Shaping Up

It’s been a lucky month - full of energy and exciting breakthroughs!

I am thrilled that Sack has been shortlisted for the Cass Art Prize 2025! The prize aims to champion contemporary art from across UK and Republic of Ireland with prizes for different categories. The exhibition will be hosted at Copeland Gallery, Unit 9, Copeland Park, 133 Copeland Rd, London SE15 3SN, Fri 24 Oct – Sat 1 Nov. Do visit if you can!

Sack is made from recycled, found or donated waste materials including jute, fabric (some hand dyed with homemade botanical inks), twine, plastic, polystyrene, rope, wood, wire, mainly sourced from wastelands, riversides, and coastlines. Part of my stilt structure series, it was inspired by stilt dwellings which exist on edges of safety around the world; hybrids implying precarity, adaptability and resilience. It was originally created during my PADA residency last year, located in an old jute warehouse.

Huge thanks to Cass Art and the panel of judges David Mach, Ishbel Myerscough, Michaela Yearwood-Dan, Pallas Citroen, Ryan Lanji, Tim Allen.

I’m also over the moon to have been selected for Wells Art Contemporary Site-Specific Installations 2025! There will be a range of installations created for the interior and grounds of Wells Cathedral, responding directly to this unique space. It will be such an honour to place my work in The Chapter House, my favourite space in the Cathedral. It is the place where the governing body of the Cathedral meet - connect - to discuss, decide, find the right way forward.

This year there’s a theme: ‘Flowing Light’, taken from 13th century mystic Mechthild of Magdeburg’s writings about her relationship with God. Flowing light symbolises enlightenment, interconnectedness, the divine. Artists are invited to respond to this. I’m working flat out making my proposed installation Threads of LIght. (progress pics below - more on this later) The exhibition will be at Wells Cathedral from Wednesday 8 Oct - Sat 1 Nov. Hope to see you there!

Massive thanks to judges Laura Moffatt and Cathy de Monchaux for selecting my work, I’m deeply grateful.

Please join us for the Private View of One Island - Many Visions, Saturday 6 September, 6-9pm.

One Island - Many Visions is a collaborative project featuring the work of 27 artists, a partnership with members of the Royal Society of Sculptors and Portland Sculpture and Quarry Trust.

Sculptures and installations will be located within Tout Quarry Sculpture Park & Nature Reserve and Drill Hall Gallery. Maps available at both locations. The artworks comprise a broad range of responses, media and materials, reflecting diverse contemporary and conceptual approaches to the natural environment.

My site-responsive piece Riot is inspired by Maritime Sunburst Lichen (Xanthoria Parietina), ancient life forms of fungi, algae, and cyanobacteria in symbiosis. Sensitive to atmospheric pollution, signifying pure air, lichen are also resilient and play a vital role in nutrient cycling. Lichen are the slowest growing of all known organisms. The nature of my making is slow too, appropriately. It’s taken me 8 months - in between other work - to make Riot! Threads, hand-stitched, weave together a layered bricolage of line, texture, colour, entanglements. Riot is an artivist piece, a form of soft rebellion. It spotlights our wasteful consumerist society, and negligent treatment of our ocean.

Riot (part II), found, recycled & donated materials: beach waste (ghost netting, rope, hard hats, fishing floats), wire, textiles (some home-dyed with natural pigments), wool, twine, plastic, sponge, polyester, natural debris, sandbags. Some donated by Weymouth & Portland Marine Litter Project

Made in 2 parts, Riot is also wearable. There will be a transient performance during the show, in which the human body activates the work. I’ll be performing with Riot in collaboration with Melanie Thompson at Tout Quarry Sculpture Park & Nature Reserve (Sun 14 Sept, 2-3pm, location: what3words: ///deliver.press.tilts).

Rehearsal with Melanie Thompson at Zig Zag, Glastonbury

There will be a range of other events, including a Symposium (27/28 Sept). I’ll be leading an Eco Sculpture Workshop (Fri 10 Oct 2-4.30pm, Drill Hall). Book: fionacampbell-art@sky.com. I’ll also be taking part in an Artists-in-Conversation, Sun 19 Oct 2pm with Ros Burgin, Nicola Turner, Rebecca Newnham, Kate Parson & Hannah Sofaer, chaired by Freeny Yianni (Close Ltd). Save the dates!

Thanks to Kate Parsons who has worked so hard leading the project alongside a Steering Group (Dallas Collins, Anna Gillespie, Rebecca Newnham and me), and to PSQT for hosting. Thanks to The Arts Society Wessex Area for funding my workshop, and contributing to our events and catalogue. See @oneislandmanyvisions for details.

Tufted Duck is floating in Cranmore village pond (BA4 4QJ, Somerset) until 30 August. Made from recycled and found materials including wire, bottle tops, buttons, beads, lifebuoy ring. I created it for the Eco-Arts Festival Trail, themed Water Life. I worked on it with people of all ages and abilities, including Cranmore residents. The Trail takes place around Shepton Mallet, Cranmore and Doulting, Somerset. Maps from Strode Arms Pub, Station Cafe, Cranmore, One Craft Gallery, and Shepton & Wells libraries.

Photo by Roger Spear

I led a joyful one-day Sculpture workshop ‘Drawing in Space with 3d Materials’ at The Sherborne as a wider offering for the exhibition Recurring Intricacies.

My upcoming courses via Frome Community Education begin in September: Drawing and Creative Sketchbooking. Book soon if interested.

New product in my shop:: a range of copper napkin rings for sale - do take a look.

Fund raiser: I’m extremely thankful to those who’ve donated to my fund-raiser so far: Caroline Driscoll, Hanne Castein, Angela Morley, Claire Alves, Julia Middleton. The fund-raiser (running ‘til the end of August) is to help finance the build of a shed for artwork/storage (see progress pics below - thanks to Roger Spear for all his work on this so far), to work with Melanie Thompson on the Riot collaboration, and film of the performance. If you can help please get in touch. All donors will be acknowledged in my next blog/newsletter and receive a giveaway pack of my greetings cards.

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Ongoing

Working on the second part of Riot for One Island - Many Visions, inspired by Maritime Sunburst Lichen growing on the rocks at Tout Quarry.

Riot is a site-responsive installation, created from recycled materials including ocean waste, to be placed on rocks in the quarry. It’s also a wearable sculpture. I’m raising funds to work with a dance/choreographer leading to a performance at the quarry during the show. Let me know if you can contribute. Any amount much appreciated, however small.

I’ll be taking part in a Pecha Kucha, Tuesday 17 June, 6.30-8.30pm, Stroud Valley Arts, 4 John Street, Stroud, Gloucestershire GL5 2HA. £3 cash or card on the door. ‘8 visual artists present their work in the brilliant 20x20 pecha kucha format: Emilie Sandy; Fiona Campbell; Jessica Akerman; Risée Chaderton-Charles; Sam Marsh; Albie Luca; Deborah Cox; Tilly Geoghegan

Sack is on show at Insert There, curated by Roger Clarke, 'The Street’, Locksbrook Campus, Bath Spa University BA1 3EL, part of Fringe Arts Bath Festival ‘25. FAB runs until 7 June. Visit all works

Some of my work is showing in the Round Tower, Black Swan Arts, 2 Bridge St, Frome BA11 1BB, part of Frome Community Education Tutors Art Exhibition, until Saturday 7 June. I’ll be there on 4 & 6 June, 10-1 if you want to say hello.

Last chance to book my upcoming Eco Sculpture Course with Frome Community Education, Wednesdays, 2-4pm, starting on 4 June for 5 weeks. Makers’ Yard, 37 Lower Keyford, Frome BA11 4AR. Book here

II’ll be leading a one-day Eco Sculpture workshop at the Hidden Cabin, The Grange, Charlcombe Lane, Larkhall, Bath BA1 8D;, on Friday 25 July, 10am-3.30pm. Book here

More workshops coming soon.

Visual Arts South West is calling on everyone working in the visual arts to write to their MP asap to urge them to champion our sector in the forthcoming Comprehensive Spending Review. This is a critical moment — big decisions are being made that will shape public investment, livelihoods, and the future of our sector for years to come. Outcomes will be announced on 11th June

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Riot

Riot, work in progress. Shepton Snowdrops Festival Eco Fashion Show. Photo by Jason Bryant

I had a chance to try out Riot as a wearable artwork in the local Shepton Snowdrops Festival eco fashion show. Thanks to Angela Morley for organising the show. Loved being part of the community event alongside fellow makers and models.

A work in progress for One Island - Many Visions, Riot is inspired by Lichen (Xanthoria) found on rocks at Tout Quarry, ancient life forms in symbiosis. Created from hand-stitched and woven recycled/waste materials including botanically dyed textiles, wire & beach litter.  There will be a transient Happening, a performance in which the human body activates the work.

Last Sunday I revisited Tout quarry, Portland with Seamus Moran and photographer Russell Sach to get a few pics of Riot, as I trialed it in my chosen location. The work will be shown in One Island - Many Visions, an exhibition by Royal Society of Sculptors which will open in September. Thanks to Hannah Sofaer for taking the time out on a Sunday to open the gates and let us drive right up to the location, and to Russell for the photoshoot.

Martyrdom of the Ten Thousand, Seed Creative Pop Up, Bridgwater. Photos by Elliott Morgan

A few evocative detail shots (above) of my installation Martyrdom of the Ten Thousand at Seed Sedgemoor’s popup in Angel Place, Bridgwater last month. I’m hugely grateful to Seed for the commission and their support, and to all those who visited and took part in my drop-in workshops all week. It was such a joy engaging visitors and chatting about the work. Many different responses from happy enchanted faces, to tears of sadness about the plight of pangolins.

Coming soon: Flags of the Forest, an installation from April 8-13th, at Seed Creative Popup (Shop 8), Angel Place Shopping Centre, Bridgwater TA6 3TQ. The work explores the beauty and resilience of nature. Reclaimed and botanically-dyed fabrics are combined with wood, metal, and other found materials. This multi-layered artwork was originally created at Tremenheere Sculpture Gardens, Cornwall. These eco-flags celebrate the biodiversity of woodlands and the hope for a thriving natural world. Visitors can walk among the soft hangings and hard lines, experiencing the interplay of art, sustainability, and sound through a soundscape by Ushara Dilrukshan, adding another layer to this immersive sculptural installation.

I will be running a free drop-in workshop on Saturday 12th April, 11am-2pm at the Seed Popup. The workshop will entail weaving, wrapping and hand-stitching using a combination of recycled textiles and found plant debris to make mini soft hangings. Free, fun, and open to all (children accompanied by an adult). No need to book - just drop in!

I have 2 drawings on show in Drawing on Dorset, The Sherborne, Drawing Room, Dorset, DT9 3JG until 23 March, and 3 pieces in The Piano Shop Bath, 1&2 Canton Place BA1 6AA, all for sale.

New Work in Progress

Stilt Structure II (work in progress), found, recycled & waste materials: wood branches, coir, copper wire, handmade naturally dyed & recycled fabric, leather, plastic netting, polyester stuffing, jute, sisal, wool, thread, nylon tights

I’ve been creating hybrid forms around the notion of resilience, adaptation, making do. These precarious, awkward sculptural assemblages incorporate hand-stitched and woven textiles, which carry histories of land, past lives, labour, craft, trade routes, consumerism and waste. Labour-intensive processes relate to care and repair.

Grateful to Roger Spear for the use of his wood workshop and technical assistance.

As Old as the Hills

I’m co-curating a project As Old as the Hills, rooted in heritage and environment, highlighting issues of sustainability. It culminates in a contemporary art exhibition plus events for SAW Festival in the Bauhaus building, Glastonbury. 10 artists will create site-responsive work, some with the community, developing collaborative art: installation, sculpture, textiles, film, photography, performance. Our artworks will respond to place, deep time, climate change: floods, water pollution, and precarity of the peat bogs. The project will be approached as a collective conversation. We want to celebrate biodiversity in the levels & marshes, re-framing the notion ‘as old as the hills’ as forward-thinking rather than anti-progressive.

Upcoming Drop-in Workshop at Collett Park Day, Shepton Mallet, 8 June, with me & Jan Ollis making simple paper casts and embedding river & sea debris. All day; all welcome! Work made will be part of the final As Old as the Hills exhibition.

Awaiting news on our ACE project grant application; work + events will be scaled according to funds. Visit @as.old.as.the.hills for more about the project and my Artist Instagram Takeover this week.

Played and Remade (launched this week)

Thrilled to be part of a new collaborative art & music project with The Piano Shop Bath. Discarded piano parts have been upcycled and transformed into artworks. My 3 pieces Nest, String Theory, & Starfish are for sale. All artworks are available to view online and in The Piano Shop Bath, 1&2 Canton Place BA1 6AA. See article in The Guardian and visit @playedandremade for more info.

Nest, for Played and Remade

Elysia

In April I collaborated with dance artist Vanessa Grasse on her Elysia R&D project in a residency at Create@#8, Shepton Mallet for a week. We collected materials on walks, hand dyed natural recycled fabric remnants with homemade botanical inks, and made eco sculptural wearable artworks. The work relates to hybridity, interconnection between the human and non-human world. The name’s inspired by Elysia chlorotica, a sea slug with plant-like qualities - living testament to hybridity and symbiosis.

It was fascinating creating sculptural textiles to move with the body, and see elements in action.  We shared work in progress on our last day, encouraged people to make a small part, and were treated to a performance - those watching were transfixed. See more in my previous blog.

Elysia, work in progress

Upcoming

Solastalgia Exhibition, Truro Cathedral, Cornwall, 1-14 July. This follows an excellent publication about Environmental art, edited by Summer Auty.  I’ll be showing Glut and Pyre.

Site visits for future projects

Tout Quarry, Portland; Avalon Marshes; Bridies Mount; Mendip Hills

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