art Camps.

Other news:

I’m thrilled to be featured in Creating Spaces, a book by Graham McLaren celebrating Bath School of Art & Design’s long history.

Other potential projects are in the air - meetings and applications still in progress. More news on them later.

Final thoughts:  face-to-face conversations are valuable, but a period of self-isolation due to the Coronavirus will be a wonderful excuse for some sustained art in my studio - benefits of working from home ;-)

Hope to have conversations with you at some of these events before then!

Back in the Studio

Last year my studio underwent a space-saving transformation. Walls and floors are now free of clutter - ready for new mess!  I’ve been enjoying the space, absorbed in making alchemical concoctions with everyday soft and hard materials for a sculptural piece Path of Pollination for Fifty Bees IV, an exhibition starting next week at Black Swan Arts, Frome. The piece is a hybrid of sculpture, drawing and installation. I’ve been re-purposing old sponges, plastic netting, recycled wax, paper, out-of-date mustard powder and violet oil ... transforming through cutting, bending, stitching, wrapping and melting.  The process takes me back to my childhood making strange mixtures in my little jungly world at the back of our garden in Kenya.

Path of Pollination - work in progress. Photos by Seamus Nicolson

Fifty Bees is a collaborative art project showcasing the plight of our British bees and pollinators.  Lydia Needle sculpts fifty miniature art pieces and invites fifty artists to create new work in response to one bee’s ecology.  My designated bee is Hoplitis Claviventris (Welted Mason). 

Researching the Welted Mason bee’s path of pollination I got hooked on pollen as matter.  Key to its makeup is its stickiness, the yellowness due to flavonoids for UVB protection.  Mason bees are far more efficient pollinators than social bees.  Pollen transfers from flower stamens, collects all over their body hairs, then drops to other flower pistols, causing cross-pollination.  BirdsFoot Trefoil - the main pollen source for the Welted Mason bee - has a strong sweet ‘violet-scented’ aroma.  After drinking the nectar, the bee deposits pollen moistened with nectar in piles inside a stem, an egg laid on each, so the young can feed after hatching.

The fine copper wire and thread connectors between pollen forms in my work are transmitters of energy. 'Nature is an ever dynamic and complex matrix of individual lives and supporting elements, forming interconnections, of which we are a part… interconnections exist between all matter and lifeforms..a kind of three dimensional fabric .. bristling through all, across space and time… The light dims a little when small threads break between phenomena, fading entirely if there are deeper tears and cuts'. (Ginny Battson, 2018).

Fifty Bees IV - the interconnectedness of all things runs 8 February - 14 March ‘20 at Black Swan Arts, 2 Bridge Street, Frome BA11 1BB. Preview Friday 7 Feb, 6-8pm. All welcome!

I’m interested in string theory and mycelial networks, which offer a symbiotic relationship with plants, evoking imagination and hope.  How to combine life with death, despair with hope. I’d also like to develop more work along similar lines to my piece Glut - wrapped tentacular entrails, sensual bodily forms from waste materials. While thinking on new work, I began an ink and oil pastel drawing (below). Strangely, around the same time I came across similar structures in rock iron secretions at Burton Bradstock beach, Dorset.

The tragic wildfires in Australia (and Amazon) affected me deeply as so many others worldwide, and ignited the idea for an ongoing piece for Incendiary, an exhibition at Pound Arts, Wiltshire (19 March - 18 April).  The focus is Fire, Mourning, and the 'carbon-heavy masculinities' (Alaimo) of climate change. Entitled Pyre, I’m creating wrapped bundles of found/collected objects: items of love and life including sticks, bones, feathers, flotsam & jetsam, all bound, charred and eventually stacked in a pile to form a pyre. To me they are like grave offerings, memorials, wailings, grief bundles.   

My work is currently on show at The Royal Society of Sculptors Gilbert Bayes Award 2019 Winners Exhibition until 20 March, when it tours to Grizedale Sculpture.  I’ll be taking part in a Sculpture Slam on Wednesday 12 February, 6.30 – 8.30pm with all other exhibiting GBA artists. We are presenting a series of short 3 minute talks, chaired by Alex Chinnock. The Slam is an opportunity to tell people about our practice, an informal evening open to the public. Doors and bar open at 6.30pm, the Slam runs 7-8pm followed by viewing the exhibition and chatting. Please come along and support if you can!

Glut. Photos above and below by Jennifer Moyes

I’ve been leading a range of workshops and Masterclasses for young people at the Holburne Museum: Colourful Still-Life drawings in oil pastels, Life Drawing and the next one is Painting Self-Portraits in Acrylics on 16 Feb, 10.30am-4pm. For more info and to book visit: www.holburne.org/events

I’ll be running drop in family friendly workshops for Somerset Climate Action Network on behalf of Somerset’s four District Councils, the County Council and Somerset Art Works. We’ll be making sculptural pieces using recycled materials including tin, copper wire, twine and plastic netting, highlighting the climate emergency. Come along on either:

8th February, Sedgemoor District Council. The Sedgemoor Room, Bridgwater House, King Square, Bridgwater, TA6 3AR

15th Feb, Mendip District Council. The Council Chamber, Mendip District Council Offices, Cannards Grave Road, Shepton Mallet, BA4 5BT

22nd February, Vicarage Street Methodist Church, Yeovil, BA20 1JB

For more info visit: somersetartworks.org.uk/have-your-say-on-climate-strategy

Delighted to be taking part in Window Wonderland, Shepton Mallet. I’ll be re-purposing an old work Tendril (5 metres sculpture - see below) for a window display at Tesco, Shepton Mallet (5-8 March), adding recycled components related to Bags for Life funded community projects. Running concurrently with All the World’s Our Playground performance at St Paul’s School, the project is supported by The Art Bank,  Make the Sunshine and the Rubbish Art Project.

Art UK are coming to film me next month for their national project aiming to introduce young people to contemporary artists, writers, filmmakers and performers. Exciting!

I was delighted to have been selected for the Learning Programme Masterpieces in Schools in partnership with the Royal Society of Sculptors.  One of the following 5 artworks will be loaned for a day loan alongside my delivery of a sculpture workshop for schoolchildren. I wonder which they’ll pick?

All the above sculptures will then be available for sale - contact me if interested!

The sculpture course I’ve been running via Frome Community Education ends next week. It’s been wonderful working with some lovely enthusiastic adults, who’ve made some amazing pieces.

I’ve been inspired by visiting several exhibitions in the past month, ranging from The London Art Fair to Hauser & Wirth Somerset (where I sometimes invigilate), and the impressive studios of Simons Hitchens and Michael Fairfax.

Hope to see you at some of my forthcoming events!

B-Wing, Shepton Mallet Prison - Looking Back

Snakes and Ladders, Fiona Campbell, found and recycled materials. Photos: 1 Dave Cable; 3 Caroline Bond; 4 Jason King; 5 Dave Cable

Snakes and Ladders comprise several dysfunctional hand-made ladders and entrail forms. Two are over 7ms in length, one hovering, suspended in the skylight. They refer to ascension, escape, dreams, inspired by Piranesi’s ‘The Bridge’ from his Imaginary Prisons series, the endless human cycle of striving, greed and suffering.

B-Wing, a multi-layered collaborative art project I co-curated with Luminara Star, has been an epic journey, an immersive art experience, extraordinary, and challenging.  Held in Shepton Mallet Prison’s B Wing, a massive decommissioned space spanning 3 floors, 8 artists and writers installed site-responsive works throughout the building, some large-scale, others intimate, to be discovered. The exhibition was only open to the public for 16 days during Somerset Art Weeks Festival, packed with fully booked special events and over 1300 visitors. Community workshops were held prior to opening. Preparation has taken a year (with report writing and finances still to finish off :-/)  

A week ago I took down my last piece from Shepton Prison, feeling exilarated and exhausted. The physical effort of making, installing and takedown was compounded by the amount of curatorial work I’ve invested in B-Wing over the past months/year.  Huge thanks to Nick Weaver for his technical help during the making, installation, dismantling and transport stages.  Each was a complex process with precarious moments - apt for my purposefully rickety Snakes and Ladders piece.  The work entailed some intricate engineering, and construction of a makeshift storage space for my ladder sections. Thanks to Jason Nosworthy for also helping instal. 

There have been so many moving moments, especially meeting and hearing John McCarthy speak on our action-packed Special Events Day. The whole contemporary art in prison experience threw up some very emotional reactions from visitors and participants. I was at the prison virtually every day for a month - throughout installation, the various events, and take down, engaging and absorbing visitors’ responses. We were/are delighted with the feedback, support and level of engagement from such a wide demographic, and so grateful to our venue hosts Shepton Mallet Prison and patrons (see below) for enabling the project. 

It’s been wonderful working with such dedicated, talented artists and writers.  I’ve loved the cross-fertilisation! Thanks to the team effort and hard work of artists/writers Lou Baker, Rosie Jackson, Scott Sandford, Geoff Dunlop, Lucy Large, Alice Maddicott and co-curator Luminara Star, I feel our B-Wing project was a resounding success. 

IN.BRS.2019.39 Collaboration by Scott Sandford and Lou Baker. Photo: Dave Cable

I was excited by the way my ladders were reflected in Scott Sandford’s black pool and how our artworks in B-Wing resonated together.

Glut, Fiona Campbell, found and recycled materials. Photos: Above 1 Jason King; 2 Dave Cable. Below 1 Geoff Dunlop; 2 Dave Cable; 3 Jason King

Tongue, Fiona Campbell, found and recycled materials. Photos: 1 Jason King; 2 Guinevere King

Above - community group work: ‘Possessions I & II’. Images 1, 2 & 3: Collaborative work by adults I worked with. Image 4 Work by Year 10s from Whitstone School & Home ed children, led my me and Luminara Star. Photos: 1 Angela Knapp; 2 Caroline Bond

One of my pieces Dawn Chorus was a simple sound work installed in a cell. It can’t be pictured, but Trevor Smith wrote an article published in A-N, describing his response to this piece and other works in B-Wing.

I addition to my Join-in-the-Conversations with Lou Baker and guided art tours, I ran a family friendly sculpture workshop. B Wing was transformed for a morning into a hive of activity. Families spilled out into the main atrium of the prison wing, working together on abstract sculptures made from recycled materials. Lovely comments from participants include:

“I’ve never mixed materials with wire before - I love doing it”.. “loved the freedom to explore creatively and spend time with my son”.. “I really enjoyed it but if there was one thing I would change it would be the heating” (Marley, age 6)

Rather than detailing all the events, I’m using pictures to tell the story.   Quality images are so valuable. Thanks to Dave Cable, Geoff Dunlop, Jason King, Caroline Bond, Guinevere King, Scott Sandford, Barry Cawston, Lou Baker, Prerna Chandiramani and Angela Knapp for kindly taking some excellent ones pictured here.

Feedback comments include:

‘One of the best experiences of art I’ve encountered in years.’ Dominic Weston

‘Powerful, disquieting, dark and fascinating. Not an easy show but I thoroughly recommend you get to it if you can. Particularly liked the work by Lou Baker and Fiona Campbell .’ Iain Cotton

‘A remarkable series of works to fit an extraordinary space’. John McCarthy

‘Absolutely amazing exhibition with astonishing works exploring a rich tapestry of ideas and interventions.’ Adam Grose

‘Incredibly sensitive use of space and levels. Darkness, depth, hope and light.  Solidarity. … I loved the anchorite cell, the poetry - the use of levels, the ‘chapel’s’ sacred invitation.  The ladders - exploring movement and dimensions - spine and prehistoric relic..’ Amanda Miles

‘Absolutely fantastic!’ Duncan Cameron

‘Brilliantly conceived and executed’. Justine Bonner

‘A very full emotional experience, the work, its placement. Very poignant.’ Rachel Leach

We took part in several radio chats and were thrilled to be featured on BBC and ITV. A film has also been made by Gillian Taylor with BBC of John McCarthy’s interview in response to B-Wing.

For further information visit my previous B-Wing blog posts and our B-Wing website: b-wing.weebly.com

B-Wing is supported by Arts Council England & National Lottery, Somerset Skills and Learning, Somerset Community Foundation, Shepton Mallet Prison, Somerset Art Works, Shepton Town Council, Hauser & Wirth Somerset, Cranmore Parish Council, MJW Architects, and private donors.

Time for a rest and reflection!