Threads of Light

This month I have exhibitions running simultaneously in Portland, Wells, Bath and London. I’ve been installing a new site-responsive piece Threads of Light in the exhilarating Chapter House at Wells Cathedral for Wells Art Contemporary. Really grateful to Roger Spear and the team at WAC for all help and support. Riot continues to change under various weather conditions, sited on the rocks at Tout Quarry Sculpture Park & Nature Reserve in Portland, as part of One Island - Many Visions. Next week I’ll be sitting on the selection panel for Bath Society of Artists Open Exhibition, Victoria Gallery, Bath. My piece Stilt Structure II features in the show. Next, I’ll be reconstructing parts of Sack ready for delivery to the Cass Art Prize Exhibition at Copeland Gallery, London. All very exciting!

Threads of Light: installation in progress. Found/recycled materials: sustainable papers, tea bags, textiles, wax, wood, metal, sandbags.. Photos by Maddie Keates

An ancient tree, ghostly limbs and a ruined landscape evoke loss; yet mycelial threads - networks of energy - offer regeneration. Threads of Light considers the entangled relationships between humans, forests, and climate change. We are all connected.

‘Flowing light’ is the WAC theme this year, symbolising enlightenment. it relates to 13th century mystic Mechthild of Magdeburg’s writings, which draw on her union with God, pain, love, divine flow. My work suggests fostering deeper union with natural world, throwing light on the plight of forests, and nature’s tenacity. The immersive oscillation of verticals, translucent branching forms, fluid networks evocative of mycelium, fungal ecologies and forest histories creates a dynamic, ethereal atmosphere. Line interweaves through labour-intensive processes of care and repair: interconnectedness, flow of energy weaving through nature, binding life. A ghost tree, surrounded by shattered tree stumps, references deforestation, wildfires, climate change, haunting war visions. Hope is an act of resistance in dark times.

The exhibition runs from Wednesday 8 October - Saturday 1 November. Private View Thursday 9 October, 7pm. Entrance fee to the Cathedral includes WAC. Under 18s, free as are Wells residents with a local pass.

Riot Performance, 14 September, with me and Melanie Thompson: Found, recycled & donated materials: beach waste (ghost netting, rope, hard hats, fishing floats), wire, textiles (some home-dyed with natural pigments), wool, twine, plastic, sponge, polyester, natural debris, sandbags. Photos by Andy Ralston

On a very rainy day last month I performed with Melanie Thompson wearing Riot (in 2 parts) at its site in the quarry, Portland (what3words: ///deliver.press.tilts). Thanks to the small audience who braved the elements to watch. There will be a film produced of the event by Andy Ralston, which I will publish when edited.

I’ll be leading a FREE Eco Sculpture Workshop Friday 10 October, 2-4.30pm, Drill Hall, Portland (funded by The Arts Society Wessex Area) - last chance to book: fionacampbell-art@sky.com

I’ll also be taking part in an Artists-in-Conversation, Sunday 19 October 2pm with Ros Burgin, Nicola Turner, Rebecca Newnham, Kate Parson, Hannah Sofaer, chaired by Freeny Yianni (Close Ltd). Meet at Drill Hall.

Other Exhibitions:

Bath Society of Artists Open Exhibition, Victoria Art Gallery, Bath, Sat 18th October 2025 - 10th January 2026, 10.30am-5pm.

Shortlisted for the Cass Art Prize 2025, Sack will be on exhibiton at Copeland Gallery, Unit 9, Copeland Park, 133 Copeland Rd, London SE15 3SN, Friday 24 October – Saturday 1 November.

Courses:

Creative Sketchboooking (via Fome Community Education) - last chance to book

Interesting article:

https://theecologist.org/2025/sep/07/food-sovereignty-climate-justice

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Happy New Year!

Stilt Structure, maquette, found & recycled materials, ‘23

Looking back on 2023, I’m grateful that my Arts Council England DYCP award enabled me to complete major new pieces, exhibited in some fantastic settings. I also appreciate all the support and encouragement from so many wonderful people. It’s a tough juggling act surviving and thriving as an artist - hats off to all creatives who keep at it, pushing boundaries.

Residency and Solo in a large disused shop space Create@#8, Somerset, ‘23. Photo Russell Sach

Above and Below, created during my residency, ‘23. A response to the entanglements of matter. Reclaimed & found materials, each with a story

Me with work, The Fall, detail. Photo Russell Sach

Flags of the Forest began as an indoor piece. Photo Russell Sach

Flags of the Forest developed into an ambitious outdoor installation for Wander_Land at Tremenheere Sculpture Gardens with Royal Society of Sculptors members, ’23. Photo Russell Sach

Above and Below, Tremenheere Gallery, with assisted curation by Martin Holman.  Loved working with the steering group on Wander_Land. Photos Russell Sach

I’m currently working on a series of small sculptures and collages. I’ve been thinking about precarious stilt structures, and resilience.  Looking at overladen camels of nomadic Somali tribes (camel = symbol of adaptability, endurance, trade routes), boats and homes on stilts, and French shepherds who walked the bogs on stilts. In our unstable climate of floods, famine, overconsumption, and waste escalating in the name of ‘progress’, these hybrids - part vessel, house, creature - feel relevant.  I plan to make large sculptures based on some of these ideas.

Above: collages of tall thin lines supporting stacked assemblages and heaped bundles, made of discarded materials (paper, plant debris, found wood, textiles..)

Upcoming:

I’ve been planning and fund-raising for a new project I’m co-curating with Jan Ollis: As Old as the Hills. Residencies will lead to an immersive exhibition with events in the historic Zig Zag building, Glastonbury for Somerset Art Weeks Festival ’24. Rooted in heritage and environment, with community engagement, we have some excellent artists on board. Fingers crossed we receive grants to make it the best we can. If you’d like to contribute, please let me know!

I still have a few spaces on my forthcoming online sculpture course (8 Jan-11 Feb).  If you’d like to join let me know asap!

Running a Free workshop with writer Polly Hall, part of the Snowdrops Festival ‘Nature Unbound’ (Feb ‘24) to create a giant scroll-like mixed media collage installation, with text, to span the galleries of the Baptist Chapel. 20 Jan, 10am-4pm, Create@#8, 8 Town St, Shepton Mallet. Bring your own lunch. Free but please book via eventbrite as places are limited.

Back to Bath College next week running various short courses (sculpture, painting, drawing and life drawing, in case you’re interested in joining)..

Next month I’ll be off to Portugal for a PADA art residency. I’m looking forward to the creative challenges and adventure.

My work will be featuring in Casting Shadows ACEarts, Somerton, 2 March - 6 April ‘24, with Royal Society of Sculptors members.

At the end of last year I gave a talk, Matter Ongoing, focusing on my Dust of Stars installation for the Hatch exhibition ‘Death and Microwaves’, and other recent work.  The live talk is now published online (thanks to Elaoise Benson for filming).

Here’s to peace, care and creativity in 2024!

Selected for Ingram Prize 2021

Glut, 2018, recycled & found materials. Photo by Mike Garlick

I’m absolutely thrilled to have been selected as a finalist at this year’s Ingram Prize, the leading annual prize for contemporary artists in the UK. 

My selected piece Glut, was created in 2018.  It’s an outpouring, an emotional and physical wailing in response to environmental issues including waste, our consumerist society, factory farming, the plastic oceans, animal extinctions, climate breakdown.  And the loss of our boxer dog.

The materials, especially personal items speak of past lives, loss, textiles, craft. In contrast, the organic forms symbolise death, violence, but also vulnerability and renewal - the duality of horror and tenderness. Materiality and process are part of the message, embedded in the narrative: the work is hand-made, labour-intensive and my use of recycled and found materials relates to our relationship with matter, nature and ourselves. Collecting objects and materials is intrinsic to the process.  

The work is a form of artivism, a suturing in an attempt to heal.  Timely for COP26.

An exhibition of the finalists’ work, including mine, will be held at Unit 1 Gallery/Workshop, 1 Bard Rd, London W10 6TP, Friday 19 - Friday 26 November ’21. I hope you can come!  The winners will be announced on 18 November in London. 

It’s so wonderful to be part of the fantastic line up of artists and prestigious exhibition!

Here’s one of the the latest press articles.

‘From The Inside’

Some of my work from B-Wing, a project I co-curated in 2019, is featured in ‘From The Inside’, a book by Dave Cable, published this year about Shepton Mallet Prison. B-Wing was a 2 week site-responsive arts event in the prison involving 8 artists/writers and special events, part of Somerset Art Works Festival ‘19.

The book has already sold out, which may lead to a second print run. Along with the main book, an extra little booklet was published, devoted to our B-Wing project. It’s a great legacy to our project!

Back in the Studio:

It’s lovely to be back in the studio making again. I’ve been tie dying with various home-made plant inks, stitching, weaving and wrapping. The labour intensive processes are linked to care and repair. 

It took me several days to clear up after a flurry of projects. Due to rain damage, I’ve had to have a new roof made to store some of my work - thanks to Nick Weaver for help with this. I’ve finally made space to develop my next piece based around pangolins and their plight. Pangolins are now an endangered species - the most trafficked mammal in the world.

Exhibition in Taiwan

So glad my work Pyre arrived safely in Taiwan (80+ bound elements), and excited that it will soon be on exhibition at International Biennale, Paper Fiber Art 2021/22, Change: NTCRI, Nantou 54246, Taiwan; 12 Nov-10 April ’22. There will be a film of the exhibition published for the opening - watch this space!

Pyre, 2020, charred found objects (detail)

Forthcoming workshop:

I’ll be running a free Eco Christmas Tree Decoration-making Workshop on 10 Dec ‘21 at The Art Bank, Shepton Mallet BA4 5AD. Inspired by our natural world, you will be creating small sculptural creature or plant forms using recycled and found materials including copper wire and found objects.  We will explore form, texture, pattern, colour…  Materials will be transformed into imaginative, decorative forms.  The workshop will encourage an inventive approach, finding new ways of making.  Ideal for your Christmas Tree or eco hand-made Christmas gifts!

You are welcome to bring along your own collection of colourful beads and buttons to add to your pieces.

Thanks to the support of Shepton Mallet Town Council.

To Book email: fionacampbell-art@sky.com