Maquette; found objects: pondweed, buddleia dyed fabric, khadi paper, plastic netting, leaves, wire, sisal, steel, aluminium
Developing Work (Developing Your Creative Practice funded by Arts Council England)
I’ve been revisiting concepts of Life in the Undergrowth, reading Entangled Life (Merlin Sheldrake), and experimenting with making new plant dyes and ink. My latest discovery, literally on my doorstep, is buddleia, which produces a wonderful vivid yellow, ochre and olive green. So abundant, buddleia is ‘one of our best wild sources of yellow in the UK… plenty to share with butterflies and bees…’ (Flora Artbuthnott). A studio tidy up gave me a chance to pick through a few collected objects to inspire. I’ve been drawing roots and iris bulbs, which had survived in a bucket since a pond clean up 2 years ago. They will potentially provide me with some black iris bulb ink soon.. This has led to a few small trial sculptures. ‘Radical’ derives from the Latin ‘radix’ = root. Excited to see where the roots take me.
For more info and to follow my development please visit my new instagram page: fiona_campbell_dycp dedicated to my ACE DYCP work.
Together We Rise
It’s been over a month since Together We Rise opened at Chichester Cathedral. Last Saturday I revisited and really enjoyed showing London Art Critic Tabish Khan round our exhibition, along with Maria (Royal Society of Sculptors), Jo (Jo’s Art History) and Nia (Tate). Photo credits (below): 2 Martyn Sheppard, 7, 8, 9 Paul Gonella
I’ll be taking part in an Artist Talk event alongside fellow sculptors and curator Jacquline Creswell, this coming Wednesday 17th August at 11am and 2pm, Chichester Cathedral. ‘Hear about how the show was conceived through meetings on zoom during the pandemic, learn about materials and processes, and join in the discussion on how the works resonate with the architecture and context of the Cathedral.' Tickets £6, book here - or call: 01243 813586
Hope to see you there! There’s a month left to visit the exhibition - it ends on 6 September.
The Gleaning
I’ve been working on textiles panels and leading workshops for The Gleaning - a community arts project I’m co-curating with Gill Sakakini. The work involves gleaning materials, ideas, people, cultures.. We’ve had some wonderful collaborative sessions, most recently at Collett Park with a group of people drawing together on fabric for our Shepton panel, which will represent the town’s iconic landmarks. We used wax crayons and oil pastels, followed by ink - mainly homemade botanical mixtures including turmeric, onion skin, avocado pit, oak gall and buddleia inks. The wax resists the ink - a great way to build up colour in layers. We return to the bandstand on Tuesday 16 August, 10-12 for another free workshop. Do join us!
I’m delighted to have been supported by The Eaton Fund, enabling me to buy a sewing machine and other materials for The Gleaning. Hand-stitching is important for some of my work, but it’s not always ideal for large-scale pieces! Thanks also to our funders Shepton Mallet Town Council, The Arts Society Wessex Chrisi Kennedy & Cranmore Parish Council. We’re still seeking some funding - get in touch if you can help.
Check out our instagram page: thegleaning_shepton
Tomorrow I’ll be running a free swan sculpture workshop at Wells Museum via Somerset Art Works - free drop-in!
'Art is always about reappraising the way we look at the world. It can speak more eloquently than propaganda because it can inject emotion into facts. And sometimes it can work like a Stealth Bomber: it can slip under the radar and hit home’ Cornelia Parker.