Flags of the Forest

Flags of the Forest, photo by Russell Sach

I’ll be recreating Flags of the Forest at the Seed Creative Popup, Shop 8, Angel Place Shopping Centre, Bridgwater TA6 3TQ, open to all April 8-13th, 10.30am-4pm.

An immersive installation made from reclaimed and botanically-dyed fabric, wood, metal, and other found materials, the work was originally created at Tremenheere Sculpture Gardens, Cornwall. The eco-flags celebrate the biodiversity of woodlands in hope for a thriving natural world. Visitors can walk among the soft hangings and hard lines, experiencing the interplay of art and sustainability. There will also be a soundscape by Ushara Dilrukshan, adding another layer to the sculptural assemblage.

Alongside the exhibition, I’ll be running a free drop-in workshop on Saturday 12th April, 11am-2pm at the Popup. Be inspired by the installation and enjoy a relaxed, creative space where you can let your imagination wander. The workshop will entail weaving, wrapping and hand-stitching using a combination of recycled textiles and found plant debris to make mini soft hangings. Suitable for ages 6+ (children accompanied by an adult). No need to book.

It would be lovely to see you there!

Riot is developing for One Island - Many Visions. (Above - work in progress: second of a 2-part piece inspired by Sunburst Maritime Lichen (Xanthoria) growing on rocks at Tout Quarry, Portland). I’m creating the work from hand-stitched and woven recycled/waste materials including botanically dyed textiles, wire and beach litter. The multiple layers will be assembled together and exhibited on the rocks at Tout Quarry. Riot is a site-responsive wearable sculpture; each of the 2 parts will be worn and performed during the exhibition (6 September - 31 October). See my previous blog post for the first part of Riot.

Lichens are ancient life forms in symbiosis, composite organisms of algae, cyanobacteria and fungi, exchanging nutrients for minerals and water.  Symbiosis is the rule rather than exception in nature. I’m reading a book I Contain Multitudes: the microbes within us and a grander view of life (Ed Yong).  In fascinating detail it reaffirms the notion that we are not single individuals but ecosystems, all connected.  I’m learning a lot about the microbial kingdom, the ‘messy, fractious, contextual relationships of the natural world’, surprising connections between living beings, and new terms: symbiogenesis, endosymbiosis, holobiont…

I’ve been doing a lot of teaching lately. Pics below of work by participants from my recent Sketchbooking and Eco Sculpture Courses:

and a few by schoolchildren Years 2-6, St Joseph and St Teresa's Primary on the theme of Pollinators:

Upcoming Courses:

Creative Sketchbooking: Wednesdays 2-4pm 5 weeks starting 23 April; 23/4, 30/4, 7/5, 14/5, 21/5; Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. BOOK: here

Eco Sculpture: Wednesdays 2-4pm 5 weeks starting 4 June; 4/6, 11/6, 18/6, 25/6, 2/7; Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. BOOK: here

I have a strong connection with Black Swan Arts, an important cultural hub in Frome. I’ve shown in the galleries several times over the years, ran workshops, been part of the 30 years anniversary events, and also shown children’s art in the Young Open there through my teaching.  I was a trustee for several years, and later on the Programming Committee. A piece I created in collaboration with Angela Morley is still mounted on the Round Tower. The Arts Centre is currently struggling to keep going due to high bills and lack of funding, so they are fundraising. If you are able to support please do, it’s vital to keep this amazing Art Centre alive.

https://edge.justgiving.com/crowdfunding/blackswanarts

Christmas Wishes

Winding down into winter, I’ve been enjoying some quiet solitary making. Working slowly towards an exhibition One Island - Many Visions for next year, with fellow Royal Society of Sculptors members, in collaboration with Portland Sculpture Quarry Trust. I’m interested in Lichen (Xanthoria Parietina) found on rocks at Tout Quarry, their colour, form, and radial growth. Among the oldest living and slowest growing organisms on Earth, the first to colonise new land, Lichen absorb large quantities of carbon dioxide. It seems fitting that my making is a slow, meditative process. I’ve been gathering materials, dyeing recycled fabric with turmeric, onion skins and avocado pits, wrapping and hand-stitching. Looking forward to another trip to Portland this weekend to collect beach litter for the work. Thanks to those who have donated remnants. If you have any spare orange or yellow waste textiles please get in touch!

Drawing on Dorset

Two of my charcoal drawings are currently on exhibition at The Sherborne, Dorset, DT9 3JG, part of Dorset Visual Arts Drawing on Dorset, which has toured venues in the South West. The show is in the Drawing Room and runs daily from 23 November - 23 March.

Sprouting Potato, charcoal on Arches paper

Dandelion Roots, charcoal on Somerset paper

If you’d like to purchase a drawing, please get in touch!

I have 3 pieces on show created from discarded piano parts in The Piano Shop Bath, 1&2 Canton Place BA1 6AA, created for Played and Remade. Available for sale and online.

A few images of my work from Elemental, an exhibition at Sou Sou West Gallery, Bridport, Dorset last month. I showed with Jan Alison Edwards and Ally Matthews.

Maquette I, Above and Below; recycled and found materials

Foreground: work by Jan Alison Edwards; Background: my Stilt Structure II

Nymph; found, discarded, recycled materials: fabric dyed with botanical inks, jute, teabags, paper, oil, rhubarb leaves, wood, wire, wood & other natural debris, hair, shoe inner sole, copper, wax, thread, sisal

Nymph (collage); recycled materials: paper, plant debris, fabric, teabags, cardboard

Foreground: Maquette I, Above and Below; on wall: work by Ally Matthews; Background: Stilt Structure II

My work on show at Elemental, Sou Sou West Gallery

Alongside the exhibition, I ran a weekend Eco Sculpture Workshop with Jan Alison Edwards. Below are pics of some of the wonderful experimentation by participants.

Stilt Structure I (detail); found & recycled materials

Seed Commission

Thrilled to have been commissioned by Seed Sedgemoor to create installations for a popup in Angel Place Shopping Centre, Bridgwater TA6 3QT from February ’25. Martyrdom of the Ten Thousand & Life in the Undergrowth will be showing 18-23 Feb. Flags of the Forest will open 8–13 April.  I’ll be at the Seed Creative Popup, Angel Place 18-22 Feb, and running Eco Sculpture Workshops daily, 11am-2pm. Free, fun, and open to everyone aged 6+ (children with an adult). Do drop in!

Martyrdom of the Ten Thousand (detail), Together We Rise, Chichester Cathedral. Photo by Anne Purkiss

Flags of the Forest, Wander_Land, Tremenhere Sculpture Gardens

Seed’s primary aim is to enable more people in Sedgemoor to actively engage in the creative arts. This activity is supported by Arts Council England via the Creative People and Places programme.

New Courses

To kick off the New Year I’ll be running a series of 5 week Sketchbooking and Eco Sculpture Courses from January onwards via Frome Community Education, day and eves.  Please visit this link to see them all, for further info, and to book.

Also: Mon eve 7-9pm, 24/2, 10/3, 17/3, 24/3, 31/3

Also: Mon morning 10am-12noon, 13/1, 20/1, 27/1, 3/2, 10/2

I’ll also be running my Online Sculpture Course from 13 January - 9 February ’25. Visit this link for further details or email me fionacampbell-art@sky.com. Alternatively, I have an ongoing self-directed Online Sculpture Course available at half the price.

See my shop for hand-made gifts and artworks. And do follow my instagram for regular updates.

If you missed As Old as the Hills, please visit my previous blog.

Looking forward to some time off over the festive break. Wishing you the same, and a very Happy Christmas! X

Ongoing

Design for Flags of the Forest - ongoing work

As one thing ends, another begins… and so we go on.

Thanks to all who visited my recent solo exhibition, supported, and bought work! :-) I had such a special time meeting new visitors and friends, catching up, talking art and all things related. See more about my residency and solo in my previous blog posts.

A few events on the horizon:

I’m involved in the Quantock Poetry Trail, led by Ralph Hoyte, (worked with me in step in stone). We're showing our work in Measureless at Studio 10, East Quay, Watchet, a film comprising spoken word and visual art. My Flags of the Forest was partly inspired by walks with the group, and some of my images and words will feature. It runs 1-23 April. Readings eve: 22 April, 7-9pm.

Join me for 2 Heart-making sculpture workshops this Thursday 6 April, and 4 May, at the Art Bank, Shepton Mallet, 10.30am-12.30pm. Help me create the heart of the Community Spirit living sculpture! We’ll be using found and recycled materials to make the giant’s heart, to be installed in Shepton this summer. No need to book.. Just turn up!

I’m taking part in a Pecha Kucha at Shatwell Farm, Bruton, Somerset on Friday 14 April, 6.30pm. Creatives speak about their practices in quick succession ‘to foster new connections... an opportunity to exchange ideas with one another’. Join us if you can! Book your place here

My work (design above) has been selected for Stone Lane Gardens Sculpture Exhibition 2023, and Ashburner Prize; opening 1 June, it runs throughout the summer. The spectacular 5 acre woodland is on the edge of Dartmoor National Park.

Thrilled to be taking part in Wander_Land this summer, with Royal Society of Sculptors SW group members at Tremenheere Sculpture Gardens & Gallery, Cornwall. We’ll be showing new work about landscape and wandering. Runs 1 July-5 Aug. PV 30 June, 6-8pm. I’m developing Flags of the Forest into an outdoor series for Wander_Land. Sculptural lines and layered fields of colour will be activated by the elements: solid vertical hoists contrasting soft hangings, hand-stitched patchworks of semi-translucent materials that will hang at different heights. This film shows my process so far ↓.

Above and Below, my second (indoor) piece to be shown at Wander_Land

Behind the scenes I’ve been working with the steering group, my focus being PR and our instagram feed. Do follow @wanderland2023 for more..

Thanks to Mark Devereux (MDP) for his sensitive mentoring so far as part of my DYCP award.

For the past year I’ve been art tutoring young people at home. I was delighted that 2 had 6 of their artworks selected for the Black Swan Young Arts Open Exhibition, and 1 won a prize in his age category.

If you’re interested in a 1-to-1 or group workshop let me know!

Other events and links:

I was so glad I got to London last week to catch Cecilia Vicuna’s Brain Forest Quipu and Magdalena Abakanowicz’s Every Tangle of Thread and Rope at the Tate. Both inspired by forests. The latter particularly inspiring: highly dramatic environments of enormous bulky forms, suspended so that ropes spill across the floor, shadows, deep rich earthy tones.. Also saw Maria Bartuszova’s delicate plaster sculptures, wandered around the Object/Materials collection, and visited V & A to see Africa Fashion - a brilliant show!

Attended a tour of The New Bend, Hauser & Wirth Somerset by curator Legacy Russell last weekend, very eloquent.

So sad to to learn of Phyllida Barlow’s death last month. A huge loss to the art world. She was a great inspiration.

A-N report ‘Structurally F-cked ’on the ‘systematically flawed art world… the only people not paid were the artists, the content providers….small fee.. huge workload… the fee per hour worked out as pennies..’

Aerial African Studies by Edward Burtynsky

B-Wing, Contemporary Art in Unexpected Places

Making one of my giant ladder forms. Photo by Jason King

I’ve been focused on the lead up to B-Wing, an ACE-funded arts project in Shepton Mallet Prison I’m co-curating with Luminar Star, alongside 6 other artists.  Fuelled by the idea of presenting art in unexpected places, the prison’s cavernous B Wing will be transformed into an immersive experience.  Curation has been all-consuming, involving a huge amount of fundraising, planning, management, PR/radio chats, meetings…  In tandem, I’ve been making artwork for it. 

The practicalities of making large-scale work is challenging with limited studio space.  Thankfully, we had a good summer, enabling me to work in the garden on sculptural pieces.  I’m grateful to Shepton Mallet Prison for allowing me to take up residency in B Wing’s Servery to develop my artwork, and thanks to Nick Weaver for use of his wood workshop facilities and technical assistance.

I’m making large-scale site-responsive sculptural installations involving dysfunctional rickety ladders, referring to the game snakes and ladders.  Interacting with the space, one will be suspended high up in the skylight of B Wing.  Piranesi’s Tavola VII (The Bridge), from The Imaginary Prisons series, resonates with my concerns around freedom and confinement, the endless human cycle of desire, striving, greed, suffering, and human imposition of nature.   Recycled and found everyday materials - wood, fabric, paper, cardboard, wire, twine, wool - are being transformed into drawings in space.

My skeletal ladder structures refer to precarious lives, dreams, escape.  ‘All realization of potential’ Bachelard observes, ‘is conceived as elevation… depicted as a rising curve.’ Ladders are the imaginary stairways of spiritual ascension, dating back to genesis.  I want mine to appear winglike and bonelike, reminiscent of flight, and extinct animals hung in museums.  They will be translucent in parts, ghostly, dreamlike, surreal.  Layers of reused monochrome collaged newspapers add a frailty, evidence of our consumerist world. In contrast, flesh coloured handwoven and wrapped entrail forms will dangle and entwine around ladders, bewailing the heavy realities of violence, destruction, waste and suffering around us.

The work raises questions - are we all offenders given the state of our world today?

We have numerous free workshops, talks, tours and performances, many come with free get-into-prison tickets. Collaboration is key.  We’ve been engaging community groups making work to be featured as part of our exhibition.  I worked with Whitstone School and adult groups creating collaborative pieces, based around possessions, identity, marking time, time as value, bound. ‘Conversations became the threads that made our connections.’  

Saturday 28th September is B-Wing’s action packed Special Events Day from 10-5.  It will be opened by John McCarthy, renowned writer and broadcaster held hostage in the Lebanon.  The day includes a performative Join in the conversation with Lou Baker and me, Lucy Large’s artist talk, a performance by Luminara Star and Rosie Jackson’s poetry reading.  It will be a day to meet the artists and celebrate. Please come along!

 On National Poetry Day, Thursday 3rd October, 2-4pm, poet Rosie Jackson will lead a poetry performance, 18 Poets in B-Wing, featuring poets from the South West.  On Saturday 5th October, 10-1, I'll be running a family friendly sculpture workshop.  See attached posters (designed by Chris Lee ) and visit: www.b-wing.weebly.com  & social media: @bwing2019

B-Wing opens during Somerset Arts Weeks Festival, 21st September - 6th October, daily 10am-5pm. Reduced entrance (exhibition and prison): £10 adults, accompanied children free.

I’ll be posting about my other projects soon!

Material experiments, exhibitions and open studios

Hello to Winter and the festive season!

I am now in my second (and final) year of my MA Fine Art course at Bath Spa Uni.  It has been a great opportunity to reflect on previous work, find new ways of working and research.  I am still expanding and refining ideas, while continuing the thread of using reclaimed materials. This aspect relates partly to the issue of waste and energy – utilising and recycling.  It belongs to a wider subject of our relationship with matter, nature, and ourselves.  In the series ‘Wonders of Life’ Brian Cox explains that energy is eternal, transforming from one thing to another. There is a connection between everything that has ever lived, and an impact, as in the Chaos theory, or Butterfly Effect.  I see Vitalism as energy in all things, although in Science it is the vital force peculiar to only living organisms.

A mass of frass (insect excretions) appeared around tiny entry points in a piece of found wood (above) in which I had inserted glass tendrils as growths. The frass resemble decaying matter on a holdfast I studied. I find them intriguing, referencing life’s recycling, organic matter as bodily forms. These phenomena have been starting points to further investigations. They led to microscopic studies of frass. Microscopic hidden structures vital to our being reflecting the magnitude of life. These images could easily be rock formations – even meteors.

I have since experimented with annealing and beating copper over molds I carved in wood, based on frass forms. My copper project – exploring the materiality of copper and what happens to it under different conditions – included an experiment with copper electrolysis. The alchemic process is fascinating, I have learnt a little more chemistry and made copper hydroxide as a pigment. Two scrap pieces of copper were connected to a low voltage battery charger, with opposite charges. The electricity splits the ions in salty water. A complex chemical process ensues, involving copper hydroxide, chlorine and hydrogen bubbles. The effects of disintegration and patination are wonderful. The harnessing of elemental energy could become an artwork.

I recently visited the exhibition ‘Italian Influences, British Responses’ at Estorick, London. It was interesting to see current artworks alongside the anti-consumerist 60’s group Arte Povera, who broke with tradition believing art should be inclusive.  In their resolution to fuse life and art, nature and culture, they used everyday materials, often incongruous juxtapositions of mundane manufactured with organic. Their work was about energy and the elements. The exhibition included a piece by Mona Hatoum.  She uses everyday objects arranged to signify displacement and confinement.  In her work domesticity becomes ‘menacing’ (Van Assche).  In a Youtube film she explains her intuitive response to materials. She incorporates body parts eg nails, skin, hair, creating modest hair balls, or hair grids. Through these bodily excretions she transforms materials and meaning.

I also saw Damian Ortega at White Cube Gallery and watched him online. He playfully takes apart and re-assembles components, dealing with fragmentation of objects, time, materiality.  It is a philosophical discourse involving material and message.   I like his encyclopaedic geodes made from old maps, which he layers as shells, suggesting geological time, and his visual essays, which question truth, mass media’s effect on our perceptions and judgements. ‘Learning Scheme’ indexes small thumbnail clay pieces according to their similarities. Some forms are similar in different groups/lines. Like convergent evolution, they seem to morph, some are organic, others more mechanical.  Since then I have been working in clay a little.

Last week we opened our MA studios to the public.  I created an installation for it inspired by the organic forms I have been studying, using found and reclaimed materials, some transformed by me. It was a great gathering and the deadline helped me focus on one thing for a while.

On a more commercial note, to make ends meet, I have just updated my Etsy page: www.etsy.com/uk/shop/FionaCampbellArt. Do have a look – there are some possible gifts for Christmas!

Have a lovely one!