Collett Park Day drop-in workshop, As Old as the Hills. Making & embedding paper with recycled/found river & sea debris. Community work will form part of our final exhibition. Photo: Kirsten Madeira-Revell & me, by Barbara Voules
As Old as the Hills is a community art project I’m co-curating with Jan Ollis. Rooted in heritage and environment, it culminates in an immersive contemporary art exhibition & events in the iconic Bauhaus building (Zig Zag), Glastonbury for Somerset Art Weeks Festival (21 Sept-6 Oct).
The project looks at climate change, floods, water pollution, and the ancient layered history of Mendip & Somerset Levels – interdependent landscapes. The exhibition takes place on the top floor of a disused space, once Morlands leather factory. I’m interested in placing art in unusual spaces that bring their own atmosphere. The Zig Zag is unique; light floods in through long banks of windows which span both lengths of the building. Thrilled to be collaborating with a great selection of artists, working in a range of disciplines from large-scale sculptural installations and textiles to photography and performance: Madi Acharya Baskerville , Nikki Allford, Fiona Campbell, Duncan Cameron, David Kefford, Di Milstein, Penelope O’Gara, Catriona Robertson, Jan Ollis, Richard Tomlinson.
Sadly we didn’t get ACE funding, but we’re very grateful to those who have supported us. Funders include The Arts Society, Gane Trust, Shepton Mallet Town Council, individual donations and a great deal of in-kind.
A range of workshops are open to the public. Jan and I had a great time running a free drop-in workshop at Collett Park Day on 8 June (pics above/below). We’ll be running more workshops in local schools. There are plenty of workshops to join, including a fabulous day at Avalon Marshes: ‘Memory, Mud, Mind’: Walk, Talk, Workshop, Sat 6 July, 10am-4pm, Glastonbury BA6 9TT. Info & book here.
Photo credits (above): 1, 11 Barbara Voules; 3, 6, 7, 8, 9, 10, 12 Richard Tomlinson; 4 Jan Ollis
Work in Progress
I’m making a series of stilt structures, precarious hybrid forms around the notion of resilience, adaptation, making do. The tripod sculptures are assemblages of recycled & found mixed media, layered, stitched and patched together, advocating reuse, care and repair in the context of global consumerism and waste. They’ll be showcased in As Old as the Hills.
Stilt houses, built to avoid floods, exist on the edges of safety in slums around the world . People in Landes used to move about on stilts in boggy ground. Somali nomads transport their homes/belongings - elaborate overladen bundles - on camels (symbols of adaptability, endurance, trade routes). Growing up in Kenya, I have vivid memories of African women bent over with heavy loads piled high on their backs. My work also refers to the ancient timber Sweet Track found in Avalon marshes, Somerset, dating 3800BC. These stilt structures are a means of survival in adversity, and suggest treading the earth gently. Have always been fascinated by Dali’s elephants.
Stilt Structure II, found, recycled & waste materials: wood branches, coir, copper wire, handmade naturally dyed fabric, leather, plastic netting, polyester stuffing, jute, sisal, wool, thread, nylon tights
Stilt Structure III: maquette (above), found, recycled & waste materials: wood, steel, wire, paper, cardboard, teabags, bark, plant debris, sisal
Stilt Structure III: collage (below), found, recycled & waste materials: cardboard, paper, wood, wire, leaves, leather, plastic, bark, plant debris
Stilt Structure III (far below), work in progress, found, recycled & waste materials: wood, steel, wire, paper, cardboard, fabric, jute, bark…
With limited studio space, working large-scale has its problems. I utilise other spaces including my garden, but with such poor weather this summer in UK, I haven’t been able to work outside much. Luckily I’ve had access to a neighbour’s garage, so my latest piece is developing there.
Upcoming Exhibitions
Delighted my work has been selected for the Royal Society of Sculptors Summer Show, curated by David McAlmont. The exhibition will be held at Dora House, 108 Old Brompton Rd, South Kensington, London
SW7 3RA; 22 July-21 Sept. PV Sat 20 July, 11am-2pm.
I’ll be installing work in Truro Cathedral, Cornwall soon for Solastalgia, an exhibition curated by Summer Auty, It runs 1-14 July.
I’ll be showing 2 drawings in Landscape (Re)View) at The Wall, Musgrove Hospital, 2 July-29 Oct, & small works at Brewhouse, Taunton in September - part of Somerset Reacquainted.
I have 3 pieces on show in The Piano Shop Bath, 1&2 Canton Place BA1 6AA. Nest, String Theory, & Starfish were created for Played and Remade using discarded piano parts. Available for sale & online.
I have some handmade books on exhibition at Create@#8, 8 Town St, Shepton Mallet, as part of Art Book Shepton. Open 14-23 June (Fri-Sun). I’ll be there on Sun 16th if you want to pop in.
1 Kenyan Tree Rubbings, graphite, paper: I made the tree rubbings in Kenya on an ACE-funded DYCP trip in ‘22. The book is special to me as it documents an important time revisiting my Kenyan roots, and seeing my Dad for the last time.
2. Fungi, paper
For more about my DYCP year see @fiona_campbell_dycp and my film.
I’m raising funds to go on a trip to Vietnam at the end of the year. Please consider purchasing something from my shop. I’ve added an Online Sculpture Course, which has no time limit (self-directed) - great value!
