Spring News

Flags of the Forest, Seed Pop Up, Angel Place, Bridgwater. Photos 1-5 (above & below) by Kate Pearce

Flags of the Forest was re-created as a site-responsive installation in an empty shop space in Angel Place, Bridgwater last month, commissioned by Seed Sedgemoor. I so enjoyed spending time with the installations, welcoming and speaking to visitors, hearing their perspectives and watching their interactions. I had many stimulating conversations about art, trees, animals, recycling and ‘rubbish’ we can creatively transform. Thanks to those who visited.

I’d created a few additional elements and adaptations since its first placement in ‘23 was outdoors at Tremenheere Sculpture Gardens. Being in the space all week gave me more time to consider the work and receive thoughtful feedback. I’m galvanised to add more to this installation in the future.

The commission was focussed on actively engaging people in the creative arts. I was present daily and ran a drop-in workshop. I’m hugely grateful to Seed for the commission, and for their support. It was a fantastic opportunity to recreate my 2 installations (the other in February) in the space and see them hang in a different setting/light. Each install felt a bit like a residency.

Considering Art Podcast

It was a real pleasure talking to Bob Chaundy recently about my work for his Podcast series Considering Art. We had a conversation about my background and inspiration, and how environmental issues are at the heart of my work, materials and processes. I’m grateful to Bob for inviting me. You can listen here:

Check out other artist interviews here

The Arts Society Wessex Area

Delighted to have been granted some funds by The Arts Society Wessex Area towards delivering a workshop (date TBC) for One Island - Many Visions, plus towards costs for the exhibition catalogue & symposium. I’m currently developing work for this show in Portland (6 Sept - 31 Oct). The exhibition is a collaboration with Portland Sculpture and Quarry Trust and fellow members of the Royal Society of Sculptors. I’m also working behind the scenes in the Steering Group.

My piece Riot is inspired by Maritime Sunburst Lichen (Xanthoria Parietina) growing on the rocks at Tout Quarry, their colour, folds, and radial growth. Ancient life forms of fungi, algae, and cyanobacteria in symbiosis. Created from recycled materials including beach waste, Riot is a reflection on ‘troubled beauty’, Arts Precario. Labour-intensive processes of weaving, wrapping and hand stitching refer to line as energy, tentacularity, thread as the universal component of the cosmos. A site-responsive intervention at Tout Quarry, Riot is also wearable sculpture, There will be a performance in which the human body activates the work during the exhibition.

Riot, being trialled at Tout Quarry. Photo by Russell Sach

I’m now working on the second part to it.

Spring Clean

Feeling cleansed after a big studio clear up (see below: last 2 images of the mess before..)! For a while I’ve been working anywhere but my studio, which had become a dumping ground for stuff as projects mounted up. Although I have a studio outbuilding - historically the laundry building for my village - I prefer working out in the garden especially when it’s sunny. I use a separate shed for metal/woodwork, and grateful to a neighbour Roger Spear who lets me use his large workshop for occasional jobs. Roger passed on to me an old catering tray/trolley, which I transformed into a storage shelving unit with plywood offcuts, and used some repurposed marquee poles and wood blocks to make a folder rack.

FAB

An image of ‘Sack’ has been selected for Insert There, curated by Roger Clarke, part of Fringe Arts Bath Festival ‘25. It will be displayed on a wall in 'The Street' at Bath Spa University's Locksbrook Campus, BA1 3EL. FAB runs 23 May to 7 June.

Sack 2024. Placed via AI in the industrial wasteland of Barreiro, Portugal, where the work was once destined to be sited during my PADA residency last year. AI by Ellie Forman-Peck

Workshops and Courses

I worked with approximately 90 children from St Joseph and St Teresa's Catholic Primary School creating small creatures and plant forms for a permanent artwork at their school. Looking forward to seeing it in situ soon - here are a few pics of work in progress.

My next Eco Sculpture Course with Frome Community Education starts on Wednesday 4 June, 2-4pm and runs for 5 weeks at Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. £60 + £5 materials. Book here

If you’re further afield and want to do a self-directed course along similar lines, I have an Online Sculpture Course you might like to book.

Both great value!

Follow my instagram channel for more regular updates

Enjoy the best of Spring!

New Projects

January is my least favourite month. I deal with it by cracking on and trying new avenues of research, opportunities and making. I have a few projects on the go: commissioned installations at a popup in Bridgwater (coming soon in February), working on a large-scale textiles piece for Tout Quarry later this year, as part of One Island - Many Visions, and teaching new courses.

Seed Pop Up

I’ll be recreating two art installations in a popup space at Angel Place, Bridgwater, commissioned by Seed Sedgemoor. The first - Martyrdom of the Ten Thousand - relates to the tragic plight of pangolins, the world’s most trafficked mammal. Made from recycled and found materials, it invites visitors to get immersed and consider environmental and conservation issues. This installation, together with a gentle film Life in the Undergrowth, revealing small hidden worlds in my garden during lockdown ‘20, can be experienced at the Seed Creative Popup (Shop 8), Angel Place Shopping Centre TA6 3TQ from 18-23 February, 10.30-4pm. This will be followed in April 8-13th by Flags of the Forest, which explores the beauty and resilience of nature.

Alongside the installations, I’ll be running free drop-in Eco Sculpture Workshops from Tuesday 18 to Saturday 22 February, 11am-2pm at the Popup. Open to all aged 6+ (children accompanied by an adult). No need to book.

I’ll be there daily - come and visit!

Seed’s primary aim is to enable more people in Sedgemoor to actively engage in the creative arts, particularly those who don’t usually do so. This activity is supported with funding from Arts Council England via the Creative People and Places programme.

New Work

‘Riot’ (working title - above) is developing steadily, planned for an installation in Tout Quarry, Portland, part of One Island - Many Visions exhibition with fellow Royal Society of Sculptors members (Sept/Oct). I started early as things can get busy as the year progresses. Hoping the final work will be used in a performance as part of the show. It’s going to be a fantastic event with symposium, exciting speakers and more.

This work is inspired by Lichen (Xanthoria Parietina) found on rocks at Tout Quarry, their colour, form, and radial growth. It has been created from waste and recycled materials including textiles (some home-dyed with natural pigments including turmeric), wire, beach litter & debris rescued from the sea. These have been hand-stitched, woven, wrapped and bound together to form a layered mass of line, texture and colour.

Among the oldest living and slowest growing organisms on Earth, and first to colonise new land, Lichen absorb large quantities of carbon dioxide. The rocks are made up of skeletal micro organisms such as diatoms built up over millennia, and the ancient life forms now growing on them - lichen - are a symbiotic relationship of algae, fungi and cyanobacteria.

My labour-intensive processes relate to care and repair. Reflecting on ‘troubled beauty’ in our unstable world, symbiosis and vascular threads as universal rules of nature. Detritus, the fabric of earth, in collaboration, weaving together to make new worlds.

Now to stitch it all together! If I have time I’ll make another smaller piece. Hoping to try it out soon as a wearable artwork.

Grateful to Chris Black for letting me use the space at Zig Zag building, Glastonbury.

New Courses

I‘ve been enjoying running courses in person and online. My Creative Sketchboooking course offers a variety of processes covering drawing (indoors & out), painting, and collage. It’s been good fun! My next series start in a month - if interested please book soon as places are filling up!

(Images below include participants’ work by Sarah Bayly, Alice Irving, Ingrid Sosrin & Sanita Gourley)

Other News

Two of my drawings are currently on show at Drawing on Dorset, The Sherborne, Drawing Room, Dorset, DT9 3JG, daily from 23 November - 23 March, an exhibition which has toured venues in the South West.
The venue has been spectacularly refurbished, thanks to the late Michael Cannon’s enormous generosity.

My drawings represent the overlooked - often small organisms - which fascinate me. These forms recur in my work in different guises including sculptural and textiles work.

Sack

Sack; found, discarded & recycled materials (mostly from Barreiro post-industrial wasteland and Lisbon): jute, fabric (some botanically hand-dyed), twine, plastic, nylon, polystyrene, rope, wood, wire, thread; 2024. Photo by Celso Rose, PADA Gallery, Barreiro, Portugal

Sack (iteration V). I envisaged my final piece being installed in the site that inspired the work - an abandoned post-industrial wasteland of plastic, concrete and steel debris. Image created by Ellie Foreman-Peck. a virtual rendition of my idea, as it wasn’t possible to install due to logistical and time constraints.

Me with Sack. Photo by Ticiano Rottenstein

PADA Residency Exhibition, Barreiro, Portugal. Photo by Celso Rose

Sack (iteration IV), sited on river Tagus beach. I returned dismantled parts of my stilt structure to where they were found here. Photo by Celso Rose

Sack (iteration II)

Sack stitched together, with stilt structure

Me with stilt structure

Sack (iteration I). Sited as a hanging in the post-industrial wasteland, Barriero, Portugal - the site that inspired the work. Photos above & below by Celso Rose

Sack; mixed media relief collage: discarded objects/materials & graphite rubbings

Sack is a site-responsive artwork, created during my PADA art residency in Barreiro, near Lisbon, Portugal in February. The work evolved in stages, as a response to PADA’s history as a jute warehouse, and the nearby post-industrial toxic wasteland. The bodily form, a container of waste, is made from a hand-stitched patchwork of discarded materials/offcuts I collected in the locality, especially jute sacks. The warp and weft of the weavings reflect grids in urban surrounds. Colours reflect yellow wild flowers and lichen growing on concrete; and reds/oranges of iron and sulphur..

In Ursula Le Guin’s The Carrier Bag Theory of Fiction, she describes the sack as ‘belly of the universe.. a ‘womb.. tomb…. unending story.’ It follows Elizabeth Fisher’s The Carrier Bag Theory of Human Evolution:. She suggests ’the first cultural device was probably a recipient’ (rather than a spear/stick). Symbol of a softer story. It matters what stories you tell (Donna Harraway).

I loved the residency. It was an intensive month working in a spacious studio alongside other residency artists, exploring the area, and utilising waste materials. My work was documented/filmed in sites relevant to its development, thanks to Celso Rose, and exhibited in our final residency exhibition. Days were long, many hours spent collecting found materials in the industrial park and along river Tagus beach to use in the work; back and forth with trolley loads.. I made a short film of this process (below). The tall stilt structure was made from found wood and rope from the beach. A new process for me was weaving found/to-hand materials into artworks, which became part of the larger piece, hand-stitched together to form the giant sack. They were laborious processes, and at times I wasn’t sure it would all pull together.

Our exhibition Private View event was a great success. It was lovely to see an old schoolfriend, Sonia there, and I’m grateful for the feedback I received from visitors. At the end of the residency, after de-installation, I placed the raft section of my stilt structure on the wall at PADA studios (pic 13 in grid below). I’m extremely grateful to Tim Ralston for hosting and for his technical support, all the artists involved for their comradeship and help, and Tania Geiroto Marcelino for curating the show. Sack is a living sculpture that will adapt, perhaps grow, according to future sites.

Current and upcoming exhibitions and projects:

Casting Shadows ACEarts Somerton, Somerset TA11 7NB;  2 March - 6 April (Tues-Sat), with Royal Society of Sculptors members.

Stilt Structure I; found, recycled & waste materials: wood, bark, coir, copper wire, leaves, pod, grass stems, charred feathers, fabric, plastic netting, polyester stuffing, jute, tennis ball, sisal, khadi paper, wool, thread, coffee beans, cardamom seeds, nutmeg pods, rice, nylon tights, oil; 2024

Sustainable Art Open, Atkinson Gallery, Somerset BA16 0YD. Book a free slot here to visit. Open 9:30am-5pm, 21 Feb - 21 March (Closed Sun - Tues). Tel: 01458 444322.

A giant collage installation with text spanned the galleries of the Baptist Chapel during the Shepton Mallet Snowdrops Festival in February.  Themed ‘Nature Unbound’, the work was created in a workshop with me, Polly Hall, and community, installed by Georgia Freely. Photos below: 1-4,6,8 Andy Ladhams; 5,7 Kirsten Madeira-Ravell

Excited about an upcoming collaboration with dance artist Vanessa Grasse. We will be working together in a residency over a 5 day period to create sustainable wearable sculptures for Vanessa to perform with as part of her choreographic project Elysia.

I’m co-curating an art project As Old as the Hills with Jan Ollis. Residencies will lead to an immersive exhibition with 10 artists + events in the Zig Zag building, Glastonbury for Somerset Art Weeks Festival ’24.

Back to teaching at Bath College. If you’re interested (or know someone who is), do sign up to my next Love 2 Learn Sculpture, Painting, Drawing or Life Drawing courses.

Please follow me on Instagram for more regular updates and images.

Have a wonderful Easter!

PADA Residency

I’m half way through a PADA art residency in Barreiro, near Lisbon, Portugal. I’m embracing the rigorous schedule of work, and a massive studio alongside other inspiring artists from across the globe. Sited within a post-industrial zone, parts of which have gone to ruin through toxic contamination and bankruptcy. The dystopian wastelands a shocking, mind-opening example of the repercussions of industrial/economic growth and ‘progress’.  Pyrite was used in making fertiliser. It oxidises, creating toxic sulphuric acid. Skeletal structures, piles of waste, remnants of plastic leakage, warped and crystallised into unfamiliar forms, materials mangled and tangled. Remains of disaster. Shadows of the past. Reminder of our future..

I’m responding to the dystopian wasteland and PADA’s history as a jute warehouse. Vasco da Gama discovered India, where jute originates. Trade routes, colonisation (eg Mombasa/Malindi..) mass production, and the Carnation Revolution (‘74) ensued.

I’m making a colossal sack, and stilt structure to support it. Sack is a bodily form, bundle, container of waste, made from a patchwork of discarded materials/offcuts gathered locally, especially jute sacks. Offcuts include Indian fabric from Malindi. Grateful to @soniapicolo who helped me source waste fabric in Lisbon. Some of the patches are weavings I’ve made with stuff from the wasteland, reflecting grids in surrounds, and warp and weft of jute. Others botanically hand-dyed - all hand-stitched together.  Colours of yellow wild flowers. moss growing on concrete, reds/oranges of iron and sulphur..

In Ursula Le Guin’s The Carrier Bag Theory of Fiction, the sack represents the ‘belly of the universe..a ‘womb.. tomb.. unending story.. hope’. In a preceding book, Elizabeth Fisher claims man’s ‘first cultural device was probably a recipient’ (not bludgeon).

Collecting/scavenging materials has been part of my process. For the stilt structure I hauled a 4 metre pole back along river Tagus in a storm!

We’ve also had a bit of time to enjoy eating out, listening to local fado music, and visiting exhibitions in Lisbon. I had a visit from Mark Richards (Royal Society of Sculptors), and met up with an old schoolfriend Sonia, at the Berlinde de Bruyckere exhibition at MAC/CCB. Overwhelmed by the powerful work, curated in the huge avant-garde galleries. Glorious yet repelling bodily forms.

I’ll post final pics of my PADA work in my next blog. To keep more up-to-date with my ongoings follow me on Instagram.

Upcoming Exhibitions

PADA Residency Exhibition, Rua 42, n2, Parque Empresarial da Quimiparque,
2830-904 Barreiro, Portugal; Sat 24 Feb, PV 6-9pm.

Sustainable Art Open, Atkinson Gallery, Millfield School, Butleigh Rd, Street, Somerset BA16 0YD. PV Wednesday 21 Feb, 7.15pm. Book a free slot here to see it during our open hours. Featuring artists who work with environmentally-friendly materials and incorporate sustainable practices. Open 9:30am-5pm, from Wed 21 Feb - Thurs 2 March (Closed Sun - Tues).

Casting Shadows ACEarts, Market Place, Somerton, TA11 7NB; 2 March - 6 April; with Royal Society of Sculptors members. You’re invited to meet the artists on Saturday 2nd March between 11am-1pm. The exhibition runs from 2 March - 6 April.  I’ll be showing a new piece Stilt Structure I. It would be great to see you!

Shepton Mallet Snowdrops Festival, 12-18 Feb: A giant scroll-like mixed media collage installation, with text, is spanning the galleries of the Baptist Chapel, Shepton Mallet. It’s on show from 16-17 Feb during the Festival (theme ‘Nature Unbound’). Created in a workshop with me, writer Polly Hall, and community. Poetic words were laser cut onto the finished scroll. Georgia Freely and Polly installed the work while I’m away. See full diary here. Do visit if in the area.

Delighted to announce we’ve achieved our match-funding for a new project I’m co-curating with Jan Ollis: As Old as the Hills. Thanks to: The Arts Society Wessex area, a local charitable trust, Simon & Chrisi Kennedy Paddy O’ Hagan, & Ben Malin. Fingers crossed our ACE application is successful.. Residencies will lead to an immersive exhibition and events in the historic Zig Zag building, Glastonbury for Somerset Art Weeks Festival ’24. Rooted in heritage and environment, with community engagement, we have some excellent artists on board. Do follow our new instagram account.

Really pleased with exploration and outcomes from participants of my Online Sculpture Course - see their work below:

Flags of the Forest, Residency, Exhibitions, Workshops

Flags of the Forest (in progress). Photo by Russell Sach

Happy New Year (I think I can still say that as it’s still January, just)!

Knuckling down to studio work has been a priority this past month. I’m developing new work as part of my Arts Council England ‘Developing Your Creative Practice’ Award. The award supports a year’s development, including my recent research trip to Kenya (see film), and mentoring with Mark Devereux Projects - which helps motivate me. I’m working on several pieces, leading to upcoming shows, including a residency/solo exhibition in a large empty space, Create@#8, Shepton Mallet, and Wander_Land at Tremenheere Sculpture Gardens and Gallery, with Royal Society of Sculptors this summer.

Inspired by walks in woodlands, I’m creating a series of Flags of the Forest. The flags celebrate bio-diversity, hopeful of nature being more cared for, and thriving.  These involve a combination of sculptural lines and fields of colour in space - hand-stitched patchworks of semi-translucent fabric and plastic remnants.  Some I’ve botanically dyed, eco-printed or embedded with found objects collected on walks.

I’m really grateful to photographer Russells Sach for visiting me last week for a photoshoot in my studio. It was a great opportunity to test out how the separate elements of my Flag pieces work together (and have a tidy up!).

Flags of the Forest (in progress). Photos by Russell Sach

Woods and forests provide vital ecosystems - crucial to our survival. Trees and their underground connections with mycelia fascinate me. Trees inspire awe, such slow-moving tolerant beings with ancient energies. My labour-intensive process is key to the work. Care and repair, making do, reusing, avoiding wastefulness. The binding, weaving and hand-stitching is cathartic, a form of suturing - healing through making.

If you have any green fabric/old clothing you’d like to get rid of, please let me know. I can collect if in the Somerset area.

Collage for Above and Below - a sculpture I’m developing

Botanical-prints on khadi paper, created after watching online demo with Suzanne Ledesma-Sikkerbøl

I plan to create a dyers garden. This will take time, so while I set up, I’m on the look out for certain leaves and flowerheads (unwanted) for eco-printing eg: eucalyptus leaves, african daisies, chocolate cosmos, dahlias, coreopsis, madder root… If you’re able to save me any of these, please get in touch!

During my residency at Create@#8, 20 Feb-10 March. the space will be open to visitors on Fridays and other days by appointment.  From 11-19 March, ongoing work will be showcased in a solo exhibition (Mon-Sat 11am-4pm, 8 Town Street, Shepton Mallet BA4 5BG). The Opening Event is Saturday 11 March, 2-4pm - save the date, I’d love you to come!  There will be a compositional soundscape in response to works by Ushara Dilrukshan. I plan to show a range of suspended, wall-mounted and freestanding works in the empty shop space, including a few pieces from my Life in the Undergrowth project. All welcome! 

I have some workshops you might be interested in (pics below of one I ran last weekend):

Join me in creating small snowdrop-inspired sculptures as part of Shepton Mallet's Snowdrop Festival on Friday, 17 Feb, 2-4pm, at The Art Bank Cafe, 13 High Street, Shepton Mallet BA4 5AA. Supported by Snowdrop Festival. Tickets £5. Book: eventbrite.

Shepton Reflections: a FREE one-day art and creative writing workshop with me and Polly Hall, Fri 3 March, 10am-4pm at Shepton Mallet Library. Using written word, poetry, botanical dyes and textiles we’ll make a suspended artwork featuring the Market Cross.  Supported by Shepton Mallet Town Council. Book: eventbrite.

Linked to my exhibition at Create@#8, I’ll be running an Eco Sculpture Workshop on Sat, 18 March, 2-4pm. Tickets: £18. Book: eventbrite.

Very happy my piece Entangled VI was selected for an exhibition Darkness to Hope at Atkinson Gallery, Somerset, opening 27 Feb. For more details please visit current and forthcoming events.

Looking forward to Spring!