Each project brings with it new challenges. Sometimes several projects run alongside each other and the art of juggling can be a challenge in itself. Some of my roles overlap or interlink. This can be a good way to function, 'killing 2 birds with 1 stone' (though I hate killing), easing the problem of having too many things on the go, but isn’t so straightforward if you don’t want to compromise the work, and it can create a bottleneck time-wise, amongst other complications. I’ve enjoyed working alongside other artists/makers of all ages. I like collaboration - at its best, combined effort multiplies output and result, it's more fun and creatively, one can learn so much from working with others.
The past month has been full-on. With a bit of time to reflect now, here’s a look at what went on in my little creative world (in the bigger world - all I can say in a nutshell is PLEASE CAN WE UNITE AND STOP KILLING).
Teaching, Workshops, Talks, Demonstrations
On 12 June I spent a day at the Hidden Garden Art Show (Maureen Michaelson Gallery, Hampstead), part of Chelsea Fringe Festival where my sculptures were on show with other selected artists, demonstrating my work process, running a drop-in workshop and giving a talk about my work to visitors. Although it poured with rain all morning, the sun brought a magical shimmer and quite a crowd in the afternoon, including Tim Richardson - founder of Chelsea Fringe.
I teach 2 evenings a week at All Hallows Prep School and as I've been involved in the Secret Swans Art Trail (one of Black Swan Arts' 30th anniversary events and part of Frome Festival), I devised a project to involve the children in the Trail. We created a flock of flying swans in wire, which were installed on the exterior wall of Black Swan's historic Round Tower. Inspired by my recent trip to Sophie Ryder's exhibition at Salisbury Cathedral, we used her 'scribbly' technique to add more black areas. It was an effective solution given time constraints. The final lessons getting the work completed was a mission as some children were absent due to end-of-term activities. Thankfully others stood in (special mention: Ellie West and Nick Somerville!). The swans looked like faint drawings, quite lovely and ethereal, though visitors had to look hard to see them.
Preparations for Priddy Festival included some 'birdy notes' as we called them. A team of Mendip Creatives made them from wire and paper, for marquee decor. A large willow hog was also made, led by Angela Morley.
I worked with a couple of schools recently (Bishops Wordsworth & North Town) making wire figures and mini creatures. Bishops Wordsworth was a 2 day slog over to Salisbury in a hire car (my truck was broken) giving 4 x powerpoints/making sessions to 128 children in fairly swift succession. The short sessions of 2 hours per group had limitations, but it's amazing what children can do when focused!
Volunteering Roles
I continue to be very involved in the Black Swan Arts centre as a trustee, especially this year, with its 30th anniversary. We have held several special exhibitions/events to mark the occasion, which have so far been a 'resounding success' (Christina Oswin), with great feedback, overwhelming support from the public, serious funds raised, heightened the BSA profile and engaged the community.
1000 Postcards attracted over 1000 postcard-sized artworks (including 2 of mine) for a massively popular exhibition with over £10,000 of sales so far and visitors galore. Unsold postcards can still be bought online. Preparations for the Secret Swans Art Trail, which followed straight after, grew more intensive. 30 artists in 30 venues around Frome. I made a piece, 'Resurrection', (using reclaimed steel, copper wire, tar, rope and scrim) and sited it by the river. It only recieved slight damage, easily rectified and many positive comments, so am grateful to most Frome residents for their respect! In addition I worked on the All Hallows piece, helped Nick Weaver with the organisation and was largely involved in the PR for these events. They are great examples of a huge team effort by Black Swan volunteers.
I've been involved in various Somerset Art Works meetings, a couple for an exciting new project that might come off next year with Anna Best, and for Somerset Open Studios '16 (17 Sept - 2 Oct). As Rep for East Mendip, I'm keen to make sure we do Somerset proud. I'm part of a cluster group in my area called The Mendip Triangle; we have a specially designed map (by Michel Linthorst) to help direct SAW visitors to our lovely rural Studios in September. Looking forward to seeing this year's SAW guides being delivered next week!
New Work, Exhibitions
I made a new Nest and Mini Dung Beetle & Ball for the Maureen Michaelson Show, in addition to existing work. 'Resurrection' will be sited at the Devon Recycled Sculpture Trail, Teignmouth seafront from 23 July - 4 Sept, and I am now curating our forthcoming step in stone exhibition touring to Salisbury Art Centre (18 Aug - 24 Sept), with Amanda Wallwork's help. 2 of my main outdoor pieces will be on show. If you missed any step in stone artscapes last year, try to visit!
The garden and studio get quite a battering after big projects, so it's time to tidy up! My good intention of simplifying life, with less to clutter the brain is still in the development stage - I hope it will happen one day. In the meantime, the juggling continues!
I completed my steel Bishop last month (see images) for Bishops Palace Gardens, Wells - to be unveiled soon! I was originally asked to create a topiary structure, but as he evolved it was decided the Bishop would remain purely a sculpture. I created him as a 3d linear sketch. He represents a myth about the medieval Bishop Jocelyn of Wells who slayed the Dragon of Worminster, saving the people of Dinder from further ravaging of their children and stock. The Dragon will be made later.
