Flags of the Forest

Flags of the Forest, photo by Russell Sach

I’ll be recreating Flags of the Forest at the Seed Creative Popup, Shop 8, Angel Place Shopping Centre, Bridgwater TA6 3TQ, open to all April 8-13th, 10.30am-4pm.

An immersive installation made from reclaimed and botanically-dyed fabric, wood, metal, and other found materials, the work was originally created at Tremenheere Sculpture Gardens, Cornwall. The eco-flags celebrate the biodiversity of woodlands in hope for a thriving natural world. Visitors can walk among the soft hangings and hard lines, experiencing the interplay of art and sustainability. There will also be a soundscape by Ushara Dilrukshan, adding another layer to the sculptural assemblage.

Alongside the exhibition, I’ll be running a free drop-in workshop on Saturday 12th April, 11am-2pm at the Popup. Be inspired by the installation and enjoy a relaxed, creative space where you can let your imagination wander. The workshop will entail weaving, wrapping and hand-stitching using a combination of recycled textiles and found plant debris to make mini soft hangings. Suitable for ages 6+ (children accompanied by an adult). No need to book.

It would be lovely to see you there!

Riot is developing for One Island - Many Visions. (Above - work in progress: second of a 2-part piece inspired by Sunburst Maritime Lichen (Xanthoria) growing on rocks at Tout Quarry, Portland). I’m creating the work from hand-stitched and woven recycled/waste materials including botanically dyed textiles, wire and beach litter. The multiple layers will be assembled together and exhibited on the rocks at Tout Quarry. Riot is a site-responsive wearable sculpture; each of the 2 parts will be worn and performed during the exhibition (6 September - 31 October). See my previous blog post for the first part of Riot.

Lichens are ancient life forms in symbiosis, composite organisms of algae, cyanobacteria and fungi, exchanging nutrients for minerals and water.  Symbiosis is the rule rather than exception in nature. I’m reading a book I Contain Multitudes: the microbes within us and a grander view of life (Ed Yong).  In fascinating detail it reaffirms the notion that we are not single individuals but ecosystems, all connected.  I’m learning a lot about the microbial kingdom, the ‘messy, fractious, contextual relationships of the natural world’, surprising connections between living beings, and new terms: symbiogenesis, endosymbiosis, holobiont…

I’ve been doing a lot of teaching lately. Pics below of work by participants from my recent Sketchbooking and Eco Sculpture Courses:

and a few by schoolchildren Years 2-6, St Joseph and St Teresa's Primary on the theme of Pollinators:

Upcoming Courses:

Creative Sketchbooking: Wednesdays 2-4pm 5 weeks starting 23 April; 23/4, 30/4, 7/5, 14/5, 21/5; Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. BOOK: here

Eco Sculpture: Wednesdays 2-4pm 5 weeks starting 4 June; 4/6, 11/6, 18/6, 25/6, 2/7; Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. BOOK: here

I have a strong connection with Black Swan Arts, an important cultural hub in Frome. I’ve shown in the galleries several times over the years, ran workshops, been part of the 30 years anniversary events, and also shown children’s art in the Young Open there through my teaching.  I was a trustee for several years, and later on the Programming Committee. A piece I created in collaboration with Angela Morley is still mounted on the Round Tower. The Arts Centre is currently struggling to keep going due to high bills and lack of funding, so they are fundraising. If you are able to support please do, it’s vital to keep this amazing Art Centre alive.

https://edge.justgiving.com/crowdfunding/blackswanarts

Space/s

I’m looking forward to suspending my large-scale Snakes and Ladders (I) piece in Wells Cathedral and attending the Wells Art Contemporary PV this week! I’ll also be installing a giant Octopus on a 5m wall at Eastover Primary School, after which I can properly get stuck into my residency space in the Loft, above Heritage Courtyard Gallery, Wells.  All very exciting though I’ve been very busy, a bit stressed and feeling quite exhausted. I value those still times for head space and imaginings.

WAC

Having been selected as one of the installation artists for Wells Art Contemporary at Wells Cathedral, my 7m piece Snakes and Ladders (I) will be suspended in the south transept.  I can’t wait to instal it in that magnificent space this week!  

I’ve been very lucky to be able to work on it in a fabulous spacious workshop nearby, thanks to Jen Weaver and Al Crossman for the free space (available to rent - contact tractor.shed). The piece needed repasting and a few other tweaks, so I’ve spent 2 weeks sprucing it up. Thanks also to Nick Weaver for his technical assistance.

Snakes and Ladders (I) in progress

The Private View is this Friday 27 August (do come - PV invite below) and the show runs for a month. 

See previous post for more details about the work.

My work tends to gravitate upwards, downwards, or entwine through - in motion anyway.  There’s a vitality, an ongoingness, entangling or journeying - as with life.  Along these lines, I’m reading Life of Lines by Tim Ingold.

Pyre is off to Taiwan

Packing Pyre, (including counting (85 pieces), weighing, installation instructions and registering shipping on DHL took almost as long as making it!  The work’s going off to the International Biennale, National Taiwan Craft Research and Development Institute this Thursday - fingers crossed the 3 boxes arrive in tact the other end!

Loft Space (above Heritage Courtyard Gallery)

Loving my new temporary workspace in the loft above Heritage Courtyard Gallery, Wells.  It’s giving me some thinking space along with it being physically inspiring, a space to expand, and document work, in between my other projects. I’m approaching it as a short residency, leading to Somerset Open Studios, (18 Sept-3 Oct).  It’s very timely as my relatively cramped studio at home has no power at the moment!

I’ve been drawing roots with oak gall and Indian ink - the start of a series of drawings and sculptural installations.

I’m working on a new piece for an RSS exhibition at Chichester Cathedral next year - title undecided. My work is based on the plight of pangolins. Recently authorities found body parts of 15,000 dead pangolins in hundreds of bags. The slaughter of Pangolins continues.  This poaching, cruelty, slaughter and greedy profiteering from the death of these beautiful endangered creatures is breaking my heart.  Wildlife trafficking is a vile practice, and those who encourage and commission it must be stopped, shamed and brought to justice. Those who poach need to be given a better alternative - educated/enlisted to save not harm wildlife.

Of Anish Kapoor: ‘…bleeds and disgorges its subterranean innards… push boundaries between sculpture and painting into visceral new ground,… ongoing attention to the abjected body… a theme surely intensified in the pandemic era… when the sense of the vulnerability of the body has become a communal experience.’ ArtLyst, July ’21

I thought this description aptly describes what I’m trying to achieve in my new work.

In the gallery below the Loft, there’s a vibrant exhibition: Inside Out with work by Heather Wallace and Rebecca Barnard - come and visit!

Inch by IN:CH

We had a fantastic pop up event at Backwell Playhouse as part of Inch by IN:CH. It was a brilliant opportunity for dramatic lighting on our work. My piece Hope of a Tree was placed to cast interesting shadows for our shadow drawing workshops, led by Shirley Sharp and me. It was so lovely to interact with the public, who seemed to really appreciate the event. There was a great energy; a strong sense of collaboration and deep focus during the drawing sessions. 

I’m creating a slideshow of my work to be published at the end of the Inch by IN:CH project. See my slideshow of all our work for Backwell. (Photos by Linda Ashe; James Thornton).

Our next stop is a pop up event at Found Outdoors, a beautiful woodland in Erlstoke, Wiltshire on 11th September, with events, and then our finale at The Gauge Museum, West Somerset Railway (25 Sept-3 Oct).

Reimagining Nature

A couple of my small sculptures from the entanglement series, and film Life in the Undergrowth are included in Re-Imagining Nature, an exhibition curated by Zoe Li in the newly transformed gallery in Yeovil - open until 11 Sept, Wed - Fri 11-3, Sat 11-5. 

Giant Octopus

I’m on my way to finishing a giant Octopus commission for Eastover School via Spaeda Arts. Made from recycled materials, parts were created in workshops I ran with the pupils.  Looking forward to erecting it on the 5m wall as a permanent feature.

Workshops

My first workshop back at the Holburne Museum for over a year was a success. Small family groups made wire creatures. I also spent a few lovely hours at Five Trees Bowlish running a free sculpture workshop. Thanks to Shepton Mallet Town Council for funding it as part of Summer in Shepton, and thanks to Sue Ayton-Moon for the great venue and facilities, situated in a field near Shepton Mallet. Participants made a range of pieces using recycled, found and natural materials.

Hope to see you at one of my forthcoming events. See a full list here.