Zig Zag Residency & Artist Bursary Award, As Old as the Hills

Work in progress. Photo by Richard Tomlinson

I’ve been working in the Zig Zag building, Glastonbury, constructing some of my stilt structures for As Old as the Hills, a project I’m co-curating with Jan Ollis.

I’m interested in placing art in unusual spaces that bring their own atmosphere. The Zig Zag is unique; an iconic example of Bauhaus architecture, light floods in through long banks of windows which span both lengths of the building. I’m thrilled to be using it as a residency and exhibition space, collaborating with such a great selection of artists, and community.

My series of Stilt Structures imply precarity, adaptability and resilience; treading the earth lightly. Stilt dwellings, built to avoid floods, exist on edges of safety around the world; precarious, fragile structures in unstable environments that might collapse. Somali nomads carry their homes - elaborate bundles - on overladen camels (symbols of adaptability, endurance, trade routes). The Landes stilt-walkers of 19thC adapted to their marshy environment. The work also refers to the ancient timber Sweet Track built 3800BC, Avalon Marshes. The walkway, constructed on diagonal sticks, was a way for humans to traverse boggy marshland, once submerged under sea.

My work responds to the Zig Zag building: its history as Morlands sheepskin/leather factory, the verticals/horizontals of its Bauhaus architecture and Bauhaus textiles. I’ve sourced materials from marshes, rivers and beaches, and harvested local plants to dye fabric remnants. Bound, wrapped and hand-stitched, the bundles carry politics of textiles: history of trade, colonisation, mass production, and wasteful fashion industry. In our increasingly unstable climate of floods, famine, extinctions, gyres of waste escalating in the name of ‘progress’, my hybrids - part vessel, house, creature - are past and future imaginings.

Thanks to my neighbour Roger Spear who has been a great help to me with constructing and installing, and Chris Black (Zig Zag) for all his support. Also to Nigel Evans and others who have dropped by to give a hand.

I’m really thrilled and so grateful to have been awarded a Curator Space Artist Bursary to support the development of my new work for As Old as the Hills.

You are welcome to attend our Exhibition Launch on Saturday 21st September, 10 - 5. After party from 5pm

The project and preparations for our Exhibition Launch are going well.  Artists are now working on the final stages of work in residencies at the Zig Zag.  One of our artists, Cat Robertson, has been staying with me, and it has been inspiring working and getting to know her. Our Launch opens at 10am with events happening throughout the day, starting with the opening by the Mayor of Glastonbury, a dance response to the work  at by Katherine Ashworth and Melanie Thompson 11am , followed by a comedic performance by Di Milstein 11.30am, then a talk 2.30pm by Damon Bridge (RSPB/project partner).  Or do come to the exhibition any day 10-5 between 21 Sept-6 Oct , part of Somerset Art Weeks Festival.

Upcoming workshops as part of As Old as the Hills:

Drop in or email: fionacampbell-art@sky.com

Book via Eventbrite

Artists in Conversation, Tuesday 24 Sept, 6.30pm,, £5

Layered books Workshop with Penelope O'Gara and Fiona Campbell, Saturday 28 September, 2-4pm, £12

Workshop working with found feathers, owl pellets, plant & river weed pressings with Duncan Cameron, Sunday 29 September, 2-4pm, £12

'Living on the Edge’: Talk by Zig Zag owner Chris Black, blurring boundaries between urban & rural, Sunday 29 September, 6pm, £10

Pyre is currently on show at Royal Society of Sculptors Summer Show: ‘Reality Check’, Dora House, 108 Old Brompton Road, London SW7 3RA, 22 July- 21 Sept,

I have an upcoming exhibition Elemental at Sou’ - Sou’ -West, Bridport with Jan Alison Edwards and Ally Matthews (19 Oct-10 Nov), so am making new work for this

I’m offering an online Sculpture Course (self-directed) - great value at only £40. Do share!

Hope to see you at one or more of these events!

Spring blog

Happy Easter!

I’ve been busy with prep and planning for As Old as the Hills, a community art project I’m co-curating with Jan Ollis. Just submitted an ACE project grant application - second attempt - fingers crossed!  The submission process has been a bit of a slog, but great exercise in working up more detail into our project. As a result, we’ve met and involved new people and organisations in the development of As Old as the HIlls. We now have an even richer social engagement programme leading up to and during our exhibition (Sept-Oct, Somerset Art Weeks Festival). Events will include riverwalks talks, workshops, podcasts and performances led by collaborating artists. If you’re in Somerset, pop along to our drop-in workshop, Collett Park Day, Shepton Mallet (8 June).

I’ve also been making new work for sale, for a recycling project to be revealed soon…

A few upcoming exhibitions and events I’m taking part in:

Casting Shadows ACEarts, Market Place, Somerton, TA11 7NB;  ends on 6 April (open Tues-Sat); with Royal Society of Sculptors members. Stilt Structure I (below) is on show.

Solastalgia Exhibition, Truro Cathedral, 1-14 July. This is connected to an excellent publication on Environmental art, edited by Summer Auty.  I’ll be showing Glut and Pyre.

Tongue, cover of Solastalgia Magazine (issue 2: Terrafurie)

Looking forward to a cross-discipline collaboration with dancer/choreographer Vanessa Grasse.  We’ll be in residence at Create@#8, Shepton Mallet later this week and next. Work will involve collecting materials on walks, and making eco sculptural wearable artworks.

Upcoming Art Courses

I’ll be running some new adult Love 2 Learn art courses at Bath College from 17 April:

Sculpture: (Wed am and/or pm)

https://www.bathcollege.ac.uk/course/view/3109/introduction-to-sculpture-23-24

Drawing and Painting (Wed or Thurs)

https://www.bathcollege.ac.uk/course/view/3069/drawing-and-painting-23-24

Life Drawing (Thurs)

https://www.bathcollege.ac.uk/course/view/3140/life-drawing-23-24

Browse for all courses here:

https://www.bathcollege.ac.uk/love2learn

‘Really varied & enjoyable course - Fiona has a wealth of knowledge - sharing many techniques - and is excellent at encouraging and problem solving personal projects.  The focus of environmental considerations in sculpture is really admirable.’ (L2L Sculpture student) 

'Really enjoyed the course - lots of variety and opportunities to experiment with different techniques and media’ (L2L Drawing & Painting student) 

If interested do book asap.

Images of work by previous students

Other exhibition plans are in the pipeline, more details soon.

New Work Developing

Maquette; found objects: pondweed, buddleia dyed fabric, khadi paper, plastic netting, leaves, wire, sisal, steel, aluminium

Developing Work (Developing Your Creative Practice funded by Arts Council England)

I’ve been revisiting concepts of Life in the Undergrowth, reading Entangled Life (Merlin Sheldrake), and experimenting with making new plant dyes and ink. My latest discovery, literally on my doorstep, is buddleia, which produces a wonderful vivid yellow, ochre and olive green.  So abundant, buddleia is ‘one of our best wild sources of yellow in the UK… plenty to share with butterflies and bees…’ (Flora Artbuthnott).  A studio tidy up gave me a chance to pick through a few collected objects to inspire.  I’ve been drawing roots and iris bulbs, which had survived in a bucket since a pond clean up 2 years ago.  They will potentially provide me with some black iris bulb ink soon..  This has led to a few small trial sculptures. ‘Radical’ derives from the Latin ‘radix’ = root. Excited to see where the roots take me.

For more info and to follow my development please visit my new instagram page: fiona_campbell_dycp dedicated to my ACE DYCP work.

Together We Rise

It’s been over a month since Together We Rise opened at Chichester Cathedral.  Last Saturday I revisited and really enjoyed showing London Art Critic Tabish Khan round our exhibition, along with Maria (Royal Society of Sculptors), Jo (Jo’s Art History) and Nia (Tate). Photo credits (below): 2 Martyn Sheppard, 7, 8, 9 Paul Gonella

I’ll be taking part in an Artist Talk event alongside fellow sculptors and curator Jacquline Creswell, this coming Wednesday 17th August at 11am and 2pm, Chichester Cathedral. ‘Hear about how the show was conceived through meetings on zoom during the pandemic, learn about materials and processes, and join in the discussion on how the works resonate with the architecture and context of the Cathedral.' Tickets £6, book here - or call: 01243 813586

Hope to see you there! There’s a month left to visit the exhibition - it ends on 6 September.

The Gleaning

I’ve been working on textiles panels and leading workshops for The Gleaning - a community arts project I’m co-curating with Gill Sakakini.  The work involves gleaning materials, ideas, people, cultures..  We’ve had some wonderful collaborative sessions, most recently at Collett Park with a group of people drawing together on fabric for our Shepton panel, which will represent the town’s iconic landmarks.  We used wax crayons and oil pastels, followed by ink - mainly homemade botanical mixtures including turmeric, onion skin, avocado pit, oak gall and buddleia inks. The wax resists the ink - a great way to build up colour in layers. We return to the bandstand on Tuesday 16 August, 10-12 for another free workshop. Do join us!

I’m delighted to have been supported by The Eaton Fund, enabling me to buy a sewing machine and other materials for The Gleaning.  Hand-stitching is important for some of my work, but it’s not always ideal for large-scale pieces! Thanks also to our funders Shepton Mallet Town Council, The Arts Society Wessex Chrisi Kennedy & Cranmore Parish Council. We’re still seeking some funding - get in touch if you can help.

Check out our instagram page: thegleaning_shepton

Tomorrow I’ll be running a free swan sculpture workshop at Wells Museum via Somerset Art Works - free drop-in!

'Art is always about reappraising the way we look at the world. It can speak more eloquently than propaganda because it can inject emotion into facts. And sometimes it can work like a Stealth Bomber: it can slip under the radar and hit home’ Cornelia Parker.

B-Wing, Shepton Mallet Prison - Looking Back

Snakes and Ladders, Fiona Campbell, found and recycled materials. Photos: 1 Dave Cable; 3 Caroline Bond; 4 Jason King; 5 Dave Cable

Snakes and Ladders comprise several dysfunctional hand-made ladders and entrail forms. Two are over 7ms in length, one hovering, suspended in the skylight. They refer to ascension, escape, dreams, inspired by Piranesi’s ‘The Bridge’ from his Imaginary Prisons series, the endless human cycle of striving, greed and suffering.

B-Wing, a multi-layered collaborative art project I co-curated with Luminara Star, has been an epic journey, an immersive art experience, extraordinary, and challenging.  Held in Shepton Mallet Prison’s B Wing, a massive decommissioned space spanning 3 floors, 8 artists and writers installed site-responsive works throughout the building, some large-scale, others intimate, to be discovered. The exhibition was only open to the public for 16 days during Somerset Art Weeks Festival, packed with fully booked special events and over 1300 visitors. Community workshops were held prior to opening. Preparation has taken a year (with report writing and finances still to finish off :-/)  

A week ago I took down my last piece from Shepton Prison, feeling exilarated and exhausted. The physical effort of making, installing and takedown was compounded by the amount of curatorial work I’ve invested in B-Wing over the past months/year.  Huge thanks to Nick Weaver for his technical help during the making, installation, dismantling and transport stages.  Each was a complex process with precarious moments - apt for my purposefully rickety Snakes and Ladders piece.  The work entailed some intricate engineering, and construction of a makeshift storage space for my ladder sections. Thanks to Jason Nosworthy for also helping instal. 

There have been so many moving moments, especially meeting and hearing John McCarthy speak on our action-packed Special Events Day. The whole contemporary art in prison experience threw up some very emotional reactions from visitors and participants. I was at the prison virtually every day for a month - throughout installation, the various events, and take down, engaging and absorbing visitors’ responses. We were/are delighted with the feedback, support and level of engagement from such a wide demographic, and so grateful to our venue hosts Shepton Mallet Prison and patrons (see below) for enabling the project. 

It’s been wonderful working with such dedicated, talented artists and writers.  I’ve loved the cross-fertilisation! Thanks to the team effort and hard work of artists/writers Lou Baker, Rosie Jackson, Scott Sandford, Geoff Dunlop, Lucy Large, Alice Maddicott and co-curator Luminara Star, I feel our B-Wing project was a resounding success. 

IN.BRS.2019.39 Collaboration by Scott Sandford and Lou Baker. Photo: Dave Cable

I was excited by the way my ladders were reflected in Scott Sandford’s black pool and how our artworks in B-Wing resonated together.

Glut, Fiona Campbell, found and recycled materials. Photos: Above 1 Jason King; 2 Dave Cable. Below 1 Geoff Dunlop; 2 Dave Cable; 3 Jason King

Tongue, Fiona Campbell, found and recycled materials. Photos: 1 Jason King; 2 Guinevere King

Above - community group work: ‘Possessions I & II’. Images 1, 2 & 3: Collaborative work by adults I worked with. Image 4 Work by Year 10s from Whitstone School & Home ed children, led my me and Luminara Star. Photos: 1 Angela Knapp; 2 Caroline Bond

One of my pieces Dawn Chorus was a simple sound work installed in a cell. It can’t be pictured, but Trevor Smith wrote an article published in A-N, describing his response to this piece and other works in B-Wing.

I addition to my Join-in-the-Conversations with Lou Baker and guided art tours, I ran a family friendly sculpture workshop. B Wing was transformed for a morning into a hive of activity. Families spilled out into the main atrium of the prison wing, working together on abstract sculptures made from recycled materials. Lovely comments from participants include:

“I’ve never mixed materials with wire before - I love doing it”.. “loved the freedom to explore creatively and spend time with my son”.. “I really enjoyed it but if there was one thing I would change it would be the heating” (Marley, age 6)

Rather than detailing all the events, I’m using pictures to tell the story.   Quality images are so valuable. Thanks to Dave Cable, Geoff Dunlop, Jason King, Caroline Bond, Guinevere King, Scott Sandford, Barry Cawston, Lou Baker, Prerna Chandiramani and Angela Knapp for kindly taking some excellent ones pictured here.

Feedback comments include:

‘One of the best experiences of art I’ve encountered in years.’ Dominic Weston

‘Powerful, disquieting, dark and fascinating. Not an easy show but I thoroughly recommend you get to it if you can. Particularly liked the work by Lou Baker and Fiona Campbell .’ Iain Cotton

‘A remarkable series of works to fit an extraordinary space’. John McCarthy

‘Absolutely amazing exhibition with astonishing works exploring a rich tapestry of ideas and interventions.’ Adam Grose

‘Incredibly sensitive use of space and levels. Darkness, depth, hope and light.  Solidarity. … I loved the anchorite cell, the poetry - the use of levels, the ‘chapel’s’ sacred invitation.  The ladders - exploring movement and dimensions - spine and prehistoric relic..’ Amanda Miles

‘Absolutely fantastic!’ Duncan Cameron

‘Brilliantly conceived and executed’. Justine Bonner

‘A very full emotional experience, the work, its placement. Very poignant.’ Rachel Leach

We took part in several radio chats and were thrilled to be featured on BBC and ITV. A film has also been made by Gillian Taylor with BBC of John McCarthy’s interview in response to B-Wing.

For further information visit my previous B-Wing blog posts and our B-Wing website: b-wing.weebly.com

B-Wing is supported by Arts Council England & National Lottery, Somerset Skills and Learning, Somerset Community Foundation, Shepton Mallet Prison, Somerset Art Works, Shepton Town Council, Hauser & Wirth Somerset, Cranmore Parish Council, MJW Architects, and private donors.

Time for a rest and reflection!

Age of Crinoids

'step in stone' continues to absorb me - not only in my role as curator and manager of the project, but also as a featured artist - taking most of my time and thoughts. Delving further into the quarries theme for the project, I've discovered that the earlier part of the Carboniferous period (Mississipian) has been coined the Age of Crinoids.  Over 350 million years ago the Mendips were submerged under a warm, swampy sea, the Mendip Hills hadn't yet formed into a range of mountains - now substantially eroded back -  and animal life comprised mainly of primitive reptiles, giant insects like dragonflies the size of seagulls, and a myriad of sea creatures such as echinoderms and corals.  Crinoids (sea lilies) were abundant in thousands of varieties, showing huge morphological diversity.  These fascinating ancient creatures look like exotic plant forms and many varieties still exist today.  They cling to the bottom of the sea bed by long spiny stems, others are unstalked, have tentacle legs or long arms which enable them to drag themeselves along.

Fossils found in limestone rocks exposed in the quarries (often in now vertical old sea beds) brings into question our origin, distant past and future.  Captivated, I have been imagining these other worlds.  Following on from my post on convergent evolution, my work will focus on these and other similar forms as visual metaphors of complex primal systems in nature, universal forms which echo others, examples of fractal geometry and the interconnectedness of all things.

Each time I visit the quarries, often on dog walks, I feel overwhelmed by the magnitude of what they represent - the geology; how far back time goes; what extraordinary life forms exist now and in the past; how incredible and persistent nature is; how we are all linked; how insignificant we are as individuals, yet how we impact on our surroundings...

Representing step in stone, I launched an under 20 year olds' Sculpture Design Competition at Somerset Earth Science Centre a fortnight ago, and alongside other step in stone artists and Juliet Lawn from SESC, gave a slideshow/talk, with work on display to give young visitors inspiration for their designs.  This competition is now online for entries at: Black Swan Arts.  Last week Nick Weaver and I set up a stand for step in stone at Frome Town Councils's AGM.  Having been funded by them we were asked to present our project to attendees.  It was a full house - the energy in Frome seems infectious!  This Wednesday (8th April) I'll be taking part as a speaker in a public discussion at Wells Museum about Public Art (7.30pm if you're interested in coming!)

I ran a wire workshop at the end of March via ArtsLink, which resulted in some great outcomes by participants.  I have more workshops coming up and will also be running some during step in stone at SESC and Black Swan Arts (details of these will be posted soon).

Although there's still a lot to do, I'm looking forward to my forthcoming exhibitions this summer.  Maureen Michaelson is representing me at GROW London and Hidden Garden Art Show this June and my biggest project to date step in stone starts in July.