Threads of Light

This month I have exhibitions running simultaneously in Portland, Wells, Bath and London. I’ve been installing a new site-responsive piece Threads of Light in the exhilarating Chapter House at Wells Cathedral for Wells Art Contemporary. Really grateful to Roger Spear and the team at WAC for all help and support. Riot continues to change under various weather conditions, sited on the rocks at Tout Quarry Sculpture Park & Nature Reserve in Portland, as part of One Island - Many Visions. Next week I’ll be sitting on the selection panel for Bath Society of Artists Open Exhibition, Victoria Gallery, Bath. My piece Stilt Structure II features in the show. Next, I’ll be reconstructing parts of Sack ready for delivery to the Cass Art Prize Exhibition at Copeland Gallery, London. All very exciting!

Threads of Light: installation in progress. Found/recycled materials: sustainable papers, tea bags, textiles, wax, wood, metal, sandbags.. Photos by Maddie Keates

An ancient tree, ghostly limbs and a ruined landscape evoke loss; yet mycelial threads - networks of energy - offer regeneration. Threads of Light considers the entangled relationships between humans, forests, and climate change. We are all connected.

‘Flowing light’ is the WAC theme this year, symbolising enlightenment. it relates to 13th century mystic Mechthild of Magdeburg’s writings, which draw on her union with God, pain, love, divine flow. My work suggests fostering deeper union with natural world, throwing light on the plight of forests, and nature’s tenacity. The immersive oscillation of verticals, translucent branching forms, fluid networks evocative of mycelium, fungal ecologies and forest histories creates a dynamic, ethereal atmosphere. Line interweaves through labour-intensive processes of care and repair: interconnectedness, flow of energy weaving through nature, binding life. A ghost tree, surrounded by shattered tree stumps, references deforestation, wildfires, climate change, haunting war visions. Hope is an act of resistance in dark times.

The exhibition runs from Wednesday 8 October - Saturday 1 November. Private View Thursday 9 October, 7pm. Entrance fee to the Cathedral includes WAC. Under 18s, free as are Wells residents with a local pass.

Riot Performance, 14 September, with me and Melanie Thompson: Found, recycled & donated materials: beach waste (ghost netting, rope, hard hats, fishing floats), wire, textiles (some home-dyed with natural pigments), wool, twine, plastic, sponge, polyester, natural debris, sandbags. Photos by Andy Ralston

On a very rainy day last month I performed with Melanie Thompson wearing Riot (in 2 parts) at its site in the quarry, Portland (what3words: ///deliver.press.tilts). Thanks to the small audience who braved the elements to watch. There will be a film produced of the event by Andy Ralston, which I will publish when edited.

I’ll be leading a FREE Eco Sculpture Workshop Friday 10 October, 2-4.30pm, Drill Hall, Portland (funded by The Arts Society Wessex Area) - last chance to book: fionacampbell-art@sky.com

I’ll also be taking part in an Artists-in-Conversation, Sunday 19 October 2pm with Ros Burgin, Nicola Turner, Rebecca Newnham, Kate Parson, Hannah Sofaer, chaired by Freeny Yianni (Close Ltd). Meet at Drill Hall.

Other Exhibitions:

Bath Society of Artists Open Exhibition, Victoria Art Gallery, Bath, Sat 18th October 2025 - 10th January 2026, 10.30am-5pm.

Shortlisted for the Cass Art Prize 2025, Sack will be on exhibiton at Copeland Gallery, Unit 9, Copeland Park, 133 Copeland Rd, London SE15 3SN, Friday 24 October – Saturday 1 November.

Courses:

Creative Sketchboooking (via Fome Community Education) - last chance to book

Interesting article:

https://theecologist.org/2025/sep/07/food-sovereignty-climate-justice

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Shaping Up

It’s been a lucky month - full of energy and exciting breakthroughs!

I am thrilled that Sack has been shortlisted for the Cass Art Prize 2025! The prize aims to champion contemporary art from across UK and Republic of Ireland with prizes for different categories. The exhibition will be hosted at Copeland Gallery, Unit 9, Copeland Park, 133 Copeland Rd, London SE15 3SN, Fri 24 Oct – Sat 1 Nov. Do visit if you can!

Sack is made from recycled, found or donated waste materials including jute, fabric (some hand dyed with homemade botanical inks), twine, plastic, polystyrene, rope, wood, wire, mainly sourced from wastelands, riversides, and coastlines. Part of my stilt structure series, it was inspired by stilt dwellings which exist on edges of safety around the world; hybrids implying precarity, adaptability and resilience. It was originally created during my PADA residency last year, located in an old jute warehouse.

Huge thanks to Cass Art and the panel of judges David Mach, Ishbel Myerscough, Michaela Yearwood-Dan, Pallas Citroen, Ryan Lanji, Tim Allen.

I’m also over the moon to have been selected for Wells Art Contemporary Site-Specific Installations 2025! There will be a range of installations created for the interior and grounds of Wells Cathedral, responding directly to this unique space. It will be such an honour to place my work in The Chapter House, my favourite space in the Cathedral. It is the place where the governing body of the Cathedral meet - connect - to discuss, decide, find the right way forward.

This year there’s a theme: ‘Flowing Light’, taken from 13th century mystic Mechthild of Magdeburg’s writings about her relationship with God. Flowing light symbolises enlightenment, interconnectedness, the divine. Artists are invited to respond to this. I’m working flat out making my proposed installation Threads of LIght. (progress pics below - more on this later) The exhibition will be at Wells Cathedral from Wednesday 8 Oct - Sat 1 Nov. Hope to see you there!

Massive thanks to judges Laura Moffatt and Cathy de Monchaux for selecting my work, I’m deeply grateful.

Please join us for the Private View of One Island - Many Visions, Saturday 6 September, 6-9pm.

One Island - Many Visions is a collaborative project featuring the work of 27 artists, a partnership with members of the Royal Society of Sculptors and Portland Sculpture and Quarry Trust.

Sculptures and installations will be located within Tout Quarry Sculpture Park & Nature Reserve and Drill Hall Gallery. Maps available at both locations. The artworks comprise a broad range of responses, media and materials, reflecting diverse contemporary and conceptual approaches to the natural environment.

My site-responsive piece Riot is inspired by Maritime Sunburst Lichen (Xanthoria Parietina), ancient life forms of fungi, algae, and cyanobacteria in symbiosis. Sensitive to atmospheric pollution, signifying pure air, lichen are also resilient and play a vital role in nutrient cycling. Lichen are the slowest growing of all known organisms. The nature of my making is slow too, appropriately. It’s taken me 8 months - in between other work - to make Riot! Threads, hand-stitched, weave together a layered bricolage of line, texture, colour, entanglements. Riot is an artivist piece, a form of soft rebellion. It spotlights our wasteful consumerist society, and negligent treatment of our ocean.

Riot (part II), found, recycled & donated materials: beach waste (ghost netting, rope, hard hats, fishing floats), wire, textiles (some home-dyed with natural pigments), wool, twine, plastic, sponge, polyester, natural debris, sandbags. Some donated by Weymouth & Portland Marine Litter Project

Made in 2 parts, Riot is also wearable. There will be a transient performance during the show, in which the human body activates the work. I’ll be performing with Riot in collaboration with Melanie Thompson at Tout Quarry Sculpture Park & Nature Reserve (Sun 14 Sept, 2-3pm, location: what3words: ///deliver.press.tilts).

Rehearsal with Melanie Thompson at Zig Zag, Glastonbury

There will be a range of other events, including a Symposium (27/28 Sept). I’ll be leading an Eco Sculpture Workshop (Fri 10 Oct 2-4.30pm, Drill Hall). Book: fionacampbell-art@sky.com. I’ll also be taking part in an Artists-in-Conversation, Sun 19 Oct 2pm with Ros Burgin, Nicola Turner, Rebecca Newnham, Kate Parson & Hannah Sofaer, chaired by Freeny Yianni (Close Ltd). Save the dates!

Thanks to Kate Parsons who has worked so hard leading the project alongside a Steering Group (Dallas Collins, Anna Gillespie, Rebecca Newnham and me), and to PSQT for hosting. Thanks to The Arts Society Wessex Area for funding my workshop, and contributing to our events and catalogue. See @oneislandmanyvisions for details.

Tufted Duck is floating in Cranmore village pond (BA4 4QJ, Somerset) until 30 August. Made from recycled and found materials including wire, bottle tops, buttons, beads, lifebuoy ring. I created it for the Eco-Arts Festival Trail, themed Water Life. I worked on it with people of all ages and abilities, including Cranmore residents. The Trail takes place around Shepton Mallet, Cranmore and Doulting, Somerset. Maps from Strode Arms Pub, Station Cafe, Cranmore, One Craft Gallery, and Shepton & Wells libraries.

Photo by Roger Spear

I led a joyful one-day Sculpture workshop ‘Drawing in Space with 3d Materials’ at The Sherborne as a wider offering for the exhibition Recurring Intricacies.

My upcoming courses via Frome Community Education begin in September: Drawing and Creative Sketchbooking. . Book soon if interested.

New product in my shop:: a range of copper napkin rings for sale - do take a look.

Fund raiser: I’m extremely thankful to those who’ve donated to my fund-raiser so far: Caroline Driscoll, Hanne Castein, Angela Morley, Claire Alves, Julia Middleton. The fund-raiser (running ‘til the end of August) is to help finance the build of a shed for artwork/storage (see progress pics below - thanks to Roger Spear for all his work on this so far), to work with Melanie Thompson on the Riot collaboration, and film of the performance. If you can help please get in touch. All donors will be acknowledged in my next blog/newsletter and receive a giveaway pack of my greetings cards.

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