Winter News

In the Studio

I’m currently exploring layers, patchwork, pattern and tie dye for a new sculptural installation of multiple suspended pieces based on pangolins and their tragic plight. Strange forms are progressing in the studio. I went to Chichester Cathedral for a site visit and to meet curator Jacquline Creswell recently, and now have a beautiful space allocated for my installation. Really excited about the venue and the work we are making for our RSS group sculpture exhibition next summer - ‘Together We Rise’.  Our RSS SW artist group has become quite a tight online community. We discuss practices, ideas, offer advice and support, share exhibition news and talk about our concerns in these strange Covid days..

Using recycled, donated and found materials, I’m making a series of bodily forms and hangings in various states: skeletal, bound, unravelled, sutured, ornamentalised…. I’ve been looking at a range of art from The Ghent Altarpiece and Michelangelo to Arshille Gorky and Annette Messager, aiming for a painting in space.

Pangolins are the most trafficked mammals on earth, now endangered, and nearing extinction; they need all the help they can get for survival. I will be donating 10% of all shop sales (physical products) in December towards Save Pangolins.  And an extra 10% on orders until tomorrow towards David Shepherd Wildlife Foundation’s The Big Give Christmas Challenge. Take a look now!

Ingram Prize 2021

Last month it was exciting to be part of the Ingram Prize exhibition in London. I felt honoured to be selected for the prestigious exhibition. It all hung together so beautifully.

Ingram Prize 2021. Photography by Paul Tucker. Courtesy of The Ingram Collection & Unit 1 Gallery | Workshop

Jo Baring, Director of The Ingram Collection said ‘The Ingram Prize is a barometer of artistic excellence in contemporary British art. 29 exceptional finalists whose bold and startling work encapsulates contemporary themes and issues..’

Glut is a labour of love, and takes a few hours to instal and de-instal. Made in 2018 from found and recycled materials, it’s a wailing in response to environmental issues: waste, consumerism, factory farming, plastic oceans, animal extinctions… And the death of our dog. The materials speak of past lives, loss, textiles, craft; the forms reflect a duality of horror and tenderness.

The Private View was packed and buzzing, it was great to meet the curators, host, artists and catch up with friends and family, who I stayed with during set up and take down. 

As part of the award we attended professional development talks - all helpful info.

You can listen to our artist audios here:

While in London I visited the Tate Modern with my cousin. Loved Anicka Yi’s kinetic floating aerobes and the Phyllida Barlow Artist Rooms. Also saw the diverse RA Summer exhibition - all such a treat. 

For me, it’s increasingly vital to repurpose, recycle, utilise to-hand materials and found objects; I like to connect with meaningful ancient modes of making like stitching, weaving and wrapping - the ‘visceral nature of art-making’ (Yinka Shonibare).

Exhibition in Taiwan

‘Pyre’ is showing at the 2021/22 Biennal International: Transfiguration, NTCRI, Nantou, Taiwan. It runs until 10th April 2022. There will be a film of the exhibition, which I’ll share asap. I’d love to visit, but it’s unlikely!

Online Sculpture Course

I’m running my 3rd online Sculpture Course: 10/1/22 - 13/2/22.  If interested please email me: fionacampbell-art@sky.com or enrol via my shop, where you can find further details.

Online shop

I’ve finally created an e-commerce facility on my website shop, with updated products. There is currently a Bulrush sale - prices of these will go up in January, so order soon!  They are presents that last, made mainly of recycled materials, helping towards a circular economy to avoid waste. Click here to see what else is on offer.

Thanks to Somerset’s VESP business initiative, I was given helpful advice by Melanie Sensicle and Graham Soult. 

Free Workshop

I have a FREE Workshop coming up at The Art Bank, Shepton Mallet on 10th December, 1-3pm. We’ll be making eco Christmas decorations using recycled and found materials including copper wire. To book email me: fionacampbell-art@sky.com (limited spaces so book soon)

One of my website updates includes this Chameleon film. Take a tour of my website to see more.

For regular updates visit my instagram page and consider following.

Wishing you a Happy Christmas!

Selected for Ingram Prize 2021

Glut, 2018, recycled & found materials. Photo by Mike Garlick

I’m absolutely thrilled to have been selected as a finalist at this year’s Ingram Prize, the leading annual prize for contemporary artists in the UK. 

My selected piece Glut, was created in 2018.  It’s an outpouring, an emotional and physical wailing in response to environmental issues including waste, our consumerist society, factory farming, the plastic oceans, animal extinctions, climate breakdown.  And the loss of our boxer dog.

The materials, especially personal items speak of past lives, loss, textiles, craft. In contrast, the organic forms symbolise death, violence, but also vulnerability and renewal - the duality of horror and tenderness. Materiality and process are part of the message, embedded in the narrative: the work is hand-made, labour-intensive and my use of recycled and found materials relates to our relationship with matter, nature and ourselves. Collecting objects and materials is intrinsic to the process.  

The work is a form of artivism, a suturing in an attempt to heal.  Timely for COP26.

An exhibition of the finalists’ work, including mine, will be held at Unit 1 Gallery/Workshop, 1 Bard Rd, London W10 6TP, Friday 19 - Friday 26 November ’21. I hope you can come!  The winners will be announced on 18 November in London. 

It’s so wonderful to be part of the fantastic line up of artists and prestigious exhibition!

Here’s one of the the latest press articles.

‘From The Inside’

Some of my work from B-Wing, a project I co-curated in 2019, is featured in ‘From The Inside’, a book by Dave Cable, published this year about Shepton Mallet Prison. B-Wing was a 2 week site-responsive arts event in the prison involving 8 artists/writers and special events, part of Somerset Art Works Festival ‘19.

The book has already sold out, which may lead to a second print run. Along with the main book, an extra little booklet was published, devoted to our B-Wing project. It’s a great legacy to our project!

Back in the Studio:

It’s lovely to be back in the studio making again. I’ve been tie dying with various home-made plant inks, stitching, weaving and wrapping. The labour intensive processes are linked to care and repair. 

It took me several days to clear up after a flurry of projects. Due to rain damage, I’ve had to have a new roof made to store some of my work - thanks to Nick Weaver for help with this. I’ve finally made space to develop my next piece based around pangolins and their plight. Pangolins are now an endangered species - the most trafficked mammal in the world.

Exhibition in Taiwan

So glad my work Pyre arrived safely in Taiwan (80+ bound elements), and excited that it will soon be on exhibition at International Biennale, Paper Fiber Art 2021/22, Change: NTCRI, Nantou 54246, Taiwan; 12 Nov-10 April ’22. There will be a film of the exhibition published for the opening - watch this space!

Pyre, 2020, charred found objects (detail)

Forthcoming workshop:

I’ll be running a free Eco Christmas Tree Decoration-making Workshop on 10 Dec ‘21 at The Art Bank, Shepton Mallet BA4 5AD. Inspired by our natural world, you will be creating small sculptural creature or plant forms using recycled and found materials including copper wire and found objects.  We will explore form, texture, pattern, colour…  Materials will be transformed into imaginative, decorative forms.  The workshop will encourage an inventive approach, finding new ways of making.  Ideal for your Christmas Tree or eco hand-made Christmas gifts!

You are welcome to bring along your own collection of colourful beads and buttons to add to your pieces.

Thanks to the support of Shepton Mallet Town Council.

To Book email: fionacampbell-art@sky.com 

End of a Busy Time

A whirlwind of overlapping projects came to a crescendo last month. In addition to featuring in WAC, Wells Cathedral, I had 2 venues during Somerset Open Studios - one an art residency and solo in the spacious Loft above Heritage Courtyard Gallery and Studios.  The second was our Inch by IN:CH finale. I ran workshops as part of these events, and invigilated daily.  All went surprisingly well, though felt shattered after takedown last week!

Loft Residency & Solo Exhibition

My residency was a great opportunity to test ideas and curate a body of work in an interesting space.  Some pieces were reconstructions; others new and exploratory. Threads connected the drawings to sculptural installations, loosely hinged on entanglements.  I welcomed conversations with visitors and appreciated the feedback.  There was a sense that the sculptures were alive. 

Visitors’ comments:

‘Awesome, imaginative installations, gives me some inspirations to move me forwards’

‘Very stimulating. Captures so much’ 

‘What impresses me most is the subtlety of sewing together the most varied colours and shapes into a cohesive and harmonious whole’

‘Inspiring, energetic insect-like pieces’

‘Fabulous, intricate, complex - great to see work in progress. Very evocative!’

‘..made me think of Merlin Sheldrake’s book on Fungi. Exhibition captured me immediately’

‘Otherworldly and thought provoking’

‘Fascinating range of exploratory work’

’So-o-o inspiring working with the natural materials..’

I’ve loved my time there and really grateful to Heritage Courtyard Studios for their support. I’ve made a short film of the residency - thanks to Rebecca Barnard for footage, and Dan Hopkins, Jack Robson and Nigel Evans for some of the photos:

Inch by IN:CH Collaboration

Inch by IN:CH, now over, was a formidable undertaking at a difficult time.  We had many conversations with visitors, in relation to the work and wider issues. Taking our work to places where people didn’t expect to see art, responding to changing environments and pressures, our project accomplished what we intended - transporting art and ideas into local communities. 

We had a fantastic finale at the Gauge Museum, West Somerset Railway, ending 3 October.  It was filled with activities, visitors, participants and creative energy!  We ran several workshops, linked to The Big Draw.  Mixed ages created together using a range of media and techniques, 2d to 3d.  We were delighted with the large turnout of participants and their responses.

Jenna Myles (Somerset Cool/BBC radio) visited and interviewed us, trialing a Sculpture and Shadow Drawing Workshop I ran with Shirley Sharp.  I featured on BBC Breakfast radio with Charlie Taylor on the last day (1:53 - 1:58).  We were thrilled with an excellent review of our project by Fiona Robinson, for Evolver magazine. 

It’s been wonderful travelling around parts of the south west to such an interesting range of venues over the past 5 months! We’ve learnt so much as a collaborative artist group, and thrilled that it’s been a success!  Hard work.  But an incredible journey.  We’re so grateful to all our visitors and supporters.  

Hope of a Tree, The Gauge Museum. Photo by Jenna Myles

WAC

It was sad taking down my Snakes and Ladders (I) installation from Wells Cathedral, a highlight of this year.  Feedback has been very positive. Many thanks to Nick Weaver, WAC and Wells Cathedral team for helping with de-installation. It was an honour to be part of this fabulous show!

Snakes and Ladders (I). Photo by Dan Hopkins

A big thank you to everyone who came to see my exhibitions and supported along the way!
Things are easing a bit for me, and I’m beginning to feel restored :-)

Other News

My work Pyre will be on show in Taiwan soon, as part of the International Biennal for fibre art: Change, 12 Nov ‘21 - 10 April ‘22

My giant Octopus installation, created with students at Eastover Primary School, Bridgwater, via SPAEDA is being appreciated by the school. See pics from a site visit/photoshoot, and below.

Me with pupil and giant Octopus installation, Eastover Primary School. Photo by Alice Crane, SPAEDA.

Time to focus on my ongoing installation for a group exhibition with Royal Society of Sculptors ‘Together We Rise’, Chichester Cathedral 2022, being curated by Jacquiline Creswell.

A very exciting London exhibition is coming up (details to be announced soon)!

I’ll be working on my website e-commerce shop in time for Christmas, and currently making a batch of small copper bowls for Durslade Farm Shop, Hauser & Wirth Somerset. Always grateful for sales ;-)

I’m part of a Reading Circle ‘All We Can Save’. Rather than just hope, we’re discussing ways to act in courage. ‘All you touch changes’. ‘Indigenous ways of knowing.. [deemed] primitive.. are now being ..sought to save our environment..’ ‘Diversity fosters social coherence’; we need to ‘evolve into a state of interbeing with the rest of life..’

Countdown to COP26 in November requires ‘injections of imagination about how harmful systems and embedded inequalities can change for the better’…

Workshops, Exhibitions, Residencies

Inch by IN:CH

We had a magical day in the woods at Found Outdoors for our pop-up earlier this month. The light was sublime. ‘The work was held by the environment so well it could have been made for it!’ (Philippa Edwards). 

Our finale at the Gauge Museum (West Somerset Railway, Bishops Lydeard TA4 3RU); 25 September - 3 October, 11am-5pm daily (closed Mondays) is part of Somerset Open Studios.

The event is part of a 6 month travelling exhibition of art in cases. We’re treating this as a residency, so each of us will be working on something in situ.

We have some exciting events for you to take part in! Some are drop-in, others are part of The Big Draw and need to be booked in advance. We’re keen to engage Somerset-based residents.

The first workshop this Sunday will be led by me and Shirley Sharp:

Sculpture and Shadow Drawing Workshop: Sun 26 Sept, 2-4pm. Make sculptures and shadow drawings using wire, clay, newspaper and recycled materials. We will first create heads and other sculptural forms. The artists will then guide you to use these as inspiration to draw sculpted shadows, enhanced by dramatic lighting, using inks and graphite, limited places. For adults and children (accompanied by adult/s). Just £5 for materials. Book via Eventbrite:

Next week:

Family Drawing Workshop: Sat 2 Oct, 2-4pm. Exploring the Journey of Line: where it might go and how it might get there. With Helen Anson & Anna Kot….. Eventbrite,

Family Sculpture Workshop: Combine sculpture and drawing processes using mainly recycled materials; Supported by Somerset Art Works and linked to The Big Draw; Sun 3 Oct, 2 - 4pm Eventbrite

Please share this information with anyone you think might be interested. Our funds depend on participants!

For more events visit www.inchbyinch.uk

Wells Art Contemporary, Wells Cathedral

There’s still time to visit Wells Art Contemporary, where my installation Snakes and Ladders (I) is exhibited. I’m so grateful to visitors, wonderful feedback and photographs of my work. Below are some beautiful shots taken in the cathedral by Barry Cawston, Dominic Weston, Polly Hall, and Jack Robson

Snakes and Ladders (I), Wells Cathedral. Photo by Barry Cawston

Photo by Polly Hall

Photo by Dominic Weston

Photo by Jack Robson

The extraordinary effort and process involved in transporting, fixing together, erecting and suspending the piece will happen in reverse next week! There have been some excellent reviews of the exhibition and installations. It ends on Sunday 26 September, so if you haven’t yet, I’d recommend a visit! :-)

Snakes and Ladders (I) was originally created as part of a series of dysfunctional ladders and hangings for B-Wing, Shepton Mallet Prison. The piece was inspired by Piranesi’s ‘The Bridge’, referencing the human cycle of striving, greed and suffering. The winglike skeletal structure is a precarious stairway, reminiscent of flight and extinct animals hung in museums. My use of recycled and discarded materials relates to waste, our relationship with matter and nature.

Loft Residency

I’m really enjoying my ongoing Loft Residency above Heritage Courtyard Gallery and Studios. Huge thanks to Heritage Courtyard Gallery for all their support, for facilitating my residency, and to all our lovely visitors; it’s been wonderful to meet and chat with friends and new acquaintances. Open 18 Sept-2 Oct, 11-4 (closed Sun/Mon).

Some of my pieces are in progress. I’ll be working on them over the next week or so. The residency is giving me the opportunity to experiment with the space and new ideas using mainly recycled and found materials, responding to ongoing global events and nature’s complex interconnections.

As part of this event I'll be running a sculpture workshop on Saturday 2 October, 2-4pm in the gallery:

‘Inspired by the incredible variety of creatures and plant forms in our natural world, come and explore different processes to create a small sculpture, using recycled and found materials including copper wire. Materials will be provided, but do bring your own collection of buttons, bottle tops and beads to add to your sculpture! £15pp. Book via email: fionacampbell-art@sky.com’.

I’ll be there when the gallery’s open apart from Saturday 25/9, when I’ll be at my Inch by IN:CH venue (16).

Hope to see you at one or more of these events!

For more images visit my Instagram page

Space/s

I’m looking forward to suspending my large-scale Snakes and Ladders (I) piece in Wells Cathedral and attending the Wells Art Contemporary PV this week! I’ll also be installing a giant Octopus on a 5m wall at Eastover Primary School, after which I can properly get stuck into my residency space in the Loft, above Heritage Courtyard Gallery, Wells.  All very exciting though I’ve been very busy, a bit stressed and feeling quite exhausted. I value those still times for head space and imaginings.

WAC

Having been selected as one of the installation artists for Wells Art Contemporary at Wells Cathedral, my 7m piece Snakes and Ladders (I) will be suspended in the south transept.  I can’t wait to instal it in that magnificent space this week!  

I’ve been very lucky to be able to work on it in a fabulous spacious workshop nearby, thanks to Jen Weaver and Al Crossman for the free space (available to rent - contact tractor.shed). The piece needed repasting and a few other tweaks, so I’ve spent 2 weeks sprucing it up. Thanks also to Nick Weaver for his technical assistance.

Snakes and Ladders (I) in progress

The Private View is this Friday 27 August (do come - PV invite below) and the show runs for a month. 

See previous post for more details about the work.

My work tends to gravitate upwards, downwards, or entwine through - in motion anyway.  There’s a vitality, an ongoingness, entangling or journeying - as with life.  Along these lines, I’m reading Life of Lines by Tim Ingold.

Pyre is off to Taiwan

Packing Pyre, (including counting (85 pieces), weighing, installation instructions and registering shipping on DHL took almost as long as making it!  The work’s going off to the International Biennale, National Taiwan Craft Research and Development Institute this Thursday - fingers crossed the 3 boxes arrive in tact the other end!

Loft Space (above Heritage Courtyard Gallery)

Loving my new temporary workspace in the loft above Heritage Courtyard Gallery, Wells.  It’s giving me some thinking space along with it being physically inspiring, a space to expand, and document work, in between my other projects. I’m approaching it as a short residency, leading to Somerset Open Studios, (18 Sept-3 Oct).  It’s very timely as my relatively cramped studio at home has no power at the moment!

I’ve been drawing roots with oak gall and Indian ink - the start of a series of drawings and sculptural installations.

I’m working on a new piece for an RSS exhibition at Chichester Cathedral next year - title undecided. My work is based on the plight of pangolins. Recently authorities found body parts of 15,000 dead pangolins in hundreds of bags. The slaughter of Pangolins continues.  This poaching, cruelty, slaughter and greedy profiteering from the death of these beautiful endangered creatures is breaking my heart.  Wildlife trafficking is a vile practice, and those who encourage and commission it must be stopped, shamed and brought to justice. Those who poach need to be given a better alternative - educated/enlisted to save not harm wildlife.

Of Anish Kapoor: ‘…bleeds and disgorges its subterranean innards… push boundaries between sculpture and painting into visceral new ground,… ongoing attention to the abjected body… a theme surely intensified in the pandemic era… when the sense of the vulnerability of the body has become a communal experience.’ ArtLyst, July ’21

I thought this description aptly describes what I’m trying to achieve in my new work.

In the gallery below the Loft, there’s a vibrant exhibition: Inside Out with work by Heather Wallace and Rebecca Barnard - come and visit!

Inch by IN:CH

We had a fantastic pop up event at Backwell Playhouse as part of Inch by IN:CH. It was a brilliant opportunity for dramatic lighting on our work. My piece Hope of a Tree was placed to cast interesting shadows for our shadow drawing workshops, led by Shirley Sharp and me. It was so lovely to interact with the public, who seemed to really appreciate the event. There was a great energy; a strong sense of collaboration and deep focus during the drawing sessions. 

I’m creating a slideshow of my work to be published at the end of the Inch by IN:CH project. See my slideshow of all our work for Backwell. (Photos by Linda Ashe; James Thornton).

Our next stop is a pop up event at Found Outdoors, a beautiful woodland in Erlstoke, Wiltshire on 11th September, with events, and then our finale at The Gauge Museum, West Somerset Railway (25 Sept-3 Oct).

Reimagining Nature

A couple of my small sculptures from the entanglement series, and film Life in the Undergrowth are included in Re-Imagining Nature, an exhibition curated by Zoe Li in the newly transformed gallery in Yeovil - open until 11 Sept, Wed - Fri 11-3, Sat 11-5. 

Giant Octopus

I’m on my way to finishing a giant Octopus commission for Eastover School via Spaeda Arts. Made from recycled materials, parts were created in workshops I ran with the pupils.  Looking forward to erecting it on the 5m wall as a permanent feature.

Workshops

My first workshop back at the Holburne Museum for over a year was a success. Small family groups made wire creatures. I also spent a few lovely hours at Five Trees Bowlish running a free sculpture workshop. Thanks to Shepton Mallet Town Council for funding it as part of Summer in Shepton, and thanks to Sue Ayton-Moon for the great venue and facilities, situated in a field near Shepton Mallet. Participants made a range of pieces using recycled, found and natural materials.

Hope to see you at one of my forthcoming events. See a full list here.