Life as a Recluse

Today is the first day of summer, so I’m celebrating with a blog focusing on nature.  I love spring - days get longer, warmer, new life unfurls and there is such beauty in blossom.  But my favourite season is summer.  I adore the sun.  It probably comes from my upbringing in Kenya.  We’ve been so lucky in UK with these blue skies, although watering the fruit and veggies has become a daily task and there is concern about the effects of drought. 

Like so many, I’ve become a recluse.  In my own home and garden I feel safe.  I am not alone, the birds and insects keep me company.  The garden, in particular, has become my world and route to wellbeing, providing me with a deep sense of peace and purpose. There’s so much to do - planting homegrown seedlings, weeding, tidying, creating a fully functioning veggie zone, and digging soil to prepare a space for an outdoor studio bay.   I’ve been selling my surplus rich topsoil to local residents (safe distancing) - a circular economy!  The veggies are coming on nicely. I don't want to use chemical pest control, so have put down copper rings around my raised tyre beds and planted marigolds to keep the aphids off my beans!  The other day I spent hours watching a baby tit in the garden. At one point I thought the neighbour's cat had got it, long story but after an emotional blub, I was overjoyed to find it safe.

Creativity must happen too.  My garden feeds my art and art feeds my garden.  This has formed my self-directed project Life in the Undergrowth.  I’ve been particularly inspired by upturned turf, roots, worms and shoots.  I’ve made drawing tools from natural materials, and a series of maquettes and larger sculptural works are developing.  I was very fortunate to receive Arts Council England Emergency funding so am looking forward to purchasing a micro lens among other useful technical aids to document my discoveries.  I’m allowing the project to evolve organically.

I have appreciated my studio at home.   I’m doing some digital training to broaden the scope of my work.  I’ve started to embed video documentation in my practice, one of the outcomes of lockdown.  Videos attract more traffic on social media, improving audience and networks, though they usually take longer to create.

This covid19 period has made me realise that much of my travel is unnecessary, costly, polluting, stressful and time-consuming.  I will enjoy visiting exhibitions in the future, but make a greater effort to utilise travel and only make journeys that are necessary. Covid19 has catalysed an urgent need to adapt to the growing requirement for online creative provision and engagement.   I completed my online teaching course and will soon be launching my own online course.  Please pass on my details to anyone you think would be interested and suggest they subscribe to my website to hear more. I will be offering a free giveaway as part of the launch!  I think online courses will become more popular in the future.  Advantages of convenience, flexibility, extended reach, instant access, no travel means digital engagement is a sustainable way forward.

I’ve shared my free video resources on BBC’s Get Creative at Home and taken part in the following online art initiatives this past month: shareyoursky - Pound Arts; #artistsupportpledge (sold Mini Dung Beetle and Ball!); RSS Sculptors at Home; RSS #10gramchallenge; 44AD Gallery’s online exhibition A-Z - Between & Enveloped; Anna Souter’s Vegetate; SAW’s Somerset Reacquainted.

Root-inspired piece for 10 gram challenge. This will be cast in bronze at the Milwyn Foundry.

I was interviewed by Art Tour International.  Here’s a link to .the recorded Facebook Live interview with Viviana Puello, based in New York.

Safe distance walks and meet-ups will become more frequent, but I hope the new normal won’t be like it was and that we heed nature’s big message.  

A massive thank you to all of you who have given me and my work so much support! Here’s to nature, summer and happy times ahead! 

Spring News

Now that the cold spell is over, I feel a Spring update is due.

In my week’s residency at Walcot Chapel, Bath last month as part of my MA, I made a piece (image above) in response to the site, current waste issues, and Coleridge’s Rime of the Ancient Mariner.  It was inspired by the plight of 1000’s of albatross chicks dying from stomachs filled with plastic.  Entitled ‘Instead of a Cross, an Albatross’, it is a kind of altarpiece. The steel and copper components echoed the trees and shadows through the window.  Later this year I’m hoping to make work involving some participatory interaction with the public using waste materials.

Ongoing work is also being influenced by a book I’ve just read Planet of Slums by Mike Davis, which reveals horrific realities as a result of our rapidly growing worldwide poverty, rich/poor divide - cruel slumlords, neglect and harrowing deaths.  Factory farming (particularly a film 'Our Daily Bread') is also affecting my thoughts, and the loss of Tilly, our beloved boxer dog, who died at the weekend.  These experimental process pieces are all made from scrap materials.

On a lighter note, I continue to teach All Hallows Prep School students extra-curricular art.  I'm proud to see some of their work selected for the Black Swan Young Open, starting this Saturday.  Last week I ran a workshop with several groups of children Years 4-8 at Hazlegrove Prep School, making a 1.75m flying albatross sculpture out of recycled plastic and wire.

This Saturday, I’ll be running a collaborative workshop with Aya Kobayashi and Stephen Ives as part of BBC’s Get Creative event and Black Swan Arts Young Open exhibition, sponsored by Visual Arts South West.  It will explore the creative process - how to shape an idea into form - experimenting with sculpture and sound technology, combining found/reclaimed materials.

Book soon via Eventbrite (https://goo.gl/SNdgny) - spaces are filling up!

This season, I’ll be showing 2 of my sculptures in the The Cotswold Sculpture Park, The Paddock, Somerford Keynes, Cirencester GL7 6FE http://www.elementalsculpturepark.com/ from 1 April – 30^th September, 10.30am-5pm (closed Tues and Wed),  admission £5.

I've visited a few exhibitions locally including Messums Museum's 'Myth, Material & Metamorphosis' (that's a mouthful!) – fantastical sculpture by Kate McCgwire and Ann Carrington (image below), ceramics and narrative paintings with many surprising gems.  It's always a joy to visit the wonderful tithe barn showing consistently high quality, exciting contemporary art.

At The Edge, Bath, the Jerwood Drawing Prize comprises some great pieces.  Amongst others, I loved the thick roll of paper covered in pencil – like a gleaming sheet of metal.

I’ve been invigilating at Hauser & Wirth Somerset for ‘The Land We Live In - The Land We Left Behind’.  It’s been good to be able to keep returning to study the exhibits (numerous artworks/artefacts of interest).  I’ve also managed to sell a couple of small pieces through the Honest Shop - part of the show.  I’m doing a talk for Hauser & Wirth's Sound Bites programme on Beatrix Potter’s drawing of fungal spores entitled ‘Absidia’, Thursday 29 March, 2pm. Come along, it’s free!

Happy springtime!