The Gleaning

Over the Summer, I worked with various people on textiles artworks in my garden and locally for an exhibition The Gleaning launching this month.

Earthlings in progress, created by me with community involvement. Test hang in St Peter & Paul’s church

The Gleaning is an inclusive arts project co-curated by Gill Sakakini and me, working closely with writer Polly Hall. For over 5 months, we’ve been working on several large-scale textiles panels concurrently. Each panel has a theme, including Earthlings, War, Peace, Gratitude, Ruth’s Story, Place, Care and Repair, Journeys, Generosity. Stories reflect different styles and cultures using found and recycled materials, all created with involvement of local community. People from all walks of life around Shepton Mallet have joined together in making elements for our collaborative exhibition. Translucent textile and paper artworks will be suspended in front of 11 clear glass windows in Shepton Mallet’s beautiful 12th century church, as part of Somerset Art Weeks’ Festival, supported by events. They combine a range of found objects gleaned from our locality, incorporated into mini artworks, hand-stitched together. Parts have been printed in workshops on fabric dyed with rust, indigo, buddleia, onion skins, tea, and other home-made botanical inks, which I’ve enjoyed developing. Other processes include drawing, collage, tie-dye, batik, appliqué and patchwork on recycled fabric, paper and plastic. Sustainability has been key.

The exhibition launches Thursday 22 September, 6-8pm, open from 23 September-9 October, Mon-Sat 10am-5pm, Sun 12-5pm. Hope you can visit!

See our instagram page @thegleaning_shepton and do follow!

It was an immense privilege to be part of Together We Rise at Chichester Cathedral, an exhibition by members of Royal Society of Sculptors, curated by Jacquiline Creswell. Delighted that London Art Critic Tabish Khan selected it for his Top 5 summer exhibitions! I took down my installation Martyrdom of the Ten Thousand this week. The work related to the plight of pangolins - most trafficked mammal, care and repair. It was sad to leave that wonderful space.

Time playing with ideas in my studio has been precious. I’ve been making small scale 3d sketches with found objects, revisiting the concept of taking a line for a walk and line as life, energy.  Entangled Life (Merlin Sheldrake) - a great book about fungi - describes the way mycelium infiltrates roots and other life forms - fascinating and vital. Mycelial ‘highways’ interact across boundaries/species, and can be environmental remediators.

I’m gradually discovering new plant dye colours (iris bulbs produce an intriguing pale lilac grey) and experimenting with bundle-dyeing, a multi-staged process of gathering flowers/leaves, mordanting/fixing, creating the bundle (sandwiched flowers etc in fabric, wrapped round stick), steaming and untying to reveal the imprints.. it’s addictive!

Work in progress inspired by roots and algae hanging into the water at Vobster Quay where I’ve started swimming.

Play is an important element in the process.  There’s a synergy between consciousness and chance, allowing intuitive, tacit responses.  I’m allowing myself to explore various paths, not necessarily leading to conclusions. Hoping to spend longer hours developing new work over the coming months.  Check out my instagram page @fiona_campbell_dycp dedicated to my Arts Council England funded ‘Developing Your Creative Practice’ work.

Deeply saddened by the passing of our Queen, I am so grateful for her support of Arts Council England, and the arts and culture sector in general over so many years, from which I have benefitted along with so many others.

New Work Developing

Maquette; found objects: pondweed, buddleia dyed fabric, khadi paper, plastic netting, leaves, wire, sisal, steel, aluminium

Developing Work (Developing Your Creative Practice funded by Arts Council England)

I’ve been revisiting concepts of Life in the Undergrowth, reading Entangled Life (Merlin Sheldrake), and experimenting with making new plant dyes and ink. My latest discovery, literally on my doorstep, is buddleia, which produces a wonderful vivid yellow, ochre and olive green.  So abundant, buddleia is ‘one of our best wild sources of yellow in the UK… plenty to share with butterflies and bees…’ (Flora Artbuthnott).  A studio tidy up gave me a chance to pick through a few collected objects to inspire.  I’ve been drawing roots and iris bulbs, which had survived in a bucket since a pond clean up 2 years ago.  They will potentially provide me with some black iris bulb ink soon..  This has led to a few small trial sculptures. ‘Radical’ derives from the Latin ‘radix’ = root. Excited to see where the roots take me.

For more info and to follow my development please visit my new instagram page: fiona_campbell_dycp dedicated to my ACE DYCP work.

Together We Rise

It’s been over a month since Together We Rise opened at Chichester Cathedral.  Last Saturday I revisited and really enjoyed showing London Art Critic Tabish Khan round our exhibition, along with Maria (Royal Society of Sculptors), Jo (Jo’s Art History) and Nia (Tate). Photo credits (below): 2 Martyn Sheppard, 7, 8, 9 Paul Gonella

I’ll be taking part in an Artist Talk event alongside fellow sculptors and curator Jacquline Creswell, this coming Wednesday 17th August at 11am and 2pm, Chichester Cathedral. ‘Hear about how the show was conceived through meetings on zoom during the pandemic, learn about materials and processes, and join in the discussion on how the works resonate with the architecture and context of the Cathedral.' Tickets £6, book here - or call: 01243 813586

Hope to see you there! There’s a month left to visit the exhibition - it ends on 6 September.

The Gleaning

I’ve been working on textiles panels and leading workshops for The Gleaning - a community arts project I’m co-curating with Gill Sakakini.  The work involves gleaning materials, ideas, people, cultures..  We’ve had some wonderful collaborative sessions, most recently at Collett Park with a group of people drawing together on fabric for our Shepton panel, which will represent the town’s iconic landmarks.  We used wax crayons and oil pastels, followed by ink - mainly homemade botanical mixtures including turmeric, onion skin, avocado pit, oak gall and buddleia inks. The wax resists the ink - a great way to build up colour in layers. We return to the bandstand on Tuesday 16 August, 10-12 for another free workshop. Do join us!

I’m delighted to have been supported by The Eaton Fund, enabling me to buy a sewing machine and other materials for The Gleaning.  Hand-stitching is important for some of my work, but it’s not always ideal for large-scale pieces! Thanks also to our funders Shepton Mallet Town Council, The Arts Society Wessex Chrisi Kennedy & Cranmore Parish Council. We’re still seeking some funding - get in touch if you can help.

Check out our instagram page: thegleaning_shepton

Tomorrow I’ll be running a free swan sculpture workshop at Wells Museum via Somerset Art Works - free drop-in!

'Art is always about reappraising the way we look at the world. It can speak more eloquently than propaganda because it can inject emotion into facts. And sometimes it can work like a Stealth Bomber: it can slip under the radar and hit home’ Cornelia Parker.

Earthlings

Martyrdom of the Ten Thousand, Together We Rise, Chichester Cathedral. Photo by Ann Purkiss.

I’ve had a full-on month!  Some of the stand out events:

Together We Rise opened in Chichester Cathedral at the end of June.  A major exhibition of work by 25 artists from Royal Society of Sculptors (South West), artist-led, curated by Jacquiline Creswell.

My piece Martyrdom of the Ten Thousand was created over a period of 10 months and took 5 days to install - slow, meditative art that is addictive and healing.  Described by another sculptor as ritualistic. The installation process felt like a short residency.  As I worked in the cathedral space, up tall ladders or perched on scaffolding, visitors chatted to me about the work.  It felt important to discuss it. There are over 50 bodily forms relating to the plight of pangolins. These intriguing delightful creatures are the most trafficked mammals in the world. - see my previous blog for details and more images.  I’m frequently having to conquer my fear of heights and I was grateful to those who helped.

I’m in awe of the exhibition and venue. The placement of work is very sympathetic to the space and fabric of the building, thanks to the expertise of curator Jacquiline Creswell.  Extraordinary light and beautiful choir and organ sounds accompany the work, giving it gravitas.  I’m feeling hugely grateful to be part of it, for the support of the Society group, the Cathedral team and hard work of our excellent curator.  As Jacquiline says: ‘we all put our hearts and souls into this exhibition and you can see and feel it’.

The PV was fantastic, with opening talks by Richard Cork (FT Art critic), and The Dean.  I was moved by a highly emotional response to my work:  Friend Sarah James was brought to tears at the sight of it. The exhibition feedback so far: ‘multi-layered, surprising, professional, diverse, strong, symbiotic with cathedral, sits beautifully, remarkable, spiritual, special…’.

The cathedral also has work by Chagall, John Piper and Graham Sutherland among others.

The exhibition runs until 6 September.  Hope you can visit!

Above photos: 1, 2, 3 by Paul Gonella. 4, 5, 6 by Ann Purkiss

Projects often coincide or collide.  I’m co-curating/working on The Gleaning, a collaborative community arts project celebrating diversity, connectivity, and the environment.  Large-scale translucent textile artworks will be suspended in front of clear glass windows in Shepton Mallet’s beautiful church.  Working with Gill Sakakini, Polly Hall and others, we’re delivering a series of free workshops - 2 this week. See full list, funded by Shepton Town Council, Cranmore Parish Council and other donors.

20th July, 10am-12pm – Sweet 11 Cafe, High Street, Shepton Mallet: Cake & Collage

21st July, 3-5pm – St Peter & St Paul Church, Shepton Mallet: Stories with Art

I’ve been working on a large-scale panel themed Earthlings. Stories within a story celebrate fauna and flora, the value and importance of non-humans, and life’s interconnectedness.. For weeks I’ve been hand-stitching remnants together, printmaking and tie-dyeing with home-made plant inks.  On top of collaging and arranging shapes, it takes hours and hours to appliqué pieces together.  We had a lovely time at Collett Park Day with people of all ages getting involved and creating fabulous prints for the panels. A work experience student, Pippa, and local artist Juliet Duckworth worked with me on the Earthlings panel last week.  Many more people have been involved in donating fabric offcuts, fruit nets etc.  We are fund-raising, thanks to our steering group Rosalind Teesdale-Ives, Polly Hall and Lizzie Britain.  Do get involved in some way..

Work in progress for The Gleaning - Earthlings collaboration with Juliet Duckworth

Following on from wire creature workshops with St Benedicts C of E Junior School via LIFE beat, I made a Copper Tree for permanent siting in their Peace Garden, presented on the school’s Wellbeing Day.  Made of recycled copper piping, the tree is designed to support the little sculptures. The creatures represent the school’s ‘Elly’ animals - each having important characteristics to nurture.

Copper Tree with wire sculptures (made in workshops), St Benedicts C of E Junior School, via LIFEbeat

I’m really pleased that Entangled I has been selected for the Royal Society of Sculptors Summer Exhibition by curator Isabel de Vasconcellos. The show will be at 4 Cromwell Place, London SW7 2JE 19-24 July, 10-6 daily.

Entangled I, recycled steel, wire, filter papers, 25 x 26 x 27cms

I made the piece during lockdown 2020 as part of my Life in the Undergrowth project. I was fascinated by roots, shoots and worms in upturned turf in my garden. Work evolved using to-hand and found materials.

I’m clearing the decks a little so I can get stuck into more studio work, and will set up a separate blog for my ACE DYCP work..

Hope you can visit some of these events. And enjoy the sunshine!

Together We Rise

Photo Paul Gonella

This week the exhibition Together We Rise opened! Set within the awesome architecture of Chichester Cathedral, the exhibition involves 25 Royal Society of Sculptors members who, during the pandemic, found solidarity by meeting online. Curated by Jacquline Creswell, who was ‘the driving force behind Salisbury Cathedrals’ pioneering art programme’, this unique exhibition is an expression of those meetings.

“Together We Rise is a counterpoint to the challenges of the last two years and an expression of the artists’ perseverance, by coming together through virtual means to overcome isolation, fear and doubt.  The result is a flourishing of creativity, demonstrating the power of shared adversity overcome by shared endeavour. “ (Jacquiline Creswell)

My new work Martyrdom of the Ten Thousand is an installation in the North Aisle of the Cathedral. It tackles the issue of trafficking and slaughter of thousands of pangolins.  Covid - a zoonotic disease - originated from wildlife wetmarkets. Unethical human practices continue to contribute to our own demise as well as increasing animal extinctions at an alarming rate.

Multiple forms suspend, rising and pouring. Some appear skeletal, poised between completion and incompletion, in varying stages of translucency and decay.  Stifled, vulnerable, the ghostly forms suggest pain, loss, death, but also resurrection, and tenderness.

The work has an environmental undertone.  I used recycled materials that are hand-sewn, wrapped, tie-dyed with home-made plant inks, and waxed over woven structures. Stitch by stitch, the labour-intensive process adds to the message of care and repair.  While raising awareness of pangolins, my work is a way to channel and overcome loss, make do and mend.

The title echoes Renaissance religious paintings of the same title. The work also refers to the Ghent altar piece - the bleeding lamb of god an object of religious devotion.  I’ve pivoted the concept to raise awareness around multi-species justice.

Further info: chichestercathedral.org.uk/together-we-rise

Instagram: @togetherwerise2022

Exhibition runs 27th June - 6th September
Mon - Sat, 9am-5pm, Sun 12-2pm
Chichester Cathedral
PO19 1PX

Photo: David Clarke, Solent News

Photo: Russell Sach

Materiality, Greening the Arts and more

Snakes and Ladders (detail). Photo (above) by Dominic Weston. Photo (left) by Geoff Dunlop

I’ve been working on several projects in schools along with prep for forthcoming exhibitions and new art projects. And pleased to have just recovered from my first bout of covid!

Materiality

I’m excited to be exhibiting with 3 other women artists whose work I admire. We met during our MAs at Bath Spa Uni.  The exhibition has been a long time coming, with cancellations due to lockdown etc…

Materiality (27 April - 1 May) is the first show at Walcot Chapel, Bath since it closed for lockdown 2020.  It features 4 women artists: Fiona Campbell, Kelly O’Brien, Kate McDonnell and Nicola Turner, and celebrates the importance of materials through contemporary sculpture and installation art. Large-scale objects and interventions will interact with the architecture of the Chapel.  We are each driven by our materials and engaged with sustainability in our practices. The exhibition runs  27 April - 1 May, 12-6pm daily at Walcot Chapel, Walcot St, Bath BA1 5UG. Private View Tuesday, 26 April, 6-8pm

Special Events: https://www.eventbrite.co.uk/e/materiality-tickets-295143270467

Salon, Thursday 28 April, 7-10pm.  Join us in the candlelit Walcot Chapel to eat, drink and share thoughts on materiality, facilitated by Professor Alf Coles. Tickets: £10.

Sculpture Workshop with me, Sunday 1 May, 11am-1pm.  Focusing on flora and fauna, you will be creating a sculpture using recycled and found materials. For ages 10+ to adult. Tickets: £12.

Artist Talks, Sunday 1 May, 2.30-3.30pm. An informal, in depth look at the works and our practices.  Clare Whistler will be performing her work reflecting on the exhibition. Tickets: FREE!

Numbers are limited so book your place now! Hope to see you there:-)

SAW Greening Art Workshop: 

I’m leading a FREE workshop specifically for Somerset Art Works members, 22nd April (Earth Day), 10am-12.30pm, Somerset Earth Science Centre, Moons Hill Quarry, Stoke St Michael, Radstock, Somerset BA3 5JU. Parking on site, free teas/coffees.

The workshop will investigate artists’ environmental responsibilities, looking at key concepts of Climate Change and the role of the arts: how we can make our practice more sustainable. There will be a presentation, discussion and practical workshop covering a range of 2d and 3d activities using homemade, recycled and found materials.  You’ll be able to create something to take away, and have permanent access to an online resource pack full of relevant information around Greening the Arts. Funded by Somerset Skills & Learning.

It’s free of charge, but £15 deposit is required to secure your place. Full-refund after you attend the event. Book:  https://somersetartworks.org.uk/2022/03/saw-greening-art-project/ Do join me if you’re a SAW member!

International Biennale ‘Transfiguration' NCTRI, Taiwan

It’s the last couple of weeks of my exhibition in Taiwan, 12 Nov-12 April ’22.  I received 2 beautiful exhibition catalogues - see below and here. A short film about my work for the exhibition will be broadcast soon..

I’m still working on ‘Martyrdom of the Ten Thousand', inspired by the plight of pangolins, trafficked and slaughtered in thousands. The installation will be part of an exhibition Together We Rise at Chichester Cathedral with Royal Society of Sculptors members, 27June-6 September, curated by Jacquiline Creswell.

Here’s a film clip about the work:

Circle of Life

Circle of Life is a school project I’m involved in via SPAEDA. I’m working with primary schoolchildren making headdresses, masks and costumes using recycled and found materials, inspired by the Lion King production, African art and ecology. These will come together in a final story/dance performance later this week.

I’m taking part in the Artists for Ukraine exhibition and silent auction, at Black Swan Arts, Frome between 1 - 24 April. Do visit and bid!

New Beginnings, donated to Artists For Ukraine

Delighted to be featured on Art From the Heart winners in March: https://www.artfromheart.co.uk/post/artists-of-the-month-winners-march-2022

Do support by visiting and purchasing from my shop.

I hope to see you at one or more of these events, and in the meantime, warm wishes to you!