Back in the Swing

My blog is suffering under the weight of too many other things going on!  After a lovely trip to Kenya over Christmas, I returned with tonsillitis, which didn't help my approach to January - one of my least favourite months. However, I have tried to get out, see some art and socialise despite the grotty weather. At the Holburne, Bath I saw the paper cut out piece by Nahoko Kojima (beautifully delicate, but felt it could have been hung lower) and visited Kurt Jackson’s 'Place' exhibition at Victoria Gallery.  Particularly loved some of his larger pieces, contrasts of misty, cold northern Britain and vibrant views of Glastonbury Festival. New Dimensions at the Museum of Somerset is intriguing, a great exhibition in response to the museum collection by fellow artists including Ralph Hoyte, who showed with me during step in stone. His postcard exhibits have a wonderful quirky humour and Chris Dunseath's sculptural responses to cauldrons and skillets captivated me. A recent trip to Hauser & Wirth to see 'Qwaypurlake' and 'Don McCullin' with Mendip Creatives was also very inspiring - some of it mesmerising, questionable, extraordinary, heart wrenching, and I’m looking forward to attending the panel discussion with curator Simon Morrissey and participating artists this Saturday.

I’m still in the process of making a lifesize steel bishop for Bishops’ Palace, Wells – his completion imminent.  He is supposed to be killing a dragon that hasn't been made yet.  Getting the posture right has involved a few sessions drawing and taking photos of friend Nick posing (once in the Bishops's cope) and a vicar at Wells Cathedral, who didn't seem to mind when I spontaneously asked him to pose for me in dragon-killing stance!

Things are progressing with my Chelsea Flower Show commission, which I will be working on with Nick Weaver for landscape designer Sarah Eberle.   I’ve been experimenting with crochet and weaving samples and will soon be starting the 4 metre woven canopy, inspired by Cambodian fishing nets.

As Trustee of Black Swan Arts, I’ve been getting more involved behind the scenes, and excited about our plans to make this year's 30^th anniversary a good one.  Also helping with education aspects including the Black Swan Arts Young Open - such a great opportunity for young people!

And by the weekend the dreaded tax return will be submitted... roll on February!

Sense of achievement

Around this time I normally write a winter newsletter, but it feels like I've only just finished the autumn one!  Time has really flown by.  It's been a very intense and challenging few months for me, full of achievements and not quite burnt out yet!  'step in stone' - an ambitious art in quarries project I organised - took over my life for many months and is now over.  It was incredible seeing it through to fruition, and so fulfilling working with quality artists whose work I admire. Overall, ‘step in stone’ was a tremendous success, very well received by an extremely varied and broadly based audience.  Combining the role of project manager and curator with that of being a participating artist was demanding.  Considering time constraints and my other roles, I feel I achieved a great deal, though disappointed that I could not fully explore more possibilities with my commissioned artwork for the project. 'Cirri' was intended to be more numerous, (based on Fossilised remains of ancient sea life forms).  I relished the opportunity to explore new concepts and media in my piece ‘Eviscerated Earth’ installed at Fairy Cave Quarry – recycled wax, cloth, scrim, paper and wire combined with found, rusty scrap steel collected from quarries.  It linked to the story of Fairy Cave: destruction of caves and beautiful (speleothem) formations within.  I would have liked to create more work for our Black Swan Exhibition - a beautiful show - but management of the project took over and time ran out.

Now that the excitement is over, and I've reached the end of the arduous (but revealing) evaluation process for it, I'm starting to look forward to new ventures and getting inspired.

I visited Ai Weiwei's exhibition at the Royal Academy, London recently.  It's not often art brings tears to my eyes, but his work is so powerful, I was deeply moved.  The cell depictions of his sordid incarceration by Chinese authorities made me feel voyeuristic, angry and amazed at the brilliance of them.

A fortnight ago I sold my Nestling Cocoon to Mark Owen of Take That for an anniversary present to his wife Emma.  I drove from Somerset to North London to collect the piece from Maureen Michaelson (Gallerist), then to Sussex where I delivered it, then back to Somerset, in time to teach my evening art classes... all in a day!

I'm currently working on a life-size steel Bishop commissioned for the gardens at Bishops Palace, Wells, and will then start on a new commission for garden designer Sarah Eberle's Artisan Garden at Chelsea Flower Show 2016, to create a 4 metre square woven canopy.

Other opportunities in the pipeline include showing with Maureen Michaelson again next year for Chelsea Fringe.  In the immediate future, I have been selected to show at the The Grant Bradley Gallery, (1 St Peters Ct, Bedminster Parade, Bristol BS3 4AQ) as part of a mixed show entitled 'Bristol Green Capital in the Frame'. Celebrating and reflecting on the year that Bristol was voted The European Green Capital, it embodies a green theme: recycling, the importance of green spaces and wildlife.  The exhibition runs from 5 Dec '15 - 2 Jan '16.  You're welcome to come along to the Private View: Fri 4 Dec 6-9pm!

In case you've tried viewing my website gallery pages - apologies!  There is a plug-in issue due to server updates, so some images are failing to open.  Hopefully it will be sorted soon!

Autumn News

An update on a few projects I’m involved in, which may be of interest.

An exhibition I took part in via Maureen Michaelson Gallery at GROW London this summer has led to a commission to create a large woven canopy piece for Chelsea Flower Show ’16 as part of Gold award-winning Designer Sarah Eberle’s ‘Floating Gardens of Mekong’ theme.  I am starting to formulate ideas and very excited by it!

I’ve also been commissioned to produce a life size steel Bishop for Bishops Palace Gardens, Wells and hope to have this made and installed by the end of this year.

The excitement and momentum of my main project this year ‘step in stone’ is building up to a crescendo with its third and final step, which will embrace three more venues to make up the final six.  Part of Somerset Art Works Festival 2015 and Momentum programme, step 3 launches on 3rd October to include Black Swan Arts, Frome Museum and the magical Fairy Cave Quarry.  Special performances and events will include Frome-based Artmusic’s ‘ECHO’ sculpture and sound installation at Fairy Cave Quarry (3-18 Oct, weekends, 11-4).  This will be animated by live performances of Artmusic’s BLAST (Sats 3, 10, 17 Oct, 2-3pm).   Bristol Poet Ralph Hoyte has created a poetic ‘sound intervention’ for visitors perambulating around Fairy Cave Quarry’s amphitheatre.  For the Westdown/Asham quarryscape, Ralph has created a downloadable GPS piece for visitors to listen to as they walk through.  The aural word-symphony needs to be downloaded onto your smartphone from Ralph's website before you go to Westdown (ralphhoyte.com - click “SIS link to QR”).

A few of us are running workshops as part of step in stone's Finale and Artist Talks include an insight into the work of internationally celebrated Tessa Farmer, whose fantasy worlds of tiny malevolent fairies, insect wings and taxidermy create an intriguing contrast to the largescale environmental installations by Sally Kidall and weathered stone works of Duncan Elliott.

step in stone is open now and continues until 18^th October 2015.  I attach an invite to the step 3 Preview at Black Swan Arts and Finale Do at Somerset Earth Science Centre. 

Hope you can visit one or more of our venues!

Curating, making and installing for Step 2 - step in stone

It’s been an incredible few weeks, unleashing inner reserves of energy I didn’t know I had! Thank goodness for the unyielding patience and support of partner Nick Weaver, helping me to pull off the installation of Step 2 for 'step in stone' (a project I'm running), while finishing off artwork, getting signage done for 2 venues and co-ordinating it all.  In between, I have been keeping things going at Somerset Earth Science Centre (our Step 1 venue), and maintaining my diatoms, which have been taken over by birdlife and getting mucky in the process! Halecombe and Westdown/Asham quarries are now open daily for all to visit – see Duncan Simey’s wonderful selection of pics from a very rainy Friday.  Jack Offord filmed us for the project documentary – looking forward to seeing the results of that at our Preview evening, 2nd October at Black Swan Arts, Frome.

Below is a selection from our Step 2 installation days and a couple of photoshoots by Duncan Simey taken since.

Finished work by some of the artists at both venues:

My work:

My main pieces - 'Cirri' (last images above) are based on crinoids (see the making process)!   These are ancient sea creatures whose fossilised remains are common in carboniferous limestone and whose descendants can still be found living today. Crinoid tentacles (cirri) are reminiscent of branches, tendrils, feathers or the microscopic pattern of neurons. They cling to the seabed (some now vertical rock faces) by long spiny stems, others are without a stalk but have tentacle legs or long arms, which enable them to drag themselves along.  I'm inspired by the tenacity and diversity of life and similarities of form that occur in different organisms.

Sadly a couple of heavy steel springs (components of my work) have gone missing and other parts tampered with at Westdown – if anybody spots these lurking in the bushes there, do contact me, they might be from my work!

The past fortnight was filled with our workshops, guided walks and talks, held at SESC, Westdown and Halecombe Quarries.  The guided walks, in collaboration with Rosie and Pippa from Somerset Wildlife Trust, were really well attended and greatly enjoyed.  Workshop participants of all ages explored a range of creative approaches related to the project, Sally Kidall’s talk was much appreciated and I was chuffed that my talk for 27 Active Living members received a wonderfully receptive and enthusiastic response.

Last week culminated in a very inspirational performance at Westdown/Asham: Artmusic’s ‘ECHO’ sculpture and sound installation on Saturday 22nd August was animated by live performances of Artmusic’s ‘BLAST’ – a theatrical response to the rock and mechanics of quarrying, with specially composed trumpet music being played from locations which echoed around the quarry.  We had a great turn out and the audience seemed to really enjoy the unique show and setting. “A delightful melange of live and recorded fluttering trumpets grab our attention this way and that while butterflies flit among the stones…. As they move slowly up the valley from stone to stone, always edging closer to melody, we begin to follow, or not, or meander above and below. ..”  Caroline Radcliffe

People brought picnics, dogs, cameras, sketchbooks and the sun was scorching all day!

Can’t wait to download Ralph Hoyte’s GPS Soundwalk ‘ANTICLINE‘ – now available for your smartphone before visiting Westdown.

I'm now working on the next stage for Step 3, which opens on 3rd October at Black Swan Arts, Fairy Cave Quarry and Frome Museum.  Hope you can visit step in stone soon (www.stepinstone-somerset.co.uk)!

Tentacle making

After months of collecting and creating, I'm now in the final stages of my step in stone work for Step 2 at Westdown/Asham Quarry - with just a few more tentacles to make.  Time is short and tentacles are long but I think I'll get there!  Ideally, I would have liked to have made more work but time has constrained. Seeds were my starting point.  Just as they have blown in to fertilise these ancient deserted rocky environments I envisaged large tumbleweed-like structures rolling around, like old man's beard seed heads growing there. Thoughts have evolved around life's energy force, neurons, repeat forms in nature, nature's persistence,  sea creatures (see previous post on Crinoids)...

Rusting machinery and discarded mattress springs left in the quarries, old horseshoes (thanks to Luke Ellis) and other scrap found locally and donated - fossils of the modern era, remnants of past, have provided most of my material to make the work.