Over the Summer, I worked with various people on textiles artworks in my garden and locally for an exhibition The Gleaning launching this month.
Earthlings in progress, created by me with community involvement. Test hang in St Peter & Paul’s church
The Gleaning is an inclusive arts project co-curated by Gill Sakakini and me, working closely with writer Polly Hall. For over 5 months, we’ve been working on several large-scale textiles panels concurrently. Each panel has a theme, including Earthlings, War, Peace, Gratitude, Ruth’s Story, Place, Care and Repair, Journeys, Generosity. Stories reflect different styles and cultures using found and recycled materials, all created with involvement of local community. People from all walks of life around Shepton Mallet have joined together in making elements for our collaborative exhibition. Translucent textile and paper artworks will be suspended in front of 11 clear glass windows in Shepton Mallet’s beautiful 12th century church, as part of Somerset Art Weeks’ Festival, supported by events. They combine a range of found objects gleaned from our locality, incorporated into mini artworks, hand-stitched together. Parts have been printed in workshops on fabric dyed with rust, indigo, buddleia, onion skins, tea, and other home-made botanical inks, which I’ve enjoyed developing. Other processes include drawing, collage, tie-dye, batik, appliqué and patchwork on recycled fabric, paper and plastic. Sustainability has been key.
The exhibition launches Thursday 22 September, 6-8pm, open from 23 September-9 October, Mon-Sat 10am-5pm, Sun 12-5pm. Hope you can visit!
See our instagram page @thegleaning_shepton and do follow!
It was an immense privilege to be part of Together We Rise at Chichester Cathedral, an exhibition by members of Royal Society of Sculptors, curated by Jacquiline Creswell. Delighted that London Art Critic Tabish Khan selected it for his Top 5 summer exhibitions! I took down my installation Martyrdom of the Ten Thousand this week. The work related to the plight of pangolins - most trafficked mammal, care and repair. It was sad to leave that wonderful space.
Time playing with ideas in my studio has been precious. I’ve been making small scale 3d sketches with found objects, revisiting the concept of taking a line for a walk and line as life, energy. Entangled Life (Merlin Sheldrake) - a great book about fungi - describes the way mycelium infiltrates roots and other life forms - fascinating and vital. Mycelial ‘highways’ interact across boundaries/species, and can be environmental remediators.
I’m gradually discovering new plant dye colours (iris bulbs produce an intriguing pale lilac grey) and experimenting with bundle-dyeing, a multi-staged process of gathering flowers/leaves, mordanting/fixing, creating the bundle (sandwiched flowers etc in fabric, wrapped round stick), steaming and untying to reveal the imprints.. it’s addictive!
Work in progress inspired by roots and algae hanging into the water at Vobster Quay where I’ve started swimming.
Play is an important element in the process. There’s a synergy between consciousness and chance, allowing intuitive, tacit responses. I’m allowing myself to explore various paths, not necessarily leading to conclusions. Hoping to spend longer hours developing new work over the coming months. Check out my instagram page @fiona_campbell_dycp dedicated to my Arts Council England funded ‘Developing Your Creative Practice’ work.
Deeply saddened by the passing of our Queen, I am so grateful for her support of Arts Council England, and the arts and culture sector in general over so many years, from which I have benefitted along with so many others.
