Summer Sale and Support

Photo by Jason Bryant

I am fundraising to help pay for 3 events, amounting to £2000. The funds will enable me to:

• build a new shed for art storage, easing workspace in my studio

• support the development of Riot into a performance, by working in collaboration with Melanie Thompson towards a transient happening at Tout Quarry during One Island - Many Visions.

• film documentation of the performance by Andy Ralston.

Donate

The latter two will be part of a new body of work which I plan to show in a future solo. You will be invited to visit all 3! Your patronage will be hugely appreciated and acknowledged. Just a donation of £10 can help me reach my goal!

Riot is a site-responsive intervention at Tout Quarry for @oneislandmanyvisions, and also wearable sculpture. Inspired by Maritime Sunburst Lichen growing on the rocks at Tout Quarry. Created from recycled materials including ocean waste & textiles (some home-dyed with natural pigments), Riot is a reflection on ‘troubled beauty’, Arts Precario, beauty tinged with sadness. Currently working on Riot (part II). Thanks to all who have donated materials including Weymouth and Portland Litter Marine Project, Jane Fox, Caroline James, Victoria Grinter, Marilyn Keemar, Linda Staines, Nigel Evans, Vanessa Lloyd-Jones, Gill Sakakini.

Part of my fund-raising is a SUMMER SALE of work. I’m offering a discount on drawings in my online shop.

Large Moth

COURSES

I recently ran an Eco Sculpture course via Frome Community Education, see below results

New courses start in the Autumn: Please visit these links: Drawing & Creative Sketchbooking 

UPCOMING WORKSHOPS

Eco Sculpture workshop: Hidden Cabin, The Grange, Charlcombe Lane, Larkhall, Bath BA1 8D, Friday 25 July, 10am-3.30pm. Book here

Drawing in Space with 3-d Materials: The Sherborne, Tuesday 5 August, 10.30-4.30pm with luchbreak.

Sculpture Workshop as part of Hauser & With Somerset’s Myths & Machines exhibition, Sunday 21 September, details coming soon on events programme.

TUFTED DUCK

I invited the community to take part in creating a Tufted Duck sculpture at Collett Park Day, Shepton Mallet, for an Eco-Arts Festival Trail ’25. Delighted with lots of engagement. Themed ‘Flock, the trail is about water life and takes place in Shepton Mallet, Cranmore & Doulting during the summer holidays. Look out for sculptures made from re-purposed materials & pick up a trail map from the Art Bank, library, One-Craft  Gallery, Shepton Mallet, or Station Cafe, Cranmore.

Article of interest:

Donald Trump’s Cultural Revolution

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Flags of the Forest

Flags of the Forest, photo by Russell Sach

I’ll be recreating Flags of the Forest at the Seed Creative Popup, Shop 8, Angel Place Shopping Centre, Bridgwater TA6 3TQ, open to all April 8-13th, 10.30am-4pm.

An immersive installation made from reclaimed and botanically-dyed fabric, wood, metal, and other found materials, the work was originally created at Tremenheere Sculpture Gardens, Cornwall. The eco-flags celebrate the biodiversity of woodlands in hope for a thriving natural world. Visitors can walk among the soft hangings and hard lines, experiencing the interplay of art and sustainability. There will also be a soundscape by Ushara Dilrukshan, adding another layer to the sculptural assemblage.

Alongside the exhibition, I’ll be running a free drop-in workshop on Saturday 12th April, 11am-2pm at the Popup. Be inspired by the installation and enjoy a relaxed, creative space where you can let your imagination wander. The workshop will entail weaving, wrapping and hand-stitching using a combination of recycled textiles and found plant debris to make mini soft hangings. Suitable for ages 6+ (children accompanied by an adult). No need to book.

It would be lovely to see you there!

Riot is developing for One Island - Many Visions. (Above - work in progress: second of a 2-part piece inspired by Sunburst Maritime Lichen (Xanthoria) growing on rocks at Tout Quarry, Portland). I’m creating the work from hand-stitched and woven recycled/waste materials including botanically dyed textiles, wire and beach litter. The multiple layers will be assembled together and exhibited on the rocks at Tout Quarry. Riot is a site-responsive wearable sculpture; each of the 2 parts will be worn and performed during the exhibition (6 September - 31 October). See my previous blog post for the first part of Riot.

Lichens are ancient life forms in symbiosis, composite organisms of algae, cyanobacteria and fungi, exchanging nutrients for minerals and water.  Symbiosis is the rule rather than exception in nature. I’m reading a book I Contain Multitudes: the microbes within us and a grander view of life (Ed Yong).  In fascinating detail it reaffirms the notion that we are not single individuals but ecosystems, all connected.  I’m learning a lot about the microbial kingdom, the ‘messy, fractious, contextual relationships of the natural world’, surprising connections between living beings, and new terms: symbiogenesis, endosymbiosis, holobiont…

I’ve been doing a lot of teaching lately. Pics below of work by participants from my recent Sketchbooking and Eco Sculpture Courses:

and a few by schoolchildren Years 2-6, St Joseph and St Teresa's Primary on the theme of Pollinators:

Upcoming Courses:

Creative Sketchbooking: Wednesdays 2-4pm 5 weeks starting 23 April; 23/4, 30/4, 7/5, 14/5, 21/5; Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. BOOK: here

Eco Sculpture: Wednesdays 2-4pm 5 weeks starting 4 June; 4/6, 11/6, 18/6, 25/6, 2/7; Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. BOOK: here

I have a strong connection with Black Swan Arts, an important cultural hub in Frome. I’ve shown in the galleries several times over the years, ran workshops, been part of the 30 years anniversary events, and also shown children’s art in the Young Open there through my teaching.  I was a trustee for several years, and later on the Programming Committee. A piece I created in collaboration with Angela Morley is still mounted on the Round Tower. The Arts Centre is currently struggling to keep going due to high bills and lack of funding, so they are fundraising. If you are able to support please do, it’s vital to keep this amazing Art Centre alive.

https://edge.justgiving.com/crowdfunding/blackswanarts

Riot

Riot, work in progress. Shepton Snowdrops Festival Eco Fashion Show. Photo by Jason Bryant

I had a chance to try out Riot as a wearable artwork in the local Shepton Snowdrops Festival eco fashion show. Thanks to Angela Morley for organising the show. Loved being part of the community event alongside fellow makers and models.

A work in progress for One Island - Many Visions, Riot is inspired by Lichen (Xanthoria) found on rocks at Tout Quarry, ancient life forms in symbiosis. Created from hand-stitched and woven recycled/waste materials including botanically dyed textiles, wire & beach litter.  There will be a transient Happening, a performance in which the human body activates the work.

Last Sunday I revisited Tout quarry, Portland with Seamus Moran and photographer Russell Sach to get a few pics of Riot, as I trialed it in my chosen location. The work will be shown in One Island - Many Visions, an exhibition by Royal Society of Sculptors which will open in September. Thanks to Hannah Sofaer for taking the time out on a Sunday to open the gates and let us drive right up to the location, and to Russell for the photoshoot.

Martyrdom of the Ten Thousand, Seed Creative Pop Up, Bridgwater. Photos by Elliott Morgan

A few evocative detail shots (above) of my installation Martyrdom of the Ten Thousand at Seed Sedgemoor’s popup in Angel Place, Bridgwater last month. I’m hugely grateful to Seed for the commission and their support, and to all those who visited and took part in my drop-in workshops all week. It was such a joy engaging visitors and chatting about the work. Many different responses from happy enchanted faces, to tears of sadness about the plight of pangolins.

Coming soon: Flags of the Forest, an installation from April 8-13th, at Seed Creative Popup (Shop 8), Angel Place Shopping Centre, Bridgwater TA6 3TQ. The work explores the beauty and resilience of nature. Reclaimed and botanically-dyed fabrics are combined with wood, metal, and other found materials. This multi-layered artwork was originally created at Tremenheere Sculpture Gardens, Cornwall. These eco-flags celebrate the biodiversity of woodlands and the hope for a thriving natural world. Visitors can walk among the soft hangings and hard lines, experiencing the interplay of art, sustainability, and sound through a soundscape by Ushara Dilrukshan, adding another layer to this immersive sculptural installation.

I will be running a free drop-in workshop on Saturday 12th April, 11am-2pm at the Seed Popup. The workshop will entail weaving, wrapping and hand-stitching using a combination of recycled textiles and found plant debris to make mini soft hangings. Free, fun, and open to all (children accompanied by an adult). No need to book - just drop in!

I have 2 drawings on show in Drawing on Dorset, The Sherborne, Drawing Room, Dorset, DT9 3JG until 23 March, and 3 pieces in The Piano Shop Bath, 1&2 Canton Place BA1 6AA, all for sale.

New Work in Progress

Stilt Structure II (work in progress), found, recycled & waste materials: wood branches, coir, copper wire, handmade naturally dyed & recycled fabric, leather, plastic netting, polyester stuffing, jute, sisal, wool, thread, nylon tights

I’ve been creating hybrid forms around the notion of resilience, adaptation, making do. These precarious, awkward sculptural assemblages incorporate hand-stitched and woven textiles, which carry histories of land, past lives, labour, craft, trade routes, consumerism and waste. Labour-intensive processes relate to care and repair.

Grateful to Roger Spear for the use of his wood workshop and technical assistance.

As Old as the Hills

I’m co-curating a project As Old as the Hills, rooted in heritage and environment, highlighting issues of sustainability. It culminates in a contemporary art exhibition plus events for SAW Festival in the Bauhaus building, Glastonbury. 10 artists will create site-responsive work, some with the community, developing collaborative art: installation, sculpture, textiles, film, photography, performance. Our artworks will respond to place, deep time, climate change: floods, water pollution, and precarity of the peat bogs. The project will be approached as a collective conversation. We want to celebrate biodiversity in the levels & marshes, re-framing the notion ‘as old as the hills’ as forward-thinking rather than anti-progressive.

Upcoming Drop-in Workshop at Collett Park Day, Shepton Mallet, 8 June, with me & Jan Ollis making simple paper casts and embedding river & sea debris. All day; all welcome! Work made will be part of the final As Old as the Hills exhibition.

Awaiting news on our ACE project grant application; work + events will be scaled according to funds. Visit @as.old.as.the.hills for more about the project and my Artist Instagram Takeover this week.

Played and Remade (launched this week)

Thrilled to be part of a new collaborative art & music project with The Piano Shop Bath. Discarded piano parts have been upcycled and transformed into artworks. My 3 pieces Nest, String Theory, & Starfish are for sale. All artworks are available to view online and in The Piano Shop Bath, 1&2 Canton Place BA1 6AA. See article in The Guardian and visit @playedandremade for more info.

Nest, for Played and Remade

Elysia

In April I collaborated with dance artist Vanessa Grasse on her Elysia R&D project in a residency at Create@#8, Shepton Mallet for a week. We collected materials on walks, hand dyed natural recycled fabric remnants with homemade botanical inks, and made eco sculptural wearable artworks. The work relates to hybridity, interconnection between the human and non-human world. The name’s inspired by Elysia chlorotica, a sea slug with plant-like qualities - living testament to hybridity and symbiosis.

It was fascinating creating sculptural textiles to move with the body, and see elements in action.  We shared work in progress on our last day, encouraged people to make a small part, and were treated to a performance - those watching were transfixed. See more in my previous blog.

Elysia, work in progress

Upcoming

Solastalgia Exhibition, Truro Cathedral, Cornwall, 1-14 July. This follows an excellent publication about Environmental art, edited by Summer Auty.  I’ll be showing Glut and Pyre.

Site visits for future projects

Tout Quarry, Portland; Avalon Marshes; Bridies Mount; Mendip Hills

Take a look at my website additions, and follow my instagram channel for more regular updates

Sack

Sack; found, discarded & recycled materials (mostly from Barreiro post-industrial wasteland and Lisbon): jute, fabric (some botanically hand-dyed), twine, plastic, nylon, polystyrene, rope, wood, wire, thread; 2024. Photo by Celso Rose, PADA Gallery, Barreiro, Portugal

Sack (iteration V). I envisaged my final piece being installed in the site that inspired the work - an abandoned post-industrial wasteland of plastic, concrete and steel debris. Image created by Ellie Foreman-Peck. a virtual rendition of my idea, as it wasn’t possible to install due to logistical and time constraints.

Me with Sack. Photo by Ticiano Rottenstein

PADA Residency Exhibition, Barreiro, Portugal. Photo by Celso Rose

Sack (iteration IV), sited on river Tagus beach. I returned dismantled parts of my stilt structure to where they were found here. Photo by Celso Rose

Sack (iteration II)

Sack stitched together, with stilt structure

Me with stilt structure

Sack (iteration I). Sited as a hanging in the post-industrial wasteland, Barriero, Portugal - the site that inspired the work. Photos above & below by Celso Rose

Sack; mixed media relief collage: discarded objects/materials & graphite rubbings

Sack is a site-responsive artwork, created during my PADA art residency in Barreiro, near Lisbon, Portugal in February. The work evolved in stages, as a response to PADA’s history as a jute warehouse, and the nearby post-industrial toxic wasteland. The bodily form, a container of waste, is made from a hand-stitched patchwork of discarded materials/offcuts I collected in the locality, especially jute sacks. The warp and weft of the weavings reflect grids in urban surrounds. Colours reflect yellow wild flowers and lichen growing on concrete; and reds/oranges of iron and sulphur..

In Ursula Le Guin’s The Carrier Bag Theory of Fiction, she describes the sack as ‘belly of the universe.. a ‘womb.. tomb…. unending story.’ It follows Elizabeth Fisher’s The Carrier Bag Theory of Human Evolution:. She suggests ’the first cultural device was probably a recipient’ (rather than a spear/stick). Symbol of a softer story. It matters what stories you tell (Donna Harraway).

I loved the residency. It was an intensive month working in a spacious studio alongside other residency artists, exploring the area, and utilising waste materials. My work was documented/filmed in sites relevant to its development, thanks to Celso Rose, and exhibited in our final residency exhibition. Days were long, many hours spent collecting found materials in the industrial park and along river Tagus beach to use in the work; back and forth with trolley loads.. I made a short film of this process (below). The tall stilt structure was made from found wood and rope from the beach. A new process for me was weaving found/to-hand materials into artworks, which became part of the larger piece, hand-stitched together to form the giant sack. They were laborious processes, and at times I wasn’t sure it would all pull together.

Our exhibition Private View event was a great success. It was lovely to see an old schoolfriend, Sonia there, and I’m grateful for the feedback I received from visitors. At the end of the residency, after de-installation, I placed the raft section of my stilt structure on the wall at PADA studios (pic 13 in grid below). I’m extremely grateful to Tim Ralston for hosting and for his technical support, all the artists involved for their comradeship and help, and Tania Geiroto Marcelino for curating the show. Sack is a living sculpture that will adapt, perhaps grow, according to future sites.

Current and upcoming exhibitions and projects:

Casting Shadows ACEarts Somerton, Somerset TA11 7NB;  2 March - 6 April (Tues-Sat), with Royal Society of Sculptors members.

Stilt Structure I; found, recycled & waste materials: wood, bark, coir, copper wire, leaves, pod, grass stems, charred feathers, fabric, plastic netting, polyester stuffing, jute, tennis ball, sisal, khadi paper, wool, thread, coffee beans, cardamom seeds, nutmeg pods, rice, nylon tights, oil; 2024

Sustainable Art Open, Atkinson Gallery, Somerset BA16 0YD. Book a free slot here to visit. Open 9:30am-5pm, 21 Feb - 21 March (Closed Sun - Tues). Tel: 01458 444322.

A giant collage installation with text spanned the galleries of the Baptist Chapel during the Shepton Mallet Snowdrops Festival in February.  Themed ‘Nature Unbound’, the work was created in a workshop with me, Polly Hall, and community, installed by Georgia Freely. Photos below: 1-4,6,8 Andy Ladhams; 5,7 Kirsten Madeira-Ravell

Excited about an upcoming collaboration with dance artist Vanessa Grasse. We will be working together in a residency over a 5 day period to create sustainable wearable sculptures for Vanessa to perform with as part of her choreographic project Elysia.

I’m co-curating an art project As Old as the Hills with Jan Ollis. Residencies will lead to an immersive exhibition with 10 artists + events in the Zig Zag building, Glastonbury for Somerset Art Weeks Festival ’24.

Back to teaching at Bath College. If you’re interested (or know someone who is), do sign up to my next Love 2 Learn Sculpture, Painting, Drawing or Life Drawing courses.

Please follow me on Instagram for more regular updates and images.

Have a wonderful Easter!