Welcome Spring

What a joy to have spring sunshine and bulbs growing, after such miserable cold months in confinement.  New beginnings bring hope! 

It’s surprising what can be achieved under difficult circumstances. Time in lockdown has gone fairly quickly, as I’ve been working on several projects and finding alternative work solutions, although often computer bound.

In between, I’ve been developing new work in the studio, exploring ideas through collages, maquettes, sketches, and gathering materials.  In contrast to my last piece The Fall (see previous posts), my next feels hopeful.  Ideas are developing of ascending lines expanding beyond grid-like constrictions into lightness and recovery, though precarious.  Yellow is my new colour depicting hope and optimism.  I’ve been naturally dying and hand-stitching recycled textiles, rubber, latex, and plastic as patchworks of repair.  Branching umbrella frames may become supporting skeletal structures. 

A lot of the found and recycled materials I’m using have been sourced locally or donated by friends - thanks to those who’ve helped.

Short Film

A short film about my sculptural practice using textiles has been commissioned by Art UK, working in partnership with Culture Street and Royal Society of Sculptors.  Due to covid and lockdown, it was delayed for a year.  In the end, the artist interview was conducted over Zoom and I supplied footage.  Aimed at schools, it’s one of 10 new film commissions about sculptors and their different processes, as part of a major initiative to put online UK’s sculpture collection. I’m honoured to be included in the series!

All The Colours

I’m one of the commissioned artists leading a community art project via Seed, called Art First.  We are engaging the public in Sedgemoor, especially those who travel on buses.

‘Artists Fiona Campbell, Karl Bevis, Jem Dick and Sharon Jacksties are working on three projects, which will produce artworks co-created with Buses of Somerset passengers and staff and other members of the community. The finished works will be displayed on 30 buses across Sedgemoor.  Covering multiple art forms from poetry through photography to collage, our artists will guide you through the process, giving you tips to find inspiration in your everyday lives to create something magical. All creations can be submitted and your submissions will then be combined into artworks to be exhibited on the buses and online.’

In my project All The Colours I’m inviting people to create a collage in one dominant colour, reflecting on their responses to a bus journey, the past year, a particular experience, mood, feeling, moment, personal or global memory. The images will be part of a co-created artwork which will be transformed into a hologram chameleon. This will change colours at different viewpoints and will be featured on 30 buses for passengers and community to enjoy.

I’ll be running FREE workshops, there’ll be prizes and an online exhibition.  Below is a slideshow I made to offer examples of collages in a dominant colour.

For further info and to participate please visit my page All The Colours.  If you’re based in Sedgemoor, and/or have travelled on buses in the area, please get involved and spread the word!  

Inch by IN:CH

I’m part of an artist-led travelling project Inch by IN:CH, bringing contemporary art out of galleries and into community areas across South West UK. Between May-October ’21, 11 artists will each present mixed media works including painting, light projections, assemblage and sculptural installations, transported in cases from one place to the next.  At each location artists will engage the public through activities (covid protocol in place).

The locations we’ve chosen are unexpected venues for art. One of our venues, East Somerset Railway, is in my village.  Our finale venue will be at the Gauge Museum, Bishops Lydeard Station, West Somerset Railway, the longest heritage railway in England. We will show our work in the newly restored museum, in one of two remaining Victorian Sleeper cars, and spilling out onto the platform. These popular venues for families and train enthusiasts are evocative, meaningful settings for art about transportation of ideas.

We’re so grateful to sponsors including The Arts Society, Somerset Art Works, The Gane Trust,  individuals and supportive venues: East and West Somerset Railways, Fringe Arts Bath and Found Outdoors. We’ve submitted our Arts Council funding application, so fingers crossed we receive this crucial support to bring free programming and events to mixed audiences.

Online Sculpture Course

I recently finished running my second online Sculpture Course. The focus is on nature, using recycled and found materials. Participants produced some awesome work, sourcing their own found materials, and finding so many ways to use them creatively. 

Images: Jinny Jehu; Gwynne Penny;  Barbara Griffin; Magdalena Musanovi

To see more please visit Instagram: #onlinesculpturecourse2021
Let me know if you’re interested in my next course (dates TBC).

Inspiration 

Online meetings and talks have been convenient, with the benefit of international reach. Through zoom I’ve loved connecting with fellow artists. Royal Society of Sculptors meet-ups and new weekly sculptors drawing sessions have been helpful to focus and free the mind.  We are currently working on an exciting group exhibition.

The Overstory, a book by Richard Powers, has inspired new work: There are no separable events. The bird and.. branch.. are.. linked creatures..; ‘reiterated trunks .. shooting up parallel like the fingers of a Buddha’s upraised hand.. tufted spires… swirled in the gauze of a Chinese landscape… fungi and lichen everywhere, like splatters of paint from a heavenly can’

Other relevant resources:

Tim Ingold: Facing the Anthropocene: Life is always creating itself.. Lines are animate... I’ve started Tim’s book Life of Lines, and also The Mushroom at the End of the World (Anna Lowenhaupt Tsing)

James Aldridge: Queer Rivers Art Earth: Where does a river stop? Everything is fluid, interconnecting….

Phyllida Barlow: Small works made with the minimum of ambition... Sculpture is a restless art form…

Artists inspiring me: above left to right: Giulia Cenci; Daiga Grantina; Monika Sosnowska; Janet Echelman

Other News

I’m part of the Solargraphic Society of Somerset (Mendip area) organised by Janette Kerr. I put up my pin-hole can camera with light sensitive paper in my garden and look forward to the results in 2 months.

My Bulrushes are now installed in their new home in the midlands (left: pic in snow)

Delighted that my Blackbird sculpture (commissioned by Shepton Mallet Town Council for a Bird Trail last autumn) has been selected as a permanent feature above The Art Bank entrance in the town centre.

Forthcoming Events

Inch by IN:CH a travelling project considering transition, interchange and the transportation of ideas. Various venues, South West UK, 28 May - 3 Oct 

Royal Society of Sculptors 10 gram Challenge exhibition: 28 June – 18 Sept

I’ll be giving an online talk via Red Line Art Works on 25 March, 7pm (GMT). If you’d like to join the talk, please register: https://us02web.zoom.us/meeting/register/tZApcuiurzkvHtFe6fjc4ZqzB2doWh5SiyNu

In support of the Arts, please visit the Art Is Essential campaign, aimed at raising awareness about the importance of the Arts to a healthy society.

This past year has been a huge jolt to us, and despite the sad and tragic happenings, I’m hopeful that we have come out of it stronger and better.

Launching my Online Sculpture Course and other news

I’ve made a showreel to launch my forthcoming 5 week online sculpture course.   Starting on 3rd August, I’ll be teaching participants how to create a nature-inspired sculpture using found and recycled materials.  

The course includes:

Weekly challenges

Step-by-step guidance at each stage

Demos

Exclusive videos and downloadable content

Online seminars

You will learn:

A range of 2-d and 3-d skills - from drawing and design to 3d wirework

Exciting ideas and techniques 

To explore different media and processes

To source and use recycled and found materials

Benefits of the course:

Work at your own pace from home

Learn in your own time

Individual advice, tutorials and one-to-one critiques

Share ideas

Learn safely 

Opportunity to connect with other participants in a friendly virtual space

Increase your confidence in creativity

Create an item for your garden or interior

After completion, you can revisit techniques

COST:

£80 incl free tools list (by 31 July)

TO ENROL:

Email: fionacampbell-art@sky.com

Entangled I, 180 (w) x 110 (h) x 100 (d) cm, '20

My Life in the Undergrowth project continues (see previous blogs).  My ritual of gardening and documenting has become a rhythm. Exploring new boundaries, free from conceptual dividing lines, drifting between gardening and art, some days are productive others more a blur.  I’ve been getting absorbed in the present, nature, looking at tiny details. Trying to surrender to the moment and allow things to just happen. 

I’m making a film which records a few of the goings on in my garden. I’ve formed a stronger bond with all that comes and goes. Sometimes this has been emotional. Strange incidents happen, stories of life and death - some have been wonderful to witness, others very sad. 

A young rook and blackbird may have died from pesticide poisoning as there have been other similar incidents locally. I watched their behaviour and subsequent deaths. I sat with the rook, left it water and worms, tried to help it, but in vain.  Slug pellets, crop pesticides and other toxic chemicals we use to deal with ‘pests’ seep into the food chain. There are countless eco-friendly ways to protect our veggies - egg shells and copper wire for slugs, marigolds for aphids, or just ‘stay with the trouble’ (Donna Haraway). The rhubarb leaves I’ve been watching decay seemed the right thing to wrap up the bodies.

I’ve approached the project as an art residency. Encounters between myself, the garden as site, and nature, without an audience, in order to gain understandings and make new connections. I’ve been interested in transformation, the entanglement of roots, worms, shoots, earth.  Aristotle called worms; ‘the intestines of the earth’. Bird communication; the vitality of nonhumans; cultivating my aloneness.  Excavating the earth, I’ve been uncovering a glut of old rusty nails, bones and ceramics. It’s been a meditative process.  I am the instrument, allowing creative energy to emerge in its own time. As I make pieces I’m aware of Donna Haraway’s words: ‘life lived along lines… a series of interlaced trails… make kin in lines of inventive connection... stir up potent response.. and rebuild quiet places’.

You can follow my Life in the Undergrowth instagram page to see the journey @life_intheundergrowth

Other news

I’ve been doing digital training via Creativity Works, which has been a great help. It’s a long, windy road but I’m on it!

This week I drove to London to collect Glut from the Royal Society of Sculptors Gilbert Bayes Award Winners Exhibition - finally over after its extended lockdown.  At the same time, I delivered Accretion for the RSS Summer Show, opening 13 July. It was the first time I’d worn a facemask for covid protection - a requirement for de-installation. I made my own - hand dyed (with avocado pits), hand painted and hand sewn. I thought a pangolin made an appropriate statement about the origins of covid19 and the wildlife/meat trades in China, which I abhor.

Huge thanks to Arts Council England and National Lottery UK for the Emergency Response Fund enabling me the time to be creative and develop skills.  Thanks also to Richard Tomlinson (Ignite Somerset), Jack Offord, Jack Robson, Dave Cable, Caroline Bond, Duncan Simey, John Taylor, 35 mil, S-J White, Jason King, Juliet Lawn, Jennifer Moyes and Carrie Grainger for some of the footage for the film (see top).

Life as a Recluse

Today is the first day of summer, so I’m celebrating with a blog focusing on nature.  I love spring - days get longer, warmer, new life unfurls and there is such beauty in blossom.  But my favourite season is summer.  I adore the sun.  It probably comes from my upbringing in Kenya.  We’ve been so lucky in UK with these blue skies, although watering the fruit and veggies has become a daily task and there is concern about the effects of drought. 

Like so many, I’ve become a recluse.  In my own home and garden I feel safe.  I am not alone, the birds and insects keep me company.  The garden, in particular, has become my world and route to wellbeing, providing me with a deep sense of peace and purpose. There’s so much to do - planting homegrown seedlings, weeding, tidying, creating a fully functioning veggie zone, and digging soil to prepare a space for an outdoor studio bay.   I’ve been selling my surplus rich topsoil to local residents (safe distancing) - a circular economy!  The veggies are coming on nicely. I don't want to use chemical pest control, so have put down copper rings around my raised tyre beds and planted marigolds to keep the aphids off my beans!  The other day I spent hours watching a baby tit in the garden. At one point I thought the neighbour's cat had got it, long story but after an emotional blub, I was overjoyed to find it safe.

Creativity must happen too.  My garden feeds my art and art feeds my garden.  This has formed my self-directed project Life in the Undergrowth.  I’ve been particularly inspired by upturned turf, roots, worms and shoots.  I’ve made drawing tools from natural materials, and a series of maquettes and larger sculptural works are developing.  I was very fortunate to receive Arts Council England Emergency funding so am looking forward to purchasing a micro lens among other useful technical aids to document my discoveries.  I’m allowing the project to evolve organically.

I have appreciated my studio at home.   I’m doing some digital training to broaden the scope of my work.  I’ve started to embed video documentation in my practice, one of the outcomes of lockdown.  Videos attract more traffic on social media, improving audience and networks, though they usually take longer to create.

This covid19 period has made me realise that much of my travel is unnecessary, costly, polluting, stressful and time-consuming.  I will enjoy visiting exhibitions in the future, but make a greater effort to utilise travel and only make journeys that are necessary. Covid19 has catalysed an urgent need to adapt to the growing requirement for online creative provision and engagement.   I completed my online teaching course and will soon be launching my own online course.  Please pass on my details to anyone you think would be interested and suggest they subscribe to my website to hear more. I will be offering a free giveaway as part of the launch!  I think online courses will become more popular in the future.  Advantages of convenience, flexibility, extended reach, instant access, no travel means digital engagement is a sustainable way forward.

I’ve shared my free video resources on BBC’s Get Creative at Home and taken part in the following online art initiatives this past month: shareyoursky - Pound Arts; #artistsupportpledge (sold Mini Dung Beetle and Ball!); RSS Sculptors at Home; RSS #10gramchallenge; 44AD Gallery’s online exhibition A-Z - Between & Enveloped; Anna Souter’s Vegetate; SAW’s Somerset Reacquainted.

Root-inspired piece for 10 gram challenge. This will be cast in bronze at the Milwyn Foundry.

I was interviewed by Art Tour International.  Here’s a link to .the recorded Facebook Live interview with Viviana Puello, based in New York.

Safe distance walks and meet-ups will become more frequent, but I hope the new normal won’t be like it was and that we heed nature’s big message.  

A massive thank you to all of you who have given me and my work so much support! Here’s to nature, summer and happy times ahead! 

Winter News

Last month I plunged into completing a studio renovation project, started earlier this year. Consequently, I have space to breathe and work in my freshened up outbuilding/studio! My welding bay is now sited separately in a converted shed. Storage space is always an issue, but for now, all my large pieces that need weather protection are safely under cover.

I gave a couple of talks about my work - one to an audience of 3rd year architecture students at Bath University. It was an interesting exercise in re-evaluating my practice through a different lens.

I’m excited to have been selected for Art UK’s Masterpieces in Schools programme, 2020 delivery. I will be working with a South West school making sculpture based on one of my pieces on loan to the school for a day. It will be interesting to see which one they pick.

Forthcoming Exhibitions and Courses:

Two of my sculptures have been selected for the Royal Society of Sculptors Gilbert Bayes Award 2019 Winners Exhibition - Glut and Of Bones. The exhibition opens 16 December - 20 March, Mon-Fri, 11am-5pm, Dora House, RSS, 108 Old Brompton Rd, S.Kensington, London SW7 3RA. Private View 18 Dec, 6.30pm (RSVP exhibition@sculptors.org.uk). I’m in great company, the other Gilbert Bayes winners are all excellent and very diverse. I’ve really enjoyed my year getting to know them and attending some inspiring RSS development sessions. Our work will tour to Grizedale Sculpture, Cumbria, from March 2020.

I’m working on a new piece for FIFTY BEES 4: The Interconnectedness of All Things. My work will be associated with the Hoplitis Claviventris welted mason bee, one of 50 bees by 50 artists. They will accompany life-sized felted bees by artist/curator Lydia Needle. I’ve been researching the mason bee’s path of pollination. My piece will be an abstract sculptural installation, essentially reflecting connections of bee to pollen, using recycled materials including foodstuff. The exhibition runs 8 February - 14 March 2020, Black Swan Arts Gallery, 2 Bridge Street, Frome BA11 1BB

I’ll be taking part in Incendiary 2, Pound Arts, Corsham, 19 March - 18 April 2020, curated by Patricia Brien. More news to follow.

Sculpture Course

Happily, my first 5 week evening course making organic sculptures from recycled materials at Frome Community Education went well, so I am running another 5 week Sculpture Course on Wednesdays 6-8pm, from 8 January 2020.  If you’d like to book please visit: fromecommed.org.uk

For other workshops please see Forthcoming Workshops

I’ve been getting inspiration from various sources: I attended a bronze casting workshop at Hauser & Wirth Somerset, my first attempt at bronze casting. I visited Mary Sibande at Somerset House, London, who’s work moved me to tears. I went on an an art walk & talk with James Aldridge and took part in a drawing session with Lydia Halcrow in Bristol, part of A Gathering of Unasked Possibility, Centrespace Gallery, curated by Kelly O’Brien and Judith Rodgers, a memorable experience connecting with each other and our surroundings, particularly nature.

Following the touring exhibition Drawing on Dorset, my work now features in a lovely book on contemporary drawing. I have copies available to purchase if you’d like one: £15 (+pp). It’s a beautiful soft back publication with excellent quality images reflecting a wide range of drawing media and styles by some incredible South West artists. A great Christmas gift ;-)

I also have sets of mixed greetings cards for sale at an offer price of 3 x A5 @ £7; 6 x A6 @ £8 (+pp). Contact me in interested.

Report writing continues for B-Wing, but nearly there!

I’m working on a garden sculpture commission in time for Christmas; hoping to clear the decks by then for some celebration time!

Have a fabulous Christmas!

My hopes are that 2020 brings us to our senses - more green and harmonious ;-)