Christmas Wishes

Winding down into winter, I’ve been enjoying some quiet solitary making. Working slowly towards an exhibition One Island - Many Visions for next year, with fellow Royal Society of Sculptors members, in collaboration with Portland Sculpture Quarry Trust. I’m interested in Lichen (Xanthoria Parietina) found on rocks at Tout Quarry, their colour, form, and radial growth. Among the oldest living and slowest growing organisms on Earth, the first to colonise new land, Lichen absorb large quantities of carbon dioxide. It seems fitting that my making is a slow, meditative process. I’ve been gathering materials, dyeing recycled fabric with turmeric, onion skins and avocado pits, wrapping and hand-stitching. Looking forward to another trip to Portland this weekend to collect beach litter for the work. Thanks to those who have donated remnants. If you have any spare orange or yellow waste textiles please get in touch!

Drawing on Dorset

Two of my charcoal drawings are currently on exhibition at The Sherborne, Dorset, DT9 3JG, part of Dorset Visual Arts Drawing on Dorset, which has toured venues in the South West. The show is in the Drawing Room and runs daily from 23 November - 23 March.

Sprouting Potato, charcoal on Arches paper

Dandelion Roots, charcoal on Somerset paper

If you’d like to purchase a drawing, please get in touch!

I have 3 pieces on show created from discarded piano parts in The Piano Shop Bath, 1&2 Canton Place BA1 6AA, created for Played and Remade. Available for sale and online.

A few images of my work from Elemental, an exhibition at Sou Sou West Gallery, Bridport, Dorset last month. I showed with Jan Alison Edwards and Ally Matthews.

Maquette I, Above and Below; recycled and found materials

Foreground: work by Jan Alison Edwards; Background: my Stilt Structure II

Nymph; found, discarded, recycled materials: fabric dyed with botanical inks, jute, teabags, paper, oil, rhubarb leaves, wood, wire, wood & other natural debris, hair, shoe inner sole, copper, wax, thread, sisal

Nymph (collage); recycled materials: paper, plant debris, fabric, teabags, cardboard

Foreground: Maquette I, Above and Below; on wall: work by Ally Matthews; Background: Stilt Structure II

My work on show at Elemental, Sou Sou West Gallery

Alongside the exhibition, I ran a weekend Eco Sculpture Workshop with Jan Alison Edwards. Below are pics of some of the wonderful experimentation by participants.

Stilt Structure I (detail); found & recycled materials

Seed Commission

Thrilled to have been commissioned by Seed Sedgemoor to create installations for a popup in Angel Place Shopping Centre, Bridgwater TA6 3QT from February ’25. Martyrdom of the Ten Thousand & Life in the Undergrowth will be showing 18-23 Feb. Flags of the Forest will open 8–13 April.  I’ll be at the Seed Creative Popup, Angel Place 18-22 Feb, and running Eco Sculpture Workshops daily, 11am-2pm. Free, fun, and open to everyone aged 6+ (children with an adult). Do drop in!

Martyrdom of the Ten Thousand (detail), Together We Rise, Chichester Cathedral. Photo by Anne Purkiss

Flags of the Forest, Wander_Land, Tremenhere Sculpture Gardens

Seed’s primary aim is to enable more people in Sedgemoor to actively engage in the creative arts. This activity is supported by Arts Council England via the Creative People and Places programme.

New Courses

To kick off the New Year I’ll be running a series of 5 week Sketchbooking and Eco Sculpture Courses from January onwards via Frome Community Education, day and eves.  Please visit this link to see them all, for further info, and to book.

Also: Mon eve 7-9pm, 24/2, 10/3, 17/3, 24/3, 31/3

Also: Mon morning 10am-12noon, 13/1, 20/1, 27/1, 3/2, 10/2

I’ll also be running my Online Sculpture Course from 13 January - 9 February ’25. Visit this link for further details or email me fionacampbell-art@sky.com. Alternatively, I have an ongoing self-directed Online Sculpture Course available at half the price.

See my shop for hand-made gifts and artworks. And do follow my instagram for regular updates.

If you missed As Old as the Hills, please visit my previous blog.

Looking forward to some time off over the festive break. Wishing you the same, and a very Happy Christmas! X

Stilt Structures, As Old as the Hills

A year in the making, As Old as the HiIls has now ended, and with it, my series of Stilt Structures - for now anyway. The project prep began in November ‘23. I became more and more immersed in the project, which I co-curated. It’s been exhausting but exhilarating. So heartened by the quantity of visitors, level of engagement and feedback during our final exhibition and events, part of Somerset Art Weeks Festival ‘24. We had a fantastic Exhibition Launch, incredible turn out with Mayor Lokabandhu opening the event. Entrancing performances by Di Milstein aka Miss Smith, and dance/vocal performance by Katherine Ashworth/Melanie Thompson. We closed last weekend.

Photos above by Jo Hartley

My series of Stilt Structures imply precarity, adaptability and resilience; the work responds to the Zig Zag’s history and Bauhaus architecture. Over the past few months I developed several large site responsive pieces, and smaller sculptures, collages and drawings.

Stilt Structure III, Found, discarded, recycled materials: chicken wire, steel, paper, cardboard, wood, leather, fabric, jute, bark plastic, plant debris, sheep wool, and glue, 365 (h ) x 185 x 185cm. Photo by Jo Hartley

Stilt Structure II, Found, discarded, recycled materials: wood, steel, jute, handmade naturally dyed & recycled fabric, leather, plastic netting, polyester stuffing, old sponges, copper, wire, coir, sisal, wool, thread, nylon tights, vegan leather scraps, 175 (h) x 80 x 65cm. Both photos above by Roger Spear

Photo by Russell Sach

Photo by Russell Sach

Stilt Structure I, Found, discarded, recycled materials: wood, bark, coir, copper wire, leaves, pod, grass stems, charred feathers, fabric, plastic netting, polyester stuffing, jute, sisal, khadi paper, wool, thread, coffee beans, cardamom seeds, nutmeg pods, rice, nylon tights, oil, 108 x 48 x 78cm. Photo by Jo Hartley

Photo by Jo Hartley

Sack, Found, discarded, recycled materials (sourced mainly from marshes, rivers, beaches, industrial wastelands): jute, fabric (some harvested from local plants botanically hand-dyed), twine, plastic, nylon, polystyrene, sisal, rope, wood, wire, thread, 305 (h) x 275 (d) x 190 (w) cm. Photo by Roger Spear

Photo by Jo Hartley

Raft, Found wood and other natural debris, twine, sisal, wire

Photo by Jo Hartley

Nymph, Found, discarded, recycled materials: fabric dyed with botanical inks (2000yr old bog oak and yew, avocado pits, turmeric, onion skin, buddleia..) jute, teabags, paper, oil, rhubarb leaves, wood (incl 2000yr old bogwood), wire, wood, leaves, bark & other natural debris, hair, shoe inner sole (found by river near Zig Zag), copper, wax, thread, sisal, 151 x 60 x 60cms

Nymph (detail)

Nymph (detail). Photo Susanna Bauer

I approach my work as assemblages, using a sculptural bricolage of recycled and found materials. Maquettes and collages are a great way to work through ideas spontaneously.

One of our aims was to appeal to young people. We were especially pleased to have so many under 20’s join in and visit. It was such a joy to see participants visit the show and feel part of it.

Fossilised Fragments: Hangings I, II, III, Miscellaneous found debris (mainly sourced from local rivers & beaches), handmade papers, cellulose paste, linseed oil, Community collaboration, created in workshops with Fiona Campbell & Jan Ollis with children from West Pennard & St Benedicts Junior Schools, & participants at Collet Park Day

Foreground: Fossilised Fragments: Casts, Handmade paper, cast from miscellaneous found debris, mainly sourced from rivers, beaches and bogs - one piece 2000yrs old, Community collaboration, created in workshops with Fiona Campbell & Jan Ollis with children from West Pennard & St Benedicts Junior Schools, participants at Collet Park Day

It’s been wonderful working with such an exciting group of creatives and wider community. Thanks to all involved in the project: co-curator Jan Ollis, and other 8 artists Madi Acharya Baskerville , Nikki Allford, Duncan Cameron, David Kefford, Di Milstein, Penelope O’Gara, Catriona Robertson, Richard Tomlinson, venue owner Chris Black & team Zig Zag, patrons, volunteers (especially Jo Hartley, Andy Ralston, Roger Spear, Nigel Evans), participants, visitors & online supporters.

Thanks to patrons: The Arts Society, a local charitable trust, Gane Trust, Chris Black, Chris Lee, Shepton Mallet Town Council, Curator Space, Somerset Art Works, Paddy O’ Hagan, Chrisi & Simon Kennedy, Ben Malin, Blue Cedar PrIntworks, Red Brick Building, Dr Richard Brunning, Natalie Watson, SPARK Somerset

And steering group: Freeny Yianni (Close Ltd), Damon Bridge (RSPB), Carol Carey (Somerset Art Works), Paddy O’Hagan (WAC)

Listen to ‘Heart of the Art’ (Show 2), Be Somerset, and Rob Bayly Somer Valley FM radio show (01:05:15 - 01:19:24) for some behind-the-scenes insights, and see this lovely short film about my work by Gillian Taylor.

Comments from visitors:

‘..work was outstanding’. Dallas

‘Loved all of it.’ Sam & Imilia

‘..highlights the importance of our surroundings. Amazing, magical’ Susie

‘Absorbing, enchanting. Sue

‘Heaven’ Gill

‘Stunning Show. Magical performances..’ Kristen

‘Fabulous - everything.’ Rachel

‘Ambitious, very exciting to see all these creaturely beings emerging and receding’ Fiona

‘The best show in Somerset. Excellent’. Gary

‘Absolutely amazing exhibition and space. The most intriguing work I have seen in a long time.’ Deborah

‘..Great curation, all the works are converging and humming with life’ Elaoise

‘Absolutely superb exhibition - loved it’ Simon

‘Very interesting use of found materials’ Marietta

‘Incredible space, enhanced by a spectacular and varied show - perfect pairing’ Sue

‘Quite extraordinary’ Alicia

‘Just wonderful… love the contrasts and similarities in the work and the way they speak to one another. It’s like a conversation. Very thought provoking..’ Lou

‘Brilliantly emotional and ecological’ Barbara

‘Wonderfully creative and considered collection of work. Loved how it sits within the building, site and landscape and that you collaborated with the local community. Very inspiring and beautiful work..’ David

‘Utterly fabulous..’ Solange

‘Could have stayed all day’ Jinny

‘the light and historical patinas and surfaces have all chimed so well with the work’. Duncan

‘As Old as the Hills was an amazing show, totally brilliant’ Rebecca

If you didn’t see the show and are in/near Glastonbury later this month, pop in to the Mayor’s Dresses project, where you will see a few of our larger pieces still there amidst the dress on show!

Total participants/interactive audiences: 391; visitors during Somerset Art Weeks Festival: 1000

Further information: As Old as the Hills

Upcoming

Elemental Exhibition
Some of my smaller works will be showcased in Elemental, Sou Sou West (Symondsbury Estate, Bridport, Dorset DT6 6HG), opening Saturday 19 Oct. I’ll be showing sculptures, drawings, collages and maquettes alongside Jan Alison Edwards & Ali Matthews. Open 19 October-10 November, daily 10.30-3.30. Meet the Artists’ 19 Oct, 1-4pm.

As part of this exhibition, I will be leading some day and weekend Eco Sculpture Workshops with Jan Alison Edwards at West Bay DT6 4EL on 2/3 & 9/10 Nov - see eventbrite to book

The Landscape (Re)View II exhibition at Brewhouse, Taunton is now over. I enjoyed leading a taster drop-in workshop and taking part in an artists-in-conversation session. My work is still showing on The Wall at Landscape (Re)View I at Musgrove until 28 October.

I was invited for interview about my work by Textiel Plus for the Dutch magazine’s latest edition, themed up and recycle. See my press page to read the article..

If you’re looking for some creative sculptural inspiration and guidance, please take a look at my ongoing online sculpture course (self-directed) and visit my instagram feed for regular updates.