Finally completed my piece for the Walcot Chapel MA residency after a week making and installing. There's lots of other work too - come along tomorrow 6-8pm for our Open Eve!
For more information about my MA work visit: fionacampbellblog
Art Exhibitions
Research /
My MA continues to absorb me. Research is a main focus this term, I have never got through so much literature in such a short time! I am looking at the 'expanded fields' (Krauss) and blurred boundaries in drawing and sculpture, doing alot of thinking, writing, visiting exhibitions, listening to talks and making samples. I love the alchemy. Inspired by artists such as Eva Hesse in the 60's who defied categorisation, Cornelia Parker (exploded shed; melts down and ‘draws’ the object/s (eg a lead bullet) into wire), Monika Grzymala (see image below: theatrical explosions with tape and paper), Chiharu Shiota (immersive stretched installations) and critics/philosophers e.g. Rosalind Krauss and Peter Osborne, new ideas are slowly formulating.
This month, I will be taking part in the Quartz Visual Arts Festival ’16, ‘Outside In’, 15-22 December at Queens College, Taunton TA1 4QS. This involves a collection of work based on the rural landscape and natural world from over 40 artists and makers in the South West.
I’ve been involved behind the scenes at Black Swan Arts, Frome. The winter exhibition ‘30 Years/30 Artists’ is now running until 24 Dec, our final 30th anniversary celebration of 30 years at Black Swan. Postcard artworks have returned to the Gallery (displayed on a strange pink/silver/pearl tree I cobbled together), this time in secret envelopes at just £10 each - Christmas bargain!
I am also working towards a large piece for ‘Fresh Air ‘17’ in Quenington, Gloucestershire. More news on this later.
Very best wishes for a happy festive season!
Materiality /
My MA course at Bath Spa is all-consuming. I've been engrossed in research and explorative studies, leaving little time to add new posts here. To see what I've been up to, here is a blog/journal, which logs my progress and an image of a drawing I'm working on at the moment: https://fionacampbellblog.wordpress.com
Egg Sacs and Louise Bourgeois /
The arrival of Louise Bourgeois’ exhibition at Hauser & Wirth, Somerset, coincided with the first weeks on my MA course. I had been looking forward to visiting her show, being a huge fan. A few days before, I had been looking at my collection of ‘finds’ (all sorts of natural phenomena) for inspiration. A dried up fish swim bladder and a sponge-like form found on the beach grabbed me as starting points. I want to investigate similar forms in nature, sometimes micro in scale – their form and function. I’m also interested in drawing more – whatever shape that takes – 3-d and 2-d.
Bourgeois’ work struck a chord. Of course I love her Maman Spider, crouched eerily, over-powering the first barn. I was hoping for more sculpture, but strangely it was her etched drawings of plant forms, bodily parts and egg clusters that fascinated me most. Largescale and awkwardly drawn, they have real emotion, enhanced by repetition.
Her forms resonated with my ‘finds’. I have since looked up my sponge-like object on the internet. It seems to be whelk egg sacs! Serendipity, though not so surprising that I was drawn to Bourgeois’ seductive egg sacs. So I have been drawing the sacs with a view to creating 3-d pieces (drawings?) with wire, paper pulp, fibres and other mixed media based on them. Relic of little lives, now entered into the greater cycle.
SAW '16 ends MA begins /
I've started a part-time MA Fine Art course at Bath Spa University. It's never too late! I've wanted to do one for many years, but the time never seemed right. Now it's as right as it will ever be.. so I took the plunge and applied belatedly in early September, amazed that I was accepted onto this year's intake! It's been a bit of a jolt to the system, but am getting the hang of research methodology and all the mouthfuls that go with it. This was going on around the time of preparing and running our Somerset Open Studios event. I shared my venue with Nick Weaver, whose wood pieces harmonised well with my work, especially in the "magical Alice-in-Wonderland like garden/sculpture park" (as one visitor put it). Other visitor comments: "Brilliant - most lovely and surprising and innovative visit of the day"; "Wonderful, positive views of life in all respects"; "Remarkable, inspiring exciting"; "Magic!! An oasis of inspiration! Thanks"; "Absolutely stunning". Our Open Studios event went well - plenty of new enthusiastic, friendly visitors who loved our exhibition, a very wide demographic and several sales. I ran some workshops with a local school, home ed children and adult group, including A' Level Art students. It was busy but rewarding!
