Picking up Past Threads

Stilt Structure IV, Found, discarded, recycled materials: wood, jute, fabric (some naturally dyed), leather, polyester stuffing, feathers, sponge, copper wire, sisal, thread; 174 x 76 x 78cms; 2026

This year is turning into a period of picking up past threads, nurturing what already exists, and developing new work. I’m returning to projects that were set aside for a while, rebuilding connections, and engaging with the wider community.

Upcoming:

‘Communities in the Landscape' is a community arts project which will be part of The Winscombe Festival of Arts and Nature (12th July). Tomasin Cuthbert (Soap Soup Theatre Director) - who I used to teach at Churchill School - invited me to collaborate with her to create a large-scale sculptural installation. We’re working with schoolchildren to create multiple elements for the piece, inspired by shapes in our local landscape, insect/animal forms, and temporary human structures like washing lines, tents and dens.

So far, with Reception and Year 1 children (Sandford Primary School), we’ve been using eco botanical inks to make tie dye patches, weaving beads/buttons/bottle tops into wire ‘danglies’, and painting inspired by animal tracks and water movement - all to be hand-stitched together. We’ll also be working with Churchill Academy and Banwell Primary to create small sculptural pieces, embroider surfaces and more... I’ve been enjoying all the prep!

The final structure - an ambiguous hybrid form alluding to creature, playhouse, and vista - will imply precarity, adaptability and resilience, treading the earth - sometimes lightly, sometimes leaving scars. Galvanised by the notion that humans are not centre stage, and that our existence has always been a shared one with our non-human neighbours, we’re exploring our shared vulnerabilities, and ways to heal collectively. In our contemporary world, in which technology is changing at a rapid pace and affecting us as beings, it’s more important than ever to consider our natural connections.

The Gleaning on Tour to Holy Island

In 2022, I co-curated a community art project The Gleaning with Gill Sakakini. We worked closely with Polly Hall, and were supported by Rosalind Teasdale-Ives, Bella Frey and others.

Our project was about bringing people together, community, sanctuary, care & repair, sustainability, diversity - referencing global traditions, especially the handmade.  We reused material remnants including botanically dyed fabric, handmade paper, and found objects, which were imprinted, embedded, and stitched into patchwork and appliqué.  We created 11 large-scale translucent installations suspended in front of 5m windows in Shepton Mallet church - replicating stained glass.  We engaged numerous people of different ages, backgrounds, abilities, genders, nationalities. For inspiration we looked at a range of art from countries around the world, including Korean bojagi textiles works, Gee’s Bend textiles, African textiles, Polish and Romanian folkart.

We’re taking this project to Holy Island for a week in September, and getting excited about the trip connecting north and south!  The Gleaning opens 27-29th September, St Cuthberts Church, Holy Island, Sun/Mon 10-4, Tuesday 10-1pm.  On Monday 10am-12noon we’ll give a Tour & Talk; and on Tuesday 10am-1pm were offering a free Sketch, Scribe, Stitch Workshop.

Where Are We Now?

Five years on from our travelling exhibition Inch by IN:CH, artists from the collective are coming together to present new perspectives. Our exhibition will open at 44AD, Bath 24 Aug - 30 Aug, 11-5. PV Mon 24 Aug, 5-8pm; Wed 26 Aug, 6pm, In-Conversation; Sun 11-1 children’s workshop Sketch & Sculpt, £10 with Shirley & Fiona. Touring to No.6 Bruton, as part of Somerset Art Weeks Festival, open 25 Sept - 4 Oct, Fri-Sun, 10-4.

Beyond Horizons

Delighted Flags of the Forest has been selected for Beyond Horizons, a new annual major sculpture event to be held at Stoberry Park Garden, Wells, Somerset (5 Sept - 4 Oct), timed to coincide with Somerset Art Weeks. Flags of the Forest is a large-scale sculptural installation with textiles elements activated by the weather. I’m looking forward to placing it later this year in the magnificent grounds. Thanks to the panel of judges: Theresa Bergne, Nicola Knight, Fred McDonald, Martin Staniforth, Freeny Yianni, and Frances & Tim Meeres Young.

Flags of the Forest, installed at Tremenheere Sculpture Gardens, 2023

Behind the scenes, I’m assisting Beyond Horizons, mainly managing the Instagram account.

Also supporting Micro Commission and Creative Pathways artists for Somerset Art Works.

Plus, developing new Stilt Structures, a series originating in 2024, some for outdoors.

Hand drawn design for outdoor Stilt Structure

My storage shed is nearing completion - it’s been a long drawn out project! Also spending time doing up my living/work spaces, appreciating what I have. 

XL Exhibition, Black Swan Arts, Frome. Last day today! Closing Hour 3-4pm - all welcome. Pleased to have donated a painting ‘Garlic’ to this fundraising exhibition, celebrating 40 years of Frome’s first arts centre. Do pop along for the final hour if near Frome!

Enjoy the summer months and hope to catch you at some point!

Riot

Riot, work in progress. Shepton Snowdrops Festival Eco Fashion Show. Photo by Jason Bryant

I had a chance to try out Riot as a wearable artwork in the local Shepton Snowdrops Festival eco fashion show. Thanks to Angela Morley for organising the show. Loved being part of the community event alongside fellow makers and models.

A work in progress for One Island - Many Visions, Riot is inspired by Lichen (Xanthoria) found on rocks at Tout Quarry, ancient life forms in symbiosis. Created from hand-stitched and woven recycled/waste materials including botanically dyed textiles, wire & beach litter.  There will be a transient Happening, a performance in which the human body activates the work.

Last Sunday I revisited Tout quarry, Portland with Seamus Moran and photographer Russell Sach to get a few pics of Riot, as I trialed it in my chosen location. The work will be shown in One Island - Many Visions, an exhibition by Royal Society of Sculptors which will open in September. Thanks to Hannah Sofaer for taking the time out on a Sunday to open the gates and let us drive right up to the location, and to Russell for the photoshoot.

Martyrdom of the Ten Thousand, Seed Creative Pop Up, Bridgwater. Photos by Elliott Morgan

A few evocative detail shots (above) of my installation Martyrdom of the Ten Thousand at Seed Sedgemoor’s popup in Angel Place, Bridgwater last month. I’m hugely grateful to Seed for the commission and their support, and to all those who visited and took part in my drop-in workshops all week. It was such a joy engaging visitors and chatting about the work. Many different responses from happy enchanted faces, to tears of sadness about the plight of pangolins.

Coming soon: Flags of the Forest, an installation from April 8-13th, at Seed Creative Popup (Shop 8), Angel Place Shopping Centre, Bridgwater TA6 3TQ. The work explores the beauty and resilience of nature. Reclaimed and botanically-dyed fabrics are combined with wood, metal, and other found materials. This multi-layered artwork was originally created at Tremenheere Sculpture Gardens, Cornwall. These eco-flags celebrate the biodiversity of woodlands and the hope for a thriving natural world. Visitors can walk among the soft hangings and hard lines, experiencing the interplay of art, sustainability, and sound through a soundscape by Ushara Dilrukshan, adding another layer to this immersive sculptural installation.

I will be running a free drop-in workshop on Saturday 12th April, 11am-2pm at the Seed Popup. The workshop will entail weaving, wrapping and hand-stitching using a combination of recycled textiles and found plant debris to make mini soft hangings. Free, fun, and open to all (children accompanied by an adult). No need to book - just drop in!

I have 2 drawings on show in Drawing on Dorset, The Sherborne, Drawing Room, Dorset, DT9 3JG until 23 March, and 3 pieces in The Piano Shop Bath, 1&2 Canton Place BA1 6AA, all for sale.

New Projects

January is my least favourite month. I deal with it by cracking on and trying new avenues of research, opportunities and making. I have a few projects on the go: commissioned installations at a popup in Bridgwater (coming soon in February), working on a large-scale textiles piece for Tout Quarry later this year, as part of One Island - Many Visions, and teaching new courses.

Seed Pop Up

I’ll be recreating two art installations in a popup space at Angel Place, Bridgwater, commissioned by Seed Sedgemoor. The first - Martyrdom of the Ten Thousand - relates to the tragic plight of pangolins, the world’s most trafficked mammal. Made from recycled and found materials, it invites visitors to get immersed and consider environmental and conservation issues. This installation, together with a gentle film Life in the Undergrowth, revealing small hidden worlds in my garden during lockdown ‘20, can be experienced at the Seed Creative Popup (Shop 8), Angel Place Shopping Centre TA6 3TQ from 18-23 February, 10.30-4pm. This will be followed in April 8-13th by Flags of the Forest, which explores the beauty and resilience of nature.

Alongside the installations, I’ll be running free drop-in Eco Sculpture Workshops from Tuesday 18 to Saturday 22 February, 11am-2pm at the Popup. Open to all aged 6+ (children accompanied by an adult). No need to book.

I’ll be there daily - come and visit!

Seed’s primary aim is to enable more people in Sedgemoor to actively engage in the creative arts, particularly those who don’t usually do so. This activity is supported with funding from Arts Council England via the Creative People and Places programme.

New Work

‘Riot’ (working title - above) is developing steadily, planned for an installation in Tout Quarry, Portland, part of One Island - Many Visions exhibition with fellow Royal Society of Sculptors members (Sept/Oct). I started early as things can get busy as the year progresses. Hoping the final work will be used in a performance as part of the show. It’s going to be a fantastic event with symposium, exciting speakers and more.

This work is inspired by Lichen (Xanthoria Parietina) found on rocks at Tout Quarry, their colour, form, and radial growth. It has been created from waste and recycled materials including textiles (some home-dyed with natural pigments including turmeric), wire, beach litter & debris rescued from the sea. These have been hand-stitched, woven, wrapped and bound together to form a layered mass of line, texture and colour.

Among the oldest living and slowest growing organisms on Earth, and first to colonise new land, Lichen absorb large quantities of carbon dioxide. The rocks are made up of skeletal micro organisms such as diatoms built up over millennia, and the ancient life forms now growing on them - lichen - are a symbiotic relationship of algae, fungi and cyanobacteria.

My labour-intensive processes relate to care and repair. Reflecting on ‘troubled beauty’ in our unstable world, symbiosis and vascular threads as universal rules of nature. Detritus, the fabric of earth, in collaboration, weaving together to make new worlds.

Now to stitch it all together! If I have time I’ll make another smaller piece. Hoping to try it out soon as a wearable artwork.

Grateful to Chris Black for letting me use the space at Zig Zag building, Glastonbury.

New Courses

I‘ve been enjoying running courses in person and online. My Creative Sketchboooking course offers a variety of processes covering drawing (indoors & out), painting, and collage. It’s been good fun! My next series start in a month - if interested please book soon as places are filling up!

(Images below include participants’ work by Sarah Bayly, Alice Irving, Ingrid Sosrin & Sanita Gourley)

Other News

Two of my drawings are currently on show at Drawing on Dorset, The Sherborne, Drawing Room, Dorset, DT9 3JG, daily from 23 November - 23 March, an exhibition which has toured venues in the South West.
The venue has been spectacularly refurbished, thanks to the late Michael Cannon’s enormous generosity.

My drawings represent the overlooked - often small organisms - which fascinate me. These forms recur in my work in different guises including sculptural and textiles work.

PADA Residency

I’m half way through a PADA art residency in Barreiro, near Lisbon, Portugal. I’m embracing the rigorous schedule of work, and a massive studio alongside other inspiring artists from across the globe. Sited within a post-industrial zone, parts of which have gone to ruin through toxic contamination and bankruptcy. The dystopian wastelands a shocking, mind-opening example of the repercussions of industrial/economic growth and ‘progress’.  Pyrite was used in making fertiliser. It oxidises, creating toxic sulphuric acid. Skeletal structures, piles of waste, remnants of plastic leakage, warped and crystallised into unfamiliar forms, materials mangled and tangled. Remains of disaster. Shadows of the past. Reminder of our future..

I’m responding to the dystopian wasteland and PADA’s history as a jute warehouse. Vasco da Gama discovered India, where jute originates. Trade routes, colonisation (eg Mombasa/Malindi..) mass production, and the Carnation Revolution (‘74) ensued.

I’m making a colossal sack, and stilt structure to support it. Sack is a bodily form, bundle, container of waste, made from a patchwork of discarded materials/offcuts gathered locally, especially jute sacks. Offcuts include Indian fabric from Malindi. Grateful to @soniapicolo who helped me source waste fabric in Lisbon. Some of the patches are weavings I’ve made with stuff from the wasteland, reflecting grids in surrounds, and warp and weft of jute. Others botanically hand-dyed - all hand-stitched together.  Colours of yellow wild flowers. moss growing on concrete, reds/oranges of iron and sulphur..

In Ursula Le Guin’s The Carrier Bag Theory of Fiction, the sack represents the ‘belly of the universe..a ‘womb.. tomb.. unending story.. hope’. In a preceding book, Elizabeth Fisher claims man’s ‘first cultural device was probably a recipient’ (not bludgeon).

Collecting/scavenging materials has been part of my process. For the stilt structure I hauled a 4 metre pole back along river Tagus in a storm!

We’ve also had a bit of time to enjoy eating out, listening to local fado music, and visiting exhibitions in Lisbon. I had a visit from Mark Richards (Royal Society of Sculptors), and met up with an old schoolfriend Sonia, at the Berlinde de Bruyckere exhibition at MAC/CCB. Overwhelmed by the powerful work, curated in the huge avant-garde galleries. Glorious yet repelling bodily forms.

I’ll post final pics of my PADA work in my next blog. To keep more up-to-date with my ongoings follow me on Instagram.

Upcoming Exhibitions

PADA Residency Exhibition, Rua 42, n2, Parque Empresarial da Quimiparque,
2830-904 Barreiro, Portugal; Sat 24 Feb, PV 6-9pm.

Sustainable Art Open, Atkinson Gallery, Millfield School, Butleigh Rd, Street, Somerset BA16 0YD. PV Wednesday 21 Feb, 7.15pm. Book a free slot here to see it during our open hours. Featuring artists who work with environmentally-friendly materials and incorporate sustainable practices. Open 9:30am-5pm, from Wed 21 Feb - Thurs 2 March (Closed Sun - Tues).

Casting Shadows ACEarts, Market Place, Somerton, TA11 7NB; 2 March - 6 April; with Royal Society of Sculptors members. You’re invited to meet the artists on Saturday 2nd March between 11am-1pm. The exhibition runs from 2 March - 6 April.  I’ll be showing a new piece Stilt Structure I. It would be great to see you!

Shepton Mallet Snowdrops Festival, 12-18 Feb: A giant scroll-like mixed media collage installation, with text, is spanning the galleries of the Baptist Chapel, Shepton Mallet. It’s on show from 16-17 Feb during the Festival (theme ‘Nature Unbound’). Created in a workshop with me, writer Polly Hall, and community. Poetic words were laser cut onto the finished scroll. Georgia Freely and Polly installed the work while I’m away. See full diary here. Do visit if in the area.

Delighted to announce we’ve achieved our match-funding for a new project I’m co-curating with Jan Ollis: As Old as the Hills. Thanks to: The Arts Society Wessex area, a local charitable trust, Simon & Chrisi Kennedy Paddy O’ Hagan, & Ben Malin. Fingers crossed our ACE application is successful.. Residencies will lead to an immersive exhibition and events in the historic Zig Zag building, Glastonbury for Somerset Art Weeks Festival ’24. Rooted in heritage and environment, with community engagement, we have some excellent artists on board. Do follow our new instagram account.

Really pleased with exploration and outcomes from participants of my Online Sculpture Course - see their work below:

New Work on Show for Wander_Land, Tremenheere Sculpture Gardens

Flags of the Forest, reclaimed and found materials, 2023.. Photo Russell Sach

After months of prep and an intense week installing my work is now on show in Wander_Land, a large scale artist-led group exhibition of new sculpture at Tremenheere Sculpture Gardens and Gallery, Penzance, Cornwall. The exhibition is about landscape and wandering, and includes 28 artists from Royal Society of Sculptors - open daily 1 July - 5 Aug, 11-4. Closing Event 5 Aug 11-4. The show spans several spaces inside and out. Works range in style and materiality, some pushing sculpture to its edges. It’s been a joy working together alongside great colleagues, and behind the scenes with steering group Seamus Moran, Mark Richards, Ann-Margreth Bohl, and curator/writer Martin Holman. See more here. Our Opening Evening was followed by a busy first weekend with Artist Talks. You can listen to artists talk about their work in a series of podcasts led by Doug Burton. Mine is here.

I created 2 pieces: Flags of the Forest (outdoors) and Above and Below (indoors).

Flags of the Forest. Photo Russell Sach

Flags of the Forest. Photo Barbara Beyer

Art writer Martin Holman, who assisted us with the curation, wrote in his introduction to the show:

‘Fiona Campbell’s ‘Above and Below’ distils that essentialness of the all-round effect of nature and transports it into the gallery as if challenging the enclosure that comes with architecture.’

‘The thicket of stem-like upright forms and trailing translucent pennants on the grass bank… suggests another way marker or a minor encampment of a travelling band. At the same time as these colourful ideas emerge, others focused on sculptural properties like line, volume, space and surface occur. The piece assembles a wide array of natural matter and woven fabrics acquired in all manner of exchange and appropriation, or bring obliquely to mind the pattern of commerce, profit and exploitation in the manufacture of fashion items for western consumption.’ (Flags of the Forest).

Grid images below: Flags of the Forest installation process. Photo credits: 4,5,6,7,8,9,24,29 Barbara Beyer

Flags of the Forest. Photos (above x 2) by Russell Sach

Photo Barbara Beyer

Visitors’ silent walk to see Flags of the Forest before Artist Talks. Photo David Bird

Above: visitor with Flag

Left: photo by Jane Jobling

Flags of the Forest took almost a year to make, in between other work. Inspired by walks in woodlands, it was developed from an indoor piece to a large outdoor installation. The flags celebrate bio-diversity, hopeful of nature being more cared for, and thriving. The work includes tall heavy scrap metal and found wood components with fragile hand-stitched patchworks of semi-translucent textiles elements - some I’ve botanically dyed, eco-printed or embedded with found objects collected on walks. It’s a first for me - and a steep learning curve - to include a water feature as part of an installation. Labour-intensive processes included digging a ditch/pond/water feature and carrying many buckets of water uphill…  Have enjoyed seeing the work activated by wind, rain and sunshine.  It tinkles, reflects in the inky water, and casts strong shadows. Have loved chatting to visitors and their dogs. I couldn’t dream of a better view for this work - across the sea to St Michael’s Mount, a tidal island, place of pilgrimage and the inspiration for the show.

Above and Below is a response to the entanglements of matter, rhizomic systems and debris that make up the strata we walk on. Interconnected lines of life, in a process of becoming, growing, ‘frothing and tangling and fusing.. layering and layering and layering…..’ (Merlin Sheldrake, Entangled Life). ‘Fungal networks lace woodland soil… slow stories… making and remaking…. Vascular systems of forest wisdom.’’ (Robert Macfarlane, Underland).

Above and Below, reclaimed and found materials including metal, wood, insects, twine, tree bark, pods, fishing net, roots, grasses, bones, pondweed, nest, aluminium, sisal,, botanically dyed fabric, wax, 2023

Above and Below, Wander_Land. Photo Russell Sach

Images above: Above and Below install, Opening Evening, Artist Talk and exhibition overview. Photo credits: 1,3 Mark Richards; 4 Rob Marshall; 5,10,11 Barbara Beyer; 8 Jane Jobling; 9,20 Seamus Moran; 14,19 Russell Sach; 16 Doug Burton; 17 Jo Hague.

Thanks to:

Jason Nosworthy and Mike Belcher for helping me install; Seamus and Jo Moran for their hospitality all week during and post install; Jane Jobling and other exhibiting artists; Neil Armstrong & team at Tremenheere Sculpture Gardens; Martin Holman for his help curating; Arts Council England for my DYCP award which enabled me to develop this work to an ambitious scale; Mark Devereux Projects for mentoring support this year.

If you haven’t yet, do visit!  And see @wanderland2023 for more..

My year of ACE DYCP has now come to an end, but I will be continuing in the same vein towards a more sustainable practice, taking risks, exploring and developing further.

I was delighted to see my work settled in its new home. Above and Below I (mixed media collage) looks fabulous framed up so beautifully, and in a perfect spot. I’ll now be focusing on new work for Somerset Open Studios (16 Sept - 1 Oct). In the meantime, if you’d like to purchase any of my works please visit my shop.

Above and Below 1, mixed media collage