I’m preparing for Somerset Open Studios (16 Sept - 1 Oct). My studio and garden will be open to visitors at Venue 12, Cranmore BA4 4RH, daily 10-5. Thanks to East Somerset Railway for allowing me to use their engine shed for some small scale metal fabrication.
Wander_Land (Tremenheere Sculpture Gardens & Gallery, Penzance, Cornwall) is now over. It was such a joy to work together with colleagues from Royal Society of Sculptors. Creating, installing, and working behind the scenes has been all-consuming. It was lovely to have others’ responses to the work; feedback has been rewarding and encouraging. Flags of the Forest was challenging and ambitious in scale. People found it emotive, apocalyptic, tribal, hopeful, ephemeral, rapturous, joyous, ‘extending line out into the world.. with a sense of survival’… (Listen to my podcast with Doug Burton). The show ended with a Closing Event: talk/demo by Jane Fox, and performances by Barbara Beyer, Dallas Collins, Ann-Margreth Bohl and Tabatha Andrews.
My work was about caring for the environment, valuing every small thing, life’s entanglements. Sited on a hill overlooking the sea and St.Michael’s Mount, stormy weather was quite harsh on my outdoor piece, but I learnt to let go. Fading colours, wear and tear became part of the work. Tibetan prayer flags (reused in the work) are allowed to disintegrate over time. Tibetans believe the prayers will be spread by the wind and bring goodwill and compassion to all beings. Mine were made in honour of nature (esp. trees, forests..) to celebrate its resilience, despite our destructive, greedy tendencies, and repair a degrading world. There is hope that we might all join forces and make amends. It would be interesting to create a piece of work that intentionally invites the wind to do its tangling.
Thanks to: Neil Armstrong, owner of Tremenheere Sculpture Gardens for his support; Martin Holman who helped with curation and his excellent text; Steering Group (Seamus Moran, Ann-Margreth and Mark Richards). Special thanks to Shey and Jo Moran for their wonderful hospitality; Shey and Pauline Antram for helping with my takedown, and James Vane for excellent transportation.
Road trips
I’ve been taking some time off to pause, reflect, get inspiration, and reconnect with people. I ventured to art exhibitions and venues further afield, some I’d never visited, and have enjoyed meeting up with fellow practitioners and friends.
Above: 1 Fay Ballard, Lines of Empathy, Close Ltd; 2 Deborah Duffin, If Not Now, When, Hepworth Wakefield; 3 Cornelia Parker (“); 4 Raisa Kabir, Bluecoat, Liverpool; 5 Antony Gormley, Crosby Beach, Liverpool; 6, 7 Julien Creuzet, Tobacco Warehouse, Liverpool; 8 Albert Ibokwe Khozas Tobacco Warehouse; 9 Fachima Rodrigo Tate Liverpool; 10 El Anatsui Tate Liverpool; 11 Leonardo Drew, Yorkshire Sculpture Park; 12 Phyllida Barlow, Leeds Art Gallery; 13 Leeds Art Gallery; 14 Sonia Boyce, Leeds Art Gallery; 15 Gilbert Bayes Award Winners exhibition, The Art House; 16, 17 Anselm Kiefer, Finnegans Wake, White Cube; 18 Frances Carlile, WAC, Wells; 19 Will Cruikshank, Threads, Arnolfini Bristol; 20 Alice Shepherd-Fidler, Studio.
Loved Liverpool, now one of my favourite cities - such an impressive fusion of contemporary and heritage architecture, friendly people and a vibrant contemporary art scene, especially during the Biennial, this year curated by Khanyi Silembongwa. The Kiefer show at White Cube, London, reminds me of my (much smaller) collected hoards of scrap materials and how I can use and reuse old works for new beginnings.
My drawing Iris Roots, charcoal on Somerset paper, is entered into the London Graphic Centre exhibition and prize. The People’s Choice award is open for your vote until the end of Wed 16 Aug. If you like it, please vote for no 32 https://www.londongraphics.co.uk/peoples-choice-award-entries
Do also visit my online shop to purchase my work. Prices are going up soon…
Hope to see you at my Open Studios!