Christmas Wishes

Winding down into winter, I’ve been enjoying some quiet solitary making. Working slowly towards an exhibition One Island - Many Visions for next year, with fellow Royal Society of Sculptors members, in collaboration with Portland Sculpture Quarry Trust. I’m interested in Lichen (Xanthoria Parietina) found on rocks at Tout Quarry, their colour, form, and radial growth. Among the oldest living and slowest growing organisms on Earth, the first to colonise new land, Lichen absorb large quantities of carbon dioxide. It seems fitting that my making is a slow, meditative process. I’ve been gathering materials, dyeing recycled fabric with turmeric, onion skins and avocado pits, wrapping and hand-stitching. Looking forward to another trip to Portland this weekend to collect beach litter for the work. Thanks to those who have donated remnants. If you have any spare orange or yellow waste textiles please get in touch!

Drawing on Dorset

Two of my charcoal drawings are currently on exhibition at The Sherborne, Dorset, DT9 3JG, part of Dorset Visual Arts Drawing on Dorset, which has toured venues in the South West. The show is in the Drawing Room and runs daily from 23 November - 23 March.

Sprouting Potato, charcoal on Arches paper

Dandelion Roots, charcoal on Somerset paper

If you’d like to purchase a drawing, please get in touch!

I have 3 pieces on show created from discarded piano parts in The Piano Shop Bath, 1&2 Canton Place BA1 6AA, created for Played and Remade. Available for sale and online.

A few images of my work from Elemental, an exhibition at Sou Sou West Gallery, Bridport, Dorset last month. I showed with Jan Alison Edwards and Ally Matthews.

Maquette I, Above and Below; recycled and found materials

Foreground: work by Jan Alison Edwards; Background: my Stilt Structure II

Nymph; found, discarded, recycled materials: fabric dyed with botanical inks, jute, teabags, paper, oil, rhubarb leaves, wood, wire, wood & other natural debris, hair, shoe inner sole, copper, wax, thread, sisal

Nymph (collage); recycled materials: paper, plant debris, fabric, teabags, cardboard

Foreground: Maquette I, Above and Below; on wall: work by Ally Matthews; Background: Stilt Structure II

My work on show at Elemental, Sou Sou West Gallery

Alongside the exhibition, I ran a weekend Eco Sculpture Workshop with Jan Alison Edwards. Below are pics of some of the wonderful experimentation by participants.

Stilt Structure I (detail); found & recycled materials

Seed Commission

Thrilled to have been commissioned by Seed Sedgemoor to create installations for a popup in Angel Place Shopping Centre, Bridgwater TA6 3QT from February ’25. Martyrdom of the Ten Thousand & Life in the Undergrowth will be showing 18-23 Feb. Flags of the Forest will open 8–13 April.  I’ll be at the Seed Creative Popup, Angel Place 18-22 Feb, and running Eco Sculpture Workshops daily, 11am-2pm. Free, fun, and open to everyone aged 6+ (children with an adult). Do drop in!

Martyrdom of the Ten Thousand (detail), Together We Rise, Chichester Cathedral. Photo by Anne Purkiss

Flags of the Forest, Wander_Land, Tremenhere Sculpture Gardens

Seed’s primary aim is to enable more people in Sedgemoor to actively engage in the creative arts. This activity is supported by Arts Council England via the Creative People and Places programme.

New Courses

To kick off the New Year I’ll be running a series of 5 week Sketchbooking and Eco Sculpture Courses from January onwards via Frome Community Education, day and eves.  Please visit this link to see them all, for further info, and to book.

Also: Mon eve 7-9pm, 24/2, 10/3, 17/3, 24/3, 31/3

Also: Mon morning 10am-12noon, 13/1, 20/1, 27/1, 3/2, 10/2

I’ll also be running my Online Sculpture Course from 13 January - 9 February ’25. Visit this link for further details or email me fionacampbell-art@sky.com. Alternatively, I have an ongoing self-directed Online Sculpture Course available at half the price.

See my shop for hand-made gifts and artworks. And do follow my instagram for regular updates.

If you missed As Old as the Hills, please visit my previous blog.

Looking forward to some time off over the festive break. Wishing you the same, and a very Happy Christmas! X

Zig Zag Residency & Artist Bursary Award, As Old as the Hills

Work in progress. Photo by Richard Tomlinson

I’ve been working in the Zig Zag building, Glastonbury, constructing some of my stilt structures for As Old as the Hills, a project I’m co-curating with Jan Ollis.

I’m interested in placing art in unusual spaces that bring their own atmosphere. The Zig Zag is unique; an iconic example of Bauhaus architecture, light floods in through long banks of windows which span both lengths of the building. I’m thrilled to be using it as a residency and exhibition space, collaborating with such a great selection of artists, and community.

My series of Stilt Structures imply precarity, adaptability and resilience; treading the earth lightly. Stilt dwellings, built to avoid floods, exist on edges of safety around the world; precarious, fragile structures in unstable environments that might collapse. Somali nomads carry their homes - elaborate bundles - on overladen camels (symbols of adaptability, endurance, trade routes). The Landes stilt-walkers of 19thC adapted to their marshy environment. The work also refers to the ancient timber Sweet Track built 3800BC, Avalon Marshes. The walkway, constructed on diagonal sticks, was a way for humans to traverse boggy marshland, once submerged under sea.

My work responds to the Zig Zag building: its history as Morlands sheepskin/leather factory, the verticals/horizontals of its Bauhaus architecture and Bauhaus textiles. I’ve sourced materials from marshes, rivers and beaches, and harvested local plants to dye fabric remnants. Bound, wrapped and hand-stitched, the bundles carry politics of textiles: history of trade, colonisation, mass production, and wasteful fashion industry. In our increasingly unstable climate of floods, famine, extinctions, gyres of waste escalating in the name of ‘progress’, my hybrids - part vessel, house, creature - are past and future imaginings.

Thanks to my neighbour Roger Spear who has been a great help to me with constructing and installing, and Chris Black (Zig Zag) for all his support. Also to Nigel Evans and others who have dropped by to give a hand.

I’m really thrilled and so grateful to have been awarded a Curator Space Artist Bursary to support the development of my new work for As Old as the Hills.

You are welcome to attend our Exhibition Launch on Saturday 21st September, 10 - 5. After party from 5pm

The project and preparations for our Exhibition Launch are going well.  Artists are now working on the final stages of work in residencies at the Zig Zag.  One of our artists, Cat Robertson, has been staying with me, and it has been inspiring working and getting to know her. Our Launch opens at 10am with events happening throughout the day, starting with the opening by the Mayor of Glastonbury, a dance response to the work  at by Katherine Ashworth and Melanie Thompson 11am , followed by a comedic performance by Di Milstein 11.30am, then a talk 2.30pm by Damon Bridge (RSPB/project partner).  Or do come to the exhibition any day 10-5 between 21 Sept-6 Oct , part of Somerset Art Weeks Festival.

Upcoming workshops as part of As Old as the Hills:

Drop in or email: fionacampbell-art@sky.com

Book via Eventbrite

Artists in Conversation, Tuesday 24 Sept, 6.30pm,, £5

Layered books Workshop with Penelope O'Gara and Fiona Campbell, Saturday 28 September, 2-4pm, £12

Workshop working with found feathers, owl pellets, plant & river weed pressings with Duncan Cameron, Sunday 29 September, 2-4pm, £12

'Living on the Edge’: Talk by Zig Zag owner Chris Black, blurring boundaries between urban & rural, Sunday 29 September, 6pm, £10

Pyre is currently on show at Royal Society of Sculptors Summer Show: ‘Reality Check’, Dora House, 108 Old Brompton Road, London SW7 3RA, 22 July- 21 Sept,

I have an upcoming exhibition Elemental at Sou’ - Sou’ -West, Bridport with Jan Alison Edwards and Ally Matthews (19 Oct-10 Nov), so am making new work for this

I’m offering an online Sculpture Course (self-directed) - great value at only £40. Do share!

Hope to see you at one or more of these events!

Post Christmas Sale and Sculpture Course

My next Online Sculpture Course runs 10 Jan-13 Feb 2022. Aimed at adults with mixed abilities, the 5 week course is designed to inspire you to get creative with nature-inspired sculptural work using found and recycled materials, including wire. Visit this link to find out more and see my showreel.

COST: £80
TO ENROL email: fionacampbell-art@sky.com

You’ll receive further info + a free tools list

Book now as places are limited!

Testimonials:

‘Brilliantly delivered by Fiona, through her weekly blogs/zoom and Whatsapp presentations…’ Gina Glover

‘Clearly structured and catered for all abilities… my creativity is much more free-flowing and is absolutely blossoming as a result’ Sarah Herfet

‘Friendly, guiding and inspiring... This has had a significant impact on my practice as an artist.. a joy’. Nicky Oram

Do share this with anyone you think would be interested.

Iris Roots, charcoal on Somerset Paper, 76 x 57cm

I want to highlight some of my favourite pieces in my online store and let you know about my post Christmas sale, which lasts until midnight this Friday 31 December. I’m offering 10% discount on all purchases via my shop, and I’ll also be donating 10% of product sales to Save Pangolins this month. So, with your purchases you’ll not only be getting a slice of me at a reduced price, but also helping to stop trafficking and slaughter of these precious creatures - the most trafficked on earth, tragically slipping away to extinction.

Use this DISCOUNT CODE at checkout to get your 10%: FIPROMO21. Please take your time to explore everything the shop has to offer. Enjoy!

The Fall

The Fall (detail) - work in progress

The changing seasons here in UK are a poignant reminder of life’s cycle.  Falling leaves reveal skeletal structures of trees, signifying loss, decay, repression.  In this beauty there is sadness, but also hope and promise.

In Cranmore woods, where rusty autumn leaves thickly cover the ground, I found a couple of fallen trees.  Ripped from the ground, their exposed roots are a mass of interconnecting lines.  My drawings led to new sculptural work, in progress. 

Playing with lines, The Fall is a drawing in space using locally sourced, to-hand-materials: steel rod, copper wire, found wood, wool, sisal, leaves… I’ve been collecting feathers - picking them up wherever I go.  Waxing and burning them produces interesting results.  I’m thinking about Icarus, roots, life’s interconnectedness and lines that ‘give us life.’ (Life of Lines, Tim Ingold).  I’m reading a book The Overstory (Richard Powers) about trees, connections and human/nature conflict.  My thoughts often return to Donna’s Haraway’s phrase staying with the trouble - sticking with the entanglements of life.

Shepton On Show 

Last month I was involved in Shepton On Show - a community event organised by The Art Bank, involving window performances around Shepton Mallet.  I had fun creating a large scale backlit performative drawing in the window of One Craft Gallery in 2 hours, linked to The Big Draw.  Made with egg ink on paper (170 x 180cms), people watched it emerge, alongside other performances. 

The slideshow documents the event from prep drawing to live version.  It was inspired by my @life_intheundergrowth project. 

Exhibition News 

3 film stills from from my film Life in the Undergrowth are showing in the Being Human New Worlds Exhibition.  The work was displayed outside Queen Mary University of London last week and is currently online.  The exhibition shares people's experiences of Covid-19, and the Festival reflects on the radical global changes of 2020, from the Covid-19 pandemic to the Black Lives Matter protests and US election.

Our Somerset Reacquainted exhibition at Somerset Rural Life Museum, Glastonbury has been extended until 16 January. Once lockdown has lifted, do try to visit if you can, it’s a very moving experience.

Shop

I have developed a little sideline making small copper bowls, each annealed and hammered, plus other copper goodies, ideal for Christmas gifts and copper wedding anniversaries. The bowls are on sale at Hauser & Wirth Somerset’s new Durslade Farm Shop, Somerset, where you can buy locally made quality artisan eco products and foodstuffs.  Very pleased that they are selling well :-)

I’ve added a Shop to my website, which includes these, together with affordable drawings, small sculptures, prints and cards.  Enjoy a browse and if there’s anything you’d like to see added, please get in touch.

A few projects and exhibitions are in the planning stages for 2021. As part of an artist group IN:CH (Incubation Chamber), we are excited with developments for our travelling exhibition next year.  Inch by IN:CH is an artist-led project bringing contemporary art out of the protected space of studios and galleries and into communal areas of our everyday lives.  Small-scale works in cases will be transported from place to place, migrating outwards in a spiral. Artists will engage with local communities through workshops, talks and performances.  We’re seeking match-funding prior to our ACE application.  If you’re able to support in any way do please get in touch.

Next Online Sculpture Course

After the success of this year’s Online Sculpture Course, I’m running one from 11 Jan - 14 Feb ’21. It’s a 5 week course to create a nature-inspired sculpture using found & recycled materials. Aimed at adults, art students, teachers and those who want to get creative, it’s suitable for mixed abilities.  This showreel gives you a flavour of my work and Introduces the course.  Places are limited so book now if interested! To enrol (and receive your free tools list) e: fionacampbell-art@sky.com . It might make a nice Christmas present ;-)

I am thrilled to be featured in The Arts Society winter magazine about my sculpture workshops with art teachers! It was great to be involved in the initiative!

I was invited to run a wire sculpture bugs workshop at Preston School, Yeovil last week.   I really enjoyed being back in school working with young people face to face after so many months.  Students made a lovely range of small creatures.

Stay safe!

New Film, Open Studio

Preparations for Somerset Open Studios. Photo: Seamus Nicolson

During the past few months, starting in the extraordinary silence of lockdown, I created a project LIfe in the Undergrowth.  I’m excited to have just completed a film as the final outcome (watch below).  In contrast to creating sculptural installations, I’m very much at the beginning of my crossing into digital technology and film-making. This film documents my isolation project and represents my first serious experiments with film-making.

Life in the Undergrowth, Digital Film - duration 10:33 mins. Audio: The Healing, Sergey Cheremisinov

Special thanks to Arts Council England/National Lottery Emergency Response fund, Richard Tomlinson (Ignite Somerset) and Jack Robson for their support.

Time Capsules, found objects: rusty nails, plastic, ceramic fragments, glass bottles, wood, chain, teeth, bones, plant debris, lead..

In advance of finishing the film, I created Time Capsules. The found objects are attached to each other with fine copper wire, like a net, suspended on a steel structure. They were excavated from the earth in my garden, each with a story - some known and others a mystery. During lockdown I dug up a lot of soil to make space for a studio bay. Some of the objects were buried quite deep... eg: giant molars from a large animal (horse, cow, sheep, rhinoceros..?!)  I borrowed the title from a phrase Cornelia Parker used to describe her work. The objects represent a moment in time, and time passing. Everything is connected. I love the shadows, which enhance the concept of time, memory, drawings, space.

For more about the project visit Instagram @life_intheundergrowth.

My Life in the Undergrowth project will be showing alongside some of my other work during Somerset Open Studios, opening next weekend (19 Sept - 4 Oct).  You’re welcome to visit by appointment.  This sunny start to autumn is perfect for a wander in the fresh air of my garden, and safe measures will be in place in the studio: Venue 70, West Cranmore, BA4 4RH. T: 07515537224 or E: fionacampbell-art@sky.com

Glimpses of work for Somerset Open Studios. Photos: Seamus Nicolson

To see other venues visit the SAW map

My work will also be showing at Somerset Rural Life Museum for Somerset Reacquainted. The exhibition involves 63 Somerset artists’ responses to lockdown, and brings together digital images, films, writings, objects and artworks.  Open 19 Sept - 21 Nov, Wed-Sat, 10-5 (pre-book, entrance fee applies).   There will be a series of podcasts.  I’ll be talking with other artists on Fri 2nd Oct, 6-7pm - hope you can join us.

I’ve been creating online resources and workshops for various creative projects, including SAW, Art UK and Make the Sunshine (image below). Links on my Workshops page.

Last month was taken up with running my 5 week Online Sculpture Course. I had an inspiring group of people from different parts of UK and Europe.  I was thrilled with their responses, energy, imagination resourcefulness and enthusiasm. The range of processes and different outcomes was amazing (see below)! If you’re interested in doing the course next year please email me your contact details and visit instagram #onlinesculpturecourse2020.

Images (above): work by participants: L to R clockwise: Gina Glover, Nicky Oram, Jenny Graham, Sarah Herfet

Images (above) L to R:  Nicki Davey, Louise Wood, Belinda Cooper, Nicky Oram, Diana Terry, Gina Glover, Sarah Herfet, Louise Wood, Trudy Smith, Karen Chard, Sonia Hulejczuk, Maxine Alexander

Quotes from participants:

My confidence has blossomed..  I've soooo enjoyed this course! Sarah Herfet

This course gave me the inspiration and… impetus to actually… create something.  It also gave me ideas that I wouldn’t otherwise have thought about. Nicki Davey

It was a joy to find books and ideas which connected my experience as a maker within the context of contemporary fine art. Diana Terry

It has been a joy making and sharing. Nicky Oram

Brilliantly delivered by Fiona, through her weekly blogs/zoom and Whats App presentations. Gina Glover 

It’s the last week of the Royal Society of Sculptors Summer Exhibition - if you’re in London don't miss it! The Exhibition has been guest curated by Robert and Nicky Wilson, founders of Jupiter Artland. I visited it in August and loved it! It’s a really vibrant, playful visceral show with a range of large and smaller intriguing works. My piece Accretion is a tentacular form - a metaphor for waste. The show is on until 18 September, Mon-Fri, 11am-5pm, Royal Society of Sculptors, 108 Old Brompton Road, London SW7 3RA

It would be great to see you at my Open Studio.

Keep well :-)