Flags, Crowns, Costumes, Giants

Flags of the Forest in progress

I hope you’ve been enjoying the May bank holidays (with extra coronation one for those of us in UK). I spent it with friends in North Cornwall (see pics at end). Flags, Crowns, Costumes and Giants have been recurring themes lately…

I’m working on my Flags of the Forest series - eco-flag pieces inspired by woodlands.   Some have different qulities/themes and hoping they’ll speak to each other.  I’ve used labour-intensive methods such as hand-stitching, weaving, and hand-made eco dyes to celebrate biodiversity, hopeful of nature being more cared for, and thriving. Placed in the landscape near Tremenheere’s woodland, and reflected in a water feature, the flags become way markers. The concept was inspired by Ursula Le Guin’s book title ‘The Word for World is Forest’. Woods and forests provide vital ecosystems - crucial to our survival.

The work’s being developed for Wander_Land. Follow our weekly instagram @wanderland2023 artist takeovers by Royal Society of Sculptors members leading up to our exhibition at Tremenheere Sculpture Garden and Gallery, 1 July - 5 August, (PV 30 June 6-8pm). 

I’m involved in an ACE funded project to create a processional giant puppet ‘Sovereign Nature’ via Spoken World, for upcoming Somerset festivals in June/July.  ‘Built by a professional giant maker Jem Dick, Sovereign Nature’s costume will be created with textile artist Fiona Campbell, project director/storyteller Sharon Jacksties and community groups. ‘ I’m creating parts of the costume using recycled/found materials.  Currently working on the oak copse crown/headdress comprising handmade leaves, and eco-dyed fabric.  We are holding several community workshops.  These start in May - one at Create@#8, (8 Town Street, Shepton Mallet BA4 5BG) on Tuesday 23 May, 6-8pm, run by me and project leader/storyteller Sharon Jacksties.  This free community workshop is to help make a large recycled fabric river train.  The making process will include storytelling and sharing stories about Nature - reviving the age-old practice of telling/listening whilst making.  The more hand-stitchers the merrier, so do join us!  We’ll also be doing some drawings of Somerset's endangered creatures on fabric for the giant’s dress sleeves   Book: eventbrite

Listen to a BBC radio chat about the project (3:16-3:36)

Sovereign Nature Events: 10/6 Taunton Green Fair, Castle Green, Museum of Somerset, Taunton; 11/6 The Green Scythe Fair, Thorney Lakes; 15-16/7 Pitchfolk Festival, Sedgemoor. Plus various residential care homes..

I led a flower-crown workshop for Jack in the Green via The Old Stores Studio on May 1. High Wire Mystic Chris Bullzini was the master of ceremony, always a pleasure to witness. The cloak he wears was made last time by me and the community.

I also made a crown for my local village church (St. Bart’s) for the coronation, and installed the work with Gill Sakakini.

Yesterday I installed my piece House on Fire at Stone Lane Gardens for Stone Lane Sculpture Exhibition, part of the Ashburner Prize. It opens 1 June and runs throughout the summer. The theme is ‘Sense of Place’. Thanks to Jason Nosworthy for his help with the install!

House on Fire, reclaimed materials: found wood, wire, steel, twine, fabric, plastic..

Other news:

Honoured to have been invited to join the board as a Trustee at Somerset Art Works. I was a Rep ’13-’19.

A few sketches done on my mini break in North Cornwall. We did some gorgeous coastal walks around Rock, The Rumps, Padstow, and Daymer Bay.

Pics below include a heart-making workshop I ran for a Community Spirit giant - to be installed in Shepton Mallet this summer; prepping work for Flags of the Forest; and London exhibitions (Mike Nelson at Hayward & Souls Grown Deep.. at RA)

Solo Exhibition extended, and Eco Sculpture Workshop

solo exhibition, photo by Russell Sach

Over 60 people joined me last Saturday at the Opening Event of my solo exhibition, the culmination of a 3-week residency in the large empty shop space (Create@#8, Shepton Mallet, Somerset ).  I've been developing work related to our natural world, and its continuous entanglements, (part of my Arts Council England DYCP award, which also supported my recent research trip to Kenya).   I’ve loved my residency - it was a luxury being able to spill out, expand and respond to the space, with its wonderful pale pink plaster walls and exposed ceiling structures. I managed to ‘complete’ a new sculpture and other pieces.  I’ve now transformed the space into a gallery, comprising sculptural installations, drawings, collages, sketchbooks and the in-between - a range of suspended, wall-mounted and free-standing works.  An evocative soundscape enhances the experience, created in response to my work by Ushara Dilrukshan. Massive thanks to Amanda Hirst and Gill Sakakini (SMart CIC) for their support during my residency. Thanks to all who attended my Opening, to Polly Hall and Jack Robson for helping at the bar, and Doug Siddons for kindly loaning his sound system. And I’m immensely grateful to photographer Russell Sach for his superb photos of the event.

I’d love you to come to my exhibition, now extended for another week, open Monday-Saturday, 11am-4pm, until 25 March.

Solo Exhibition, photos by Russell Sach

Visitor comments include:

'I really enjoyed discovering your work yesterday, being able to turn the pages of your sketchbooks, see your process and walk around your wonderfully poetic installations.’

‘Stunning new exhibition by Fiona Campbell.. launched today, which really takes advantage of this new gallery space. Both the building and Fiona’s work are deconstructed and reconstructed into thought provoking and inspirational new forms, immersed in a mesmerising soundscape by Ushara Dilrukshan.’

‘Fabulous exhibition. You’ve made a gallery of evocative, found, salvaged things. Love the hanging down and reaching up’.

‘..Fiona Campbell's work.. was surprisingly moving… it seemed to pull me in, coupled with the background soundscape, the piece that particularly drew me was ‘The Fall’.  Based on the myth of Icarus, the burnt feathers dangling from the branches somehow spoke of sadness but also the hope of transformation; there was so much life & hope in walking around these pieces.’

‘..thought provoking and beautiful in an unexpected way’

‘Very engaging… love the hangings’

‘Beautiful work using nature and recycled elements to portray something deeper. Really enjoyed the music in the background too, fitting the tone for the pieces.’

Last chance to book a space on my Eco Sculpture Workshop!

Alongside my exhibition I’ll be running an Eco Sculpture Workshop on Saturday, 18 March, 2-4pm.

https://www.eventbrite.co.uk/e/eco-sculpture-workshop-tickets-524375831227

It was fun to chat to Matt Faulkner on BBC Radio Somerset, 15 March

https://www.bbc.co.uk/sounds/play/p0f4mrkv.   Listen from 3:44-4:02

‘Human exploitation of nature and the climate crisis dominate Fiona Campbell's work ‘

Delighted with this article about my work by Fiona Keating on Creative Boom’s website:

https://www.creativeboom.com/inspiration/fiona-campbell/

Thanks to Theresa Simon for the introduction, which led to an interview.

Delighted to have my work selected for Stone Lane Gardens 2023 Sculpture Exhibition/Ashburner Prize.  The exhibition runs throughout the summer from June.  The last time I exhibited in these beautiful gardens was over a decade ago. 

Other Current and Forthcoming Exhibitions:

Darkness to Hope, Atkinson Gallery, Millfield, Street, Somerset BA16 0YD, 27 Feb-30 March, Mon-Thurs 9.30am-5pm

Measureless, East Quay 1-23 April. Launch 1 April 6-8pm. Readings eve: 22 April 7-9pm. Linked to the Quantock Poetry Trail led by Ralph Hoyte.

Wander_Land, Tremenheere Sculpture Gardens & Gallery, Cornwall.  New work by Royal Society of Sculptors SW group about landscape and walking, 1 July-5 Aug

Flags of the Forest, Residency, Exhibitions, Workshops

Flags of the Forest (in progress). Photo by Russell Sach

Happy New Year (I think I can still say that as it’s still January, just)!

Knuckling down to studio work has been a priority this past month. I’m developing new work as part of my Arts Council England ‘Developing Your Creative Practice’ Award. The award supports a year’s development, including my recent research trip to Kenya (see film), and mentoring with Mark Devereux Projects - which helps motivate me. I’m working on several pieces, leading to upcoming shows, including a residency/solo exhibition in a large empty space, Create@#8, Shepton Mallet, and Wander_Land at Tremenheere Sculpture Gardens and Gallery, with Royal Society of Sculptors this summer.

Inspired by walks in woodlands, I’m creating a series of Flags of the Forest. The flags celebrate bio-diversity, hopeful of nature being more cared for, and thriving.  These involve a combination of sculptural lines and fields of colour in space - hand-stitched patchworks of semi-translucent fabric and plastic remnants.  Some I’ve botanically dyed, eco-printed or embedded with found objects collected on walks.

I’m really grateful to photographer Russells Sach for visiting me last week for a photoshoot in my studio. It was a great opportunity to test out how the separate elements of my Flag pieces work together (and have a tidy up!).

Flags of the Forest (in progress). Photos by Russell Sach

Woods and forests provide vital ecosystems - crucial to our survival. Trees and their underground connections with mycelia fascinate me. Trees inspire awe, such slow-moving tolerant beings with ancient energies. My labour-intensive process is key to the work. Care and repair, making do, reusing, avoiding wastefulness. The binding, weaving and hand-stitching is cathartic, a form of suturing - healing through making.

If you have any green fabric/old clothing you’d like to get rid of, please let me know. I can collect if in the Somerset area.

Collage for Above and Below - a sculpture I’m developing

Botanical-prints on khadi paper, created after watching online demo with Suzanne Ledesma-Sikkerbøl

I plan to create a dyers garden. This will take time, so while I set up, I’m on the look out for certain leaves and flowerheads (unwanted) for eco-printing eg: eucalyptus leaves, african daisies, chocolate cosmos, dahlias, coreopsis, madder root… If you’re able to save me any of these, please get in touch!

During my residency at Create@#8, 20 Feb-10 March. the space will be open to visitors on Fridays and other days by appointment.  From 11-19 March, ongoing work will be showcased in a solo exhibition (Mon-Sat 11am-4pm, 8 Town Street, Shepton Mallet BA4 5BG). The Opening Event is Saturday 11 March, 2-4pm - save the date, I’d love you to come!  There will be a compositional soundscape in response to works by Ushara Dilrukshan. I plan to show a range of suspended, wall-mounted and freestanding works in the empty shop space, including a few pieces from my Life in the Undergrowth project. All welcome! 

I have some workshops you might be interested in (pics below of one I ran last weekend):

Join me in creating small snowdrop-inspired sculptures as part of Shepton Mallet's Snowdrop Festival on Friday, 17 Feb, 2-4pm, at The Art Bank Cafe, 13 High Street, Shepton Mallet BA4 5AA. Supported by Snowdrop Festival. Tickets £5. Book: eventbrite.

Shepton Reflections: a FREE one-day art and creative writing workshop with me and Polly Hall, Fri 3 March, 10am-4pm at Shepton Mallet Library. Using written word, poetry, botanical dyes and textiles we’ll make a suspended artwork featuring the Market Cross.  Supported by Shepton Mallet Town Council. Book: eventbrite.

Linked to my exhibition at Create@#8, I’ll be running an Eco Sculpture Workshop on Sat, 18 March, 2-4pm. Tickets: £18. Book: eventbrite.

Very happy my piece Entangled VI was selected for an exhibition Darkness to Hope at Atkinson Gallery, Somerset, opening 27 Feb. For more details please visit current and forthcoming events.

Looking forward to Spring!

Art and Community

My focus this past month has been The Gleaning, a community art project I’m co-curating with Gill Sakakini. It’s thrilling to see all the installations looking so fabulous in the church windows, and to receive such wonderful reception. it’s been a huge success - all-consuming, as usual with ambitious projects involving numerous strands and people. We had a great Launch on 22 September, opened by Rt Rev Bishop Ruth Worsley (of Taunton, and Bath & Wells Diocese), and have since had excellent attendance at our exhibition with numerous events almost daily, still ongoing. This weekend is the finale of our exhibitions/events, part of Somerset Art Weeks Festival.  The project has been rewarding in many ways, and I’ve enjoyed collaborating with so many different people.

Open Sat 10-5, Sun 12-5, St Peter & Paul’s church, Shepton Mallet, Church Lane BA4 5BW

Events

Sat 8th Oct, 3pm, "Song & Celebration" - Local School Choirs perform a specially-commissioned song for The Gleaning with a balletic response by dancer Joe Ducille

Sun 9th Oct, 8-10pm, Evening at the Gleaning. A celebration: poets, musicians and artists share their responses to The Gleaning

We’ll reopen for Shepton on Show next Friday evening, 14th October 6-8pm.
We’ve had some excellent publicity. This evening (Fri 7 Oct) I’ll be chatting to Jenna on BBC Somerset Radio at 6.10pm 95.5FM, if you fancy listening in!

To see the development of the project visit instagram page

Thanks to supporters including Shepton Mallet Town Council, The Arts Society Wessex Area, Diocese of Bath & Wells, Glastonbury Festivals, Tesco, The Eaton Fund, Cranmore Parish Council and Chrisi Kennedy.

Special thanks to Polly Hall, Bella Frey, Chris Lee, Rosalind Teesdale-Ives, Lizzie Britain, Steve Bruce-Jones, Alastair Bolt, Dominic Weston, Mark Adler, Vaughan Ives, Martyn Sheppard, Jenny Short and Beacon Photography Group. And thanks to the many people who joined us in the making process, and who donated recycled materials to the project. The project relied on a great deal of time, labour, goodwill and voluntary work. We have a donate button on the website if you’d like to support.

Do visit if you can!

Curators Gill Sakakini & Fiona Campbell, with Polly Hall, Shepton Mallet church. Photo Vaughan Ives

ACE Developing Your Creative Practice Award

I’ve been researching Kenyan artists in advance of my trip to Kenya later next month. Have also been sketching, walking, stitching, and gathering a few more ideas. Visit my DYCP instagram page for details.

The Gleaning

Over the Summer, I worked with various people on textiles artworks in my garden and locally for an exhibition The Gleaning launching this month.

Earthlings in progress, created by me with community involvement. Test hang in St Peter & Paul’s church

The Gleaning is an inclusive arts project co-curated by Gill Sakakini and me, working closely with writer Polly Hall. For over 5 months, we’ve been working on several large-scale textiles panels concurrently. Each panel has a theme, including Earthlings, War, Peace, Gratitude, Ruth’s Story, Place, Care and Repair, Journeys, Generosity. Stories reflect different styles and cultures using found and recycled materials, all created with involvement of local community. People from all walks of life around Shepton Mallet have joined together in making elements for our collaborative exhibition. Translucent textile and paper artworks will be suspended in front of 11 clear glass windows in Shepton Mallet’s beautiful 12th century church, as part of Somerset Art Weeks’ Festival, supported by events. They combine a range of found objects gleaned from our locality, incorporated into mini artworks, hand-stitched together. Parts have been printed in workshops on fabric dyed with rust, indigo, buddleia, onion skins, tea, and other home-made botanical inks, which I’ve enjoyed developing. Other processes include drawing, collage, tie-dye, batik, appliqué and patchwork on recycled fabric, paper and plastic. Sustainability has been key.

The exhibition launches Thursday 22 September, 6-8pm, open from 23 September-9 October, Mon-Sat 10am-5pm, Sun 12-5pm. Hope you can visit!

See our instagram page @thegleaning_shepton and do follow!

It was an immense privilege to be part of Together We Rise at Chichester Cathedral, an exhibition by members of Royal Society of Sculptors, curated by Jacquiline Creswell. Delighted that London Art Critic Tabish Khan selected it for his Top 5 summer exhibitions! I took down my installation Martyrdom of the Ten Thousand this week. The work related to the plight of pangolins - most trafficked mammal, care and repair. It was sad to leave that wonderful space.

Time playing with ideas in my studio has been precious. I’ve been making small scale 3d sketches with found objects, revisiting the concept of taking a line for a walk and line as life, energy.  Entangled Life (Merlin Sheldrake) - a great book about fungi - describes the way mycelium infiltrates roots and other life forms - fascinating and vital. Mycelial ‘highways’ interact across boundaries/species, and can be environmental remediators.

I’m gradually discovering new plant dye colours (iris bulbs produce an intriguing pale lilac grey) and experimenting with bundle-dyeing, a multi-staged process of gathering flowers/leaves, mordanting/fixing, creating the bundle (sandwiched flowers etc in fabric, wrapped round stick), steaming and untying to reveal the imprints.. it’s addictive!

Work in progress inspired by roots and algae hanging into the water at Vobster Quay where I’ve started swimming.

Play is an important element in the process.  There’s a synergy between consciousness and chance, allowing intuitive, tacit responses.  I’m allowing myself to explore various paths, not necessarily leading to conclusions. Hoping to spend longer hours developing new work over the coming months.  Check out my instagram page @fiona_campbell_dycp dedicated to my Arts Council England funded ‘Developing Your Creative Practice’ work.

Deeply saddened by the passing of our Queen, I am so grateful for her support of Arts Council England, and the arts and culture sector in general over so many years, from which I have benefitted along with so many others.